p-Index From 2021 - 2026
10.837
P-Index
This Author published in this journals
All Journal Humaniora DIKSI Natural Science: Journal of Science and Technology Nusa: Jurnal Ilmu Bahasa dan Sastra Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK) BASASTRA Jurnal Teknik Mesin FRANCISOLA AL KAUNIYAH BAHASA DAN SASTRA Jurnal Ilmiah Mahasiswa FEB Jurnal Keteknikan Pertanian Tropis dan Biosistem Mozaik Humaniora JURNAL SOSIAL HUMANIORA (JSH) KEMBARA ATAVISME JURNAL ILMIAH KAJIAN SASTRA Kajian Linguistik dan Sastra Khazanah Informatika: Jurnal Ilmu Komputer dan Informatika International Journal of Science and Applied Science: Conference Series MUDRA Jurnal Seni Budaya Panggung BIOPROSPEK Proceeding of International Conference on Art, Language, and Culture Haluan Sastra Budaya Jurnal SOLMA Pendas : Jurnah Ilmiah Pendidikan Dasar Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Early Childhood Research Journal (ECRJ) Kandai Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Jurnal Rekayasa Sipil Adabiyyat: Jurnal Bahasa dan Sastra Humaniora Aksis : Jurnal Pendidikan Bahasa dan Sastra Indonesia Literasi : Jurnal Bahasa dan Sastra Indonesia serta Pembelajarannya BAHTERA : Jurnal Pendidikan Bahasa dan Sastra Suar Betang Bahasa: Jurnal Keilmuan Pendidikan Bahasa dan Sastra Indonesia Sutasoma : Jurnal Sastra Jawa Jurnal Abdi: Media Pengabdian Kepada Masyarakat Abdi Laksana : Jurnal Pengabdian Kepada Masyarakat Masyarakat Berdaya dan Inovasi JIKA (Jurnal Informatika) Jurnal Restikom : Riset Teknik Informatika dan Komputer Jurnal Ekonomi Efektif International Journal of Engagement and Empowerment (IJE2) J-SAKTI (Jurnal Sains Komputer dan Informatika) Rengganis Jurnal Pengabdian Masyarakat RUANG KATA: Journal of Language and Literature Studies Jurnal Pengabdian Masyarakat Akademika : Jurnal Pemikiran Islam Jurnal Pengabdian Masyarakat Bhinneka Jurnal Lektur Keagamaan Widyaparwa Jurnal PENEROKA: Kajian Ilmu Pendidikan Bahasa dan Sastra Indonesia Sewagati Paradigma: Jurnal Kajian Budaya Wacana: Journal of the Humanities of Indonesia Cilpa : Jurnal Ilmiah Pendidikan Seni Rupa SmartComp Qurthuba: The Journal of History and Islamic Civilization Journal of Infrastructure Policy and Management (JIPM) Dharma: Jurnal Pengabdian Masyarakat Belajar Bahasa : Jurnal Ilmiah Program Studi Pendidikan Bahasa dan Sastra Indonesia Sawerigading Jurnal bahasa, sastra, seni, dan pengajarannya Jurnal Panalungtik JENTERA: Jurnal Kajian Sastra ABDINE :Jurnal Pengabdian Masyarakat KARSA: Jurnal Sosial dan Budaya Keislaman (Journal of Social and Islamic Culture) Peneroka
Claim Missing Document
Check
Articles

INDONESIAN ISLAMIC POETS' AMBIVALENCE UNDER THE DUTCH COLONIALISM IN THE 1930S Dwi Susanto
Akademika : Jurnal Pemikiran Islam Vol 27 No 1 (2022)
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat, Institut Agama Islam Negeri Metro

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (168.869 KB) | DOI: 10.32332/akademika.v27i1.4294

