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All Journal Litera Parole: Journal of Linguistics and Education Journal of Language and Literature English Language and Literature Jurnal Pendidikan Bahasa Inggris Language Circle : Journal of Language and Literature EnJourMe (English Journal of Merdeka) : Culture, Language, and Teaching of English EDULITE: Journal of English Education, Literature and Culture Abdimas Talenta : Jurnal Pengabdian Kepada Masyarakat BASIS (BAHASA DAN SASTRA INGGRIS) Edu-Ling: Journal of English Education and Linguistics Linguistics and Elt Journal JURNAL PENDIDIKAN TAMBUSAI JOURNAL OF APPLIED LINGUISTICS AND LITERATURE JETL (Journal Of Education, Teaching and Learning) Voices of English Language Education Society KLAUSA (Kajian Linguistik, Pembelajaran Bahasa, dan Sastra) BAHTERA : Jurnal Pendidikan Bahasa dan Sastra Rainbow : Journal of Literature, Linguistics and Cultural Studies TEKNOSASTIK International Journal of Cultural and Art Studies (IJCAS) JALL (Journal of Applied Linguistics and Literacy) Titian: Jurnal Ilmu Humaniora Dinasti International Journal of Education Management and Social Science Journal of Language and Literature International Journal of English Education and Linguistics (IJoEEL) IJELR: International Journal of Education, Language, and Religion Jurnal Darma Agung Lexeme : Journal of Linguistics and Applied Linguistics JL3T (Journal of Linguistics, Literature and Language Teaching) Journal of English Language and Education ELTALL: English Language Teaching, Applied Linguistic and Literature Jurnal Penelitian Inovatif International Journal of Research on English Teaching and Applied Linguistics Joal : Journal of Applied Linguistics Indonesian Journal of EFL and Linguistics SIGEH ELT : Journal of Literature and Linguistics Kajian Linguistik dan Sastra JEELS (Journal of English Education and Linguistics Studies) LingPoet: Journal of Linguistics and Literary Research Proceeding International Conference on Malay Identity Jurnal Riset Rumpun Ilmu Bahasa (JURRIBAH) Jurnal Pemberdayaan Masyarakat Innovative: Journal Of Social Science Research LINGTERSA: Jurnal Linguistik, Terjemahan, Sastra Hikari: Jurnal Bahasa dan Kebudayaan Jurnal Abdimas Maduma Journal of Mandalika Literature IJLHE: International Journal of Language, Humanities, and Education Radiant : Journal of Applied, Social, and Education Studies
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Journal : Linguistics and Elt Journal

Feminist Stylistic Analysis of Bella Poarch's Song "Build A Bitch" Tarigan, Aina Zahra; Tambunan, Cindy Uli Basa; Mentari, Lanjar Melati Setio; Rangkuti, Rahmadsyah
Linguistics and ELT Journal Vol 11, No 2 (2023): December
Publisher : Universitas Muhammadiyah Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31764/leltj.v11i2.20134

Abstract

This research aims to examine Bella Poarch's song "Build a Bitch" from a feminist stylistic point of view. This research is conducted using Sara Mills' feminist stylistics theory which consists of three levels as suggested by Mills in her book. The analysis is conducted using descriptive-qualitative methodology that involves collecting and analyzing data at the word level, analyzing at the phrase/sentence level, and analyzing at the discourse level, and relating it to gender issues. The findings show an advanced representation of traditional gender roles, specifically the narrative's objectification of women. The metaphorical employing of the phrases 'Barbie' and 'Ken' exposes gender biases along with judging social beauty standards and unacceptable gender roles assigned to women. The song arises as a critique of traditional gender norms, combining with feminist stylistic elements by questioning and disputing society demands on women. The song navigates relationships complexities and society expectations critically, providing the speaker to stand against standards and fight for self-love.
Morphological Stylistic Analysis found in Langston Hughes’s Poem “Harlem” Zahara, Ayuna; Hidayat, Chatrine Aulia; Rangkuti, Rahmadsyah
Linguistics and ELT Journal Vol 11, No 2 (2023): December
Publisher : Universitas Muhammadiyah Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31764/leltj.v11i2.20240

