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All Journal Litera Parole: Journal of Linguistics and Education Journal of Language and Literature English Language and Literature Linguistica Jurnal Pendidikan Bahasa Inggris Language Circle : Journal of Language and Literature EnJourMe (English Journal of Merdeka) : Culture, Language, and Teaching of English EDULITE: Journal of English Education, Literature and Culture Abdimas Talenta : Jurnal Pengabdian Kepada Masyarakat Linguistic, English Education and Art (LEEA) Journal BASIS (BAHASA DAN SASTRA INGGRIS) Edu-Ling: Journal of English Education and Linguistics Linguistics and Elt Journal Indonesian Journal of English Language Teaching and Applied Linguistics JURNAL PENDIDIKAN TAMBUSAI JOURNAL OF APPLIED LINGUISTICS AND LITERATURE JETL (Journal Of Education, Teaching and Learning) Voices of English Language Education Society Jambura Journal of English Teaching and Literature KLAUSA (Kajian Linguistik, Pembelajaran Bahasa, dan Sastra) BAHTERA : Jurnal Pendidikan Bahasa dan Sastra Rainbow : Journal of Literature, Linguistics and Cultural Studies TEKNOSASTIK International Journal of Cultural and Art Studies (IJCAS) JALL (Journal of Applied Linguistics and Literacy) Titian: Jurnal Ilmu Humaniora Dinasti International Journal of Education Management and Social Science Journal of Language and Literature International Journal of English Education and Linguistics (IJoEEL) IJELR: International Journal of Education, Language, and Religion Jurnal Suluh Pendidikan Jurnal Darma Agung Lexeme : Journal of Linguistics and Applied Linguistics JL3T (Journal of Linguistics, Literature and Language Teaching) Ksatra: Jurnal Kajian Bahasa dan Sastra Journal of English Language and Education International Journal of English and Applied Linguistics (IJEAL) ELTALL: English Language Teaching, Applied Linguistic and Literature Jurnal Penelitian Inovatif Journal of Language Education, Linguistics, and Culture International Journal of Research on English Teaching and Applied Linguistics Joal : Journal of Applied Linguistics Linguistic, English Education and Art (LEEA) Journal Indonesian Journal of EFL and Linguistics SIGEH ELT : Journal of Literature and Linguistics Kajian Linguistik dan Sastra JEELS (Journal of English Education and Linguistics Studies) LingPoet: Journal of Linguistics and Literary Research Proceeding International Conference on Malay Identity Jurnal Riset Rumpun Ilmu Bahasa (JURRIBAH) Jurnal Pemberdayaan Masyarakat Innovative: Journal Of Social Science Research LINGTERSA: Jurnal Linguistik, Terjemahan, Sastra Hikari: Jurnal Bahasa dan Kebudayaan Jurnal Abdimas Maduma Journal of Mandalika Literature IJLHE: International Journal of Language, Humanities, and Education Radiant : Journal of Applied, Social, and Education Studies
Rangkuti, Rahmadsyah
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POLITENESS STRATEGY USED BY JESS NO LIMIT AND MIAWAUG WHILE PLAYING RIDE OUT HEROES (ROH) TOGETHER (MABAR) Pradinda, Yulia; Tarigan, Abigail Putri Chrissantha; Sasmita, Rheina; Rangkuti, Rahmadsyah
KLAUSA (Kajian Linguistik, Pembelajaran Bahasa, dan Sastra) Vol 8 No 2 (2024): KLAUSA Vol 8 No 2 (2024)
Publisher : Ma Chung Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33479/klausa.v8i2.1112

