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All Journal Prosiding PESAT Journal Communication Spectrum: Capturing New Perspectives in Communication IZUMI BAHASA DAN SASTRA Global Strategis Wawasan : Jurnal Ilmiah Agama dan Sosial Budaya Prosiding Seminar Nasional INDOCOMPAC CaLLs : Journal of Culture, Arts, Literature, and Linguistics LET: Linguistics, Literature and English Teaching Journal Kiryoku: Jurnal Studi Kejepangan Wahana : Tridarma Perguruan Tinggi Nation State : Journal of International Studies Jurnal Inovasi Ilmu Sosial dan Politik British: Jurnal Bahasa dan Sastra Inggris AlphabetAlphabet: A Biannual Academic Journal on Language, Literary, and Cultural Studies Pioneer: Journal of Language and Literature Anaphora: Journal of Language. Literary and Cultural Studies J-Litera; Jurnal Kajian Bahasa, Sastra dan Budaya Jepang Prologue: Journal on Language and Literature Paradigm: Journal of Language and Literary Studies Journal Of English Literature, Linguistic, and Education (JELLE) Journal of Social, Humanity, and Education Masyarakat Indonesia Mezurashii: Journal of Japanese Studies Lingue : Jurnal Bahasa, Budaya, dan Sastra TANDA: Jurnal Kajian Budaya, Bahasa dan Sastra Journal Corner of Education, Linguistics, and Literature Foremost Journal ELTALL: English Language Teaching, Applied Linguistic and Literature Seminar Nasional Hasil Riset dan Pengabdian (SNHRP) UC Journal: ELT, Linguistics and Literature Journal Jurnal Multidisiplin Dehasen (MUDE) Lingua Franca KAGANGA KOMUNIKA: Journal of Communication Science Jurnal Sosial Humaniora dan Pendidikan (JUSHPEN) Jurnal Abdi Masyarakat Multidisiplin Jurnal Ilmiah Multidisiplin Educalitra: English Education, Linguistics, and Literature Journal KOLONI Jurnal Adijaya Multidisiplin Madani: Multidisciplinary Scientific Journal SPHOTA: Jurnal Linguistik dan Sastra Fakultas Bahasa Asing Universitas Mahasaraswati Denpasar Gudang Jurnal Multidisiplin Ilmu Mutiara : Jurnal Ilmiah Multidisiplin Indonesia Metathesis: Journal of English Language, Literature, and Teaching Gudang Jurnal Pengabdian Masyarakat Seshiski: Southeast Journal of Language and Literary Studies The Sunan Ampel Review of Political and Social Sciences EJI (English Journal of Indragiri) : Studies in Education, Literature, and Linguistics ELite Journal: International Journal of Education, Language and Literature Masyarakat: Jurnal Pengabdian Jurnal Pendidikan dan Kebudayaan Al-A'raf: Jurnal Pemikiran Islam dan Filsafat Sunan Ampel International Conference of Political and Social Sciences Menulis: Jurnal Penelitian Nusantara Intertwine Candradimuka: Journal of Education Salience: English Language, Literature, And Education Journal Polyglot: Journal of Linguistics, Literature, and Language Education Journal Of Advance In Social Sciences And Policy JEELL (Journal of English Education, Linguistics and Literature) Journal of Integrative International Relations
Pasopati, Rommel Utungga
English Literature Department, University Of Dr. Soetomo Surabaya, East Java, Indonesia
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READING ALOUD SHORT STORIES TO ENHANCE STUDENTS' LITERACY IN ELEMENTARY SCHOOL Pasopati, Rommel Utungga; Putri, Alvina Salshabilla Linjani; Ramadhani, Anggraeni; Agil, Agischa Putri; Simbolon, Sinta Uli; Hamdani, Farham Nazhib
Masyarakat: Jurnal Pengabdian Vol. 2 No. 4 (2026)
Publisher : Yayasan Pendidikan Dan Pengembangan Harapan Ananda

