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All Journal Cakrawala Pendidikan JURNAL PENELITIAN ILMU PENDIDIKAN Jurnal Civics: Media Kajian Kewarganegaraan E-Journal Of Cultural Studies Bumi Lestari Widya Winayata: Jurnal Pendidikan Sejarah Wahana Matematika dan Sains Candra Sangkala Media Komunikasi FPIPS Gorga : Jurnal Seni Rupa Jurnal Ilmu Sosial dan Humaniora Jurnal Sosialisasi: Jurnal Hasil Pemikiran, Penelitian dan Pengembangan Keilmuan Sosiologi Pendidikan Jurnal Komunikasi Hukum Record and Library Journal Jurnal Humanitas: Katalisator Perubahan dan Inovator Pendidikan IQRA`: Jurnal Ilmu Perpustakaan dan Informasi MUDRA Jurnal Seni Budaya Sosioglobal : Jurnal Pemikiran dan Penelitian Sosiologi WIDYA LAKSANA Acarya Pustaka Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa SOSHUM : Jurnal Sosial dan Humaniora [Journal of Social Sciences and Humanities] Jurnal Ilmiah Pendidikan Citra Bakti Pantun: Jurnal Ilmiah Seni Budaya Academic Journal of Educational Sciences (Jurnal Akademik bidang Ilmu-Ilmu Pendidikan) Jurnal Syntax Imperatif : Jurnal Ilmu Sosial dan Pendidikan Jurnal Pendidikan Sosiologi Undiksha Jurnal Adat dan Budaya Indonesia Jurnal Kependidikan: Jurnal Hasil Penelitian dan Kajian Kepustakaan di Bidang Pendidikan, Pengajaran dan Pembelajaran Jurnal Pendidikan PKn Indonesian Journal of Multidisciplinary Science Jurnal Kajian Ilmu Pendidikan (JKIP) Jurnal Penjaminan Mutu JURNAL PARADIGMA: Journal of Sociology Research and Education Jurnal Sosial dan Sains Journal of Social Science Journal of Commerce Management and Tourism Studies Jurnal Global Futuristik : Kajian Ilmu Sosial Multidisipliner Bali-Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Retina Jurnal Fotografi Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni Kajian Pendidikan, Seni, Budaya, Sosial dan Lingkungan Jurnal Ilmiah Pendidikan Citra Bakti Jurnal ISO: Jurnal Ilmu Sosial, Politik dan Humaniora
Drs. I Wayan Mudana,M.Si. .
Universitas Pendidikan Ganesha
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Astronomy Chemistry Computer Science & IT Decision Sciences, Operations Research & Management Earth & Planetary Sciences Economics, Econometrics & Finance Education Energy Engineering Environmental Science Immunology & microbiology Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Materials Science & Nanotechnology Mathematics Physics Public Health Social Sciences Other

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Interpresentasi Estetika Fetishisme Terhadap Hewan Yang Sudah Mati Dalam Seni Patung Iqbal, Mochammad; Ruta, I Made; Mudana, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 2 No 2 (2022): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v2i2.1844

Abstract

Commodity dimensions in art include exchange value, commercial value, valorization, commodity fetishism, market logic. Reading art through the commodity dimension is an attempt to reveal the economic value contained in the work of art. This value is not only contained in works of art, but also has a deterministic power to build and organize art. art that is part of a commodity—resulting in an aesthetic category, called “commodity aesthetics”. This is the kind of aesthetic, which builds attraction through the workings of the "immediate effect" and provokes an immediate reaction, such as cuteness, fascination or eroticism. Art and science actually have the same things are mutually sustainable, cannot be separated. From the selection of materials, to manufacturing techniques, to the curation stage, it's all a collaboration of art and science. Leonardo da Vinci's realist works are also a merger of fine art and human anatomy—biology. It is from da Vinci's works that the author is compelled to create creation that are related to the biological sciences. It is also an innovation, although not the first in the world, in the arts in Indonesia, with the hope of breaking the arts that always maintain the quo status
Bentuk-Bentuk Topeng Bali Sebagai Sumber Inspirasi Penciptaan Seni Lukis Jayadwiana, I Made; Karja, I Wayan; Mudana, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 3 No 1 (2023): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v3i1.2332

