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All Journal Humaniora DIKSI Natural Science: Journal of Science and Technology Nusa: Jurnal Ilmu Bahasa dan Sastra Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK) BASASTRA Jurnal Teknik Mesin FRANCISOLA AL KAUNIYAH BAHASA DAN SASTRA Jurnal Ilmiah Mahasiswa FEB Jurnal Keteknikan Pertanian Tropis dan Biosistem Mozaik Humaniora JURNAL SOSIAL HUMANIORA (JSH) KEMBARA ATAVISME JURNAL ILMIAH KAJIAN SASTRA Kajian Linguistik dan Sastra Khazanah Informatika: Jurnal Ilmu Komputer dan Informatika KARSA: Jurnal Sosial dan Budaya Keislaman (Journal of Social and Islamic Culture) International Journal of Science and Applied Science: Conference Series MUDRA Jurnal Seni Budaya Panggung BIOPROSPEK Proceeding of International Conference on Art, Language, and Culture Haluan Sastra Budaya Jurnal SOLMA Pendas : Jurnah Ilmiah Pendidikan Dasar Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Early Childhood Research Journal (ECRJ) Kandai Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Jurnal Rekayasa Sipil Adabiyyat: Jurnal Bahasa dan Sastra J-SAKTI (Jurnal Sains Komputer dan Informatika) Humaniora Aksis : Jurnal Pendidikan Bahasa dan Sastra Indonesia Literasi : Jurnal Bahasa dan Sastra Indonesia serta Pembelajarannya BAHTERA : Jurnal Pendidikan Bahasa dan Sastra Suar Betang Bahasa: Jurnal Keilmuan Pendidikan Bahasa dan Sastra Indonesia Sutasoma : Jurnal Sastra Jawa Jurnal Abdi: Media Pengabdian Kepada Masyarakat Abdi Laksana : Jurnal Pengabdian Kepada Masyarakat Masyarakat Berdaya dan Inovasi JIKA (Jurnal Informatika) Jurnal Sains Agro Jurnal Restikom : Riset Teknik Informatika dan Komputer Jurnal Ekonomi Efektif International Journal of Engagement and Empowerment (IJE2) J-SAKTI (Jurnal Sains Komputer dan Informatika) Rengganis Jurnal Pengabdian Masyarakat RUANG KATA: Journal of Language and Literature Studies Jurnal bahasa, sastra, seni, dan pengajarannya Jurnal Pengabdian Masyarakat Akademika : Jurnal Pemikiran Islam Jurnal Pengabdian Masyarakat Bhinneka Jurnal Lektur Keagamaan Widyaparwa Jurnal PENEROKA: Kajian Ilmu Pendidikan Bahasa dan Sastra Indonesia Sewagati Paradigma: Jurnal Kajian Budaya Wacana: Journal of the Humanities of Indonesia Cilpa : Jurnal Ilmiah Pendidikan Seni Rupa SmartComp Qurthuba: The Journal of History and Islamic Civilization Journal of Infrastructure Policy and Management (JIPM) Dharma: Jurnal Pengabdian Masyarakat Belajar Bahasa : Jurnal Ilmiah Program Studi Pendidikan Bahasa dan Sastra Indonesia Sawerigading Jurnal bahasa, sastra, seni, dan pengajarannya Jurnal Panalungtik JENTERA: Jurnal Kajian Sastra ABDINE :Jurnal Pengabdian Masyarakat

Dwi Susanto

Universitas Sebelas Maret

Author-ID : 395942

Religion Agriculture, Biological Sciences & Forestry Arts Humanities Biochemistry, Genetics & Molecular Biology Chemistry Civil Engineering, Building, Construction & Architecture Computer Science & IT Control & Systems Engineering Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Electrical & Electronics Engineering Energy Engineering Environmental Science Health Professions Immunology & microbiology Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Materials Science & Nanotechnology Mathematics Mechanical Engineering Nursing Physics Public Health Social Sciences Transportation Veterinary Other