Abstract

Islamic poets' poetical themes expressed their spiritual experience in Indonesian literature during the 1930s. These themes had opposed to the Islamic movement at the time, which was fighting against colonial ideology. The objectives of this study are to look at why poets advocated oppositional views in the face of colonial discourse, as well as the poets' position within the Dutch colonial system in the 1930s. Thematic notions of Indonesian literary poets in the 1930s, biographical histories of poets, and colonial discourses in Indonesia in the 1930s were among the data sources used in this study. The result revealed that the poets adopted a romantic aesthetic mimicking strategy to portray the idea of their spiritual experience. In most colonial literature, the mimicry between the colonizer and the colonized nation heightens the ambivalence of the Indonesian human personality. Because of ethical adjustments and unacceptable ideal categories, this ambiguous attitude develops. Syncretism emerges as a result of the clash of Western and Eastern civilizations. The author's aesthetic mimicry strategy has implications for the poet's ambivalence: on the one hand, the poet follows Balai Pustaka's aesthetic pattern with an understanding of individualism, while on the other hand, the poet ignites the concept of Islamic symbolic memory as part of the construction of Indonesian cultural identity, as in the Indonesian Cultural Polemics from 1930 to 1942.
Pandangan Pengarang terhadap Perempuan dalam Cerpen Tahun 1950-1960-an Karya Pengarang Peranakan Tionghoa-Indonesia Dwi Susanto
Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Vol 5 No 4 (2022)
Publisher : Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/diglosia.v5i4.526

Abstract

This paper looks at the views or constructions of Chinese peranakan authors towards women in that era. Issues discussed: (1) how Peranakan authors narrate women in their works; (2) the reasons for the Chinese Peranakan authors in the 1950s-1960s to narrate women. This study uses the point of view of feminist literary criticism. The object of this research is the 1950-1960s short stories and the author's perspective on women. The data of this research is the narrative of short stories that describe the image of women, the author's social construction, and the idea of ​​androcentrism. The data interpretation technique follows the way of feminist literary criticism. The results of the study: (1) women are presented and controlled by men and are controlled by social construction; (2) the idea of ​​morality and the economic context becomes a construction that the author interprets through androcentrism; (3) morality is misinterpreted by male authors and women as victims who are silenced in the name of morality. It has resulted in women being unable to speak up and follow androcentrism in the name of tradition and the sacred concept of morality. Morality is misinterpreted as sexuality and borne by women.
Praktik Sosial Goenawan Mohamad di Arena Sastra Indonesia pada Tahun 1990-an: Kajian Sosiologi Anthony Giddens Aprilia Ciptaning Maharani; Dwi Susanto
Nusa: Jurnal Ilmu Bahasa dan Sastra Vol 14, No 4: November 2019
Publisher : Program Studi Sastra Indonesia, Fakultas Ilmu Budaya, Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (207.431 KB) | DOI: 10.14710/nusa.14.4.536-548

Abstract

The purpose of this study is to find out how GM's social practices as agents in the Indonesian literary arena in the 1990s, and the structural responses to these social practices. This research is qualitative. The material object is GM's social practice in the Indonesian literary arena in the 1990s, while the formal object is the arena structure's response to the action. Data analysis was performed by chronological mapping accompanied by decomposition that referred to Anthony Giddens's sociological theories. Based on research that has been done, the results show that GM runs social practices by occupying several arena structures, including Horison, AJ and DKJ, Tempo through Caping, and KUK. The structural response to these actions was manifested in several conflicts, contradictions and acceptances that helped to bolster the existence of GM's literacy in the Indonesian literary arena from the beginning to the 1990s.
TOTEMISME PADA OBJEK IREZUMI DALAM SERI GIM YAKUZA: TATO SEBAGAI BEBAN PSIKOLOGIS Harahap, Aqiilah Bilqiis Salsabiil; Susanto, Dwi; Mibtadin, Mibtadin; Ardianto, Deny Tri
Paradigma: Jurnal Kajian Budaya Vol. 13, No. 1
Publisher : UI Scholars Hub

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Totemism is a belief in an animal or plant’s guiding spirit that is linked to a person’s character and destiny. Totemism manifests itself in tattoos as body decoration and symbols of hope, such as Yakuza tattoos (irezumi). This research aims to reveal the representation and meaning of totemistic irezumi worn by three Yakuza characters (Kazuma Kiryuu, Akira Nishikiyama, and Goro Majima) in two Yakuza-themed game series: Yakuza 0 (2015) and Yakuza Kiwami 1 (2016). These games provided the primary data in the form of images and conversations. Ricoeur’s hermeneutic theory was applied to examine the data, along with qualitative descriptive and interpretative methods. Analysis revealed differences between the meaning of tattoos shown in the Yakuza games and those existing in the real world. Kiryuu’s dragon tattoo represents the burden of responsibility; Nishiki’s koi tattoo represents the burden of being a great individual; and Majima’s tattoo represents an emotional burden. Thus, the entities shown in those irezumi can be said to represent psychological burden and influence their bearers’ as personal totems.
Chinese society as depicted in early twentieth century Chinese-Malay literature Susanto, Dwi
Wacana, Journal of the Humanities of Indonesia Vol. 18, No. 1
Publisher : UI Scholars Hub

