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Arianto, Tomi
Universitas Negeri Medan
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The Transformation Mandailing Community Traditions in the Context of Endogamous Marriages within a Single Clan Zahra, Naila; Hasibuan, Hotna Ria; Kholijah, Nita; Ginting, Dea Veronika Br; Arianto, Tomi
Literasi Bahasa dan Sastra Jurnal Vol. 1 No. 2 (2024): LIBAS Vol. 1 No.2 September 2024
Publisher : Yayasan Tri Edukasi Ilmiah

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63462/xc4pr418

Abstract

This study analyzes the transformation of mandailing community traditions in endogamous marriages within a single clan using everettrogers’(19625)difusion of innovation theory.Cultural changes occur as traditions adapt to moderzation and shifting social values.Using a descriptive qualitative approach,data were collected through virtual interviews with parents,community leaders,and local residents.The findings show that the tranformation of endogamous marriage traditions follows Rogers five stages of innovation adoption: awareness, interest, evaluation, experimentation, and acceptance. While traditional values persist, reinterpretations emerge due to religious, social, and urban influences. This study highlights how traditions evolve while maintaining cultural identity in changing social systems.
PENCARIAN JATI DIRI TOKOH UTAMA DALAM FILM “JALAN YANG JAUH, JANGAN LUPA PULANG”: ANALISIS HIERARKI KEBUTUHAN ABRAHAM MASLOW Putri Silvia; Ayu Anggraeini Br. Simbolon; Sanada Manalu; Tomi Arianto
Jurnal Bastra (Bahasa dan Sastra) Vol. 10 No. 2 (2025): JURNAL BASTRA EDISI APRIL 2025
Publisher : Program Studi Pendidikan Bahasa dan Sastra Indonesia, FKIP, Universitas Halu Oleo Kampus Bumi Tridharma Andounohu Kendari, Provinsi Sulawesi Tenggara – Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36709/bastra.v10i2.1310

Abstract

This study aims to analyze the hierarchy of needs in the main character of the film " A Long Way to Come Home ". In this study the author used a qualitative descriptive method. Data source The source of data is secondary data, namely the summary script of the film. This research uses Abraham Maslow's literary psychology regarding the hierarchy of needs. The research results in the study show that there are five needs that are achieved in the main character in the movie " A Long Way to Come Home ". The level shows the physiological needs of the main character Aurora when she eats, drinks, and shelter. The need for security is obtained by Aurora by her social environment which makes her feel that . The need for love is obtained from her friendship environment, which always helps and loves Aurora as their family too. Appreciation needs, obtained through how she can take care of herself, and do things that maintain her self-esteem. Self-actualization in the main character Aurora, seen how Aurora managed to meet her physiological, security, love, and appreciation needs.
MEMAKNAI NYANYIAN ONANG-ONANG DALAM TRADISI PERNIKAHAN MANGOMPA MANUK PADA MASYARAKAT KABUPATEN TAPANULI SELATAN Laila Adisti Aulia; Nabila Aswari Lubis; Rachel Esteria Siagian; Ruth Sofia Rolenza Lumbanraja; Wina Etami; Tomi Arianto
Jurnal Bastra (Bahasa dan Sastra) Vol. 11 No. 2 (2026): JURNAL BASTRA EDISI APRIL 2026
Publisher : Program Studi Pendidikan Bahasa dan Sastra Indonesia, FKIP, Universitas Halu Oleo Kampus Bumi Tridharma Andounohu Kendari, Provinsi Sulawesi Tenggara – Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36709/bastra.v11i2.2607