Abstract

This research aims to analyze the types of politeness strategies used by Jess No Limit and MiawAug during their Ride Out Heroes (ROH) gameplay, using Brown and Levinson’s (1987) theory. The descriptive qualitative method was employed in this study, with data sourced from the transcript of the YouTube gaming video where Jess No Limit and MiawAug played together (mabar) the ROH game. It was uploaded on MiawAug’s YouTube channel on November 1, 2019. The data included utterances from Jess No Limit and MiawAug that contained politeness strategy. Data were collected using documentation and note-taking techniques and analyzed through content analysis. The results indicate that 250 utterances containing politeness strategy were identified, with Jess No Limit contributing 107 and MiawAug contributing 143 utterances. Specifically, Jess No Limit used bald on record 20%, positive politeness 68%, negative politeness 8%, and off-record 4%. MiawAug used bald on record 32%, positive politeness 51%, negative politeness 11%, and off-record 6%. Jess No Limit and MiawAug predominantly used positive politeness strategy, highlighting their focus on maintaining a friendly and cooperative interaction during gameplay.
A EUPHEMISM ANALYSIS IN THE 2024 INDONESIAN PRESIDENTIAL ELECTION DEBATE Siahaan, Rachel Pratiwi; Bacas, Chintami Angelica; Daulay, Olga Adelia; Sembiring, Teresia Anjelina; Rangkuti, Rahmadsyah
KLAUSA (Kajian Linguistik, Pembelajaran Bahasa, dan Sastra) Vol 8 No 2 (2024): KLAUSA Vol 8 No 2 (2024)
Publisher : Ma Chung Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33479/klausa.v8i2.1113

Abstract

This study analyzes the use of euphemisms in the debate of the 2024 Indonesian presidential candidates. Candidates used euphemisms to discuss sensitive issues such as corruption, human rights, and social inequality without causing conflict or harming certain parties. Using a qualitative approach, data were taken from the transcript of the debate broadcast on the official YouTube channel of the Indonesian General Elections Commission (KPU RI). The euphemisms presented were based on Warren’s theory (1992), including derivation, compounding, and blending. The results showed that 15 euphemisms were identified from the debate; 8 derivations, 5 compoundings, and 2 blends, of which derivation was the most dominant euphemism. Euphemisms helped candidates convey criticism and sensitive issues more subtly, maintain their public image, and create a more friendly and non-confrontational debate atmosphere. Euphemisms are essential in political communication, especially in Indonesian culture, which priorities gentle and indirect communication. This study contributes to understanding how language can be used to influence public perception and voter decision-making in important political events.
Forensic Stylistic Analysis on University of Airlangga’s Veterinary Medicine Student’s Suicide Notes Andini, Riza Saskia; Lorise, Grace; Kurniawan, Salsabila; Panggabean, Erin Yohana; Khansa, Syifa Nadiah; Rangkuti, Rahmadsyah
Titian: Jurnal Ilmu Humaniora Vol. 7 No. 2 (2023): Desember 2023
Publisher : Fakultas Ilmu Budaya, Universitas Jambi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22437/titian.v7i2.29381

Abstract

Suicide note is the note that left by someone who decided to take their own lives, or commit suicide. The suicide note that left by the University of Airlangga’s student that majoring the Veterinary Medicine Department, CA (21), for her mom and her sibling is the background of this research was made. CA decided to take her own life by poisoning herself with helium gas inside of her car. She left a note, addressed to her mom and her brother and sister. This analysis aims to prove the originality of the notes left and why did CA commit to suicide. The researchers collected the data in the form of photo of the note from the internet and then process it using Linguistics Inquiry and Word Count (LIWC) program. The content of the note is also being examined starting from the greetings, the content, and finally the closings of the notes. The result of the research is the note that left by CA is genuine without being faked or manipulated. Abstrak Catatan bunuh diri adalah catatan yang ditinggalkan oleh seseorang yang memutuskan untuk mengakhiri hidupnya sendiri, atau melakukan bunuh diri. Catatan bunuh diri yang ditinggalkan oleh seorang mahasiswa Universitas Airlangga jurusan Kedokteran Hewan, CA (21), kepada ibunya dan saudara-saudaranya menjadi latar belakang penelitian ini. CA memutuskan untuk mengakhiri hidupnya sendiri dengan meracuni dirinya sendiri menggunakan gas helium di dalam mobilnya. Ia meninggalkan catatan yang ditujukan kepada ibunya serta saudara-saudaranya. Analisis ini bertujuan untuk membuktikan keaslian catatan yang ditinggalkan serta mengapa CA memutuskan untuk bunuh diri. Peneliti mengumpulkan data berupa foto catatan dari internet dan kemudian memprosesnya menggunakan program Linguistics Inquiry and Word Count (LIWC). Isi dari catatan juga diperiksa mulai dari salam pembuka, isi, dan akhir dari catatan tersebut. Hasil dari penelitian ini menunjukkan bahwa catatan yang ditinggalkan oleh CA adalah asli tanpa ada pemalsuan atau manipulasi.
Women Empowerment in Little Mix's “Salute”: Feminist Stylistic Analysis Artanti, Chairinnisa; Zulaika, Adristi Yajna; Rangkuti, Rahmadsyah
Titian: Jurnal Ilmu Humaniora Vol. 7 No. 2 (2023): Desember 2023
Publisher : Fakultas Ilmu Budaya, Universitas Jambi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22437/titian.v7i2.29556