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GHOST MIGRATION IN PLAYSTORE: MYSTERY REPRODUCTION AND AESTHETIC RESISTANCE Dwi Susanto
Bahasa: Jurnal Keilmuan Pendidikan Bahasa dan Sastra Indonesia Vol 2, No 3 (2020)
Publisher : ppjbsip

Mystery story genre, such as ghost story, have migrated in virtual media or digital media, exspecially Playstore. The migration caused many modifications and adptation, that convert with digital media. This paper aims to show ghost story in Playstore aplication, the response reader, and the ghost story as aesthetic discourse pratical. The data of this paper are ghost stories in Playstore, response readers,and narartion which is related with aesthetic discourse. The interpretation data use sosiological perspective. This paper result that the ghost story migration in virtual media have changed image and representation ghost stories became metropolit. It changes the oppsite between tradition versus modern. The response reader appears that this genre is habitual and popular in thier horizon expecation as information and entertaiment. The simbolic reproduction show that the mystery world create pleasure, entertaiment, and other mystery. It is resistance toward canonical aesthetic and mystery genre itself, which eliminated by dominan aesthetic.AbstrakGenre cerita misteri, seperti cerita hantu, telah bermigrasi di media virtual atau media digital, khususnya Playstore. Migrasi tersebut menyebabkan banyak modifikasi dan adptasi, yang dikonversi dengan media digital. Makalah ini bertujuan untuk menunjukkan cerita hantu dalam aplikasi Playstore, respons pembaca, dan cerita hantu sebagai wacana estetika yang praktis. Data dari makalah ini adalah cerita hantu di Playstore, respons pembaca, dan narartion yang terkait dengan wacana estetika. Data interpretasi menggunakan perspektif sosiologis. Makalah ini menghasilkan bahwa migrasi cerita hantu di media virtual telah mengubah gambar dan representasi cerita hantu menjadi metropolitan. Ini mengubah oppsite antara tradisi versus modern. Melalui respons pembaca terlihat bahwa genre ini adalah kebiasaan dan populer dalam harapan cakrawala mereka sebagai informasi dan hiburan. Reproduksi simbolik menunjukkan bahwa dunia misteri menciptakan kesenangan, hiburan, dan misteri lainnya. Ini adalah perlawanan terhadap estetika kanonik dan genre misteri itu sendir, yang dihilangkan oleh estetika dominan.

ESTETIKA GERAK EKOR ORCAELLA BREVIROSTRIS DALAM TEKNIK BAKAR RAKU Indro Dwi Susanto
Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Vol 20, No 1 (2018): Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni
Publisher : LPPMPP Institut Seni Indonesia Padangpanjang

Pesut dengan nama latinOrcaella brevirostris adalah sejenis hewan mamalia yang sering disebut lumba-lumba air tawar. Tidak seperti mamalia air lain yakni lumba-lumba dan ikan paus yang hidup di laut, pesut hidup di sungai-sungai daerah tropis.Mamalia air tawar ini mempunyai kepala berbentuk setengah lingkaran dengan kedua matanya yang kecil. Tubuh pesut berwarna abu-abu sampai biru hitam. Sirip punggung kecil dan membundar di belakang pertengahan punggung. Dahi tinggi dan membundar setengah lingkaran, tidak ada paruh. Pesut bergerak dalam kawanan. Walaupun pandangannya tidak begitu tajam dan kenyataan bahwa pesut hidup dalam air yang mengandung lumpur, namun pesut merupakan hewan yang ahli dalam mendeteksi dan menghindari rintangan yang ada di depan. Mereka menggunakan ultrasonik untuk melakukan lokasi gema seperti yang dilakukan oleh kerabatnya di laut. Pesut sangat gemar memunculkan diri ke atas permukaan air dan melompat menunjukan keindahan tubuhnya. Gerak ekor yang gemulai akan terlihat ketika muncul diatas permukaan air. Keindahan ini akan diwujudkan dalam karya keramik artistik dengan teknik bakar raku.

