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All Journal Litera Parole: Journal of Linguistics and Education Journal of Language and Literature English Language and Literature Jurnal Pendidikan Bahasa Inggris Language Circle : Journal of Language and Literature EnJourMe (English Journal of Merdeka) : Culture, Language, and Teaching of English EDULITE: Journal of English Education, Literature and Culture Abdimas Talenta : Jurnal Pengabdian Kepada Masyarakat BASIS (BAHASA DAN SASTRA INGGRIS) Edu-Ling: Journal of English Education and Linguistics Linguistics and Elt Journal JURNAL PENDIDIKAN TAMBUSAI JOURNAL OF APPLIED LINGUISTICS AND LITERATURE JETL (Journal Of Education, Teaching and Learning) Voices of English Language Education Society KLAUSA (Kajian Linguistik, Pembelajaran Bahasa, dan Sastra) BAHTERA : Jurnal Pendidikan Bahasa dan Sastra Rainbow : Journal of Literature, Linguistics and Cultural Studies TEKNOSASTIK International Journal of Cultural and Art Studies (IJCAS) JALL (Journal of Applied Linguistics and Literacy) Titian: Jurnal Ilmu Humaniora Dinasti International Journal of Education Management and Social Science Journal of Language and Literature International Journal of English Education and Linguistics (IJoEEL) IJELR: International Journal of Education, Language, and Religion Jurnal Darma Agung Lexeme : Journal of Linguistics and Applied Linguistics JL3T (Journal of Linguistics, Literature and Language Teaching) Journal of English Language and Education ELTALL: English Language Teaching, Applied Linguistic and Literature Jurnal Penelitian Inovatif International Journal of Research on English Teaching and Applied Linguistics Joal : Journal of Applied Linguistics Indonesian Journal of EFL and Linguistics SIGEH ELT : Journal of Literature and Linguistics Kajian Linguistik dan Sastra JEELS (Journal of English Education and Linguistics Studies) LingPoet: Journal of Linguistics and Literary Research Proceeding International Conference on Malay Identity Jurnal Riset Rumpun Ilmu Bahasa (JURRIBAH) Jurnal Pemberdayaan Masyarakat Innovative: Journal Of Social Science Research LINGTERSA: Jurnal Linguistik, Terjemahan, Sastra Hikari: Jurnal Bahasa dan Kebudayaan Jurnal Abdimas Maduma Journal of Mandalika Literature IJLHE: International Journal of Language, Humanities, and Education Radiant : Journal of Applied, Social, and Education Studies
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President Joko Widodo’s Speech Acts in His Viral Video Visiting Lampung Situmorang, Evelyn; Onggatta, Reggina; Hamzah, Syifa; Rangkuti, Rahmadsyah
Linguistik Terjemahan Sastra (LINGTERSA) Vol. 4 No. 2 (2023): Linguistik Terjemahan Sastra (LINGTERSA)
Publisher : TALENTA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32734/lingtersa.v4i2.12132

Abstract

Politicians utilize a variety of speech acts to achieve specific goals and engage with their audiences through political speeches, interviews, or social media posts that can persuade, convince, or mobilize the public. The objective of this research is to find out the types of speech acts done by President Joko Widodo in his viral interview video visiting Lampung and to examine the effects of each speech act caused. This research applied Austin and Searle’s theory to analyze the locutionary, illocutionary, and perlocutionary acts that the utterances possessed. In this article, the data were analyzed using the qualitative-descriptive method and were taken from the Sekretariat Presiden YouTube Channel. The result findings of this study indicate that President Joko Widodo, as a political leader, used all types of illocutionary acts as yet he tends to use commissive illocutionary speech acts that are essential for him to make promises and prove it in order to show his work and also to appease the citizens in Lampung.
Figure of Speech Stylistic Analysis on Selected Song Lyric in GUTS Album by Olivia Rodrigo Zahara, Ayuna; Hidayat, Chatrine Aulia; Rangkuti, Rahmadsyah
TEKNOSASTIK Vol 22, No 1 (2024): TEKNOSASTIK
Publisher : Universitas Teknokrat Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33365/ts.v22i1.3861