Abstract

This study conducts a feminist stylistic analysis of Little Mix's song "Salute" within the theoretical framework proposed by Sara Mills. Utilizing Mills's three-level structure outlined in "Feminist Stylistics", the study employs a descriptive-qualitative methodology inspired by Creswell's theory. The primary focus is to explore the representation of women's empowerment in the song. Analysis occurs at the levels of word, phrase/sentence, and discourse, connecting linguistic choices to feminist themes. The word-level analysis uncovers generic pronouns and nouns such as "you," "we," "ladies," "women," "sisters," "warriors," and "queens," emphasizing a collective female identity. At the phrase level, nine metaphors and three transitivity processes (material, mental, and relational) highlight the multifaceted aspects of empowerment. Discourse-level analysis reveals characterization and focalization, providing deeper insights into the characters' perspectives in the song. Overall, the linguistic choices in the song, as identified through the three-level analysis, consistently align with feminist principles, emphasizing women's empowerment as a central theme. Abstrak Penelitian ini melakukan analisis gaya feminis terhadap lagu "Salute" oleh Little Mix dalam kerangka teoritis yang diusulkan oleh Sara Mills. Dengan menggunakan struktur tiga tingkat Mills yang diuraikan dalam "Feminist Stylistics", penelitian ini mengadopsi metodologi deskriptif-kualitatif yang terinspirasi oleh teori Creswell. Fokus utamanya adalah untuk mengeksplorasi representasi pemberdayaan perempuan dalam lagu tersebut. Analisis dilakukan pada tingkat kata, frasa/kalimat, dan wacana, menghubungkan pilihan linguistik dengan tema feminis. Analisis tingkat kata mengungkapkan kata ganti dan kata benda generik seperti "you," "we," "ladies," "women," "sisters," "warriors," dan "queens," menekankan identitas perempuan kolektif. Pada tingkat frasa, sembilan metafora dan tiga proses transitivitas (material, mental, dan relasional) menyoroti berbagai aspek pemberdayaan perempuan. Analisis tingkat wacana mengungkapkan karakterisasi dan fokalisasi, memberikan wawasan lebih mendalam ke dalam perspektif karakter dalam lagu. Secara keseluruhan, pilihan linguistik dalam lagu, seperti yang diidentifikasi melalui analisis tiga tingkat, secara konsisten sejalan dengan prinsip feminis, menekankan pemberdayaan perempuan sebagai tema utama.
Feminist Stylistic Analysis of Ava Max’s Song “Not Your Barbie Girl” Manurung, Anna Shinta Vholyna; Perangin-angin, Angelia Maria Igesia; Tanjung, Putri Aziza Muvta; Hasanah, Nurul; Marsha, Siti Azzahra; Rangkuti, Rahmadsyah
Titian: Jurnal Ilmu Humaniora Vol. 7 No. 2 (2023): Desember 2023
Publisher : Fakultas Ilmu Budaya, Universitas Jambi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22437/titian.v7i2.29609