Perempuan, Islam, dan Wacana Kolonial: Pembacaan Pascakolonial terhadap Novel Ratu yang Bersujud (2013) Karya Mahdavi Dwi Susanto; Rianna Wati; Afnan Arummi
Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Vol 4 No 4 (2021)
Publisher : Universitas Mulawarman

Representations of women, Islam, and colonial discourses appear in the Ratu yang Bersujud (2013). The novel is a counter discourse towards the representation of women and Islam in global discourse. The main problem of this research is the representation of Islam and women towards the Western world within the perspective of the author's subject. The purpose is to show the representation of Islam and women according to the author's subject view. This research uses a post-colonial perspective, especially the way colonized subjects present re-representation or overwriting. The objects are the Ratu yang Bersujud (2013) and the views of colonized subjects on the representation of Islamic identity (women and Islam). This research data consists of text narrative structure, thematic ideas of the text, social context of the author or colonized society, and discourse of modern colonialism. The result of the research is that the author's subject carries out a deconstruction that leads to the defense or resistance to the image or representation of Islam and women in the global discourse. However, it is trapped in ambiguity, which is trapped in colonial discourse and does not voice women in Islam but Islamic identity in the perspective of the patriarchal subject. It is proven as a representation of women as objects of misfortune.

Onomatopoea sebagai Pembuka Signifikasi Teks dalam Komik Tintin Petualangan Tintin Penerbangan 714 ke Sidney versi Terjemahan Bahasa Indonesia Deny Tri Ardianto; Dwi Susanto; Sayid Mataram
Mudra Jurnal Seni Budaya Vol 33 No 2 (2018): Mei
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/mudra.v33i2.349

Komik Tintin memperlihatkan onomatopoea yang dimanfaatkan untuk memperjelas makna. Onomatopoea memberikan â€œcelahâ€ sebagai pembuka makna teks dengan melihat gagasan yang lain dalam teks. Pembacaan yang dilakukan atas onomatopoea adalah pembacaan dekonstruksi. Masalah utama dari hal itu adalah apakah makna dalam teks dengan mendasarkan pada bagian terpinggir dari teks seperti onomatopoea. Objek material dari tulisan ini komik terjemahan dari Tintin edisi Petualangan Tintin Penerbangan 714 ke Sidney. Objek formalnya adalah makna dari teks Tintin. Data yang digunakan adalah onomatopoea dalam teks, gagasan yang muncul dari teks, isi cerita dan lain-lain. Teknik interpretasi data dilakukan dengan mendasarkan pada prosedur pembacaan dekonstruksi. Hasil yang diperoleh menunjukkan bahwa onomatopoea menjadi pembuka makna teks melalui serangkaian oposisi seperti onomatopoea versus narasi teks, onomatopoea versus visual, dan narasi teks versus visual. Onomatopoea mengikat sekuen sebelum dan sesudahnya dan meluruhkan narasi teks serta visual yang â€œtidak pentingâ€ disekitar onomatopoea. Gagasan interteks yang muncul adalah melanjutkan proyek rasionalisme, bias kolonial dan keunggulan ras, serta meluruhnya gagasaan tersebut melalui kritik atas materialisme. Hal itu ditunjukkan melalui teks-teks petualangan, konflik ideologis, hingga hero yang super seperti pada era Romantisme Eropa.Tintin comic utilizes onomatopoeia to clarify meaning. Onomatopoeia gives a "window" as an opening to the meaning intended in the text by relating to other context in it. Onomatopoeia reading is a deconstructive reading. The main problem of this type of reading is whether the meaning in the text is based on the marginalized part of the text such as onomatopoeia. The material object of this paper is a comic translation of Tintin's Adventure entitled Tintin Flight 417 to Sidney. The formal object of this paper is the meaning of the text in the comic. The data of this research are onomatopoeia in the text, ideas that arise from the text, and the content of the story. Data interpretation technique was conducted according to deconstruction reading procedure. The results show that onomatopoeia clarify the meaning of the text through a series of oppositions such as onomatopoeia versus text narrative, onomatopoeia versus visual, and text narrative versus visual. Onomatopoeia binds the previous and following sequences and sheds the "unecessary" visuals and narrative texts around it. The intertextual ideas that arise are issues related to rationalism, colonial bias and racial superiority, and the dissolve of those ideas due to criticisms of materialism. These are shown through the texts of adventure, ideological conflict, and super hero characteristics like commonly presented in the era of European Romance.