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Representation of the Author’s Inner Conflict in the Novel Ziarah (1969) by Iwan Simatupang: a Psychoanalitycal Study Elisa Nur Apriliana; Ririn Wahyu Eka Sari; Dwi Susanto
SUAR BETANG Vol 18, No 2 (2023): December 2023
Publisher : Balai Bahasa Kalimantan Tengah

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/surbet.v18i2.12856

Abstract

The aim of this research is to reveal Iwan Simatupang's inner conflict through his novel entitled Ziarah (1969) using Sigmund Freud's psychoanalytic approach, namely condensation, symbolization, and diversion. The novel tells the story of the inner struggles of a former painter who acts like a madman and a drunkard because his wife died. The method used is descriptive qualitative. The material object in this research is the novel Ziarah (1969) by Iwan Simatupang, while the formal object is the author's inner conflict which is represented through the language contained in the novel. The primary data for this research are words, sentences, language, narrative, and symbols contained in the novel Ziarah (1969) which show the existence of conflict or desire that the author tries to suppress. The secondary data for this research is all information related to the biography and work of Iwan Simatupang to be related to psychology, especially in revealing the inner conflict experienced by Iwan Simatupang. Data collection techniques are carried out by reading and recording various information needed in the research. The data analysis technique uses Sigmund Freud's psychoanalytic theory to uncover the author's inner construction or conflict represented in the text. The results of the research were that Iwan Simatupang was known to be experiencing depression because his wife died. Through condensation, symbolization and diversion, Iwan can be said to be experiencing a serious mental disorder which can affect his emotions, behavior and communication. This mental disorder is called schizophrenia. AbstrakTujuan dari penelitian ini adalah mengungkapkan konflik batin Iwan Simatupang melalui novelnya yang berjudul Ziarah (1969) menggunakan pendekatan psikoanalisis Sigmund Freud, yaitu kondensasi, simbolisasi, dan pengalihan. Novel tersebut bercerita tentang pergulatan batin mantan bekas pelukis yang bertingkah layaknya orang gila dan pemabuk karena istrinya meninggal. Metode yang digunakan adalah deskriptif kualitatif. Objek material dalam penelitian ini adalah novel Ziarah (1969) karya Iwan Simatupang, sedangkan objek formalnya berupa konflik batin pengarang yang direpresentasikan melalui bahasa yang terdapat dalam novel. Data primer penelitian ini berupa kata, kalimat, bahasa, narasi, dan simbol yang terdapat dalam novel Ziarah (1969) yang menunjukkan adanya konflik atau hasrat yang berusaha pengarang pendam. Data sekunder penelitian ini adalah segala informasi yang berhubungan dengan biografi dan karya dari Iwan Simatupang untuk dikaitkan dengan psikologi, khususnya dalam mengungkap konflik batin yang dialami oleh Iwan Simatupang. Teknik pengumpulan data dilakukan dengan cara membaca dan mencatat berbagai informasi yang diperlukan dalam penelitian. Teknik analisis data menggunakan teori psikoanalisis Sigmund Freud untuk membongkar konstruksi atau konflik batin pengarang yang terepresentasi dalam teks. Iwan Simatupang diketahui mengalami depresi karena istrinya meninggal. Melalui kondensasi, simbolisasi, dan pengalihan Iwan dapat dikatakan mengalami gangguan mental berat di mana dapat memengaruhi emosional, tingkah laku, dan komunikasinya. Gangguan mental inilah yang disebut dengan skizofrenia. 
Representasi Amangkurat I dalam Babad Tanah Jawi Terjemahan W. L. Olthof dan Novel Amangkurat Karya Ardian Kresna Joko Sujarwo; Nur Fatul Aini; Dwi Susanto
Sutasoma : Jurnal Sastra Jawa Vol 11 No 2 (2023): Sutasoma: Jurnal Sastra Jawa
Publisher : Jurusan Bahasa dan Sastra Jawa Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/sutasoma.v11i2.70795