Abstract

This study analyzes Ava Max's "Not Your Barbie Girl" using a feminist stylistic analysis approach with Sara Mills’ Theory, focusing on its message of women's liberation and rejection of gender stereotypes. The qualitative research focuses on song lyrics and language use, identifying how the song describes women and challenges existing gender constructions. The results suggest that the song adopts a strong feminist perspective, emphasizing self-empowerment, resilience, and rejecting societal constraints. The song disrupts dominant narratives surrounding femininity, positioning women as active agents in their lives. The combination of empowering lyrics and energetic music encourages listeners to embrace their strength and challenge oppressive systems. This study contributes to understanding feminism's expression through popular culture, particularly in music. Abstrak Penelitian ini menganalisis “Not Your Barbie Girl” karya Ava Max dengan menggunakan pendekatan analisis stilistika feminis dengan teori Sara Mills, dengan fokus pada pesan kebebasan perempuan dan penolakan terhadap stereotip gender. Penelitian kualitatif berfokus pada lirik lagu dan penggunaan bahasa, mengidentifikasi bagaimana lagu tersebut menggambarkan perempuan dan menantang konstruksi gender yang ada. Hasilnya menunjukkan bahwa lagu tersebut mengadopsi perspektif feminis yang kuat, menekankan pemberdayaan diri, ketahanan, dan menolak batasan sosial. Lagu ini dapat dilihat sebagai narasi dominan seputar feminitas, dan memposisikan perempuan sebagai agen aktif dalam kehidupan mereka. Kombinasi lirik yang memberdayakan dan musik yang energik mendorong pendengar untuk menerima kekuatan mereka dan menantang sistem yang menindas. Penelitian ini berkontribusi untuk memahami ekspresi feminisme melalui budaya populer, khususnya dalam musik.
Gendered Linguistic Analysis of Jane Austen's 'Emma': Unveiling Feminist Perspectives at the Word Level Br Pane, Khairina Juliana; Lubis, Syahron; Rangkuti, Rahmadsyah; Br Perangin – Angin, Alemina
EduLite: Journal of English Education, Literature and Culture Vol 9, No 1 (2024): February 2024
Publisher : Universitas Islam Sultan Agung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30659/e.9.1.61-81

Abstract

This research aims to analyze the stylistic and linguistic selection in representing women in Jane Austen’s novel entitled Emma by emphasizing the gender specific words presented in the novel and discover the gender specific theme exposed in the novel. This research conducts a qualitative analysis to explore the stylistic and linguistic choices employed in depicting women in Jane Austen's novel, "Emma." Focusing on gender-specific words within the text, the study aims to uncover the novel's thematic presentation of gender. Utilizing Sara Mills' feminist stylistics theory as a framework, the linguistic structure at the word level is examined to portray female characters and assess its societal impact. By decoding Austen's linguistic strategies, this analysis provides a critical lens for examining gender representation within the novel and its broader societal implications. The study contributes to literary and linguistic scholarship, enhancing the understanding of Austen's narrative techniques and shedding light on societal perceptions of gender.
A SOCIOLINGUISTIC CASE STUDY: ILLOCUTIONARY SPEECH ACTS ANALYSIS ON BIMA YUDHO SAPUTRO’S CRITICISM OF LAMPUNG GOVERNMENT Rangkuti, Rahmadsyah; Maulida, Dini Eka; Andira, Missy Ayu; Balqis, Shafiah
Journal of Mandalika Literature Vol. 4 No. 1 (2023)
Publisher : Institut Penelitian dan Pengembangan Mandalika (IP2MI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (271.343 KB) | DOI: 10.36312/jml.v4i1.1602

Abstract

This research focused on the types of illocutionary acts as the part of speech act use in criticism, specifically on Bima Yudho Saputro’s Criticism of Lampung Government that recently gone viral in Indonesia. The objective of this research is to find out the illocutionary acts used by Bima on his criticism. The methodology applied in this research is qualitative research with case study as the research design, and documentation as the research technique. There are 15 illocutionary speech acts in the criticism found, with 60% of representative utterance, 20% directive utterance, and 20% of expressive utterance. The result show the most frequent illocutionary speech act found in the data is representative. The researchers found the criticism indicates that Bima, the critic, mostly used his words to affirm the truth of a claim he made about something in his criticism. Cutting (2002: 17) provided evidence to support this conclusion when he said that representative speech or utterance are performances in which the speaker's beliefs are expressed through the use of language.
The Art of Sound: Phono-Stylistic Perspectives in Bohemian Rhapsody Azzahra, Sekar; Ilma, Dzikri; Simanjuntak, Ivan Fernando; Rangkuti, Rahmadsyah
Lexeme : Journal of Linguistics and Applied Linguistics Vol. 7 No. 1 (2025): JANUARY 2025
Publisher : Universitas Pamulang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32493/ljlal.v7i1.45926