INDONESIAN ISLAMIC POETS' AMBIVALENCE UNDER THE DUTCH COLONIALISM IN THE 1930S Dwi Susanto
Akademika : Jurnal Pemikiran Islam Vol 27 No 1 (2022)
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat, Institut Agama Islam Negeri Metro

Islamic poets' poetical themes expressed their spiritual experience in Indonesian literature during the 1930s. These themes had opposed to the Islamic movement at the time, which was fighting against colonial ideology. The objectives of this study are to look at why poets advocated oppositional views in the face of colonial discourse, as well as the poets' position within the Dutch colonial system in the 1930s. Thematic notions of Indonesian literary poets in the 1930s, biographical histories of poets, and colonial discourses in Indonesia in the 1930s were among the data sources used in this study. The result revealed that the poets adopted a romantic aesthetic mimicking strategy to portray the idea of their spiritual experience. In most colonial literature, the mimicry between the colonizer and the colonized nation heightens the ambivalence of the Indonesian human personality. Because of ethical adjustments and unacceptable ideal categories, this ambiguous attitude develops. Syncretism emerges as a result of the clash of Western and Eastern civilizations. The author's aesthetic mimicry strategy has implications for the poet's ambivalence: on the one hand, the poet follows Balai Pustaka's aesthetic pattern with an understanding of individualism, while on the other hand, the poet ignites the concept of Islamic symbolic memory as part of the construction of Indonesian cultural identity, as in the Indonesian Cultural Polemics from 1930 to 1942.

Pandangan Pengarang terhadap Perempuan dalam Cerpen Tahun 1950-1960-an Karya Pengarang Peranakan Tionghoa-Indonesia Dwi Susanto
Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Vol 5 No 4 (2022)
Publisher : Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/diglosia.v5i4.526

This paper looks at the views or constructions of Chinese peranakan authors towards women in that era. Issues discussed: (1) how Peranakan authors narrate women in their works; (2) the reasons for the Chinese Peranakan authors in the 1950s-1960s to narrate women. This study uses the point of view of feminist literary criticism. The object of this research is the 1950-1960s short stories and the author's perspective on women. The data of this research is the narrative of short stories that describe the image of women, the author's social construction, and the idea of androcentrism. The data interpretation technique follows the way of feminist literary criticism. The results of the study: (1) women are presented and controlled by men and are controlled by social construction; (2) the idea of morality and the economic context becomes a construction that the author interprets through androcentrism; (3) morality is misinterpreted by male authors and women as victims who are silenced in the name of morality. It has resulted in women being unable to speak up and follow androcentrism in the name of tradition and the sacred concept of morality. Morality is misinterpreted as sexuality and borne by women.

Praktik Sosial Goenawan Mohamad di Arena Sastra Indonesia pada Tahun 1990-an: Kajian Sosiologi Anthony Giddens Aprilia Ciptaning Maharani; Dwi Susanto
Nusa: Jurnal Ilmu Bahasa dan Sastra Vol 14, No 4: November 2019
Publisher : Program Studi Sastra Indonesia, Fakultas Ilmu Budaya, Universitas Diponegoro

The purpose of this study is to find out how GM's social practices as agents in the Indonesian literary arena in the 1990s, and the structural responses to these social practices. This research is qualitative. The material object is GM's social practice in the Indonesian literary arena in the 1990s, while the formal object is the arena structure's response to the action. Data analysis was performed by chronological mapping accompanied by decomposition that referred to Anthony Giddens's sociological theories. Based on research that has been done, the results show that GM runs social practices by occupying several arena structures, including Horison, AJ and DKJ, Tempo through Caping, and KUK. The structural response to these actions was manifested in several conflicts, contradictions and acceptances that helped to bolster the existence of GM's literacy in the Indonesian literary arena from the beginning to the 1990s.