Abstract

The writing of the MBKM Independent Study report takes ideas or ideas about Forms of Balinese masks as Inspiration for the Creation of Painting Artwork, from phenomena that the author encounters in mask performances during barong and keris dance performances and during piodolan ceremonies at Pura Dalem Segara, as well as at Pura Batubulan village center, observation of mask and tapel craftsmen at Br. Puaya and Jeleka Batuan Sukawati and the tapel collection that the author personally owns. The author has a view on masks Balinese traditional masks, that beautiful object shapes can make masks a source of inspiration in this Independent Study work, therefore the author chose Wiradana art studio as a place to study as well as a second studio to deepen skills and broaden imagination. Of course, with the guidance of Mr. Made Wiradana, he directs the writer in his work and forms the character of the tips in the works that will be made to answer what is the goal of this work, the creation method is by exploring, improvising, and shaping. By composing art elements, and going through the stages of exploration, improvisation, and the formation stage, as well as combining them with ideas and ideas so as to create 6 works entitled: 1) “jatayu and Barong ket”, 2) “Rangda”, 3) “Naga Basuki” , 4) "Bebondresan Mask", 5) "Hard Mask", 6) "Hanoman". In the embodiment of the work, the author will use several technical references from partners.
Interpretasi Aci Usaba Sumbu dalam Karya Seni Lukis Silasana, I Putu Arya; Budiaprilliana, Luh; Mudana, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 3 No 1 (2023): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v3i1.2333

Abstract

The creation of works in the Independent Study MBKM program in this paper takes ideas or ideas about the interpretation of Aci Usaba Sumbu in Pakraman Timbrah Village in works of painting. The phenomenon of a religious ritual in Timbrah Village called Aci Usaba Sumbu which has its own uniqueness from the ceremonial facilities used in these religious activities. Banten Sumbu, which resembles a towering tower and the banten be guling which is offered by local villagers, is unique from a visual standpoint. The objects at the ceremony have their own meaning, the creator interprets them into life and social values through works of painting. The process of creating this work adopts the theory and methods of Alma M Hawkins. The creation method goes through 3 (three) stages, namely, the exploration, improvisation, forming stages. In the embodiment of the work, the ideas obtained created 6 works entitled: : 1) “Pengendalian Diri” , 2)”Keharmonisan” , 3)”Penyatuan”, 4)”Tri Kaya Parisudha”, 5)”Pohon Sumbu” 6)”Naga Sumbu”. The works created are a form of interpretation of Aci Usaba Sumbu along with the objects contained in the ceremony. With the creation of these works, it is hoped that they will be able to convey a message about the turbulence of the creator's feelings that have been observed.
Sanghyang Dedari Dance in Geriana Kauh Village, North Duda, Karangasem as the Creation of Painting Works Arnawa, I Komang Krisna; Mudana, I Wayan; Kondra, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 3 No 2 (2023): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v3i2.3005

Abstract

Sang Hyang Dedari is a traditional Balinese dance which is interpreted as a ceremonial dance to ask for safety Sang Hyang Dedari is a traditional Balinese dance which and repel reinforcements for the local community. The Sanghyang Dedari dance in Geriana Kauh Village has its own uniqueness, especially in the clothing and attributes used, in the clothing section the yellow and white clothing is used which symbolizes purity and safety or prosperity, which distinguishes Sanghyang in Geriana Village from the Sanghyang in place, namely in terms of the bun or crown, in Geriana Kauh Village they still use natural products as crowns, namely grapefruit peels and flowers such as sandat, cempaka, ratna, gumitir, and jepun flowers, which are arranged in such a way as to resemble a bun. Sanghyang Dedari's performance was performed at the catus pate or crossroad, in the center of the village. Sanghyang Dedari is danced by 2 to 7 child dancers who are underage, not yet mature or mature, these dancers or pengayah have the opportunity to sing for up to 3 terms, after a re-election is held. Sanghyang dedari is accompanied by songs, songs, songs. When dancing, the dancers will follow the strains of the gending being chanted, in the middle of that there is what is called the lilit-linting procession, in which the dancers will climb a bamboo stick and dance to the strains of the gending, this lilit-linting is shaped like a cross or tapak dara, which is also display a safety sign. In this independent project, the author shows the process and sequence of the Sanghyang Dedari dance, from the beginning to the end of the Sanghyang Dedari dance in Geriana Kauh Village, Duda Karangasem Strait.
Calonarang Mythology Putra, I Putu Deva Maha; Jodog, I Made; Mudana, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 4 No 2 (2024): Cita Kara : Jurnal Penciptaan Dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v4i2.3383