Abstract

This study examines the phonetic and stylistic elements of "Bohemian Rhapsody" by Queen, a song renowned for its distinctive structure and complex themes. It redirects attention from the previously explored cultural, narrative, and biographical elements to investigate the overlooked phonological characteristics that contribute to its aesthetic and emotional resonance. Employing a qualitative methodology, the song’s lyrics were transcribed phonetically using the International Phonetic Alphabet (IPA) to identify dominant consonants and vowels. The results indicate that consonants such as /d/, /s/, /l/, and /n/, along with vowels such as /ɪ/, /ə/, and /aɪ/, play a crucial role in defining the sound quality of the lyrics. These phonological features enhance the song's musicality while emphasizing its narrative tension and emotional depth. The interplay of these sounds creates a dynamic auditory experience that aligns with the song’s shifting emotional landscapes. The study concludes that the phonological elements in Bohemian Rhapsody function as integral carriers of meaning, enriching its thematic and emotional layers. This research bridges linguistic analysis with musical narrative, demonstrating how phono-stylistics can uncover the deeper aspects of iconic musical texts and fostering interdisciplinary dialogue in linguistics, musicology, and cultural studies. The findings imply that similar approaches can be applied to other complex musical compositions, opening new avenues for analyzing the interplay between language and music in various cultural contexts
Register analysis of women’s fashion online shop sellers in live shopping sessions Sijabat, Carissa Margaret; Khansa, Syifa Nadiah; Marsha, Sit Azzahra; Sitompul, Muhammad Riyadhil; Rangkuti, Rahmadsyah
EnJourMe (English Journal of Merdeka) : Culture, Language, and Teaching of English Vol. 9 No. 2 (2024): December 2024
Publisher : Universitas Merdeka Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This study investigates the language registers employed by women’s clothing sellers during TikTok Live sessions, emphasizing the specific words and phrases to promote communication in a fast-paced sales environment. Through qualitative investigation of live-stream interactions, the study finds that nouns (41.86%) are predominantly used to provide detailed product descriptions, followed by verbs, adjectives, abbreviations, and compound words. Nouns convey information about stock availability, sizes, and materials.  The study differentiates between lexical and contextual meanings, with lexical meanings (60.47%) taking precedence, providing precise definitions that improve intelligibility for potential purchasers. Lexical meanings enhance clarity and understanding for potential buyers, while contextual meanings, though less frequent, are vital for maintaining dynamic interaction with the audience. These findings highlight the sellers' strategic use of clear product descriptions and conversational language to boost audience engagement and drive sales. This study suggests that the language strategies used on TikTok Live Sessions are adaptable, effectively balancing product clarity with audience interaction to optimize the sales process.
Forensic Stylistic Analysis of UNNES Student’s Suicide Note Onggatta, Reggina; Maulida, Dini Eka; Andira, Missy Ayu; Balqis, Shafiah; Hamzah, Syifa Fitri; Rangkuti, Rahmadsyah
Edu-Ling: Journal of English Education and Linguistics Vol. 7 No. 2 (2024): July
Publisher : English Education Study Program Faculty of Teacher Training and Education