TOTEMISME PADA OBJEK IREZUMI DALAM SERI GIM YAKUZA: TATO SEBAGAI BEBAN PSIKOLOGIS Harahap, Aqiilah Bilqiis Salsabiil; Susanto, Dwi; Mibtadin, Mibtadin; Ardianto, Deny Tri
Paradigma: Jurnal Kajian Budaya Vol. 13, No. 1
Publisher : UI Scholars Hub

Show Abstract | Download Original | Original Source | Check in Google Scholar

Totemism is a belief in an animal or plant’s guiding spirit that is linked to a person’s character and destiny. Totemism manifests itself in tattoos as body decoration and symbols of hope, such as Yakuza tattoos (irezumi). This research aims to reveal the representation and meaning of totemistic irezumi worn by three Yakuza characters (Kazuma Kiryuu, Akira Nishikiyama, and Goro Majima) in two Yakuza-themed game series: Yakuza 0 (2015) and Yakuza Kiwami 1 (2016). These games provided the primary data in the form of images and conversations. Ricoeur’s hermeneutic theory was applied to examine the data, along with qualitative descriptive and interpretative methods. Analysis revealed differences between the meaning of tattoos shown in the Yakuza games and those existing in the real world. Kiryuu’s dragon tattoo represents the burden of responsibility; Nishiki’s koi tattoo represents the burden of being a great individual; and Majima’s tattoo represents an emotional burden. Thus, the entities shown in those irezumi can be said to represent psychological burden and influence their bearers’ as personal totems.

Chinese society as depicted in early twentieth century Chinese-Malay literature Susanto, Dwi
Wacana, Journal of the Humanities of Indonesia Vol. 18, No. 1
Publisher : UI Scholars Hub

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Gouw Peng Liang's Lo Fen Koei text (1903) as a cultural practice of the Chinese peranakan community: A new historicism study Dwi Susanto
Bahasa dan Seni: Jurnal Bahasa, Sastra, Seni, dan Pengajarannya Vol 51, No 1 (2023)
Publisher : Fakultas Sastra Universitas Negeri Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17977/um015v51i12023p133