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58740/m-jp.v2i4.480

Abstract

This community service activity aims to enhance students’ literacy skills through the implementation of the Reading Aloud method for elementary school pupils at SDN Kapasari I, conducted by lecturers and students of Universitas Dr. Soetomo. The program was designed to foster students’ reading interest and fluency in English by engaging them in expressive reading activities. The implementation consisted of three stages: initial assessment, service delivery, and evaluation. Documentation techniques were used to collect data throughout the process. Approximately fifty students participated actively in the program. They were encouraged to read selected fables both aloud and silently, record their performances, and present them before their peers. The results showed that the Reading Aloud activity effectively increased students’ motivation, confidence, and fluency in reading English texts. In conclusion, this community service project successfully contributed to improving elementary students’ literacy competence and confidence in public reading performance.
EXPLORING INDONESIAN RELIGIOUS TOLERANCE AND ORIENTATIONAL PLURALISM THROUGH BARASUARA’S "HAGIA" Anadza, Hirshi; Rommel Utungga Pasopati; Syarifuddin
Al-A'raf : Jurnal Pemikiran Islam dan Filsafat Vol. 20 No. 2 (2023)
Publisher : UIN Raden Mas Said Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22515/ajpif.v20i2.7676

Abstract

This study aims to provide a comprehensive understanding of how Barasuara's Hagia manifests religious tolerance and orientational pluralism in Indonesia. It is important to highlight that the responsibility for religious tolerance and pluralism extends beyond leadership to every stratum of society. By leveraging music as a vehicle to promote pluralism and instill values within individuals at their core, this approach may prove to be more effective than other governmental-implemented formalized methods. Religion can impact the behavior of young people, who are more ardent than older people, who are more cautious. By applying a qualitative approach, this study shows how orientational pluralism in the Hagia of Barasuara exemplifies religious tolerance. Through the emphasis on divergent viewpoints and other interconnected themes, the lyrical compositions of Hagia demonstrate the potential for religious tolerance and are therefore indicative of a pluralistic and diverse ethos. In conclusion, the lyrical composition suggests that pluralistic understanding can improve inclusive views toward one's own and other religions. Hagia's recognition and admiration of various religious beliefs demonstrate that sheer relativism is insufficient; individuals must show proactive compassion for others.
The Representations of Self-Love in Justin Bieber’s Love Yourself Sarmi, Ni Nyoman; Rahmansyah, Muhammad Ilham; Ramadhani, Asjad Nina Hanan; Zahra, Shellamita; Pasopati, Rommel Utungga
Journal Corner of Education, Linguistics, and Literature Vol. 3 No. 3 (2024): February
Publisher : CV. Tripe Konsultan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54012/jcell.v3i3.252

Abstract

The song of Love Yourself by Justin Bieber talks about the importance of self-love and acceptance by encouraging any audience to prioritize their own needs and well-being, rather than seeking validation from others. Through the lyrics, Bieber emphasizes the idea that love and respect start from within oneself. Self-love should be focused by letting go of toxic relationships and negative influences and to pay more attention to each person’s own growth and happiness. By answering the question of how may self-love be represented on Justin Bieber`s Love Yourself?, the song's message is particularly relevant in today's world where social media and external pressures often dictate how people perceive themselves. Love Yourself serves as a powerful reminder that self-love and acceptance are key to mental and emotional well-being. In conclusion, Love Yourself is a powerful song that promotes self-love and acceptance including pushing out any negativity and toxic influence.
Kant’s Aesthetic Essentiality as Exposed on Selena Gomez’s Who Says Pasopati, Rommel Utungga; Firda, Erlis Hersetya; Ayu, Evangelin Rambu; Fahmi, Muhammad Abu Rijal; Salsabiyla, Raddine
Journal Corner of Education, Linguistics, and Literature Vol. 3 No. 3 (2024): February
Publisher : CV. Tripe Konsultan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54012/jcell.v3i3.253