Abstract

There is a difference in the depiction of Amangkurat I in the Babad Tanah Jawi (2008) and the novel Amangkurat (2012). The discussion on the figure of Amangkurat I, specifically in recent studies, has not been widely discussed. The purpose of this study is to determine the representation of the figure of Amangkurat I in both works. This research includes a qualitative-descriptive study. The data used are in the form of text content in both literary works, the author's background, discourse on character representation, and sociology of literature. Interpretation of data is carried out in accordance with the workings of the theory of sociology of literature. The results of the research show that there is a more positive impression of the image of Amangkurat I, when compared to the novel, which appears in the babad story. This impression appeared in several events, namely the early period after the coronation, the construction of the Plered palace, the death of the Mataram tumenggung, the death of the Queen of Malang, the gift of bekisar by Prince Pekik, and the escape to Betawi. Such a narrative in the Babad Tanah Jawi can be assumed as an effort to legitimize the authorities. Then, the different depictions that appear in Amangkurat's novel show the author's partiality towards Dutch records against the story in Babad Tanah Jawi. Thus, the presence of the novel Amangkurat can be interpreted as a reaction or response by Ardian Kresna to the story in the Babad Tanah Jawi. Keywords: Representation, Amangkurat I, Babad Tanah Jawi, Amangkurat’s novel
MAULANA JALALUDDIN RUMI'S POEMS OF LONGING AS A SOURCE OF INSPIRATION FOR PAINTINGS Islam, Mohamad Fajarudin; Susanto, Moh. Rusnoto; Susanto, Dwi; Barriyah, Insanul Qisti; Finanda, Septy Asri
International Journal of Engagement and Empowerment (IJE2) Vol. 4 No. 2 (2024): International Journal of Engagement and Empowerment
Publisher : Yayasan Education and Social Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53067/ije2.v4i2.160

Abstract

The artist attempts to visualize the value and philosophical meaning of Maulana Jalaluddin Rumi's poems of longing. The message and meaning in Maulana Jalaluddin Rumi's longing poems will be the primary foundation in the artist's interpretation process, focusing on the value of love and longing to be realized as a means of visual communication through painting. The method of creating this final project is also an attempt to learn the artist's creativity, ideas, and techniques to express themselves through a painting and produce works that represent the artist. The method used by the artist in the creation process includes observation, Exploration, design, and realization of the work. The artist observes and absorbs the values and meanings contained in Maulana Jalaluddin Rumi's poems of longing through a source in the form of books, literary works, the internet, and philosophical studies about Maulana Jalaluddin Rumi. To support the process of creating this painting, the artist also explores by observing the works of previous artists and visiting art galleries. The results of these processes become the artist's capital to carry out a method of realization of the painting. The artist visualizes the idea in a painting, with eight paintings sourced from the artist's Exploration. The resulting artworks have sizes ranging from 100x80 cm to 120x100 cm. All the artworks were then exhibited and presented to the examiners
Peningkatan Kompetensi Pembuatan Animasi 2D pada Kru Studio Progresif TV untuk Iklan Pendek di PP Bumi Sholawat Sidoarjo Berbasis Project Based Learning Zikky, Moh; Rante, Hestiasari; Santoso, Tri Budi; Fathoni, Kholid; Sukaridhoto, Sritrusta; Zainuddin, Muhammad Agus; Susanto, Dwi; Sarinastiti, Widi; Anggraeni, Martianda Erste; Dianta, Ashafidz Fauzan; Darmawan, Zakha Maisat Eka; Faradisa, Rosiyah; Aji, Rendra Suprobo
Sewagati Vol 8 No 1 (2024)
Publisher : Pusat Publikasi ITS

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.12962/j26139960.v8i1.809

Abstract

Potensi industri kreatif di indonesia khususnya pada periklanan digital memiliki potensi yang sangat besar. Pada tahun 2023, belanja iklan mencapai $ 2,55 milliar. Saat ini industri periklanan lebih bervariasi, salah satunya dengan mengadopsi konsep animasi. Dengan menggunakan animasi, iklan lebih dinamis dan memiliki daya tarik visual. Namun ketersediaan SDM yang memiliki kompetensi di bidang animasi periklanan saat ini sangat terbatas. Politeknik Elektronika Negeri Surabaya, melalui Departemen Teknologi Multimedia Kreatif, Program Studi Teknologi Rekayasa Multimedia melakukan program pengabdian masyarakat berupa pelatihan pembuatan Iklan berbasis animasi 2D pada Progressive TV PP Bumi Sholawat Sidoarjo. Diharapkan dengan pelatihan ini mampu meningkatkan kompetensi SDM talenta digital di Indonesia Khususnya di Sidoarjo.
Peran Lie Kim Hok (1853-1912) Dalam Membangkitkan Agama Khonghucu Di Indonesia Era 1900-An Susanto, Dwi
Jurnal Lektur Keagamaan Vol 18 No 1 (2020): Jurnal Lektur Keagamaan Vol. 18 No. 1 Tahun 2020
Publisher : Center for Research and Development of Religious Literature and Heritage, Agency for Research and Development and Training, Ministry of Religious Affairs of the Republic of Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (267.573 KB) | DOI: 10.31291/jlka.v18i1.546