Abstract

Penelitian ini bertujuan untuk memaknai nyanyian Onang-onang dalam tradisi pernikahan Mangompa Manuk pada masyarakat Mandailing di Kabupaten Tapanuli Selatan. Tradisi Mangompa Manuk merupakan salah satu ritual adat yang sarat dengan nilai simbolis, khususnya berkaitan dengan harapan terhadap keturunan dan keberkahan hidup rumah tangga, yang diiringi oleh nyanyian Onang-onang sebagai media penyampaian pesan moral. Penelitian ini menggunakan metode kualitatif dengan pendekatan kajian pustaka dan wawancara terhadap informan sebagai sumber data utama. Analisis dilakukan dengan menggunakan teori tradisi lisan Ruth Finnegan yang menekankan pemaknaan berdasarkan konteks sosial budaya. Hasil penelitian menunjukkan bahwa nyanyian Onang-onang tidak hanya berfungsi sebagai hiburan, tetapi juga sebagai sarana edukatif yang memuat nilai-nilai moral, nasihat kehidupan, serta penguatan ikatan sosial dalam masyarakat. Selain itu, tradisi ini merepresentasikan identitas budaya Mandailing yang tetap bertahan di tengah dinamika modernisasi, meskipun terdapat perbedaan pandangan dalam perspektif keagamaan. Oleh karena itu, nyanyian Onang-onang dan tradisi Mangompa Manuk memiliki peran penting dalam pelestarian kearifan lokal.
Analisis Wacana Kritis Pemberitaan Hukum di Media Online: Kajian Teori Norman Fairclough Sihombing, Rosi Anita; Nainggolan, Santa Elfira; Farasi, Tessa Anastasia; Jesica, Verenanda; Affandi, Yaszmin Putri; Ritonga, Mara Untung; Arianto, Tomi
Indo-MathEdu Intellectuals Journal Vol. 7 No. 2 (2026): Indo-MathEdu Intellectuals Journal
Publisher : Lembaga Intelektual Muda (LIM) Maluku

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54373/imeij.v7i2.5255

Abstract

The role of online media in shaping public perceptions of legal justice through language construction. The research problem focuses on how perpetrators of petty crimes, corruption, and narcotics are represented in the news, how discursive practices influence the construction of meaning, and how the discourse reflects power relations. The study aims to analyze the representation of criminal perpetrators and uncover the ideology at work in legal reporting in Indonesian online media, namely Kompas.com and Detik.com, through a Critical Discourse Analysis approach using Norman Fairclough's three-dimensional model. The method used is descriptive qualitative research with data collection using listening and note-taking techniques. The results show differences in representation based on social class and type of crime. Media language tends to reproduce legal-formalistic ideology and shows symbolic inequality in the construction of justice. The conclusion of this study shows that the media not only conveys facts but also shapes certain social realities that reproduce power relations and class inequality in the Indonesian legal system.  
Dinamika Hasrat Narsistik dalam Cerpen Tiurmaida Karya Hasan Al-Banna: Kajian Psikoanalisis Jacques Lacan Nursalassaty; Hadawiyah, Andina; Ulfa, Syafrina; Shite, Yohan Tio Pantaria; Arianto, Tomi
Indo-MathEdu Intellectuals Journal Vol. 7 No. 2 (2026): Indo-MathEdu Intellectuals Journal
Publisher : Lembaga Intelektual Muda (LIM) Maluku

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54373/imeij.v7i2.5282

Abstract

This study aims to examine the structure of desire of the main character in the short story "Tiurmaida" by Hasan Al-Banna using Jacques Lacan's psychoanalytic theory. The analysis focuses on narcissistic desire that emerge in Tiurmaida, a loyal and strong wife. This study uses a qualitative descriptive method with a literary psychology approach. The results of the study indicate that Tiurmaida has active and passive narcissistic desire. Active narcissistic desire is seen in her efforts to show herself as a loyal wife and a strong woman, while passive narcissistic desire is seen in her dependence on recognition from others. This study shows that human desire always has a paradoxical nature and is closely related to the social, symbolic, and psychic structures that surround it
Analisis Feminisme Radikal terhadap Ketidakadilan Gender pada Tokoh Ibu dan Anak dalam Film “Andai Ibu Tidak Menikah dengan Ayah” Kajian Kate Millett Yani, Indri; Arfiani, Nanda Tiara; Nisa, Khairun; Arianto, Tomi
Indo-MathEdu Intellectuals Journal Vol. 7 No. 2 (2026): Indo-MathEdu Intellectuals Journal
Publisher : Lembaga Intelektual Muda (LIM) Maluku