Abstract

This study conducts a morphological stylistic analysis of Langston Hughes's renowned poem "Harlem" with the overarching objective of identifying and categorizing the types of morphemes employed within the poem.  Moreover, this research seeks to determine the most dominant type of morpheme in the poem. The researchers used descriptive qualitative method in analyzing the data. Employing qualitative methods, the analysis focuses on identifying various morpheme types of free morpheme and bound morpheme, such as lexical, functional, derivational, inflectional morphemes. Through a line-by-line examination, the study scrutinizes the presence and role of morphemes in constructing the vivid and evocative imagery characteristic of "Harlem." In the result, the researchers found 16 lexical morphemes (nouns, verbs, adjectives, adverbs) 25 functional morphemes (pronouns, prepositions, articles, conjunctions), 7 inflectional and 3 derivational suffixes. Furthermore, the results of the analysis shows that the most dominant types of morphemes are functional morpheme.
Forensic Stylistic Analysis of UNNES Student’s Suicide Note Maulida, Dini Eka; Andira, Missy Ayu; Onggatta, Reggina; Balqis, Shafiah; Hamzah, Syifa Fitri; Rangkuti, Rahmadsyah
Linguistics and ELT Journal Vol 11, No 2 (2023): December
Publisher : Universitas Muhammadiyah Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31764/leltj.v11i2.19965

Abstract

Suicide notes are powerful pieces of evidence in suicide cases, left as messages by individuals who commit or intend to commit suicides. The intention of leaving suicide notes is mostly to convey thoughts and feelings that are unknown to people when the victims are alive. This study investigated the linguistic features contained in the suicide note written by a college student of UNNES using descriptive-qualitative as the research method and applying Prokofyeva's theory of suicide notes linguistic features. The suicide note is available and can be accessed online. This study aimed to analyze the forensic stylistic approach towards the suicide note by showing the linguistic features and interpreting the messages delivered by the victim. The researchers classified and described the data in five distinguished characteristics of linguistic features found in the suicide note; clear reasoning, expressing emotions, text structure, grammar, and punctuation. The findings revealed that all the features are present in the suicide note, yet the researchers found that there were different tenses used in the suicide note. The results found only ellipsis in the victim’s suicide note. The data findings in this research may assist future research regarding the study of forensic stylistics, specifically in investigating suicide notes.
Male and Female Language: Sociolinguistics in 'Wolf Gold' WhatsApp Chat Artika, Mutiara Romi; Sofilla, Devi; Handyanto, Wina Avrillia; Nisa, Khairun; Rangkuti, Rahmadsyah
Linguistics and ELT Journal Vol 12, No 2 (2024): December
Publisher : Universitas Muhammadiyah Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31764/leltj.v12i2.27269

Abstract

This research analyzes “Wolf Gold’ group chat using a sociolingustics gender language difference by Lakoff and Coates Theory. The researchers uses a qualitative descriptive method and presented with tables. The author found out that in Lakoff’s features in women’s language include hedges, tag questions, empty adjectives, intensifiers, superpolite forms, and avoidance of strong swear words. In men’s language, based on Coates’ theory, swearing, commands, declaratives, and interruptions were observed. While women used most of Lakoff’s features, some were absent due to the chat’s context. Men mostly used swearing, but both genders showed overlap in using features from the opposite theory, highlighting inconsistencies in applying Lakoff’s and Coates’ theories across different gender. The theories of Lakoff and Coates show inconsistencies, as features of men’s language appear in women’s speech and vice versa.
Language and Gender: Analyzing Male and Female Speech in a Debate Setting Ma, Cynthia; Rahma, Alya Vania; Septiandri, Muhammad Rizky; Rangkuti, Rahmadsyah
Linguistics and ELT Journal Vol 12, No 2 (2024): December
Publisher : Universitas Muhammadiyah Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31764/leltj.v12i2.27345

Abstract

Gender and language is a topic that continues to be relevant among scholars. This study examines the influence of gender on communication styles in a debate uploaded on Youtube titled “Can 25 Liberal College Students Outsmart 1 Conservative? (feat. Charlie Kirk)”. The research is guided by Deborah Tannen’s theory of report talk and rapport talk. This research focuses solely on the first premise about abortion. The participants include five female and three male students, along with Charlie Kirk. Qualitative content analysis was  used, with the dialogues transcribed and manually coded. The results align with the generalization that men often use report talk, while women lean toward rapport talk. However, the findings also reveal that both genders can switch styles depending on the situation. This study highlights the role gender plays in shapping communication strategies during debates. Although the sample size and analysis duration are limited, the findings offer valuable insights into gender communication in formal settings.
Feminist Stylistics in Boston Strangler (2023): Women’s Struggle for Equality in Media Representation Rusida, Elizabeth; Tambunan, Friska; Aprianti, Thesia; Rangkuti, Rahmadsyah
Linguistics and ELT Journal Vol 13, No 1 (2025): June
Publisher : Universitas Muhammadiyah Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31764/leltj.v13i1.30894

