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Kajian Kualitas dan Kuantitas Karya Sastra Berdasarkan Kebijakan Pengembangan Sastra Pemerintah Indonesia Saputro, Dimas Eko; Pasopati, Rommel Utungga; Napitupulu, Johanes Claudio Perdana; Wijaya, Kusuma
Inspirasi : Jurnal Pendidikan dan Kebudayaan Vol 2 No 1 (2025): Inspirasi : Jurnal Pendidikan dan Kebudayaan
Publisher : Yayasan Penelitian Dan Pengabdian Masyarakat Sisi Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.69836/inspirasi-jpk.v2i1.287

Abstract

Literary works are the identity of a nation, including Indonesian literary works. Indonesia, with its diverse culture, has created many literary works that are already global, and are born from regional writers and progressively become widespread in the world of literature. This article examines how the effects of Indonesian government’s literary development influence the quality and quantity of literary works. Through qualitative method, this paper analyzes that the government’s policy plays an important role because it contains plans that are arranged and realized by the experts for the important benefit of society. It may also improve the quality and quantity of literary works from authors’ and publishers’ sides. In conclusion, such policy should be pushed forward to build an awareness of the cultural forms and to preserve Indonesian culture to the international scope.
MITOS TIKUS DAN MANUSIA TIKUS DALAM THE RAT CATCHER KARYA WES ANDERSON Pasopati, Rommel Utungga; Oktavia, Dian; Kusuma, Albert Wijaya; Wijaya, Kusuma; Fadillah, Muhammad Reza Ishadi
Lingue : Jurnal Bahasa, Budaya, dan Sastra Vol. 7 No. 1 (2025): Language and Literature Studies
Publisher : LP2M IAIN Ambon

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33477/lingue.v7i1.9349

Abstract

This study aims to understand the myth of the rat and the 'Rat Man' through their behavior in the film The Rat Catcher. The research employs a qualitative method with data collection through note-taking. The researcher watches the film and records dialogues related to the research theme. The data analysis technique is conducted by analyzing the dialogues and behaviors in The Rat Catcher1 in relation to the concept of myth within Claude Levi-Strauss's structuralism. Myths are often associated with events in society that influence customs or lifestyles of those who believe in them. Through Levi-Strauss's structuralist analysis, it was found that the failure of the Rat Man to catch the rat highlights the irony of the myth. The various methods he employs to catch the rat, ranging from ordinary to unique and even extreme, yield no results. In conclusion, the Rat Man remains trapped in an illusion that does not prove the myth he believes in, thus the myth about the rat continues to linger in his mind. The contribution of this study is to provide an understanding of how the myths of the rat and the 'Rat Man' can be analyzed through the lens of Claude Levi-Strauss's structuralism to reveal the irony and failure in the application of these myths.
The Noteworthy Reflections of Hypermasculinity in Sung Yu’s Master Teng-Tu Gadi, Epifanius Karso Seda; Ibrahim, Laila Nabilahtuzzahro; Napitupulu, Johanes Claudio Perdana; Suyaji, Fransisca Irnidianis Magdalena; Pasopati, Rommel Utungga
Intertwine: Journal of English Language, Literary, and Cultural Studies Vol. 2 No. 1 (2024): Intertwine: JOURNAL OF ENGLISH LANGUAGE, LITERARY, AND CULTURAL STUDIES
Publisher : Faculty of Letters, Universitas Dr. Soetomo, Surabaya, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25139/intrtwn.v2i1.8000

Abstract

This paper underlines matters of hypermasculinity in Sung Yu’s flash fiction entitled Master Teng-tu. This story tells about Sung-yu who is accused as an immoral man by the King. He asks help from Master Teng-tu then successfully escapes from the accusation concerning his morality. Through qualitative method and theory of hypermasculinity, the analysis of the story includes how the dialogues of Sung-yu and Master Teng-tu are matters of male superiority and underestimation to women. Sung-yu may win but his effort is not manly since he prioritizes himself more than the others. In conclusion, masculinity may always exist in society, but being a hyper version of it should be hindered. People should take care more of other people by concerning better moral considerations hereafter.
THE SUBSTANTIAL SIDES OF PURITY IN HONORE DE BALZAC’S INNOCENCE Oktavia, Salsabila Adinda; Pasopati, Rommel Utungga; Kirana, Kheista Sasi; Pangestu, Imelza Novia Rakhmadani; Riza, Dwi Ainur
ELite Journal : International Journal of Education, Language and Literature Vol. 4 No. 3 (2024): ELite Journal (Volume 4 Number 3, July 2024)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/elitejournal.v4n3.p148-157