Abstract

Beauty for women is crucial as an intersection of their desires, needs, and satisfactions. Who Says is a song by Selena Gomez released in 2011 that inspires women to be confident since beauty is actually essential. Immanuel Kant’s aesthetic essentiality underlines that beauty is not agreeable since it relies on its own essence. Then, how may Kant’s aesthetic essentiality see the position of beauty in Selena Gomez’s Who Says? Through qualitative method on cultural studies, this article exposes Kant’s perspective and Gomez’s song. Recent various beauty standards make women feel insecure, but the song encourages girls to be who they are and not let what other people say get to them. All women should ignore forceful beauty standards because any expectation could be detrimental to women’s self-esteem. In conclusion, the song shows that beauty is essential and could only be experienced by individuals, not by any beauty standard.
The Preservation of Femininity in A. K. Summers’ Pregnant Butch Ibrahim, Laila Nabilahtuzzahro; Pasopati, Rommel Utungga
Journal Corner of Education, Linguistics, and Literature Vol. 3 No. 4 (2024): May
Publisher : CV. Tripe Konsultan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54012/jcell.v3i4.277

Abstract

This study examines the depiction of femininity in the graphic novel Pregnant Butch by A. K. Summers. The novel follows the story of Teek, who is experiencing pregnancy as a butch lesbian for the first time. This article investigates Teek’s sustaining femininity throughout her pregnancy journey as a butch. A butch itself is a gender expression that holds a masculine role in lesbian relationships. The researchers took the data of this analysis is taken by reading the graphic novels thoroughly, approaching the analysis from Teek's perspective, compiling a list of dialogues and interactions, and categorizing the collected data into specific themes. Using a qualitative method, the researchers in this analysis underline the uniqueness between masculinity and femininity illustrated in the graphic novel. In conclusion, Teek's experience of femininity during pregnancy enriches her butch identity, emphasizing her ability to balance both masculine and feminine aspects of herself. The study highlights the significance of feminine elements in Teek's unwavering expression of femininity.
The Significance of Dysthymia Symptoms in Colleen Hoover’s Regretting You Smarandreetha, Falsyawal Galang; Pasopati, Rommel Utungga
Journal Corner of Education, Linguistics, and Literature Vol. 3 No. 4 (2024): May
Publisher : CV. Tripe Konsultan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54012/jcell.v3i4.278

Abstract

Colleen Hoover's novel entitled Regretting You was first published in 2019. The novel reflects the intricate layers of human relationships of self-discovery, forgiveness, and lifelong family connections. Morgan and her teenage daughter, Clara, is dealing with the tragic deaths of Morgan's husband and Clara's father. As they deal with their grief and try to rebuild their lives, secrets and misunderstandings emerge, straining their relationship and causing them to experience dysthymia. Dysthymia is a lifelong form of depression, according to Michael E. Thase and Susan S. Lang. Then, how the symptoms of dysthymia depicted by Morgan and Clara in Colleen Hoover’s Regretting You? Employing a qualitative research approach, the researchers explore the symptoms of dysthymia, including changes in feeling, thinking, and behavior. Morgan and Clara's dysthymia evolves as they navigate the conflicts in the story, mainly due to the grief resulting from their loss. As a result, their mental and emotional health suffers greatly. This leads to the conclusion that their dysthymia exacerbates the tension in their mother-daughter relationship, making it difficult for them to communicate effectively and solve problems, all due to their enduring mild depression.
The Intertwined Dialogues of Peace and Forgiveness in Uncle Tom's Cabin Pasopati, Rommel Utungga; Napitupulu, Johanes Claudio Perdana; Puspayani, Komang Sinta; Damayanti, Ni Putu Nia; Faulina, Maulidia Nur
Journal Corner of Education, Linguistics, and Literature Vol. 4 No. 1 (2024): August
Publisher : CV. Tripe Konsultan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54012/jcell.v4i1.281