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32663/edu-ling.v7i2.4101

Abstract

Suicide notes are powerful pieces of evidence in suicide cases that left by individuals who commit suicide or who intend to commit suicide as messages, with the purpose is to voicing the victims’ feelings that remain unknown by people when they are alive. This study investigates the linguistic features contained in the suicide notes written by UNNES students by using descriptive-qualitative as the research method and applying Prokofyeva's theory of suicide notes linguistic features. The suicide note is available and can be accessed online. This study aims to analyze the forensic stylistic approach towards suicide notes by showing the characteristics of linguistic features and interpreting the messages delivered by the victims on suicide notes. The researchers classified and described the data in five distinguished characteristics of linguistic features found in the suicide note; clear reasoning, expressing emotions, text structure, grammar, and punctuation. The findings revealed that all the features are present in the suicide note, yet the researchers found that there are different tenses used in the suicide note. The results found only ellipsis in the victim’s suicide note. The data findings in this research may assist future research regarding the study of forensic stylistics, specifically in investigating suicide notes.
Co-Authors Achmad, Zakaria Afandi, Fahri Ahmad, Sophie Meilatifah Akhyar, Fadhilah Tsaqila Alfia, Fila Alivia, Cut Putri Alvin Alfian, Yofina Mulyati, Amalia, Karina Dea Ambarita, Mariyanti Anargya, Hafwen Andini, Riza Saskia Andira, Missy Ayu Andreas Andreas Aprianti, Thesia Apuilina, Theresia Widya Aria, Fahri Mulia Ariqah, Nabilah Artanti, Chairinnisa Artika, Mutiara Romi Asya, Shafira Azahra, Naiya Azizah, Aisyah Nurul Azzahra, Sekar Bacas, Chintami Angelica Balqis, Shafiah Batubara, Vinjellina Beru Sembiring, Inggrid Gavrila Br Pane, Khairina Juliana Br Panjaitan, Eureka Jovita Br Perangin – Angin, Alemina Br. Perangin-angin, Alemina br. Sirait, Naomi Sephania Br. Sitorus, Rosalyn Magdalena Br.Sinulingga, Desi Rahma Yuni Caroline, Yohanna Pebrianti Chaterina Manalu, Lidya Arella Clarissa, Cindy Dachi, Paulus Dalimunte, Sukma Rahayu Dalimunte, Vina Fitriani Daulay, Olga Adelia Deliana Deliana, Deliana DHARMAYA, AZURA Dinda N. Hutabarat, Sharon Dinillah Arifah Eddy Setia Effendi, Fika Emylia Elchaira, Nadya Fadhlillah, Rafi Isham Fadillah, Teuku Muhammad Raihan Fanisa, Naza Fayusaurada, Annan Fianda, Afiqah Fiesta Sinaga, Tantiara Fila Alfia Fitriana, Fadila Fitriyani, Murni Nur Fransisca, Amanda Galaska, Candrika Ganie, Rohani Ginting, Sinta P Amelia Ginting, Valencia Laurence Hamzah, Syifa Hamzah, Syifa Fitri Handyanto, Wina Avrillia Harianja, Alvernod Hasan, Hani Firlyali Hasnain, S. Imtiaz Hia, Nadia Virdhani Hidayat, Chatrine Aulia Hutabarat, Sharon Dinda N. Hutapea, Davis Timothy Humala Hutapea, Vimelia Fratiwi Ilma, Dzikri Indah Permata Sari Irwan Istiqomah istiqomah istiqomah Jocelym, Evaness Kaonedy, Jesselyn Kerwin, Kerwin Khairun Nisa Khansa, Syifa Nadiah Kurniasy, Dessy Kurniawan, Salsabila La Ajina Hasibuan, Faninsky Aryanti Lekson, Mutiara Alda Lenni Herawati Sirait Lhaksmi, Maha Loeis, Jhonson Lorise, Grace