Abstract

This article explores the matter of purity in Honore de Balzac’s flash fiction entitled Innocence. Purity refers to the idea that certain actions or behaviors are considered morally pure or impure based on societal norms and values. Innocence is a Honore de Balzac’s flash fiction that talks about innocence or a high curiosity spirit possessed by children. Through qualitative method and explorative approach, it is analyzed through this flash fiction that innocence is the main symbol of purity. Little Francis and Margot are two little pure spirits who live. They try new things. They notice a portrait of two figures, which is actually an image of Adam and Eve. However, because the children's minds have not matured enough and they have not been exposed to more knowledge, they do not recognize which one is Adam and which is Eve, because the figure does not wear clothes, therefore Little Francis and Margot are unsure which is Adam and which is Eve. The purity of the children is a direct mirror of innocence, which is the essence of Balzac's flash fiction. Children will only know some things because they are still pure. Purity is a natural aspect that all children have. In conclusion, adult people will laugh at them, but the children are still pure since they reflect their childhood matters.
Ideological State Apparatuses and Its Oppositions in Matt Reeves’ Film The Batman Zhafirah, Muthiah Qalbu; Napitupulu, Johanes Claudio Perdana; Pasopati, Rommel Utungga; Hariyono, Hariyono; Kartiningsih, Rindrah
ELite Journal : International Journal of Education, Language and Literature Vol. 5 No. 2 (2025): ELite Journal (Volume 5 Number 2, April 2025)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/elitejournal.v5n2.p12-20

Abstract

This article describes how the article tries to explore the Ideological State Apparatuses (ISAs) and its oppositions in Matt Reeves’ Film The Batman. The film of The Batman, directed by Matt Reeves, is a 2022 superhero film based on the DC Comics character, Batman. The writers of this article employ a qualitative method, which allows the reader to learn more about the object's background. This movie has deep ideological themes, especially when it comes to Althusser's ideology theory, which underlines how the movie shows the complicated connection between justice, class, and power. The analysis looks at how different political issues are involved since it could demonstrate actions taken by the power structure against those under them. In conclusion, The Batman not only explores such superhero aspect in a film, but also how the characters must face various dominations by opposing such ISAs.
The Subtextual Hope of Possibility in Keiichi Okabe's Weight of the World (Kowareta Sekai No Uta) Pasopati, Rommel Utungga; Michelle, Michelle; Ramadhani, Riska Dewi; Riza, Dwi Ainur; Mohammed, Khaled Ahmed
IZUMI Vol 14, No 1 (2025): June
Publisher : Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/izumi.14.1.33-46

Abstract

This paper explores the idea of hope of possibility in Keiichi Okabe’s song entitled Weight of the World or translated as Kowareta Sekai No Uta. In the game called NieR: Automata, the song is a cry of a girl who wants to save everyone from anything bad that happened to them. She wanted to redeem her past mistakes by praying the God to help her through dark times, even though the opportunity that she got is unknown. Then, how is the hope of possibility asserted in Keiichi Okabe’s Weight of the World? Through qualitative method and explorative approach, this writing explains the possibility of hope retaining the girl to achieve her dream through the unknown probability. Supported by the theory of Adrienne M. Martin, the concept extended the orthodox view of hope with the girl’s incorporation elements in this song. This is also interrelated with the human condition, highlighting how individual aspirations contribute to collective resilience and transformation. By understanding hope as a multifaceted concept, this paper underscores the complexity of human existence and the potential for renewal within shared struggles. In conclusion, the hope exists in her journey as any unknown possibility to save everyone is answered.
THE EMPRISES OF LONGINGNESS ON BILLIE HOLIDAY’S “SOLITUDE” Wijaya, Kusuma; Siadari, Yoshua Veron Handika Putra; Mulyanto , Luke Zefanezra; Margaretha, Sherlly; Pasopati, Rommel Utungga
Prologue: Journal on Language and Literature Vol. 11 No. 1 (2025): Prologue: Journal on Language and Literature
Publisher : Faculty of Letters Universitas Balikpapan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36277/jurnalprologue.v11i1.113

