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All Journal Imaji: Jurnal Seni dan Pendidikan Seni Humanus: Jurnal ilmiah Ilmu-ilmu Humaniora Grenek: Jurnal Seni Musik Gorga : Jurnal Seni Rupa JOGED Jurnal Humanitas: Katalisator Perubahan dan Inovator Pendidikan IJCAS (International Journal of Creative and Arts Studies) Al Ishlah Jurnal Pendidikan Syntax Literate: Jurnal Ilmiah Indonesia Pendas : Jurnah Ilmiah Pendidikan Dasar Jurnal Kreativitas PKM Acintya Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Jurnal Desain GETER : Jurnal Seni Drama, Tari dan Musik Journal of Classroom Action Research Community Development Journal: Jurnal Pengabdian Masyarakat Jurnal Syntax Transformation Jurnal Tarbiyatuna : Kajian Pendidikan Islam JESS (Journal of Education on Social Science) Journal of English Language and Education Transformasi dan Inovasi : Jurnal Pengabdian Masyarakat Jurnal Impresi Indonesia Gesture: Jurnal Seni Tari Jurnal Pengabdian Masyarakat Bidang Sosial dan Humaniora Journal of Innovation and Research in Primary Education Terob : Jurnal Pengkajian dan Penciptaan Seni Jurnal Pengabdian Masyarakat Bangsa Prosiding Seminar Nasional Pascasarjana Riwayat: Educational Journal of History and Humanities Majority Science Journal Arty: Jurnal Seni Rupa Gayatri : Jurnal Pengabdian Seni dan Budaya Jurnal Tarbiyatuna : Kajian Pendidikan Islam
INDAR SABRI
Universitas Negeri Surabaya
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Civil Engineering, Building, Construction & Architecture Computer Science & IT Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Energy Environmental Science Health Professions Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Mathematics Medicine & Pharmacology Nursing Physics Public Health Social Sciences Other

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Journal : Acintya

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HABITUS AS A SOCIAL FRAMEWORK IN DAUL MUSIC:BOURDIEU'S PERSPECTIVE jamila, roro; Sabri, Indar
Acintya Vol. 17 No. 1 (2025)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v17i1.7136

Abstract

This research aims to analyze Ul-daul music from the perspective of Pierre Bourdieu's sociological theory, with a focus on the concepts of habitus and capitals, including economic, social, cultural, and symbolic capitals. Ul-daul music in Madura functions not only as entertainment but also as a means to build social spaces and cultural identities. This study addresses the following questions: How does Ul-daul music shape social interactions and community dynamics in Madura? And how does habitus influence behavior patterns in the practice of Ul-daul music? This study employs a qualitative approach, collecting data through interviews, observations, and documentation. This approach allows researchers to gain a deeper understanding of Ul-daul music's role in Madurese society. The main concepts used are Bourdieu's theories of habitus and capital, which include economic, social, cultural, and symbolic aspects. Habitus explains the habits and patterns of behavior that develop in the Ul-daul community. The capitals reveal how factors such as the economy, social status, and cultural symbols play a role in strengthening and preserving this musical tradition. The results demonstrate that Ul-daul music serves as more than just entertainment; it is also a social symbol that strengthens Madurese cultural identity. Ul-daul music also plays an important role in shaping the social structure and culture of Madura.
SYMBOLS AND POWER IN THE MASCOT DESIGN OF FTPM MAN: A ROLAND BARTHES SEMIOTIC ANALYSIS IN THE CONTEXT OF THE ‘SHOW YOUR ART EXPRESSION UNDER THE SEA’ FESTIVAL Qadar Basri, Syaiful; Sabri, Indar
Acintya Vol. 17 No. 1 (2025)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v17i1.7145

Abstract

This paper aims to analyze the icon design of Festival Teater Pelajar dan Mahasiswa Nasional (FTPMN) 2024 with the title “Show Your Art Expression Under the Sea” through Roland Barthes' semiotic approach. The focus of the paper is to reveal the denotation, connotation, and mythical meanings contained in the icon design, as well as how this icon strengthens the festival's identity as a forum for student artistic expression. The research method used is qualitative with descriptive analysis of the visual elements of the icon, including colors, shapes, and symbols. The results showed that the 2024 (FTPMN) icon design not only represented the theme of the sea, but also implied the values of freedom of expression, collaboration, and cultural diversity. The conclusion of this research confirms that icon design acts as an effective visual communication tool in building the image and spirit of the festival.
FILM DRAMATURGY OF THE MONOLOGUE "PENYAMUN": PERSPECTIVES ON MUSIC, SEMIOTICS, AND ACTING Tri Laksono, Yunanto; Pramono, Koko Hari; Sabri, Indar
Acintya Vol. 17 No. 1 (2025)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v17i1.7422