Lo Fen Koei text (1903) by Gouw Peng Liang has been neglected in the history of Indonesian literature due to the numerous discourses on power and social, political, and ideological issues that flourished at the time. The objective of this study is to discover about the text's active response to social, political, and other discourses that exist outside of its existence. The issues addressed in this study are (1) the historical context and author's stance, (2) the meaning of Lo Fen Koei's (1903) text, and (3) the texts and discourse around Lo Fen Koei's (1903) text. The study uses a New Historicism persfective. The Loe Fen Koei text (1903) as a material object and the text's cultural practices as a formal object are the objects of this study. The study data include contents and ideas of Lo Fen Koei text (1903), the social setting in which the text is situated, non-literary texts that are present at the same time, and diverse information related to the topic. Data interpretation techniques were used to prove the paratext corresponding to the Lo Fen Koei text (1903) by following procedures presented in New Historicism studies such as reading the meaning of the text, linking the meaning of the text or the presence of the text with the social situation and discourse that developed at the time. The results of this paper reveal that Lo Fen Koei text (1903) by Gouw Peng Liang has relevance to cultural practices within Chinese society in responding to diverse prevalent discourses. Meanwhile, the vision and objective of the Tiong Hua Hwee Kuan (THHK) cultural organization, the recinanization movement or Khong Hucu, and opposing to colonial policies exist as evidence of cultural practice. This text was a proponent of cultural nationalism and the restoration of noble teachings. Through the concepts of liberalism and westernization, the work also addressed on the practice of colonialism in the colonial time.Keywords: Lo Fen Koei, New Historicism, Indonesian Chinese community.Teks Lo Fen Koei (1903) karya Gouw Peng Liang sebagai praktik kebudayaan masyarakat peranakan Tionghoa: Kajian New HistoricismTeks Lo Fen Koei (1903) karya Gouw Peng Liang merupakan teks yang tersingkirkan dalam sejarah kesastraan Indonesia karena berbagai wacana kuasa dan kekuatan sosial, politik, dan ideologi pada masanya. Tujuan dari tulisan ini adalah untuk mengetahui respon aktif teks tersebut terhadap kekuatan sosial, politik, dan berbagai wacana di luar keberadaannya. Masalah yang dibahas dalam tulisan ini adalah (1) latar historis dan posisi pengarang, (2) makna teks Lo Fen Koei (1903) karya Lo Fen Koei, dan (3) para teks dan wacana yang melingkupi teks Lo Fen Koei (1903). Kajian ini mengunakan prespektif New Historicism. Objek kajiannya adalah teks Loe Fen Koei (1903) sebagai objek material dan praktik kebudayaan dari teks tersebut sebagai objek formal. Data penelitian ini adalah isi dan gagasan karya teks Lo Fen Koei (1903), situasi sosial ketika teks hadir, teks nonsastra yang hadir sezaman, dan berbagai informasi yang sesuai dengan topik. Teknik interpretasi data dilakukan dengan mengikuti prosedur yang dikenalkan dalam kajian New Historicism seperti pembacaan makna teks, merelasikan makna teks atau kehadiran teks dengan situasi sosial dan wacana yang berkembang pada masa itu hingga membukti parateks dengan teks Lo Fen Koei (1903). Hasil tulisan ini menunjukkan bahwa teks Lo Fen Koei (1903) karya Gouw Peng Liang memiliki relevansi dengan praktik kebudayaan di dalam msayarakat Tionghoa dalam merespon berbagai wacana yang hadir. Sementara itu, parateks yang hadir sebagai bukti praktik kebudayaaan adalah visi misi organisasi kultural Tiong Hua Hwee Kuan (THHK), gerakan recinanisasi atau Khong Hucu, dan resistensi atas kebijakan kolonial. Teks ini hadir sebagai komentator yang mendukung gagasan nasionalisme kebudayaan dan gerakan kembali pada ajaran luluhur. Teks ini juga menjadi komentator yang melawan praktik kolonialisme melalui wacana liberalisme dan pembaratan era kolonial.Kata kunci: Lo Fen Koei, New Historicism, masyarakat Tionghoa Indonesia.