Abstract

Longing means craving for something, especially about love that has been gone for a long time. Solitude is a song by Billie Holiday released in 1952. The song describes the feelings of a singer who feels lonely because she has been left by her partner and also wants her partner to come back again. Then, this article would like to answer question of how may longingness be accentuated on Billie Holiday’s Solitude? The longing experience of connection and companionship is a key theme in the lyrics of the song. Billie Holiday employs how she artfully conveys the delicate balance between vulnerability and strength, intensifying the emotional impact of the song. In conclusion, the exploration of Solitude song and the emprises of longingness not only illuminates the profound emotional depths of her artistry, but also underscores the enduring power of music to express and to transcend the universal human experience of longing.
The Exposition of Collective Trauma in Short Movie of Bear Story Wijaya, Kusuma; Santoso, Liora Samantha Valent; Wirnoto, Yasmine Azzah Adillah; Pasopati, Rommel Utungga; Kartiningsih, Rindrah
EJI (English Journal of Indragiri): Studies in Education, Literature, and Linguistics Vol. 9 No. 2 (2025): EJI (English Journal of Indragiri): Studies in Education, Literature, and Lingu
Publisher : Fakultas Keguruan dan Ilmu Pendidikan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61672/eji.v9i2.2918

Abstract

This research analyzes the exposition of trauma in Gabriel Osorio's 2016 short film Bear Story. The film reflects his historical experience under Augusto Pinochet's dictatorship in Chile and tells the story of an old Bear who creates a mechanical diorama depicting the loss of his family due to the dictatorship's oppression. This research uses a narrative and symbol analysis approach to investigate how collective and individual trauma is manifested through visual, narrative and symbolic elements in the film. Trauma is implied in the protagonist's emotional journey as he faces bitter memories of exile, torture and separation. Cinematic techniques such as the use of a soft color palette, melancholic music, and diorama mechanics as a metaphor for the process of memory and healing emphasize the psychological impact of trauma. The results of this study show that Bear stories are not just a form of artistic expression, but also serve as a medium of healing and historical memory for the victims and the wider community. In conclusion, Bear Story emphasizes film as a communicative tool to think trauma, memory, and resistance to oppression in related sociopolitical contexts.
The Subtextual Significances of Pragmatic Equivalence in Translating Humor Ni Nyoman Sarmi; Rommel Utungga Pasopati; Dyah Ayu Ratna Jelita; Yoshua Veron Handika Putra Siadari; Agischa Putri Agil; Muhammad Daffa Firzatullah
Mutiara: Jurnal Ilmiah Multidisiplin Indonesia Vol. 3 No. 3 (2025): JIMI - JULI
Publisher : PT. PENERBIT TIGA MUTIARA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61404/mutiara.v3i3.390

Abstract

This article examines the importance of pragmatic equivalence in translating humor, a crucial yet often challenging aspect due to humor’s deep reliance on cultural context, implicature, and audience interpretation. Pragmatic equivalence emphasizes the conveyance of implicit meaning through communication principles such as those proposed by Grice, where coherence takes precedence over mere lexical and grammatical cohesion. In humor translation, coherence refers to the interconnectedness of meaning based on shared context and knowledge between the author and the audience, rather than simply the structure of sentences. However, humor is inherently ambiguous and open to multiple interpretations, making its meaning not always directly transferable. A single mistranslated element can alter the entire comedic effect, as humor is often highly culture-specific. In this case, the translator’s role extends beyond language transfer to bridging the knowledge gap that the target audience might have, sometimes at the cost of the humor’s spontaneity. This challenge creates a dilemma between preserving natural comedic effect and delivering accurate meaning. As a result, humor translation often leans toward either overly literal or overly liberal approaches, each with the risk of losing essential nuance. Therefore, pragmatic equivalence involves more than just finding corresponding meanings; it also requires sensitivity to the social and cultural contexts that shape audience responses. The novelty of this study lies in its focus on the unique complexity of humor translation, making it a valuable contribution to the fields of literary studies, linguistics, and translation studies.
Subtextual Analysis through Hegelian Dialectics in 5 Seconds of Summer’s Good Girls Rommel Utungga Pasopati; Erlis Hersetya Firda; Albert Wijaya Kusuma; Riska Dewi Ramadhani; Firdausy Alya Hasana; Khaled Ahmed Mohammed
Mutiara: Jurnal Ilmiah Multidisiplin Indonesia Vol. 3 No. 3 (2025): JIMI - JULI
Publisher : PT. PENERBIT TIGA MUTIARA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61404/mutiara.v3i3.391