Abstract

Calonarang mythology depicts the story of Queen Nata Ing Girah (ruler in the village of Girah) which is considered scary because it has magical powers and supernatural. Various mythical stories and magical rituals always color the trail Airlangga in Kahuripan, East Java during the 11th century Javanese Hindu period. Research This aims to create and analyze Calonarang's mythological themes in the work art painting. Therefore, the author raised this story into the form of a work of art painting in this Final Project in partnership with Sanggar Wasundari Kamasan Klungkung Bali. Calonarang Mythology research problems in creation. This is the concept of painting that depicts the Calonarang Mythology, what is the process of creating a work of painting depicting mythology Calonarang, and how Calonarang Mythology paintings look like. Method The research used in this writing is text analysis and study literature. The results of this research are works of art with a mythology theme Calonarang with an explanation of the concept, origins of Calonarang mythology, characteristics main characters, and important events in the story are realized in paintings.
Visualization of the Impact of the Development of the Industrial Revolution in Digital Painting Yudana, Komang; Mudana, I Wayan; Budiaprilliana, Luh
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 4 No 2 (2024): Cita Kara : Jurnal Penciptaan Dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v4i2.3487

Abstract

Revolusi industri adalah transformasi besar perkembangan teknologi dan pengetahuan pada manufaktur dengan mengubah sistem produksi dari cara tradisional menjadi lebih efktif, efisien, dan ekonomis. Perkembangan Revolusi Industri sudah terjadi sebanyak empat kali dimulai dari abad ke-18 sampai abad ke-21, mengalami dampak yang sangat pesat yang berdampak pada proses produksi dan reproduksi. Revolusi industri memiliki dampak positif yaitu membantu manusia menjalani kehidupan dengan teknologi yang baru dan juga ada dampak negatif yaitu manusia akan kehilangan lapangan pekerjaan karena sudah digantikan oleh teknologi dan robot yang dipekerjakan. Maka dari itu, fenomena ini sangat menarik saya untuk mengambil judul “Visualisasi Dampak Perkembangan Revolusi Industri Dalam Seni Lukis Digital” bertujuan agar dapat membuat karya seni lukis digital dari dampak revolusi industri, metode yang digunakan adalah metode penciptaan yang bersifat kualitatif di uraikan secara deskriftiv. Hasil dari pembahasan dampak revolus industri yang divisualisasikan menjadi seni lukis digital membahas tentang satu konsep, dua penciptaan karya, dan tiga deskripsi karya, empat estetika karya, dan kelima keotentikan karya. Penciptaan karya ini dilakukan distudio Antara Putra dari bulan Agutus sampai Maret menghasilkan enam karya seni digital yang berjudul karya 1 Revolusi 1.0, karya 2 Takterkendali, karya 3 Manusia dan teknologi, karya 4 Bali revolusi 55.0, karya 5 Serangan saiber, dan karya 6 AI.
Visualization of the Impact of Industrial Revolution Developments in Digital Painting Yudana, Komang; Mudana, I Wayan; Budiaprilliana, Luh
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 4 No 1 (2024): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v4i1.3643

Abstract

VISUALISASI PROSES PEMBUATAN MOBIL MERCEDEZ-BENZ 300SL GULLWING DI TUKSEDO STUDIO DALAM FOTOGRAFI DOKUMENTER Antara, I Kadek Budi; Mudana, I Wayan; Saryana, I Made
Retina Jurnal Fotografi Vol 2 No 1 (2022): Retina Jurnal Fotografi
Publisher : Lp2mpp Isi Denpasar - Ps. Fotografi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/rjf.v2i1.1239

