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The Psychoanalytical Roles of Imaginary Friends in Emotional Development in If Movie Pasopati, Rommel Utungga; Zhafirah, Muthiah Qalbu; Wirnoto, Yasmine Azzah Adillah; Fadillah, Muhammad Reza Ishadi; Andharu, Devito
Alphabet Vol. 8 No. 1 (2025)
Publisher : Universitas Brawijaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.alphabet.2025.08.01.06

Abstract

This article explores the role of imaginary friends in children’s emotional development in IF movie using qualitative approach grounded in psychoanalytic theory. The movie centers around Bea, a young girl who remembers her forgotten imaginary friends and embarks on a mission to find them a new home. Psychoanalytic theory of Freud and Winnicott suggests that imaginary friends act as transitional objects, helping children externalize and manage internal conflicts such as fear, anxiety, and unresolved emotions. Imaginary friends serve as mirrors for children’s evolving emotional needs, allowing them to project their inner struggles and engage in emotional regulation through play and imagination. Through an analysis centered around imaginary friends, this article explores how these friends help children navigate and process complex emotions. Bea’s forgotten imaginary friends represent parts of her emotional world that need resolution, acting as guides to help her confront and manage her deeper feelings. These friends provide a safe space for Bea to explore difficult emotions and internal conflicts, ultimately aiding in her emotional growth. In conclusion, this article illustrates how imaginary friends serve as crucial tools for children to express, manage, and navigate their internal worlds, helping them to work through unresolved emotions and fears.
Persistent Doubts and Uncertainties of Evelyn’s Despair in Everything Everywhere All at Once Movie Script Kirana, Kheista Sasi; Nurdin, Dewi Syifanaya Firdausy; Wijayanto, Bagus Pratama; Hizbullah, Akmal Dafa; Pasopati, Rommel Utungga
JELLE Vol. 6 No. 02 (2025): JOURNAL OF ENGLISH LITERATURE, LINGUISTICS, AND EDUCATION AUGUST 2025
Publisher : LPPM Universitas Pekalongan

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This article explores how the movie Everything Everywhere All at Once, written by Daniel Kwan and Daniel Scheinert, depicts existential despair through Evelyn Wang’s persistent doubts and uncertainties. As the story unfolds, Evelyn is thrown into the multiverse, where she encounters numerous versions of herself, overwhelming her with never-ending possibilities. These encounters lead her to question her choices, as well as her sense of purpose and self-worth. The ongoing uncertainty about which version of herself is “right” or “real” drives Evelyn into a state of existential despair, intensifying her feelings of hopelessness. By applying Kierkegaard’s theory of existential despair and qualitative method, this research analyzes how Evelyn’s internal conflict reflects the dread and disorientation that emerge when individuals face the uncertainty of their existence. In conclusion, through an examination of Evelyn’s perception of freedom and identity, also shaped by her doubts, the psychological and philosophical weight of uncertainty in the quest for authenticity and purpose are underscored further.
Pancasila Dalam Interaksi Kearifan Lokal Dan Ideologi Transnasional Bhagaskoro, Pradipto; Utungga Pasopati, Rommel; Syarifuddin, Syarifuddin
Jurnal Inovasi Ilmu Sosial dan Politik (JISoP) Vol 1 No 2 (2019)
Publisher : Universitas Islam Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33474/jisop.v1i2.4806

Abstract

Today, 'transnational ideology' is much assumed as a threat for Indonesian local wisdom. Then, how can local wisdom survive amid the spread of transnational ideology? In essence, current recognized Indonesian religions, even coming from outside Nusantara, are well received because of their interaction with local conditions. These religions open, understand, and accommodate local conditions in order to conform to their teachings. The key point of religious life in Indonesia is the spectrum of its understanding with local wisdom. This paper describes the interaction between local wisdom and transnational ideology in Indonesia and how Pancasila should function in this condition. The first part of this paper describes local wisdom as a cultural product and its habitual manifestations. Second, explanations of transnational ideology and its relations to religions in Indonesia. Third, Pancasila is a reflection of local Indonesian wisdom and a path of interaction with any party, including transnational ideologies that are not yet understood. Fourth, conclusion that explains Pancasila as a form of nation-state presence that provides further understanding for local wisdom towards transnational ideology. This condition may happen as long as the spirit of mutual understanding becomes the basis for every interaction that may come.
The Preservations of Ambivalent Attachment in Tatyana Tolstaya’s Unnecessary Things Fransisca Irnidianis Magdalena Suyaji; Dyah Ayu Ratna Jelita; Gunawan Tjokro; Fransiska Litwin Nurni; Ananda Syahromi Putra; Rommel Utungga Pasopati
Gudang Jurnal Multidisiplin Ilmu Vol. 2 No. 5 (2024): GJMI - MEI
Publisher : PT. Gudang Pustaka Cendekia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59435/gjmi.v2i5.360