Abstract

The role of Lie Kim Hok in spreading Confucianism is not only seen from involvement in cultural organizations, but it is seen from the literary works. The research is to discussing the thoughts and contents of Lie Kim Hok's work. This research shown the social practices carried out by Lie Kim Hok in promoting Confucians. This paper uses the concept of structural duality from Anthony Giddens. The results achieved were, Lie Kim Hok gave a response to the social structure of the Chinese peranakan community, especially through the Confucian religious move­ment. Secondly, Lie Kim Hok's ideas and actions were responded to by the emergence of various religious movements through the writing of religious and educational work by other intellectuals. Third, the social practice was further a response to the colonial discourse so that the movement returned to Confucianism was not only a religious movement, but an attempt at cultural nationalism. This cultural nationalism was further part of the colonial resistance movement. Therefore, Lie Kim Hok is basically resistant to colonial discourse.Key words: Confucius, Chinese descendant, Lie Kim Hok Peran Lie Kim Hok dalam menyebarkan agama Khonghucu tidak hanya terlihat dari keterlibatan dalam organisasi kultural, tetapi hal itu terlihat dari karya yang dihasilkan. Penelitian yang telah dilakukan belum menunjukkan praktik sosial yang dilakukan Lie Kim Hok dalam mempromosikan Khonghucu. Tulisan yang ada membicarakan pemikiran dan isi karya dari Lie Kim Hok. Tulisan ini menggunakan konsep dualitas struktur dari Anthony Giddens. Hasil yang dicapai adalah, pertama, Lie Kim Hok memberikan respon pada struktur sosial di kalangan masyarakat peranakan Cina, khususnya melalui gerakan agama Khonghucu. Kedua, gagasan dan tindakan Lie Kim Hok itu direspon dengan kemunculan berbagai gerakan keagamaan melalui penulisan karya  keagamaan dan pendidikan oleh para intelektual yang lain. Ketiga, praktik sosial tersebut lebih lanjut merupakan sebuah respon atas wacana kolonial sehingga gerakan kembali pada ajaran agama Khonghucu itu bukan hanya sebagai gerakan kegamaan, melainkan sebagai upaya nasionalisme kebudayaan. Nasionalisme kebudayaan ini lebih lanjut adalah bagian dari gerakan resistensi kolonial. Dengan demikian, Lie Kim Hok pada dasarnya bersifat resisten terhadap wacana kolonial.  Kata kunci: Khonghucu, peranakan Tionghoa, Lie Kim Hok
Co-Authors Abdul Fadlil Abdullah, Agni Pusparina Putri Achmad Basuki Achmad Nugrahantoro Ade Candra, Ade Aditya, Anggie Yudistira Afida, Nurul Lailia Afnan Arummi Aini, Fadhilah Dhinur Aji Nugroho Aji, Rendra Suprobo Alayya, Syamila Isyqi Albar, Dini Salima Albertus Prasojo Alfirman, Diva Muhammad aliagaffi, Candara Alisa, Deva Putri aloysius mering Alqoronie, Uwais Amalia Nur Rochmah Amanda Huda Anggraeni, Martianda Erste Anggraini , Martianda Erste Anggraini, Ariska Puspita Annisa Nur Fauziah Annisa Ummi Mutia Vivin Anton Yudhana Aprilia Ciptaning Maharani Apsari, Lela Ardhani, Orinta Ardiansyah, DT Ardianto, Deny Tri Aries