Abstract

This study conducts a figure of speech stylistic analysis on selected song lyrics from Olivia Rodrigo's "GUTS" album, "The Grudge," "Lacy," and "Making the Bed." Grounded in the theoretical framework of K.L Knickerbocker and H Willard Reninger (1963), the analysis explores various figures of speech such as metaphor, simile, hyperbole, synecdoche, personification, metonymy, irony, paradox, and allusion. The research aims to unravel Olivia Rodrigo's stylistic choices and determine the most dominant figure of speech used in the selected songs. Data collection techniques in this study are: listen to the songs, read the songs lyric intensively, marking words, clauses, or sentences containing figure of speech proposed by K.L Knickerbocker and H. Willard Reninger (1963) and put it on a table. This study also determines the most dominant figures of speech are found in selected song’s lyrics in "GUTS" album by Olivia Rodrigo. Through a systematic analysis, the findings of this study found 142 figures of speech contained in the selected song lyrics, with hyperbole emerging as the most dominant. The findings highlight Rodrigo's adeptness in using linguistic devices to convey powerful messages and evoke emotions, contributing to a deeper understanding of the artistic and expressive qualities embedded in contemporary music lyrics.
An Analysis of Taboo Words in Megan Thee Stallion’s Song Lyrics on Album “Fever” Sinaga, Amelia Putrilanel; Siregar, Florence; Pasaribu, Sastha Theresia; Rangkuti, Rahmadsyah
English Language and Literature Vol 12, No 3 (2023)
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/ell.v12i3.123475

Abstract

This article aimed to talk about taboo words in the song lyrics on Megan Thee Stallion's "fever" album. The researcher discussed the types, functions, and meanings of the taboo words used in the song lyrics by Megan Thee Stallion. The album song "fever" by Megan Thee Stallion served as the research sample, and its lyrics were found using Google. To describe the types of taboo words and the functions of taboo words, the researcher used theories from Wardhaugh and Batistella, respectively. The researcher then used dictionaries, the internet, and articles to find the definitions of taboo words in Megan Thee Stallion's song lyrics in order to support the information. Based on data analysis, it was found 442 total taboo words. The lyrics on Megan Thee Stallion's album "fever" contain the highest percentages of obscenity (36.4%), epithets (34.3%), and vulgarity (28%). Three functions were also found to have the highest percentages for the function of using taboo language. There are showing contempt (45.57%), being provocative (31.41%), and drawing attention (23%) are some examples. The use of words that mocked authority then became at the very least used.
Indian Contribution to Language Sciences in Non-Western Tradition: With Reference to Arabic Rangkuti, Rahmadsyah; Hasnain, S. Imtiaz
International Journal of Cultural and Art Studies Vol. 1 No. 1 (2018): International Journal of Cultural and Art Studies (IJCAS)
Publisher : Talenta Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (761.591 KB) | DOI: 10.32734/ijcas.v1i1.449

Abstract

Language study relates itself to both ontology and epistemology. Both ontological and epistemological investigations have been the subject of debate and discussion in different civilizations producing a number of grammatical traditions other than the West. Arab, China, India and the ancient Near East can also boast of language traditions of greater antiquity. In terms of richness of insight and comprehensiveness of scope, both India and the Arab compete on equal terms with the West, where each grew independently of the others and for the most part developed separately, drawing on the resources of the culture within which it grew. Hence, there is strong need to have a study of comparative grammatical theory to which Indian, Arabs and Chinese also belong, centring on the questions of: What has been the importance of these theories explanatory categories appear in historically unrelated linguistic theory, and if they do, why? This perspective would bring new dimension to the study of linguistic theory and would not remain at the level of redressing the overwhelming emphasis on the European tradition in the study of history of linguistics.
A Phono-Stylistic Analysis of Langston Hughes’ Poem “Harlem” Rangkuti, Rahmadsyah; Tannada, Susanty
JL3T (Journal of Linguistics, Literature and Language Teaching) Vol 10 No 1 (2024): JL3T Vol. X No. 1 2024
Publisher : UPT. Pengembangan Bahasa IAIN Zawiyah Cot Kala Langsa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32505/jl3t.v10i1.7735