Abstract

Abstract This research explores crucial issues regarding processing systems, marketing strategies, and barriers to coconut sugar and rubber production at PTPN 1 Regional 5 Kebun Kalikempit. The aim of the research is to analyze the efficiency of the processing system, evaluate the marketing strategy implemented, and identify the production obstacles faced. Research methods involve field surveys, production data analysis, and interviews with relevant stakeholders. The results of this research reveal the potential for increased efficiency in processing systems, the need to adapt marketing strategies according to market changes, and production constraints that require sustainable solutions to increase productivity in this sector. This study provides in-depth insights that can be the basis for operational and policy improvements at PTPN 1 Regional 5.
The Empathy Of Consummate Love In Devon Daniels’ Meet You In The Middle Calista, Salsabila Nova; Smarandreetha, Falsyawal Galang; Ibrahim, Laila Nabilahtuzzahro; Pasopati, Rommel Utungga
Gudang Jurnal Multidisiplin Ilmu Vol. 2 No. 3 (2024): GJMI - MARET
Publisher : PT. Gudang Pustaka Cendekia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59435/gjmi.v2i3.383

Abstract

This article examines how the novel Meet You in the Middle by Devon Daniels portrays the reason for consummate love that causes a long term relationship, which consists of component love of intimacy, passion, and commitment in Triangular Theory of Love by Sternberg. Then, the reason is rooted in interpretation of empathy. Empathy is a physiological reaction that has three components, they are emotional, cognitive, and motivational. It helps people to understand, feel, and care about others, even if it is sometimes hard. The novel tells the story of Kate Adam and Ben Mackenzie, who are liberal and conservative Senate staffers, respectively, and who fall in love despite their ideological differences and professional rivalry. The article analyzes how the novel depicts the challenges and benefits of empathizing with a romantic partner who has opposing political views, and how empathy contributes to the development and maintenance of consummate love. Then, it concludes that the novel offers a hopeful and realistic message that consummate love can bridge the political divide, as long as the partners are willing to empathize with each other and respect their differences.
The Significant Expressions of Distrust and Pessimism to the Police in Franz Kafka’s Give It Up! Dewangga, Diandra Parta Wisnu; Wijaya, Kusuma; Shamad, Dzil Fikris; Ananta, Bintang Ryan; Marharendra, Ahmad Maulana; Pasopati, Rommel Utungga
Gudang Jurnal Multidisiplin Ilmu Vol. 2 No. 3 (2024): GJMI - MARET
Publisher : PT. Gudang Pustaka Cendekia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59435/gjmi.v2i3.399

Abstract

This paper investigates matters of district and pessimism to the police in Franz Kafka’s flash fiction entitled Give It Up!. The story is about a walker who gets lost on a town street and then asks a policeman to find the route to his destination. Unexpectedly, the policeman told the man to give up looking for the path while turning away and laughing. This story reflects the author's expression of distrust then leads to a state of pessimism either as a philosophical doctrine or as a psychological mentality. In analysis through qualitative method, the figure of the police is an analogy of how the attitude of distrust emerged and developed into a form of pessimism especially to public apparatus. In conclusion, distrust and pessimism are not ex nihilo, but such reaction of any ignorance from public apparatus to any civilian.
The Noteworthiness Of Perpetual Justice In James Baldwin's The Bell Of Atri Fennyta Diva Fadilla; Anggoro Cahyo Wicaksono; Dyah Ayu Ratna Jelita; Yovita Olivia; Rommel Utungga Pasopati; Andharu, Devito; M Reza Ishadi Fadillah
Gudang Jurnal Multidisiplin Ilmu Vol. 2 No. 4 (2024): GJMI - APRIL
Publisher : PT. Gudang Pustaka Cendekia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59435/gjmi.v2i4.413