Lubis, Ezra Rumatha Lubis, Hanny Shah Rahma Reswara Lubis, Heri Setiawan Lubis, Masdiana Lubis, Rafi Muhammad Lubis, Reza Dian Irawan Ma, Cynthia Madi, Salwa Saleh Manalu, Lidya Arella Chaterina Manurung, Anna Shinta Vholyna Manurung, Rifdah Aatikah Margareth, Ruth Anggina Margaretta, Witness Eunike Maria, Jessicca Marsha, Sit Azzahra Marsha, Siti Azzahra Matanari, Desna Uli Maulida, Dini Eka Meisya, Shalsa Billa Mentari, Lanjar Melati Setio Moesa, Raga Michael Nevada Muchtar, Muhizar Muhammad Fikri Muhammad Yusuf Murtias, Latifa Nanda Muthi’ah, Nadhirah MUTIA, SHANAZ mutiara mutiara Nabila, Kanaya Nur Naifa Naila, Aisya Namira, Ade Nasution, Atikah Auni Nasution, Diantry Binarwaty Habibie Nasution, Khairina Nasution, Khairunnisa Fitri Nasution, Puja Indriana Nasution, Putri Aulia Nazreensyah, Fabian Putra Nilma Zola Novra Melisa P. Hutabarat Nurhayati Sitorus Nurlela Nurlela Nurlela Nurul Hasanah Oktira, Harisa Dwi Onggatta, Reggina Panggabean, Devi Sari Panggabean, Erin Yohana Parinduri, Afrahul Fadhillah Pasaribu, Sastha Theresia Pasaribu, Uswatun Rafi'a Perangin - angin, Alemina Perangin-angin, Angelia Maria Igesia Pradinda, Yulia Pratiwi, Anggita Pujiono Pujiono Purba, Raysa Putri, Amelia Amanda Putri, Arina Putri, Riska Ananda Rahma, Alya Vania Rahmah Fithriani Rahman, Farisa Rohani Ganie Rusdi Noor Rosa Rusdi Noor Rosa Rusida, Elizabeth S, Dwi Triana S, M. Farhaz Krisnawan Salim, Fahri Salsabila, Elfa Samangilailai, Rofnal Saputra, Diendra Wahyu Saragih, Silvia Efani Sasmita, Rheina Sastia, May Sembiring, Inggrid Gavrila Beru Sembiring, Teresia Anjelina Septiandri, Muhammad Rizky Septiandri, Rizky Shafridawati Siagian, Theofani Leonita Siahaan, Daniel Fernando Siahaan, Rachel Pratiwi Sianturi, Naomi Elisabeth Sibarani, Lydia permata Sari Siboro, Meliana Siburian, Jessica Br. Sigalingging, Anggi Yolanda Sihite, Adinda Dwi Putri Sihotang, Anggraeni Permata Sihotang, Tiarma Sijabat, Carissa Margaret Silaban, Jelly Silitonga, Mega Uli Arta Silpandi, Neviya Silvizi Hijra, Hannah Zakiyya Simamora, Debora Anriyani Simangunsong, Anisyah S. Simangunsong, Anisyah Srirezeki Simanjuntak, Ivan Fernando Simanjuntak, Jessica Ruth Margaretha Simanjuntak, Juni Santa Simanjuntak, Windy Octalin Simbolon, Febrian Valentino Simorangkir, Raslima Sinaga, Amelia Putrilanel Sinaga, Joyce Chardha Sinaga, Muhammad Hidayatullah Tuahta Sinaga, Tantiara Fiesta Sinambela , Berlian Hasian Keyla Sinambela, Berlian Hasian Keyla Sinar, T. Silvana Sirait, Anjeli Lorena Siregar, Akbar Pangeran Siregar, Florence Siregar, Lailan Haz Sitio, Ihsan Tanama Sitompul, Ines Margaretha Sitompul, M. Riyadhil Sitompul, Muhammad Riyadhil Sitompul, Riyadhil Situmorang, Evelyn Situmorang, Nia Felicia Sofilla, Devi Sofyani, Rizki Amelia Suhery, Dedy Syahron Lubis Syauki, Sheryll Rania Faradillah Syifa, Ghaissanie T. Thyrhaya Zein Tambunan, Cindy Uli Basa Tambunan, Friska Tambunan, Khairunnisa Tanjung, Putri Aziza Muvta Tannada, Susanty Tarigan, Abigail Chrissantha Tarigan, Abigail Putri Chrissantha Tarigan, Agit Seprina Tarigan, Aina Zahra Tarigan, Bahagia Taufany, Wahyu Trifena, Atalya Turnip, Novi Kanaya Perdana Ulfa, Maryam Umar Mono Varel, Errando Wahyu Ningsih Wulandari, Vanny Yasmin, Zarah Khodijah Zahara, Ayuna Zahrani, Tasya Zahratul Idami Zulaika, Adristi Yajna Zulfan