Abstract

This research was utilized stylistic analysis tools at the phonological level in the poem titled “Harlem” by Langston Hughes. By leveraging the collective cultural scheme of the Harlem Renaissance, Hughes establishes a connection with the reader, eliciting specific cultural and emotional reactions. The study will be conducted using a qualitative method, followed by organizing the research data into a table and analyzing it by identifying dominant consonants and vowels. The research findings reveal a correlation between the dominant sounds and implicit themes in the poem. Surprisingly, the dominant sounds which is consonant give rise to words such as ‘tear’ and ‘star’, which are related to the theme of the Harlem poem. Both words obtained in this study strengthen the message and emotions conveyed by Hughes regarding the feelings of black individuals. In undertaking this research, it aids researchers in understanding the purpose, intent, and even the style of the author in creating the poem. In this particular poem, Hughes avoids repetition of themes but conveys the feelings of black individuals implicitly. This research contributes to deepening the understanding of stylistic elements at the phonological level and fosters an appreciation for a literary work.
Korean- English Code Mixing and Code Switching Of New Jeans’s Song Margaretta, Witness Eunike; Rangkuti, Rahmadsyah
Bahtera: Jurnal Pendidikan Bahasa dan Sastra Vol 23 No 1 (2024): BAHTERA: Jurnal Pendidikan Bahasa dan Sastra, Volume 23 Nomor 1 Januari 2024
Publisher : Program Studi Pendidikan Bahasa Program Pascasarjana Universitas Negeri Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/bahtera.231.10

Abstract

This paper reviewed code-mixing and code-switching along with the worldwide recognition of K-Pop songs by analyzing the English usage of "Hype Boy" and "OMG" by New Jeans, a fourth-generation K-Pop group. All songs were examined using Muysken's (2000) code-mixing theory, Stockwell's (2007) code-switching theory, and Fernandez-Martinez et al.'s (2014) and Kwon's (2019) comment analysis. The results revealed that the majority of code-mixing in "Hype Boy" was insertion and the majority of code-mixing in "OMG" was alternation, but there was no congruent lexicalization found in the two songs. However, the majority of code switches in "Hype Boy" were inter-sentential, whereas "OMG" was intra-sentential, and two tag-switching data were found. Aside from that, based on audience responses in the comment section, the audience responses showed up that they were impacted by the singers' word pronunciation errors, however, a lot were also impressed with their easy-to-listen-to songs. The study finds that the accurate pronunciation and the new English language switching function seem to have played a significant role in the success of "Hype Boy" and "OMG" among bilingual audiences.
Forensic Stylistic Analysis on Per Ohlin’s Suicide Note Sihite, Adinda Dwi Putri; Fayusaurada, Annan; Syifa, Ghaissanie; S, M. Farhaz Krisnawan; Rangkuti, Rahmadsyah
Jurnal Pendidikan Tambusai Vol. 7 No. 3 (2023): Desember 2023
Publisher : LPPM Universitas Pahlawan Tuanku Tambusai, Riau, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/jptam.v7i3.11218