Abstract

This article investigates how perpetual justice is prolonged in James Baldwin’s flash fiction entitled The Bell of Atri. Drawing on theories of moral and ethical principles, this study examines the idea of justice that transcends time and its implications in the context of the narrative. There is restorative justice emphasizing on repairing the harm caused by lawlessness and restoring disturbed relationships between perpetrators, victims, and society. Through qualitative approach, this article involves the active participation in the restorative process of apology, reparation, and reconciliation. The Bell of Atri then underscores the importance of moral integrity and fairness in society as it highlights the enduring relevance of ethical principles and the significance of upholding justice across generations. In conclusion, The Bell of Atri emphasizes the importance of the perception of justice in the relationships of fellow beings and the peace within well-being conditions of others.
The Prolonging Frustration and Fear in Jennette McCurdy’s I’m Glad My Mom Died Oktafiani, Adelia Putri; Pasopati, Rommel Utungga
Gudang Jurnal Multidisiplin Ilmu Vol. 2 No. 8 (2024): GJMI - AGUSTUS
Publisher : PT. Gudang Pustaka Cendekia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59435/gjmi.v2i8.788

Abstract

This article examines how the memoir I’m Glad My Mom Died by Jennette McCurdy portrays the characteristics of frustration and fear in the main character of this memoir. The study aims to understanding the concept of frustration and fear that have the mostly negative impact to the everyday life. The researchers use qualitative approach, focusing on the context and some subjective interpretations in detail. The analysis uncovers that Jennette, as the main character of this memoir felt the frustration and fear in her everyday life. The conclusion states that fear and frustration may come to someone that is being expected to do more perfect deeds in general.
Female Superiority of Stereotypical Barbie in Greta Gerwig’s Barbie Movie Script Dewi Ayu Rengganis; Rommel Utungga Pasopati
Gudang Jurnal Multidisiplin Ilmu Vol. 2 No. 8 (2024): GJMI - AGUSTUS
Publisher : PT. Gudang Pustaka Cendekia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59435/gjmi.v2i8.797

Abstract

This study aims to understanding the concept of female superiority in Barbie movie script written by Greta Gerwig. The movie was published in 2023. The movie reflects female superiority on the main character Stereotypical Barbie. The researchers use qualitative approach, focusing on the context and some subjective interpretations in detail. The analysis reveals that Stereotypical Barbie as the main character being superiority to around her and belong to Ken as the male character. The superiority is going on among womanness of the Stereotypical Barbie that is reflected in herself as an Alpha Female. In conclusion, female superiority in Barbie movie is such proof that women could be anything beyond any dictation from male beings.
The Subtextual Elements of Surprise in Jack Douglas’ Test Rocket Pasopati, Rommel Utungga; Mohammed, Khaled Ahmed; Hizbullah, Akmal Dafa; Wirnoto, Yasmine Azzah Adillah; Salsabiyla, Raddine; Wijaya, Kusuma
Gudang Jurnal Multidisiplin Ilmu Vol. 2 No. 10 (2024): GJMI - OKTOBER
Publisher : PT. Gudang Pustaka Cendekia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59435/gjmi.v2i10.922