Co-Authors Abdul Fadlil Abdullah, Agni Pusparina Putri Achmad Basuki Achmad Nugrahantoro Ade Candra, Ade Aditya, Anggie Yudistira Afida, Nurul Lailia Afnan Arummi Aini, Fadhilah Dhinur Aji Nugroho Aji, Rendra Suprobo Alayya, Syamila Isyqi Albar, Dini Salima Albertus Prasojo Alfirman, Diva Muhammad aliagaffi, Candara Alisa, Deva Putri aloysius mering Alqoronie, Uwais Amalia Nur Rochmah Amanda Huda Anggraeni, Martianda Erste Anggraini , Martianda Erste Anggraini, Ariska Puspita Annisa Nur Fauziah Anton Yudhana Aprilia Ciptaning Maharani Apsari, Lela Ardhani, Orinta Ardiansyah, DT Ardianto, Deny Tri Aries Adenata Arifin, Ahmad Zaki Ariska Puspita Anggraini Arofani, Nilam Yuhanisa Ashafidz Fauzan Dianta, Ashafidz Fauzan Ashafidz Fauzan, Ashafidz Bagus Kurniawan Barriyah, Insanul Qisti Baskoro Baskoro, Baskoro Betrand Erlangga Candra, Rizal Naufal Chairunisak, Uum Helmina Chandra, Dio Pamola Cinthya, Nathasha Darmawan, Zakha Maisat Eka Deny Tri Ardianto Desiana Muryasari Desta Nurrachmawati Said Dewi Pamungkasari Dewi Puspita Sari Diah Pramudita Dias Esaliana Dolly Nofer Duanda, Prada Eka Puspita Sari Elisa Nur Apriliana Esaliana, Dias Eva Agustriani Hutauruk, Eva Agustriani Fadhilah Ayu Wijayanti Fadil, Abdul Faradisa, Rosiyah Fathoni, Kholid Fauzi Arif, Muhammad Finanda, Septy Asri Fitzgelard, Arsyita Rahma Flora Grace Putrianti Gunawan Gunawan Hane, Thomas Didimus Harahap, Aqiilah Bilqiis Salsabiil Hartina, Hartina Hasbi, Bening Zarah Hetty Manurung, Hetty Huda, Lailatul Ika Naviri Anitasari Ikhsani, Mifta Kurnia Indary, Melati Deshy Indri Astuti Inge Hilya Lentera Pradani Islam, Mohamad Fajarudin Istadiyantha Istadiyantha Izzah, Fadhilah Rifhayu Joko Sujarwo Kharismajati, Gema Khilian, Abdul Mutalib Kisma Pradahati Kuncoro, Nayla Amara Kusuma, Andri Kusumawati, Eko Kusumawati, Eko Lastunna Umi Kulsum Lukmanul Hakim Lupiyanto Malawi, Ibadullah Marimin Marimin Mayasari, Fony Medi Hendra Mibtadin Miftah Nugroho Moh. Zikky, Moh. Monita Olivia Muhammad Fauzi Arif Muhammad Irfan MUHAMMAD REZA FAHLEVI Muhammadiyah, Muhammadiyah munasirah, Munasirah Mustariani, Erry Muthmainnah, Atikah Mutia Hesti Istiqomah Nathasha Cinthya Nofer, Dolly Nugroho Heri Cahyono Nugroho, Ahmad Nugroho, Miftah Nur Fatul Aini Nurhikmah, Putri Indah Nuriyadin, Nuriyadin OCTAMA DWITANINGSIH Pandhito, Bagus Wahyu Panji Satrio Binangun Periyanto, Ari Peryanto, Ari Prihatini Prihatini, Prihatini Priyani, Diah Indah Purnama, Miryan Sucianti Putri Amalia Dwi Pitasari Putri Permatasari, Putri Putri, Dheya Kusuma Arianing Putri, Fiorhentina Rahmaningtyas, Ika Rizky Ramdani, Nurrahmad Rante, Hestiasari Ratna Kusuma, Ratna Rianna Wati Rianna Wati Ririn Wahyu Eka Sari Rusman, Wafa Nabila Rustam, Fradilah Rusydi Umar Sabila, Nabila Dienna Salma Arezha Samsurianto Saptaningsih, Nur Saputri, Hafizah Rahma Sari, Mustika Wulan Sartika, Resa Sasanti Silvya Putri Sasmi, Dwi Andini Arditya Sayid Mataram Shabrina, Almira Wynne Sidik, Muhamad Fajar Siti Muslifah, Siti Siti Patimah, Isad Suhaeb Stafrizal, Syafrizal Sudrajat Sudrajat Suhendar, Satrian Supana Supana Supriyanto, Rahmat Susanto Susanto Susanto Susanto, Moh. Rusnoto Susanto, Susanto Syafrizal Syafrizal Syamila Isyqi Alayya Syamsiar, Syamsiar Syarief Fajaruddin Titi Lestari, Titi Titis Srimuda Pitana, Titis Srimuda Tri Budi Santoso Wakit Abdullah Rais Wati, Ilma Wiwit Rahina Wati, Rianna Wati, Rianna Wibowo, Eko Putra Wibowo, Prasetyo Widananda, Charisma Wulan Widi Sarinastiti Widiyanto, Imam Juni Widowati Pusporini, Widowati Winarno, Nadya Yanti Puspita Sari Yuliatin, Ervinda Yuwono Fitri Widodo Zahra'ni, Izzahtu Nuha Zainuddin, Muhammad Agus Zikky, Moh Zulfikar Djauhari

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