Abstract

Ilmu forensik merupakan penerapan berbagai ilmu untuk menjawab pertanyaan-pertanyaan penting dalam suatu sistem hukum yang mungkin berkaitan dengan tindak pidana. Cabang ilmu linguistik ini telah membantu beberapa penyelidikan dengan berperan penting dalam mengkaji teks-teks hukum seperti catatan bunuh diri. Oleh karena itu, tulisan ini bertujuan untuk mengidentifikasi beberapa aspek dalam catatan bunuh diri penyanyi Swedia, Per Ohlin, seperti: emosi positif, negatif, dan kognisi yang ditemukan, penerapan analisis semantik forensik, dan struktur utama dari catatan itu sendiri. Kesimpulannya, dominasi emosi negatif yang terdapat pada tulisan terakhirnya membuktikan bahwa ia selalu mengasosiasikan dirinya dengan kematian dan hal itu dilakukan atas kemauannya sendiri melalui berbagai perbuatan jahat yang dilakukannya terhadap dirinya sendiri. Hasil analisis ini mengidentifikasi rincian catatan yang ditinggalkannya dan kebebasan yang diklaimnya setara dengan kematian.
PRONUNCIATION PROBLEM OF INDONESIAN LEARNERS IN PRONOUNCING /G/ SOUND AT BHAYANGKARI 01 SENIOR HIGH SCHOOL IN MEDAN Oktira, Harisa Dwi; Rangkuti, Rahmadsyah
Hikari: Jurnal Bahasa dan Kebudayaan Vol. 1 No. 2 (2022): Hikari: Jurnal Bahasa dan Kebudayaan
Publisher : Program Studi Sastra Jepang Fakultas Ilmu Budaya Universitas Bung Hatta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (308.048 KB) | DOI: 10.37301/hikari.v1i2.15

Abstract

Pronunciation is the production of sounds that are employed to convey meaning. Pronouncing English is a little bit difficult for Indonesian students since they use their mother tongue for their communication. This study was focused on the problem of pronunciation of the /g/ sound in English. The researcher used descriptive qualitative for the research design. The subject of research was the students in grade X MIA 3 that consisted of 27 students. The researcher used the purposive technique to take the sample of the research. The data collection of research was through observation, documentation, and diary notes. The researcher obtained five (5) types of problems in pronouncing /g/ sound, such as /g/ sound before /h/ at the end of words, /g/ sound before /n/ in the middle of words, /g/ sound before /n/ at the beginning of words, /g/ sounds before /e/ at the beginning of words, and /g/ sounds before /i/ at the beginning of words. The mean of data was 14.6, which suggested that there were about 15 students who had a good pronunciation. And the rest students were still had incorrect pronunciation.
GENERATIVE PHONOLOGY-MEDAN ADOLESCENT SLANG WORDS IN DAILY SPEECH Muthi’ah, Nadhirah; Rangkuti, Rahmadsyah
Hikari: Jurnal Bahasa dan Kebudayaan Vol. 1 No. 2 (2022): Hikari: Jurnal Bahasa dan Kebudayaan
Publisher : Program Studi Sastra Jepang Fakultas Ilmu Budaya Universitas Bung Hatta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (462.081 KB) | DOI: 10.37301/hikari.v1i2.19

Abstract

This paper aims at describing and examines the phonological processes of several adolescent slang words of Medan in daily conversation. In this paper, the researcher uses a qualitative descriptive method with a generative phonological approach. The data contained in this study are phonological data that the researcher obtained from slang words that several adolescents in Medan usually use in their daily conversations. In analyzing the data obtained, it was done by collecting data, analyzing the data, making phonological studies, and making the result and discussion. According to the findings in this research, generative phonology might be a valuable technique for examining and comprehending phonological processes used by Medan adolescents in ordinary discourse, which including Assimilation and Syllable Structure(tend to use /?/, /e/ and /o/ vowels, vowel-consonant sound release, the weakening, and mixing of vowels sound).
Forensic Stylistic Analysis of UNNES Student’s Suicide Note Maulida, Dini Eka; Andira, Missy Ayu; Onggatta, Reggina; Balqis, Shafiah; Hamzah, Syifa Fitri; Rangkuti, Rahmadsyah
International Journal of Research on English Teaching and Applied Linguistics Vol 4, No 2 (2023)
Publisher : Institut Agama Islam Negeri (IAIN) Bone