Abstract

Crimes and peace are interdependent yet paradoxical to each other. The absence of crime can affect peace, accuracy and vice versa. This two-sided paradox can in fact be reconciled through forgiveness as a door to wider freedom. In Uncle Tom's Cabin novel, Tom forgives Legree, Sambo, and Quimbo who tortured him to death. Tom does not avenge violence with violence but with forgiveness. When Tom almost died, Legree did not care about his condition. In reverse, Sambo and Quimbo were impressed by Tom's heart and turned to take care of him. Tom's forgiveness shows ethical intention of others as in Levinas's thought, promise of peace and wider freedom in the sense of Ricoeur, and possibility of the heterogeneity of everyday life according to de Certeau. Tom's forgiveness at once shows everyone, no matter how small he is, can forgive others. This allows further reconciliation in a reciprocal way. Circle of violence can be cut off by forgiveness that heals others. Briefly, Tom is a reflection of peace in the form of forgiveness. Forgiveness means healing others, widening the circle of freedom of others, and as a promise of peace. Forgiveness can open itself up to reconciliation by promising freedom for a new life.
The Intricateness of Adaptation of Literature to Film in Today’s Crisscrossed World Pasopati, Rommel Utungga; Suyaji, Fransisca Irnidianis Magdalena; Kirana, Kheista Sasi; Ramadhani, Riska Dewi; Wijaya, Kusuma
Journal Corner of Education, Linguistics, and Literature Vol. 3 No. 4 (2024): May
Publisher : CV. Tripe Konsultan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54012/jcell.v3i4.282

Abstract

This paper investigates the realities of literature adaptation to film in today’s world of literary criticism. People enjoy motion pictures and compare them with its original textual Literature. By focusing on literary criticism theories, this article explains modern to postmodern aesthetic points, especially in the era of definitions in romanticism, reflectionism and its auto, empiricism until pragmatism, and the age of language beyond communication. Through those former points, the adaptation of Literature to film brings in a wider point: the world itself. The adaptation is shown to broaden concepts and interpretations among writers, directors, and also audiences. Every aspect is so active to interpret in today's crisscrossed world that meanings vary from critical and evaluation perspectives. The adaptation is not about merely fixed definitions or even market orientations but open meanings on dialogues among realities. Any measurement from Literature or film is never enough to compare adaptation to its original form since it is located between individualities and societies. In conclusion, the adaptation of Literature should indicate that dominations must be minimized by maximizing hospitality of differences.
Global Eclectic Treatment of Covid-19: Global, Regional, and National Perspectives on Common Enemy Anadza, Hirshi; Pasopati, Rommel Utungga; Syarifuddin, Syarifuddin
Nation State: Journal of International Studies Vol. 4 No. 2 (2021): Conflict and the Problem of Cooperation in International Relations
Publisher : Faculty of Economics and Social Science, Department of International Relations, Universitas Amikom Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24076/nsjis.v4i2.596

Abstract

After being called the UN's, COVID-19 has become a global common enemy today. The escalation of the pandemic has been responded to nationally, regionally, as well as globally. However, the efforts of the United Nations as the most significant international organization are interpreted differently at the regional and national levels. That way, there will be a gap in understanding between the handling of COVID-19 at the global, regional, and national levels. Therefore, this paper discusses further how the COVID-19 as a common global enemy is reflected in regional and national actions against this pandemic? The global eclectic theory is explored to explain how global concepts relate to more specific concepts. Comparing the COVID-19 handling policies in ASEAN, SAARC, and the EU is needed to deeply explain the differences in handling the outbreak in each region. The result shows that common enemies do not automatically reflect joint regional action. National interest is still challenging to consolidate at the regional, furthermore global level. Moreover, cultural differences between countries cannot be reduced quickly in global matters.  
Self-Healing, Digital Activism and Its Continuance on False Consciousness Bethari, Chili Podhang; Alyanto, Jihan Nurul Savira; Pasopati, Rommel Utungga
Proceedings of Sunan Ampel International Conference of Political and Social Sciences Vol. 1 (2023): Proceedings of the SAICoPSS
Publisher : Faculty of Social and Political Sciences, UIN Sunan Ampel Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15642/saicopss.2023.1..148-161