Abstract

The process of making classic cars is certainly an activity that is rarely encountered by the general public and is very interesting to be documented both for the benefit of the company and published for the general public. The process of making a car that is made manually so it takes quite a long time and and goes through quite interesting stages, so it needs to be captured in more detail. To visualize the process of making the Mercedes Benz 300 SL Gullwing car in documentary photography at Tuxedo Studio, it is a unique and lively work. The making of the Mercedes Benz 300 SL Gullwing at Tuksedo Studio became a place and reference for expressing ideas in making documentary photos. In creating this documentary photography, the EDFAT method was applied.The purpose of implementing EDFAT is to describe aspects that need to be considered in shooting in order to obtain comprehensive, varied photos, both from a photographic point of view and in terms of exposure to events or events. Also by going through several stages of the creative process, namely exploration, experimentation, and embodiment. These methods and stages were passed in order to obtain a visual work that was in accordance with the wishes, the stages of the creation process that had been passed, in the end being able to provide a presentation on how to visualize the process of making a Mercedes Benz 300SL Gullwing car in documentary photography.
Teknik Film Soup Fotografi Analog Mengarungi Liga 1 Di Bali United Saputra, Kadek Dwi Martha; Wirakesuma, I Nengah; Mudana, I Wayan
Retina Jurnal Fotografi Vol 4 No 2 (2024): Retina Jurnal Fotografi
Publisher : Lp2mpp Isi Denpasar - Ps. Fotografi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/rjf.v4i2.3343

Abstract

Fotografi analog adalah proses representasi citra menggunakan medium perekam dengan proses kimiawi tertentu yang memanfaatkan film. Medium perekam dan penyimpan data berupa citra visual dalam fotografi analog adalah film. Film adalah sejenis lapisan plastik tipis yang peka terhadap cahaya, digunakan untuk pengambilan gambar dalam fotografi atau video. Film terdiri dari berbagai macam bentuk dari bentuk lembaran, roll (35mm,120mm,110mm). Teknik Film Soup Fotografi Analog Di Bali United menggunakan metode eksplorasi, eksperimen, dan pembentukan. Eksplorasi untuk menemukan ide terkait dengan Bali United yang merupakan sebuah tim sepak bola profesional dengan fotografi analog. Tahap selanjutnya menggunakan metode eksperimen yaitu eksperimen dalam penggunaan teknik film soup dan masih menggunakan kamera analog dan roll film dalam penciptaan karya foto ini. Metode selanjutnya yaitu visualisasi, metode visualisasi merupakan proses pengubahan dari konsep menjadi gambaran dalam bentuk nyata disajikan dalam bentuk karya seni. Dalam mendokumentasikan Bali United mengarungi Liga 1 melalui teknik film soup. Berawal dari kecintaan saya terhadap klub bola tersebut, maka saya sendiri berinisiatif untuk berkarya menggunakan kamera analog yang mungkin generasi sekarang sudah jarang mengetahui kamera tersebut. Tenkik-teknik fotografi analog yang digunakan yaitu teknik ekspose roll film, merebus dan merendam roll film dalam cairan tertentu. Penerapan teknik ini menghasilkan sebuah karya yang unik karena menghasilkan nuansa masa lampau. Teknik komposisi rule of third, sudut pengambilan atau angle, garis, dan bentuk adalah unsur-unsur penting dalam penciptaan karya Teknik Film Soup Fotografi Analog Mengarungi Liga 1 di Bali United.
Outdoor Fotografi Prewedding Bali Pada Maxhelar Photography Dinata P, Yori Cigra; Pramana, I Made Bayu; Mudana, I Wayan
Retina Jurnal Fotografi Vol 4 No 2 (2024): Retina Jurnal Fotografi
Publisher : Lp2mpp Isi Denpasar - Ps. Fotografi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/rjf.v4i2.3523