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54373/imeij.v7i2.5283

Abstract

This study aims to analyze the forms of gender injustice experienced by the mother and daughter characters in the film If Mother Didn't Marry Father using radical feminism studies. This study uses a qualitative approach with descriptive analysis methods. The research data consists of dialogue, scenes, and character behavior that indicate gender injustice in the film. The analysis was conducted using the theory of radical feminism proposed by Kate Millett which emphasizes criticism of the patriarchal system in social life. The results of the study show that the mother and daughter characters in the film experience various forms of gender injustice, such as subordination, marginalization, and restrictions on freedom in determining life choices. These conditions arise due to the strong influence of the patriarchal system in the family that places men as the party with greater power. Through this film, it can be seen that power relations within the family play a major role in shaping the gender injustice experienced by women. This study is expected to provide an understanding of how film media represents the issue of gender injustice in family life.
CENANA DAN TUBUH DALAM ARENA KUASA: KAJIAN FEMINISME SIMONE DE BEAUVOIR DALAM SASTRA BALI KONTEMPORER Reynaldi Hutapea; Najwa Fitri Sahira; Hotni Purba Tondang; Carmel Auta Sitepu; Syairal Fahmy Dalimunthe; Tomi Arianto
Jurnal Bastra (Bahasa dan Sastra) Vol. 11 No. 2 (2026): JURNAL BASTRA EDISI APRIL 2026
Publisher : Program Studi Pendidikan Bahasa dan Sastra Indonesia, FKIP, Universitas Halu Oleo Kampus Bumi Tridharma Andounohu Kendari, Provinsi Sulawesi Tenggara – Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36709/bastra.v11i2.2618

Abstract

Tujuan penelitian ini adalah untuk mengungkap bagaimana tubuh dan subjektivitas tokoh perempuan dalam cerita pendek Oka Rusmini “Cenana” dikonstruksi dan dilawan melalui lensa feminisme eksistensialis Simone de Beauvoir. Dalam sistem patriarki Bali, tokoh Cenana digambarkan mengalami berbagai bentuk penindasan, seperti pernikahan paksa, kehamilan, dan objektivasi tubuh. Untuk menyelidiki narasi, deskripsi tubuh, dan dialog yang mengandung ketegangan gender, penelitian ini menggunakan pendekatan kualitatif dengan teknik analisis teks yang dikenal sebagai pembacaan cermat (close reading). Data dikumpulkan dari unsur-unsur naratif cerita pendek yang mengungkapkan konflik antara kesadaran individu tokoh perempuan dan peran yang dipaksakan secara sosial. Hasil analisis menunjukkan bahwa Cenana mengalami proses objektivasi yang menjadikannya “yang Lain” dalam struktur sosial. Di sisi lain, ia menunjukkan bentuk-bentuk perlawanan melalui kesadarannya akan tubuh dan identitasnya. Di dalam tubuhnya, dominasi tradisi dan patriarki secara simbolis dan internal ditantang.
Berburu Hasangapon di Perantauan: Logika Konversi Modal dan Histeresis Habitus dalam Film Ngeri-Ngeri Sedap Saibil Aprilia Putri; Zai Alpris Wulandari Saragih; Fadhilah Sabrina Zaylani; Rini Syarifah Siregar; Yusnika Sihite; Ahmad Samhudi; Tomi Arianto; Heny Anggreini
Abdi Cendekia : Jurnal Pengabdian Masyarakat Vol 5 No 2 (2026): Juni
Publisher : Yayasan Zia Salsabila