Abstract

This article exposes the matter of false consciousness in self-healing as one of contemporary digital activism. Self-healing can be defined as a process in which the body becomes healthy or complete again. The idea itself has been adopted in a wide variety of social media namely Instagram and Tiktok. However, the concept of self-healing itself is shaped by shadow awareness as supported by false consciousness by Gyorgy Lukacs. This article uses qualitative method through explorative approach to understand new points of digital activism. In analysis, self-healing is not actualizing self-awareness, but only to comfort the mind and body from existing busy routines. Self-healing is not matter of amending true self, but as such escapism from busy daily routines. In conclusion, self-healing indeed deteriorates the ultimate idea of healing itself by indicating such false consciousness. It is not real, but plays as a mere illusory shadow
Co-Authors -Nabilahtauzzahro Ibrahin, Laila -Pujimahanani, Cahyaningsih -Putri Oktafiani, Adelia Achmad Maulana Marharendra Agil, Agischa Putri Agischa Putri Agil Akmal Dafa Hizbullah Albert Wijaya Kusuma Alyanto, Jihan Nurul Savira Amirul Mustofa Ananda Syahromi Putra Ananta, Bintang Ryan Andharu, Devito Anggoro Cahyo Wicaksono Anggraeni Ramadhani Anicleta Yuliastuti Anicleta Yuliastuti Anindya Thalita Salsabila Annasai, Axlinabila Annisa Annisa Deby Aulia Aprilla, Evania Nur Asihta Aulia Azzahra Asjad Nina Hanan Ramadhani Astika R. Pratiwi Attamimi, Fatimah Nurunnada Aulia, Annisa Deby Axlinabila Annisa Anasai Axlinabila Annisa Annasai Ayu Rengganis, Dewi Ayu, Evangelin Rambu Bagus Pratama Wijayanto Bethari, Chili Podhang Bhagaskoro, Pradipto Bhagaskoro, S. Hub, Pradipto Bintang Indra Wibisono Budianto, Suhartawan Budianto, Suhartawan Cahyaningsih Pujimahanani Cahyaningsih Pujimahanani Cahyaningsih Pujimahanani, cahyaningsih Calista, Salsabila Nova Camila, Myrilla Shafa Camilla, Myrilla Shafa Cicilia Tantri Suryawati Damayanti, Ni Putu Nia Dermawan, Zahwa Amelia Putri Devito Andharu Devito Andharu Dewangga, Diandra Parta Wisnu Dewi Ayu Rengganis Dewi Ayu Rengganis Dewi Syifanaya Firdausy Nurdin Dimas Eko Saputro Djanarko, Indri Dwi Ainur Riza Dwiky Jibril Aulia Baskara Dyah Ayu Ratna Jelita Eka Hesty Rohma Darmawati Erlis Hersetya Firda Erlis Hersetya Firda Fadhelah Aulia Hamidah, Galuh Fadillah, Muhammad Reza Ishadi Fahmi, Muhammad Abu Rijal Falsyawal Galang Smarandreetha Fatiha, Kayla Fatimah Nurunnada Attamimi Faulina, Maulidia Nur Fennyta Diva Fadilla Fiona Smith, Marion Firda, Erlis Hersetya Firdausy Alya Hasana Firzatullah, Muchammad Daffa Flora Anasis Fransisca Irnidianis Magdalena Suyaji Fransiska Litwin Nurni Gadi, Epifanius Karso Seda Galang Smarandreetha, Falsyawal Galuh Fadhelah Aulia Hamidah Gunawan Tjokro Hadi Saputra Hakim, Novanda Lukwita Hamdani, Farham Nazhib Hamidah, Galuh Fadhelah Aulia Happy Julia Rahmadianti Hariyono Hariyono Hariyono Hariyono Hasana, Firdausy Alya Hidayat, Sanjaya Ahmad Hirshi Anadza Hizbullah, Akmal Dafa Ibrahim, Laila Nabilahtuzzahro Indri Djanarko, Indri Irawan, Muhammad Barra Sofyan Nur Ishadi Fadillah, M Reza Isnin Ainie Johanes Claudio