Abstract

Outdoor fotografi merupakan lokasi yang berada di luar ruangan yang cenderung memanfaatkan cahaya alami dari sinar matahari. Outdoor fotografi prewedding Bali menggunakan latar belakang bangunan dengan ciri khas Bali dan  dirancang dengan konsep serta ide tertentu dengan tema dan gaya yang ditentukan oleh calon pengantin dan fotografer. Outdoor fotografi prewedding Bali biasanya dilakukan oleh masyarakat Bali yang beragama Hindu. Hal ini bertujuan agar foto prewedding yang tercipta dapat menampilkan jati diri calon pengantin. Tujuan dari penulis melakukan magang di Maxhelar Photography karena sudah dilengkapi dengan fasilitas yang memadai sehingga dapat mendukung penulis untuk melaksanakan magang dengan baik dan karena Maxhelar Photography berfokus pada pemotretan prewedding adat Bali, memberikan pemahaman serta pengalaman baru dalam proses kerja dibalik karya-karya yang dihasilkan. Laporan magang ini menggunakan teknik pengumpulan data menggunakan observasi, wawancara, dokumentasi dan studi kepustakaan. Dalam kegiatan magang/praktek kerja di Maxhelar Photography, penulis mendapatkan ilmu dari alih pengetahuan berupa peralatan yang dipersiapkan sebelum pemotretan, cara kerja seorang fotografer di lapangan, teknik-teknik fotografi yang diterapkan serta hal yang perlu diperhatikan di lapangan. Penulis juga mendapatkan alih keterampilan seperti  mengasah kemampuan berkomunikasi dan berinteraksi dengan klien. Bahkan penulis juga mendapatkan pengalaman dan ilmu dari alih teknologi berupa cara menggunakan teknologi yang sebelumnya tidak penulis gunakan. Setelah melewati semua tahapan, maka terbentuklah 15 karya foto yang merupakan hasil dari kegiatan magang di Maxhelar Photography. Penjelasan secara mendalam terkait data teknis foto juga tercantum pada bagian deskripsi karya.
Co-Authors ., ABDUL GOFAR ., I Km Ega Mahendra ., I Made Ardi Sanjaya ., Kadek Ariasa ., Meri Yuliani ., NI MADE ERMAWATI ., Syamsia Dwi Wulandari A.A Istri Dewi Adhi Utami ABDUL GOFAR . Abdullah . Adnyana, I Kadek Agus Aflachatun Nia Agus Herry Sumardika . Agus Herry Sumardika ., Agus Herry Sumardika Alif Alfi Syahrin Anak Agung Ketut Agung Widiantari Anak Agung Ngurah Anom Kumbara Andela Safitri Andi Noprizal Sahar Antara, I Kadek Budi Arnawa, I Komang Krisna Aryandika, Made Ayu, Ni Nyoman Dharma Azura, Vina Bawazir, Ema Maulidya Bayutha, Ida Bagus Rekha Berliana Dhea Shalsa Billa Bestari Ida Ayu Purnama BUDIAPRILLIANA, LUH Cahyani, Kadek Gita Cokorda Istri Puspawati Nindhia Dedi . Delfin Reza Pahlefi Desak Made Oka Purnawati Desak Putu Wirastini . Dewa Ayu Made Satriawati . Dewi, Ni Wayan Risna Didin Samsul Maarif Dinata P, Yori Cigra Dr. Tuty Maryati,M.Pd . Dra. Luh Putu Sendratari,M.Hum . Dwi Kartika, I Gusti Kade Dwi Kerta Utama, I Made Ema Maulidya Bawazir Fani Haryadi Faradisa, Nuril Fathur Rozaq fengi, anastasia alwinda Firman Sinaga Fitriani, Herdiyana Fransisco, Leo G. Vann, Michael Ghofur, Moh. Abd. Gulendra, I Wayan Hajiriah, Titi Laily Hardiman Hardiman Hardiman Hardiman Haryadi, Fani I Dewa Gede Yoga I Gede Astra Wesnawa I Gede Juli Suwirtana Putra . I Gusti Made Arya Sutha Wirawan I Gusti Made