Adenata Arifin, Ahmad Zaki Ariska Puspita Anggraini Arofani, Nilam Yuhanisa Ashafidz Fauzan Dianta, Ashafidz Fauzan Ashafidz Fauzan, Ashafidz Bagus Kurniawan Barriyah, Insanul Qisti Baskoro Baskoro, Baskoro Betrand Erlangga Candra, Rizal Naufal Chairunisak, Uum Helmina Chandra, Dio Pamola Cinthya, Nathasha Darmawan, Zakha Maisat Eka Deny Tri Ardianto Desiana Muryasari Desta Nurrachmawati Said Dewi Pamungkasari Dewi Puspita Sari Diah Pramudita Dias Esaliana Dolly Nofer Duanda, Prada Eka Puspita Sari Elisa Nur Apriliana Esaliana, Dias Eva Agustriani Hutauruk, Eva Agustriani Fadhilah Ayu Wijayanti Fadil, Abdul Faradisa, Rosiyah Fathoni, Kholid Finanda, Septy Asri Fitzgelard, Arsyita Rahma Flora Grace Putrianti Gema Kharismajati Gunawan Gunawan Hane, Thomas Didimus Harahap, Aqiilah Bilqiis Salsabiil Hartina, Hartina Hasbi, Bening Zarah Hetty Manurung, Hetty Huda, Lailatul Ika Naviri Anitasari Ikhsani, Mifta Kurnia Indary, Melati Deshy Indri Astuti Inge Hilya Lentera Pradani Islam, Mohamad Fajarudin Istadiyantha Istadiyantha Izzah, Fadhilah Rifhayu Joko Sujarwo Khilian, Abdul Mutalib Kisma Pradahati Kuncoro, Nayla Amara Kusuma, Andri Kusumawati, Eko Kusumawati, Eko Lastunna Umi Kulsum Lukmanul Hakim Lupiyanto Malawi, Ibadullah Marimin Marimin Mayasari, Fony Medi Hendra Mibtadin Miftah Nugroho Moh. Zikky, Moh. Monita Olivia Muhammad Fauzi Arif Muhammad Irfan MUHAMMAD REZA FAHLEVI Muhammadiyah, Muhammadiyah munasirah, Munasirah Muthmainnah, Atikah Mutia Hesti Istiqomah Mutia Hesti Istiqomah Nathasha Cinthya Nayla Amara Kuncoro Nofer, Dolly Nugroho Heri Cahyono Nugroho, Ahmad Nugroho, Miftah Nur Fatul Aini Nurhikmah, Putri Indah Nuriyadin, Nuriyadin OCTAMA DWITANINGSIH Pandhito, Bagus Wahyu Panji Satrio Binangun Periyanto, Ari Peryanto, Ari Prihatini Prihatini, Prihatini Priyani, Diah Indah Purnama, Miryan Sucianti Putri Amalia Dwi Pitasari Putri Permatasari, Putri Putri, Dheya Kusuma Arianing Putri, Fiorhentina Rahmaningtyas, Ika Rizky Ramdani, Nurrahmad Rante, Hestiasari Ratna Kusuma, Ratna Rianna Wati Rianna Wati Ririn Wahyu Eka Sari Rusman, Wafa Nabila Rustam, Fradilah Rusydi Umar Sabila, Nabila Dienna Safnah Setiawati Salma Arezha Samsurianto Saptaningsih, Nur Saputri, Hafizah Rahma Sari, Mustika Wulan Sartika, Resa Sasanti Silvya Putri Sasanti Silvya Putri Sasmi, Dwi Andini Arditya Sayid Mataram Shabrina, Almira Wynne Sidik, Muhamad Fajar Siti Muslifah, Siti Siti Patimah, Isad Suhaeb Stafrizal, Syafrizal Sudrajat - Suhendar, Satrian Supana Supana Supriyanto, Rahmat Susanto Susanto Susanto Susanto, Moh. Rusnoto Susanto, Susanto Syafrizal Syafrizal Syamila Isyqi Alayya Syamsiar, Syamsiar Syarief Fajaruddin Titi Lestari, Titi Titis Srimuda Pitana, Titis Srimuda Tri Budi Santoso Wakit Abdullah Rais Wati, Ilma Wiwit Rahina Wati, Rianna Wati, Rianna Wibowo, Eko Putra Wibowo, Prasetyo Widananda, Charisma Wulan Widi Sarinastiti Widiyanto, Imam Juni Widowati Pusporini, Widowati Yanti Puspita Sari Yuliatin, Ervinda Yuwono Fitri Widodo Zahra'ni, Izzahtu Nuha Zainuddin, Muhammad Agus Zikky, Moh Zulfikar Djauhari