Abstract

This article exposes the matters of elements of surprise in Jack Douglas’ flash fiction entitled Test Rocket. There is a space station sending a test rocket in which any animal may be sent with it. Meanwhile, the rocket comes back but with bigger postures and with a man in it. Through qualitative method and explorative approach, this paper analyses how the mission to other planet in Douglas’ story contains mysteries as well as subtextual surprises. The surprises could be stated as the mouse that is sent and returns as a man, the man is an alien, or the man is the alien waiting for further attacks by his people. The surprise is not clear but implied since audience is asked to think more about how people in the space station think about the test rocket. In conclusion, Test Rocket contains subtextual elements of surprise in which there are unexpected events after sending the mission to Mars. It can also be known that there will always be unbelievable and unexplainable things happening in space.
Co-Authors -Nabilahtauzzahro Ibrahin, Laila -Pujimahanani, Cahyaningsih -Putri Oktafiani, Adelia Achmad Maulana Marharendra Agil, Agischa Putri Agischa Putri Agil Agischa Putri Agil Akmal Dafa Hizbullah Albert Wijaya Kusuma Alvina Salshabilla Linjani Putri Alvina Salshabilla Linjani Putri Alvina Salshabilla Linjani Putri Alyanto, Jihan Nurul Savira Amirul Mustofa Ana Mikhaela Refaya Ananda Firda Pratama Ananda Firda Pratama Ananda Syahromi Putra Ananta, Bintang Ryan Andharu, Devito Angelina Merici Wua Reku Anggoro Cahyo Wicaksono Anggraeni Ramadhani Anggraeni Ramadhani Anicleta Yuliastuti Anicleta Yuliastuti Anicleta Yuliastuti Anicleta Yuliastuti Anicleta Yuliastuti Anicleta Yuliastuti Anindya Thalita Salsabila Annasai, Axlinabila Annisa Annisa Deby Aulia Aprilla, Evania Nur Arditha, Lisma Ayu Asihta Aulia Azzahra Asjad Nina Hanan Ramadhani Astika R. Pratiwi Attamimi, Fatimah Nurunnada Axlinabila Annisa Anasai Axlinabila Annisa Annasai Axlinabila Annisa Annasai Ayu Rengganis, Dewi Ayu, Evangelin Rambu Azzahra Nazwa Syahirah Bagus Pratama Wijayanto Bethari, Chili Podhang Bhagaskoro, Pradipto Bhagaskoro, S. Hub, Pradipto Bintang Indra Wibisono Bintang Ryan Ananta Brillyan Luhur Pakerti Budianto, Suhartawan Budianto, Suhartawan Cahyaningsih Pujimahanani Cahyaningsih Pujimahanani Cahyaningsih Pujimahanani Cahyaningsih Pujimahanani, cahyaningsih Calista, Salsabila Nova Camila, Myrilla Shafa Camilla, Myrilla Shafa Cicilia Tantri Suryawati Damayanti, Ni Putu Nia Dermawan, Zahwa Amelia Putri Devito Andharu Devito Andharu Devito Andharu Devito Andharu Dewangga, Diandra Parta Wisnu Dewi Ayu Rengganis Dewi Ayu Rengganis Dewi Syifanaya Firdausy Nurdin Dian Oktavia Dimas Eko Saputro Dimas Rakhmat Sasmita Djanarko, Indri Dwi Ainur Riza Dwi Ainur Riza Dwiky Jibril Aulia Baskara Dyah Ayu Ratna Jelita Dzil Fikris Shamad Eka Hesty Rohma Darmawati Emilia Areq Erlis Hersetya Firda Erlis Hersetya Firda Evangelin Rambu Ayu Fadhelah Aulia Hamidah, Galuh Fadillah, Muhammad Reza Ishadi Fahmi, Muhammad Abu Rijal Falsyawal Galang Smarandreetha Falsyawal Galang Smarandreetha Farham Nazhib Hamdani Farham Nazhib Hamdani Fatiha, Kayla Fatimah Nurunnada Attamimi Faulina, Maulidia Nur Fennyta Diva Fadilla Fiona Smith, Marion Firda, Erlis Hersetya Firdausy Alya Hasana Firdausy Alya Hasana Firzatullah, Muchammad Daffa Flora Anasis Fransisca Irnidianis Magdalena Suyaji Fransiska Litwin Nurni Gadi, Epifanius Karso Seda Galang Smarandreetha, Falsyawal Galuh Fadhelah Aulia Hamidah Gladys Fortuna Idealis Gunawan Tjokro Hadi Saputra Hakim, Novanda Lukwita Hamdani, Farham Nazhib Hamidah, Galuh Fadhelah Aulia Happy Julia Rahmadianti Happy Julia Rahmadianti Happy Julia Rahmadianti Hariyono Hariyono Hariyono Hariyono Hasana, Firdausy Alya Hidayat, Sanjaya Ahmad Hirshi Anadza Hizbullah, Akmal Dafa Ibrahim, Laila Nabilahtuzzahro Indri Djanarko Irawan, Muhammad Barra Sofyan Nur Ishadi Fadillah, M