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30863/ijretal.v4i2.5419

Abstract

Suicide notes are powerful pieces of evidence in suicide cases that left by individuals who commit suicide or who intend to commit suicide as massages, with the purpose is to voicing the victims’ feelings that remain unknown by people when they are alive. This study investigates the linguistic features contained in the suicide note written by UNNES student by using descriptive-qualitative as the research method and applying Prokofyeva's theory of suicide notes linguistic features. The suicide note is available and can be accessed online. This study aims to analyze the forensic stylistic approach towards suicide notes by showing the characteristics of linguistic features and interpreting the messages delivered by the victims on suicide notes. The researchers classified and described the data in five distinguished characteristics of linguistic features found in the suicide note; clear reasoning, expressing emotions, text structure, grammar, and punctuation. The findings revealed that all the features are present in the suicide note, yet the researchers found that there are different tenses used in the suicide note. The results found only ellipsis in the victim’s suicide note. The data findings in this research may assist future research regarding the study of forensic stylistics, specifically in investigating suicide notes.
Co-Authors Achmad, Zakaria Afandi, Fahri Ahmad, Sophie Meilatifah Akhyar, Fadhilah Tsaqila Alfia, Fila Alivia, Cut Putri Alvin Alfian, Yofina Mulyati, Ambarita, Mariyanti Anargya, Hafwen Andini, Riza Saskia Andira, Missy Ayu Aprianti, Thesia Apuilina, Theresia Widya Aria, Fahri Mulia Ariqah, Nabilah Artanti, Chairinnisa Artika, Mutiara Romi Azahra, Naiya Azzahra, Sekar Bacas, Chintami Angelica Balqis, Shafiah Batubara, Vinjellina Beru Sembiring, Inggrid Gavrila Br Pane, Khairina Juliana Br Panjaitan, Eureka Jovita Br Perangin – Angin, Alemina Br. Perangin-angin, Alemina br. Sirait, Naomi Sephania Br. Sitorus, Rosalyn Magdalena Br.Sinulingga, Desi Rahma Yuni Caroline, Yohanna Pebrianti Chaterina Manalu, Lidya Arella Dachi, Paulus Dalimunte, Sukma Rahayu Dalimunte, Vina Fitriani Daulay, Olga Adelia Deliana Deliana, Deliana Dinda N. Hutabarat, Sharon Dinillah Arifah Eddy Setia Effendi, Fika Emylia Elchaira, Nadya Fayusaurada, Annan Fianda, Afiqah Fila Alfia Fitriana, Fadila Fitriyani, Murni Nur Fransisca, Amanda Galaska, Candrika Ganie, Rohani Ginting, Sinta P Amelia Ginting, Valencia Laurence Hamzah, Syifa Hamzah, Syifa Fitri Handyanto, Wina Avrillia Harianja, Alvernod Hasan, Hani Firlyali Hasnain, S. Imtiaz Hia, Nadia Virdhani Hidayat, Chatrine Aulia Hutabarat, Sharon Dinda N. Hutapea, Vimelia Fratiwi Ilma, Dzikri Indah Permata Sari Irwan Istiqomah istiqomah istiqomah Kaonedy, Jesselyn Khairun Nisa Khansa, Syifa Nadiah Kurniasy, Dessy