Arya Sutha Wirawan I Gusti Made Aryana I Kadek Dharma Tanaya . I Ketut Mustika I Ketut Surata I Km Ega Mahendra . I Komang Wisujana Putra . I Made Ardi Sanjaya . I Made Ari Widiasa I Made Bawadi Adistanaya I Made Bayu Pramana I Made Bendi Yudha, I Made Bendi I Made Budiana . I Made Pageh I Made Ruta I Made Saryana I Made Sudana I Nengah Suandi I Nengah Suastika I Nengah Wirakesuma, I Nengah I Nyoman Dhana I Nyoman Sila I Putu Budiana . I Putu Sriartha I Putu Windu Mertha Sujana I Wayan Agus Suatmika . I Wayan Basi Arjana, I Wayan Basi I Wayan Kertih I Wayan Lasmawan I Wayan Putra Yasa I Wayan Rai Rai, I Wayan Rai I Wayan Setem I Wayan Sujana I Wayan Widiana Ida Ayu Komang Sintia Dewi . Ida Bagus Made Astawa Iin Melya Parlina Indah Kumala Sari Irwan Nur Jayadwiana, I Made Jodog , I Made Kadek Ari Errawan Kadek Ariasa . Kadek Gita Cahyani Kadek Mahima Candra Cahyani Kadek Riadi Panji Sagitha . Kadek Wirahyuni Kariana, I Nengah Karo, Hemi Sari Br Kasiani, Kasiani Ketut Sedana Arta Kondra, I Wayan Kurniawan, Made Ferry Lola Utama Sitompul Luh Ayu Martasari M.Si Drs. I Ketut Margi . Maarif, Didin Samsul Made Dian Hermi . Made Dian Hermi ., Made Dian Hermi Made Ferry Kurniawan Made Wisnu Dwipayani . Made Wisnu Dwipayani ., Made Wisnu Dwipayani Maulana, Muhammad Ainul Yakin Meri Yuliani . Mochammad Iqbal Moh. Abd. Ghofur Muhammad Idris Nengah Bawa Atmadja Nengah Bawa Atmadja Nengah Bawa Atmadja Nengah Suandi Ni Kadek Dian Lestari . Ni Kadek Rustini Wati . Ni Kadek Rustini Wati ., Ni Kadek Rustini Wati Ni Kadek Suri Mariani Ni Kadek Wulan Dari Ni Luh Kadek Rustiawati Ni Luh Wiwin Virdayanti . Ni Made Cristia Dewi . NI MADE ERMAWATI . Ni Putu Anggarista Sundari Ningsih NI Putu Swandewi Ni Wayan Yuliasih . Nia, Aflachatun Ningsih, Ni Putu Anggarista Sundari Novaelia Br Ginting Nur, Irwan Pahlefi, Delfin Reza Pande Ketut Ribek Pande Nyoman Suastawan . Parlina, Iin Melya Prof. Dr. Nengah Bawa Atmadja,MA . Putra Yudistira, Cokorda Gede Putra, Anak Agung Ramanda Putra, I Gusti Putu Ngurah Cahyana Ady Putra, I Putu Deva Maha Putu Admi Suryani . Putu Ery Kristiani Putu Nado Swastika R. Ahmad Ginanjar Purnawibawa Raharjo, Anis Rizkahulmiftah Rizkahulmiftah Rozaq, Fathur Safitri, Andela Santana Sembiring Sappirudin Saputra, Kadek Dwi Martha Sari, Indah Kumala Sari, Yuyun Diah Kemuning Sedana, I Gusti Ngurah Agung Putra Wahyu Sekar Wiranti Sembiring, Santana Setia pradnyana, Putu Heri Sianto, Yeni Sidaryanti, Ni Nyoman Asri Silasana, I Putu Arya siti rabiatul fajri, siti rabiatul Sitompul, Lola Utama Suarja , I Ketut Sucipta, Wayan Gede Adi Sukrawan, Kadek Edi Sulistio, Aprillia Devi Swandewi, Ni Putu Syamsia Dwi Wulandari . Terezawati, I Gusti Ayu Made Diana Tjokropramono, Gede Yosef Vania Ratna Wedha . Vina Azura Walad, Muzakkir Wattini Wattini Wattini, Wattini Wayan Devi Damayanti . Wayan Karja Wedastri, Ni Luh Gede Mardewi Widiantari, Anak Agung Ketut Agung Windayani, Ni Luh Ika Wiranti, Sekar Wirawan, I Gusti Made Arya Suta Wirawan, I Gusti Made Arya Sutha Wirawan, Luh Berlian Maharani Yanti, Dewi Kusuma Yoga, I Dewa Gede Yoga, I Wayan Swantara Yudana, Komang Zainullah Zainullah Zainullah, Zainullah