Abstract

This article investigates patterns of Hegelian Dialectics in 5 Seconds of Summer’s song lyrics entitled Good Girl. The background of this study lies on such stereotypes whether new literary works may still contain philosophical ideas. The research question of this paper is whether 5 Seconds of Summer’s song lyrics entitled Good Girl can be analyzed through Hegelian Dialectics. Through qualitative method, this paper shows how the situation of the girl is covered by old and new knowledge in the scheme of thesis-antithesis-synthesis as theorized by G. W. F. Hegel. This approach emphasizes how traditional and modern understandings interact, highlighting how dynamic identity building is. Using explorative approach, the components of the song lyrics are discussed through subtextual understandings that Hegelian Dialectics may erode such stereotype and later shape another stigma as well. It is analyzed that the girl lives the stigma that a good girl is a nerd and should not have fun outside the house. The song lyrics then accentuate that a smart girl could also be a bad girl and it indeed breaks the stigma of a clever girl is always a good girl. In conclusion, the song lyrics show how ideas of a good and a bad girl are not that simple since those reflect complex situation between common, social, and even academic norms. By stating so, the novelty of this article is evident; such new literary works may still always contain certain philosophical presuppositions.
Co-Authors -Nabilahtauzzahro Ibrahin, Laila -Pujimahanani, Cahyaningsih -Putri Oktafiani, Adelia Adelia Putri Oktafiani Agil, Agischa Putri Agischa Putri Agil Agischa Putri Agil Ahmad Maulana Marharendra Akmal Dafa Hizbullah Akmal Dafa Hizbullah Akmal Dafa Hizbullah Albert Wijaya Kusuma Amirul Mustofa Ananda Syahromi Putra Ananta, Bintang Ryan Andharu, Devito Anggoro Cahyo Wicaksono Anggraeni Ramadhani Anicleta Yuliastuti Anicleta Yuliastuti Anindya Thalita Salsabila Annasai, Axlinabila Annisa Annisa Deby Aulia Asihta Aulia Azzahra Asjad Nina Hanan Ramadhani Attamimi, Fatimah Nurunnada Axlinabila Annisa Anasai Axlinabila Annisa Annasai Ayu Rengganis, Dewi Ayu, Evangelin Rambu Bagus Pratama Wijayanto Bhagaskoro, Pradipto Bhagaskoro, S. Hub, Pradipto Bima Tri Wardana Bintang Indra Wibisono Bintang Ryan Ananta Budianto, Suhartawan Cahyaningsih Pujimahanani Cahyaningsih Pujimahanani Cahyaningsih Pujimahanani, cahyaningsih Camila, Myrilla Shafa Cicilia Tantri Suryawati Dermawan, Zahwa Amelia Putri Devito Andharu Devito Andharu Devito Andharu Dewi Ayu Rengganis Dewi Ayu Rengganis Dewi Syifanaya Firdausy Nurdin Diandra Parta Wisnu Dewangga Djanarko, Indri Dyah Ayu Ratna Jelita Dyah Ayu Ratna Jelita Dzil Fikris Shamad Eka Hesty Rohma Darmawati Erlis Hersetya Firda Erlis Hersetya Firda Erlis Hersetya Firda Evangelin Rambu Ayu Evania Nur Aprilla Fadhelah Aulia Hamidah, Galuh Fadillah, Muhammad Reza Ishadi Falsyawal Galang Smarandreetha Falsyawal Galang Smarandreetha Falsyawal Galang Smarandreetha Falsyawal Smarandreetha Fatiha, Kayla Fatimah Nurunnada Attamimi Fennyta Diva Fadilla Fiona Smith, Marion Firdausy Alya Hasana Flora Anasis Fransisca Irnidianis Magdalena Suyaji Fransisca Irnidianis Magdalena Suyaji Fransisca Irnidianis Magdalena Suyaji Fransiska Litwin Nurni Gadi, Epifanius Karso Seda Galang Smarandreetha, Falsyawal Galuh Fadhelah Aulia Hamidah Galuh Fadhelah Aulia Hamidah Gunawan Tjokro Hamdani, Farham Nazhib Hamidah, Galuh