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61253/abdicendekia.v5i2.791

Abstract

Studi ini menggunakan teori Arena Produksi Kultural Pierre Bourdieu untuk mengeksplorasi logika sosial di balik konflik antar generasi yang diterjemahkan dalam film Bene Dion Rajagukguk Ngeri-Ngeri Sedap (2022). Studi ini menyelidiki bagaimana para agen dalam arena keluarga Batak menciptakan, mempertahankan, dan mengubah klaim kebenaran. Hal ini dilakukan dengan menggunakan epistemologi “berpikir relasional”, atau berpikir relasional. Metode deskriptif kualitatif yang digunakan menggunakan sosiologi sastra (sosiologi produksi budaya). Data primer bersumber pada unit tekstual, yakni dialog, tindakan serta narasi pada film Ngeri-Ngeri Sedap. Merujuk pada temuan riset bahwa: (1) Arena keluarga Batak berfungsi sebagai arena pertarungan modal simbolik yang dipimpin oleh dominasi patriarki dominan; (2) Terjadi fenomena habitus histeresis pada generasi tua (Pak Domu) yang berbenturan dengan habitus kosmopolitan generasi muda (Domu dan Sarma); (3) Tokoh Gabe mengubah strategi dengan menggunakan rumus praktik= (Habitus × Modal) + Arena untuk memperoleh legitimasi di arena dengan menggunakan modal budaya (gelar hukum). Studi ini menunjukkan bahwa konflik keluarga modern bukan hanya masalah komunikasi; itu adalah konflik struktural antar-kebiasaan yang memerlukan perundingan kembali ruang tradisi di tengah arus modernitas.
Co-Authors Adelina Purba, Juliana Adira Cahya Adrias Adrias Affandi, Yaszmin Putri Afriana Afriana Afriana Afriana Afriana Afriana, Afriana Agus Sutardjo Ahmad Samhudi Ambalegin Ambalegin Ambalegin, Ambalegin Anastasia Juwita Ningsih Angel Purwanti Angelina, Veren Anggreini, Heny Aprilia, Isnanda Arfiani, Nanda Tiara Ayu Anggraeini Br. Simbolon Ayu Nadira Wulandari Azhari, Chud Radeffy Aziz, Basyarul Carmel Auta Sitepu Chairunnisa, Hera Cheristine Aprilia Cinta, Cinta Damanik, Bea Anantha Desica Desica Desria Natalia Sirait Elfi Rahmi Fadhilah Sabrina Zaylani Fahmy Dalimunthe, Syairal Farasi, Tessa Anastasia Febri Yulika Febriani, Jeany Jean Ghafari, M. Oky Fardian Ginting, Dea Veronika Br Ginting, Natalia Griselda Giovanni Simanjuntak Gulo, Merlin Soviana Hadawiyah, Andina Hanus Tewarat, Sipri Harianja, Berlian Serevina Harry Yoesoef Pabiona Hasibuan, Hotna Ria HENDRA KURNIA PULUNGAN, HENDRA KURNIA HERA CHAIRUNISA, HERA Hotman Nasution Hotni Purba Tondang Icha Sartika Indri Yani, Indri Jamba , Padrisan Jamba, Jamba Jeany Jean Febriani Jesica, Verenanda Karmila Alam Syah Wellem Khairun Nisa Khairunnisa Khairunnisa Kholijah, Nita Laila Adisti Aulia Lavinia Rosemary Libra Sinurat, Grace Lismalinda M. Oky Fardian Gafari Maharani, Puja Manuela Indriati Siahaan MARA UNTUNG RITONGA, MARA UNTUNG Marson Goh Maulid Hariri Gani Mendrofa, Novi Oktavia Michelle Intan Goh Rumengan Waworuntu Mirda Aryadi Muhammad Fikri Munthe, Samantha Mariani Mutia Rafael Nabila Aswari Lubis Nainggolan, Santa Elfira Najwa Fitri Sahira Nazwa Annisa Nitasri Murawaty Girsang Nolen Nolen Nopriadi Nopriadi Noviana Osinta Bere Novita, Elmi Nurma Dhona Handayani Nursalassaty Padrisan Jamba Pegi Fortunela Pijar Omar Piscesco Putri Dhea Sapitri Putri Silvia Putri, Saibil Aprilia Rachel Esteria Siagian Rahardy, Iffah Fauziah Resneri Daulay Reviani Manullang, Ester Reynaldi Hutapea Ricky Ricky Rinaldi Panjaitan, Rinaldi Rini Syarifah Rizki, Sestri Novia Rusmitha Sipahutar Ruth Sofia Rolenza Lumbanraja Saibil Aprilia Putri Sanada Manalu Septiani Sihaloho, Jelita Septriani Septriani Septriani Septriani Septriani Septriani Septriani Septriani Septriani, Septriani Shite, Yohan Tio Pantaria Siallagan, Lasenna Sihombing, Noel Sihombing, Rosi Anita Silalahi, Selvina Simangunsong, Cladeo SIMANJUNTAK, DAIRI SAPTA RINDU Sitanggang, Romauli situmorang, Dina Evianna Suryani, Melly Siska Syafitri, Astrid Syahfitri, Rindani Syairal Fahmy Dalimunthe Syielvi Dwi Febrianty Tamara Hasibuan, Susan Tampubolon, Nico Jacksen Tarigan, Ansi Br Ulfa, Syafrina Vita Nancy Manurung Wina Etami Yusnika Sihite Zahra, Naila Zai Alpris Wulandari Saragih Zakiah, Husnuz Zefri Azharman Zega, Fatizatulo Zia Hisni Mubarak Zuhdi Arman Zuhdi Arman