Abstract

This study aims to analyze the gender dynamics reflected in the film Boston Strangler (2023) using a qualitative by feminist stylistics approach. The research examines how the film's linguistic representation reflects the challenges and progress of women in investigative journalism. By employing linguistic and stylistic analysis, the study identifies language choices, sentence structures, and discourse patterns that either reinforce or challenge traditional gender constructs in the media. The findings reveal that at the lexical level, the film often depicts men as authoritative figures, while women are portrayed as emotional or excessive in asserting their professionalism. Sentence structures further emphasize gender inequalities, with female characters frequently having to justify their abilities in the workplace. On a broader discourse level, while the film highlights the structural barriers faced by women in male-dominated fields, it also showcases their resilience in challenging societal expectations. This study underscores the significance of language in shaping gender perceptions and provides deeper insights into the representation of women in the media. It also contributes to broader discussions on the portrayal of women on screen and the role of media in shaping social norms. Future research could explore similar linguistic patterns in other films within the same genre to observe the evolving portrayal of gender in cinema.
Gender in Power: Breaking Boundaries on Little Mix's "Power" Simamora, Debora Anriyani; Galaska, Candrika; Maria, Jessicca; Rangkuti, Rahmadsyah
Linguistics and ELT Journal Vol 13, No 1 (2025): June
Publisher : Universitas Muhammadiyah Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31764/leltj.v13i1.30391