Fadhelah Aulia Hariyono Hariyono Hariyono Hariyono Hariyono Hariyono Hasana, Firdausy Alya Hirshi Anadza Hizbullah, Akmal Dafa Ibrahim, Laila Nabilahtuzzahro Indri Djanarko, Indri Ishadi Fadillah, M Reza Isnin Ainie Johanes Claudio Perdana Napitupulu Johanes Claudio Perdana Napitupulu Kartika, Ratih Kartiningsih, Rindrah Katarina Surensa Khaled Ahmed Mohammed Khaled Ahmed Mohammed Kheista Sasi Kirana Kheista Sasi Kirana Kheista Sasi Kirana Kirana, Kheista Sasi Komang Sinta Puspayani Kostavialdus Setiadi Kurniawati, Wiwin Anggraeni Kusuma Wijaya Kusuma Wijaya Kusuma Wijaya Kusuma Wijaya Kusuma Wijaya Kusuma Wijaya Kusuma, Albert Wijaya Laila Ibrahim Laila Nabilahtauzzahro Ibrahim Laila Nabilahtuzzahro Ibrahim Laila Nabilahtuzzahro Ibrahim Laila Nabilahtuzzahro Ibrahim Laura Ika Angelina Arfina Putri Lina Fadiyah Listyaningsih Listyaningsih Listyaningsih Listyaningsih Listyaningsih Listyaningsih Livia Wulandari Luh Putu Ratna Sundari Lutvia, Frefies Lavigni Putri M Reza Ishadi Fadillah M Reza Ishadi Fadillah M Reza Ishadi Fadillah Margaretha, Sherlly Maulidia Nur Faulina Michelle, Michelle Mikail, Izzaditya Dharmaputra Mohammad Mirza Mohammed, Khaled Ahmed Muchammad Daffa Firzatullah Muchammad Daffa Firzatullah Muhammad Abu Rijal Fahmi Muhammad Adji Mullah Akbar Muhammad Daffa Firzatullah Muhammad Ilham Rahmansyah Muhammad Reza Ishadi Fadillah Mulyanto , Luke Zefanezra Myrilla Shafa Camilla Napitupulu, Johanes Claudio Perdana Naufal Nafis Nensy Megawati Simanjuntak Ni Nyoman Sarmi Ni Nyoman Sarmi Ni Nyoman Sarmi Ni Nyoman Sarmi Ni Nyoman Sarmi Ni Nyoman Sarmi, Ni Nyoman Ni Putu Nia Damayanti Nia Ayu Fitriani Noviyanti, Anisa Dinda Nurdin, Dewi Syifanaya Firadausy Nurdin, Dewi Syifanaya Firdausy Ohei, Sugisaka Oktafiani, Adelia Putri Oktavia, Dian Oktavia, Salsabila Adinda Pandu Bagus Sutowijoyo Pangestu, Imelza Novia Rakhmadani Pradipto Bhagaskoro Putra, Ananda Syahromi Putri Ayu Millenia Putri, Adinda Putri, Alvina Salshabilla Linjani Raddine Salsabiyla Raddine Salsabiyla Ramadhani, Anggraeni Ramadhani, Riska Dewi Reku, Angelina Merici Wua Rengganis, Dewi Ayu Rindrah Kartiningsih Rindrah Kartiningsih Riska Dewi Ramadhani Riska Dewi Ramadhani Riska Dewi Ramadhani Riza, Dwi Ainur Rosyadi, Machfianita Mirza Ayu Salsabila Adinda Oktavia Salsabila Calista Salsabila Nova Calista Salsabila Nova Calista Salsabila Nova Calista Salsabila, Anindya Thalita Salsabila, Shafa Sanjaya Ahmad Hidayat Santoso, Liora Samantha Valent Saputro, Dimas Eko Sasmita, Dimas Rakhmat Serly Maulina Syaif Shellamita Zahra Sherlly Margaretha Siadari, Yoshua Veron Handika Putra Sinta Uli Simbolon siti wulandari Siti Wulandari Smarandreetha, Falsyawal Galang Soenarko, Zahra Pramatatya Suyaji, Fransisca Irndianis Magdalena Suyaji, Fransisca Irnidianis Magdalena Syarifuddin Syarifuddin Syarifuddin Syarifuddin Syarifuddin Syarifuddin Syarifuddin Syarifuddin, S. Hub. Int., M. Si., Syarifuddin Tobing, Victor Maruli Tua L. Toto Indra Wijaya Victor Maruli Tua L. Tobing Victor Maruli Tua L. Tobing Vivi Nur Aini Susanto Wahyu Widayati Wardhana, Bima Tri Wijaya, Kusuma Wijaya, Silvia Marta Wijaya, Toto Indra Wijayanto, Bagus Pratama Wirnoto, Yasmine Azzah Adillah Yasmine Azzah Adillah Wirnoto Yasmine Azzah Adillah Wirnoto Yoshua Veron Handika Putra Siadari Yoshua Veron Handika Putra Siadari Yoshua Veron Handika Putra Siadari Yovita Olivia Yuliastuti, Anicleta Zaimudin, Ashlaha Baladina Zaky, Raffi Ahmad Zhafirah, Muthiah Qalbu