Reza Isnin Ainie Izzaditya Dharmaputra Mikail Johanes Claudio Perdana Napitupulu Kartika, Ratih Kartiningsih, Rindrah Katarina Surensa Khaled Ahmed Mohammed Khaled Ahmed Mohammed Kheista Sasi Kirana Kheista Sasi Kirana Kirana, Kheista Sasi Kurniawati, Wiwin Anggraeni Kusuma Wijaya Kusuma Wijaya Kusuma Wijaya Kusuma Wijaya Kusuma, Albert Wijaya Laila Nabilahtauzzahro Ibrahim Laila Nabilahtuzzahro Ibrahim Laila Nabilahtuzzahro Ibrahim Laura Ika Angelina Arfina Putri Lina Fadiyah Lisma Ayu Arditha Listyaningsih Listyaningsih Listyaningsih Listyaningsih Listyaningsih Listyaningsih Livia Wulandari Lucida Ataya Erly Luh Putu Ratna Sundari Luke Zefranezra Mulyanto Lutvia, Frefies Lavigni Putri M Reza Ishadi Fadillah M Reza Ishadi Fadillah Machfianita Mirza Ayu Rosyadi Margaretha, Sherlly Marharendra, Ahmad Maulana Michelle Michelle Mikail, Izzaditya Dharmaputra Moch Ivan Ramadhani Mohammad Mirza Mohammed, Khaled Ahmed Muchammad Daffa Firzatullah Muhammad Adji Mullah Akbar Muhammad Daffa Firzatullah Muhammad Ihsan Aryo Prakoso Muhammad Ilham Rahmansyah Muhammad Reza Ishadi Fadillah Mulyanto , Luke Zefanezra Mulyanto, Luke Zefanezra Nafis, Naufal Napitupulu, Johanes Claudio Perdana Nasywa Nuzula Ramadhani Nasywa Nuzula Ramadhani Nasywa Nuzula Ramadhani Naufal Nafis Na’ilah Farashifah Ni Nyoman Sarmi Ni Nyoman Sarmi Ni Nyoman Sarmi Ni Nyoman Sarmi Ni Nyoman Sarmi, Ni Nyoman Nia Ayu Fitriani Novanda Lukwita Hakim Novanda Lukwita Hakim Noviyanti, Anisa Dinda Nurdin, Dewi Syifanaya Firadausy Nurdin, Dewi Syifanaya Firdausy Nyoman Sarmi Ohei, Sugisaka Oktafiani, Adelia Putri Oktavia, Dian Oktavia, Salsabila Adinda Pandu Bagus Sutowijoyo Pangestu, Imelza Novia Rakhmadani Pradipto Bhagaskoro Pratama, Ananda Firda Pratiwi, Astika R. Puspayani, Komang Sinta Putra, Ananda Syahromi Putri Ayu Millenia Putri, Adinda Putri, Alvina Salshabilla Linjani Putri, Laura Ika Angelina Arfina Putriana, Kadek Olivia Novi Qurrota A'yunin Qurrota A’yunin Raddine Salsabiyla Raddine Salsabiyla Raffi Achmad Zaky Rafiuddin, Rizal Rahmadianti, Happy Julia Rahmansyah, Muhammad Ilham Ramadhani, Anggraeni Ramadhani, Asjad Nina Hanan Ramadhani, Nasywa Nuzula Ramadhani, Riska Dewi Ramadhani, Sayla Nur Syahfah Raydzal Wibowo Sabandar Putra Reku, Angelina Merici Wua Rengganis, Dewi Ayu Rindrah Kartiningsih Rindrah Kartiningsih Rindrah Kartiningsih Rio Pratama Ramadan Riska Dewi Ramadhani Riska Dewi Ramadhani Riza, Dwi Ainur Rizal Rafiuddin Rizal Rafiuddin Rizal Rafsanjani Romadhona Resa Ayu Sari Rosyadi, Machfianita Mirza Ayu Salsabila Adinda Oktavia Salsabila Nova Calista Salsabila Nova Calista Salsabila, Anindya Thalita Salsabila, Shafa Salsabiyla, Raddine Santoso, Liora Samantha Valent Saputro, Dimas Eko Sasmita, Dimas Rakhmat Sayla Nur Syahfah Ramadhani Setiadi, Kostavialdus Shamad, Dzil Fikris Siadari, Yoshua Veron Handika Putra Simanjuntak, Nensy Megawati Simbolon, Sinta Uli Sinta Uli Simbolon Siti Maylanie Atina Siti Nur Jazila Siti Wulandari siti wulandari Smarandreetha, Falsyawal Galang Soenarko, Zahra Pramatatya Suyaji, Fransisca Irndianis Magdalena Suyaji, Fransisca Irnidianis Magdalena Syaif, Serly Maulina Syarifuddin Syarifuddin Syarifuddin Syarifuddin Syarifuddin Syarifuddin, S. Hub. Int., M. Si., Syarifuddin Tabi’in, Uais Alqarnie Sayyidut Tasya Aulia Kuni Masrokhati Tobing, Victor Maruli Tua L. Toto Indra Wijaya Uais Alqarnie Sayyidut Tabi’in Vio Tsaniya Dian Faza Vivi Nur Aini Susanto Wahyu Widayati Wardana, Bima Tri Wardhana, Bima Tri Wicaksono, Anggoro Cahyo Wijaya, Kusuma Wijaya, Silvia Marta Wijayanto, Bagus Pratama Wirnoto, Yasmine Azzah Adillah Wiwin Anggraeni Kurniawati Yasmine Azzah Adillah Wirnoto Yasmine Azzah Adillah Wirnoto Yoshua Veron Handika Putra Siadari Yoshua Veron Handika Putra Siadari Yovita Olivia Yuliastuti, Anicleta Zahra Pramatatya Soenarko Zahra, Shellamita Zahwa Amelia Putri Dermawan Zaimudin, Ashlaha Baladina Zaky, Raffi Ahmad Zhafirah, Muthiah Qalbu