Abstract

This study uses Sara Mills' feminist stylistics theoretical framework to analyze how Little Mix's song “Power” actively challenges traditional gender norms through language.  The main goal is to examine how this song challenge gender stereotypes by portraying women as strong and in charge rather than just calling for equality or opposing oppression. Using a descriptive qualitative approach, this study examines song lyrics at three levels: words, phrases/sentences, and discourse in accordance with Sara Mills' theoretical framework (1995). The findings of this study prove that Little Mix's power song is full of lyrics that actively break traditional gender stereotypes, affirming that women can hold and have control, not as a concession from men, but as an inherent right. The language used in the song successfully challenges patriarchal roles, reinforcing the idea that power is not only limited to masculine men but is also accessible to women. The song is a true feminist anthem.
Co-Authors Achmad, Zakaria Afandi, Fahri Ahmad, Sophie Meilatifah Akhyar, Fadhilah Tsaqila Alfia, Fila Alivia, Cut Putri Alvin Alfian, Yofina Mulyati, Ambarita, Mariyanti Anargya, Hafwen Andini, Riza Saskia Andira, Missy Ayu Aprianti, Thesia Apuilina, Theresia Widya Aria, Fahri Mulia Ariqah, Nabilah Artanti, Chairinnisa Artika, Mutiara Romi Azahra, Naiya Azzahra, Sekar Bacas, Chintami Angelica Balqis, Shafiah Batubara, Vinjellina Beru Sembiring, Inggrid Gavrila Br Pane, Khairina Juliana Br Panjaitan, Eureka Jovita Br Perangin – Angin, Alemina Br. Perangin-angin, Alemina br. Sirait, Naomi Sephania Br. Sitorus, Rosalyn Magdalena Br.Sinulingga, Desi Rahma Yuni Caroline, Yohanna Pebrianti Chaterina Manalu, Lidya Arella Dachi, Paulus Dalimunte, Sukma Rahayu Dalimunte, Vina Fitriani Daulay, Olga Adelia Deliana Deliana, Deliana Dinda N. Hutabarat, Sharon Dinillah Arifah Eddy Setia Effendi, Fika Emylia Elchaira, Nadya Fayusaurada, Annan Fianda, Afiqah Fila Alfia Fitriana, Fadila Fitriyani, Murni Nur Fransisca, Amanda Galaska, Candrika Ganie, Rohani Ginting, Sinta P Amelia Ginting, Valencia Laurence Hamzah, Syifa Hamzah, Syifa Fitri Handyanto, Wina Avrillia Harianja, Alvernod Hasan, Hani Firlyali Hasnain, S. Imtiaz Hia, Nadia Virdhani Hidayat, Chatrine Aulia Hutabarat, Sharon Dinda N. Hutapea, Vimelia Fratiwi Ilma, Dzikri Indah Permata Sari Irwan Istiqomah istiqomah istiqomah Kaonedy, Jesselyn Khairun Nisa Khansa, Syifa Nadiah Kurniasy, Dessy Kurniawan, Salsabila La Ajina Hasibuan, Faninsky Aryanti Lekson, Mutiara Alda Lhaksmi, Maha Loeis, Jhonson Lorise, Grace Lubis, Ezra Rumatha Lubis, Heri Setiawan Lubis, Masdiana Lubis, Rafi Muhammad Lubis, Reza Dian Irawan Ma, Cynthia Madi, Salwa Saleh Manalu, Lidya Arella Chaterina Manurung, Anna Shinta Vholyna Manurung, Rifdah Aatikah Margareth, Ruth Anggina Margaretta, Witness Eunike Maria, Jessicca Marsha, Sit Azzahra Marsha, Siti Azzahra Matanari, Desna Uli Maulida, Dini Eka Meisya, Shalsa Billa Mentari, Lanjar Melati Setio Muchtar, Muhizar Muhammad Yusuf Murtias, Latifa Nanda Muthi’ah, Nadhirah mutiara mutiara Nabila, Kanaya Nur Naifa Naila, Aisya Namira, Ade Nasution, Atikah Auni Nasution, Diantry Binarwaty Habibie Nasution, Khairina Nasution, Khairunnisa Fitri Nasution, Puja Indriana Nasution, Putri Aulia Nazreensyah, Fabian Putra Nilma Zola Novra Melisa P. Hutabarat Nurhayati Sitorus Nurlela Nurlela Nurul Hasanah Oktira, Harisa Dwi Onggatta, Reggina Panggabean, Devi Sari Panggabean, Erin Yohana Parinduri, Afrahul Fadhillah Pasaribu, Sastha Theresia Pasaribu, Uswatun Rafi'a Perangin - angin, Alemina Perangin-angin, Angelia Maria Igesia Pradinda, Yulia Pratiwi, Anggita Pujiono Pujiono Purba, Raysa Putri, Arina Putri, Riska Ananda Rahma, Alya Vania Rahmah Fithriani Rohani Ganie Rusdi Noor Rosa Rusdi Noor Rosa Rusida, Elizabeth S, Dwi Triana S, M. Farhaz Krisnawan Salim, Fahri Saputra, Diendra Wahyu Saragih, Silvia Efani Sasmita, Rheina Sastia, May Sembiring, Teresia Anjelina Septiandri, Muhammad Rizky Septiandri, Rizky Shafridawati Siahaan, Daniel Fernando Siahaan, Rachel Pratiwi Sianturi, Naomi Elisabeth Siburian, Jessica Br. Sigalingging, Anggi Yolanda Sihite, Adinda Dwi Putri Sihotang, Anggraeni Permata Sihotang, Tiarma Sijabat, Carissa Margaret Silaban, Jelly Silitonga, Mega Uli Arta Silpandi, Neviya Silvizi Hijra, Hannah Zakiyya Simamora, Debora Anriyani Simangunsong, Anisyah S. Simangunsong, Anisyah Srirezeki Simanjuntak, Ivan Fernando Simanjuntak, Jessica Ruth Margaretha Simanjuntak, Juni Santa Simanjuntak, Windy Octalin Simorangkir, Raslima Sinaga, Amelia Putrilanel Sinaga, Joyce Chardha Sinaga, Muhammad Hidayatullah Tuahta Sinaga, Tantiara Fiesta Sinar, T. Silvana Sirait, Anjeli Lorena Siregar, Akbar Pangeran Siregar, Florence Siregar, Lailan Haz Sitompul, Ines Margaretha Sitompul, M. Riyadhil Sitompul, Muhammad Riyadhil Sitompul, Riyadhil Situmorang, Evelyn Sofilla, Devi Sofyani, Rizki Amelia Suhery, Dedy Syahron Lubis Syifa, Ghaissanie T. Thyrhaya Zein Tambunan, Cindy Uli Basa Tambunan, Friska Tambunan, Khairunnisa Tanjung, Putri Aziza Muvta Tannada, Susanty Tarigan, Abigail Chrissantha Tarigan, Abigail Putri Chrissantha Tarigan, Agit Seprina Tarigan, Aina Zahra Taufany, Wahyu Trifena, Atalya Turnip, Novi Kanaya Perdana Ulfa, Maryam Umar Mono Wahyu Ningsih Wulandari, Vanny Zahara, Ayuna Zahrani, Tasya Zahratul Idami Zulaika, Adristi Yajna