Perdana Napitupulu Kartika, Ratih Kartiningsih, Rindrah Katarina Surensa Khaled Ahmed Mohammed Kheista Sasi Kirana Kheista Sasi Kirana Kirana, Kheista Sasi Kurniawati, Wiwin Anggraeni Kusuma Wijaya Kusuma Wijaya Kusuma Wijaya Kusuma Wijaya Kusuma, Albert Wijaya Laila Nabilahtauzzahro Ibrahim Laila Nabilahtuzzahro Ibrahim Laura Ika Angelina Arfina Putri Lina Fadiyah Lisma Ayu Arditha Listyaningsih Listyaningsih Listyaningsih Listyaningsih Listyaningsih Listyaningsih Livia Wulandari Luh Putu Ratna Sundari Luke Zefranezra Mulyanto Lutvia, Frefies Lavigni Putri M Reza Ishadi Fadillah M Reza Ishadi Fadillah Margaretha, Sherlly Marharendra, Ahmad Maulana Michelle, Michelle Mikail, Izzaditya Dharmaputra Mohammad Mirza Mohammed, Khaled Ahmed Muchammad Daffa Firzatullah Muhammad Adji Mullah Akbar Muhammad Daffa Firzatullah Mulyanto , Luke Zefanezra Mulyanto, Luke Zefanezra Nafis, Naufal Napitupulu, Johanes Claudio Perdana Nasywa Nuzula Ramadhani Na’ilah Farashifah Ni Nyoman Sarmi Ni Nyoman Sarmi Ni Nyoman Sarmi Ni Nyoman Sarmi, Ni Nyoman Nia Ayu Fitriani Novanda Lukwita Hakim Noviyanti, Anisa Dinda Nurdin, Dewi Syifanaya Firadausy Nurdin, Dewi Syifanaya Firdausy Ohei, Sugisaka Oktafiani, Adelia Putri Oktavia, Dian Oktavia, Salsabila Adinda Pandu Bagus Sutowijoyo Pangestu, Imelza Novia Rakhmadani Pradipto Bhagaskoro Pratiwi, Astika R. Puspayani, Komang Sinta Putra, Ananda Syahromi Putri Ayu Millenia Putri, Adinda Putri, Alvina Salshabilla Linjani Putri, Laura Ika Angelina Arfina Putriana, Kadek Olivia Novi Qurrota A'yunin Raddine Salsabiyla Rahmadianti, Happy Julia Rahmansyah, Muhammad Ilham Ramadhani, Anggraeni Ramadhani, Asjad Nina Hanan Ramadhani, Nasywa Nuzula Ramadhani, Riska Dewi Raydzal Wibowo Sabandar Putra Reku, Angelina Merici Wua Rengganis, Dewi Ayu Rindrah Kartiningsih Rindrah Kartiningsih Rindrah Kartiningsih Rio Pratama Ramadan Riska Dewi Ramadhani Riza, Dwi Ainur Rizal Rafiuddin Rizal Rafsanjani Romadhona Resa Ayu Sari Rosyadi, Machfianita Mirza Ayu Salsabila Adinda Oktavia Salsabila Nova Calista Salsabila Nova Calista Salsabila, Anindya Thalita Salsabila, Shafa Salsabiyla, Raddine Santoso, Liora Samantha Valent Saputro, Dimas Eko Sasmita, Dimas Rakhmat Setiadi, Kostavialdus Shamad, Dzil Fikris Siadari, Yoshua Veron Handika Putra Simanjuntak, Nensy Megawati Simbolon, Sinta Uli Sinta Uli Simbolon siti wulandari Siti Wulandari Smarandreetha, Falsyawal Galang Soenarko, Zahra Pramatatya Suyaji, Fransisca Irndianis Magdalena Suyaji, Fransisca Irnidianis Magdalena Syaif, Serly Maulina Syarifuddin Syarifuddin Syarifuddin Syarifuddin Syarifuddin Syarifuddin, S. Hub. Int., M. Si., Syarifuddin Tobing, Victor Maruli Tua L. Toto Indra Wijaya Vivi Nur Aini Susanto Wahyu Widayati Wardana, Bima Tri Wardhana, Bima Tri Wicaksono, Anggoro Cahyo Wijaya, Kusuma Wijaya, Silvia Marta Wijaya, Toto Indra Wijayanto, Bagus Pratama Wirnoto, Yasmine Azzah Adillah Wiwin Anggraeni Kurniawati Yasmine Azzah Adillah Wirnoto Yasmine Azzah Adillah Wirnoto Yoshua Veron Handika Putra Siadari Yoshua Veron Handika Putra Siadari Yovita Olivia Yuliastuti, Anicleta Zahra, Shellamita Zaimudin, Ashlaha Baladina Zaky, Raffi Ahmad Zhafirah, Muthiah Qalbu