Kurniawan, Salsabila La Ajina Hasibuan, Faninsky Aryanti Lekson, Mutiara Alda Lhaksmi, Maha Loeis, Jhonson Lorise, Grace Lubis, Ezra Rumatha Lubis, Heri Setiawan Lubis, Masdiana Lubis, Rafi Muhammad Lubis, Reza Dian Irawan Ma, Cynthia Madi, Salwa Saleh Manalu, Lidya Arella Chaterina Manurung, Anna Shinta Vholyna Manurung, Rifdah Aatikah Margareth, Ruth Anggina Margaretta, Witness Eunike Maria, Jessicca Marsha, Sit Azzahra Marsha, Siti Azzahra Matanari, Desna Uli Maulida, Dini Eka Meisya, Shalsa Billa Mentari, Lanjar Melati Setio Muchtar, Muhizar Muhammad Yusuf Murtias, Latifa Nanda Muthi’ah, Nadhirah mutiara mutiara Nabila, Kanaya Nur Naifa Naila, Aisya Namira, Ade Nasution, Atikah Auni Nasution, Diantry Binarwaty Habibie Nasution, Khairina Nasution, Khairunnisa Fitri Nasution, Puja Indriana Nasution, Putri Aulia Nazreensyah, Fabian Putra Nilma Zola Novra Melisa P. Hutabarat Nurhayati Sitorus Nurlela Nurlela Nurul Hasanah Oktira, Harisa Dwi Onggatta, Reggina Panggabean, Devi Sari Panggabean, Erin Yohana Parinduri, Afrahul Fadhillah Pasaribu, Sastha Theresia Pasaribu, Uswatun Rafi'a Perangin - angin, Alemina Perangin-angin, Angelia Maria Igesia Pradinda, Yulia Pratiwi, Anggita Pujiono Pujiono Purba, Raysa Putri, Arina Putri, Riska Ananda Rahma, Alya Vania Rahmah Fithriani Rohani Ganie Rusdi Noor Rosa Rusdi Noor Rosa Rusida, Elizabeth S, Dwi Triana S, M. Farhaz Krisnawan Salim, Fahri Saputra, Diendra Wahyu Saragih, Silvia Efani Sasmita, Rheina Sastia, May Sembiring, Teresia Anjelina Septiandri, Muhammad Rizky Septiandri, Rizky Shafridawati Siahaan, Daniel Fernando Siahaan, Rachel Pratiwi Sianturi, Naomi Elisabeth Siburian, Jessica Br. Sigalingging, Anggi Yolanda Sihite, Adinda Dwi Putri Sihotang, Anggraeni Permata Sihotang, Tiarma Sijabat, Carissa Margaret Silaban, Jelly Silitonga, Mega Uli Arta Silpandi, Neviya Silvizi Hijra, Hannah Zakiyya Simamora, Debora Anriyani Simangunsong, Anisyah S. Simangunsong, Anisyah Srirezeki Simanjuntak, Ivan Fernando Simanjuntak, Jessica Ruth Margaretha Simanjuntak, Juni Santa Simanjuntak, Windy Octalin Simorangkir, Raslima Sinaga, Amelia Putrilanel Sinaga, Joyce Chardha Sinaga, Muhammad Hidayatullah Tuahta Sinaga, Tantiara Fiesta Sinar, T. Silvana Sirait, Anjeli Lorena Siregar, Akbar Pangeran Siregar, Florence Siregar, Lailan Haz Sitompul, Ines Margaretha Sitompul, M. Riyadhil Sitompul, Muhammad Riyadhil Sitompul, Riyadhil Situmorang, Evelyn Sofilla, Devi Sofyani, Rizki Amelia Suhery, Dedy Syahron Lubis Syifa, Ghaissanie T. Thyrhaya Zein Tambunan, Cindy Uli Basa Tambunan, Friska Tambunan, Khairunnisa Tanjung, Putri Aziza Muvta Tannada, Susanty Tarigan, Abigail Chrissantha Tarigan, Abigail Putri Chrissantha Tarigan, Agit Seprina Tarigan, Aina Zahra Taufany, Wahyu Trifena, Atalya Turnip, Novi Kanaya Perdana Ulfa, Maryam Umar Mono Wahyu Ningsih Wulandari, Vanny Zahara, Ayuna Zahrani, Tasya Zahratul Idami Zulaika, Adristi Yajna