Abstract

Monologue based cinema presents distinct challenges in building narrative and dramatic tension, especially in the absence of verbal interaction between characters often the primary force driving a story. Penyamun serves as a compelling case study of how a complete and emotionally resonant cinematic narrative can emerge despite such limitations. The film centers on the existential struggle of a solitary individual in isolation, where internal conflict becomes the core of the drama. Through symbolic and atmospheric techniques, the film replaces conventional dialogue with layered visual metaphors and sonic textures. This study uses a descriptive qualitative method to analyze how music, visual/verbal signs, and acting strategies collaborate to construct meaning. Music functions as an emotional conduit, expressing the protagonist’s psychological shifts and inner turmoil. Visual and verbal signs are examined through a semiotic lens to reveal how layered meanings are constructed and communicated. The actor’s internal and physical performance becomes essential in generating dramatic dynamics and evoking empathy. Findings show that music, semiotic elements, and performance interact synergistically, forming a cohesive dramaturgical structure. These elements do not operate in isolation but reinforce each other to create emotional depth and narrative clarity. Penyamun thus exemplifies a new aesthetic in monologic cinema, demonstrating that powerful cinematic expression can emerge not through dialogue, but through the symbolic and emotional intensity of carefully orchestrated artistic components.
Co-Authors Abdillah , Autar Agista, Yoga Adhi Agista, Yogha Adhi Alhaqqi, Soumi Aulia Alif Sukma Muclisin Anbie Haldini Muhammad Anggraini, Estu Candra Anik Juwariyah Anik Juwariyah Anik Juwariyah Anisaluh, Anisaluh_1999 Arif Hidajad Autar Abdillah Autar Abdillah AUTAR ABDILLAH Autar Abdillah Autar Abdillah Autar Abdullah Basri, Syaiful Qadar Bayu Aji Wicaksono Cindy Wahyuningsih Cristina Handayani Damayanti, Dwi Yuningtyas Devi Anggraini Didik Nurhadi Dimas Bagus Setiyawan Dinata, Riki Rahmat Djatirambudi, Djuli Djuli Djatiprambudi Eko Wahyuni Rahayu Eko Wahyuni Rahayu Eko Wahyuni Rahayu Estu Candra Anggraini Faradila, Nita Dian Gemilang, Victor Bintang Hari Pramono, Koko Haris Supratno HENDRATNO Indyana, Luth Istiq'faroh, Nurul jamila, roro Joko Saputra, Joko Joko Winarko Juwairiyah, Anik Karoso, Subiyanto Khairul Fahmi Kusuma, Rizqi Fajar Kusuma, Rizqi Fajar Larashati, Bunga Widiya Mahendra, Andika Agustino Wella Maria Prisilya Purnamalon MARTADI Martadi, Martadi Martadi, Martadi Mellany Octa Salsabila Sugiarto Meta Liana MOH MUJIB ALFIRDAUS Muhammad Jazuli Muhammad Jazuli Niken Ayu Permata Nita Dian Faradila Nugraha, Testa Adi Oktaviani, Nur Azizah Paramacitha, Ni Luh N. Jeylita Pratiwi, Sekti Rahayu, Eko Wahyuni Sadhana, Senyum Salman Alfarisi Sani, Muhammad Budi Zaki Sekti, Retnayu Prasetyanti Setyawan, Katon Galih SETYO YANUARTUTI Setyo Yanuartuti Setyo Yanuartuti Setyo Yanuartuti Setyo Yanuartuti Shofi Sotya Sinarawatti Siswati Siswati Siti Khoiriyah Subiyanto Karoso Sumarsono, Sony Supeni Saputri Supratno, Haris Suryandoko, Welly Suwarjiya, Suwarjiya Suyandoko, Welly Syaiful Qadar Basri Syina Dalila Tegar, Emil Tika Awalini Totok Sumaryanto Totok Sumaryanto Totok Sumaryanto F Tri Laksono, Yunanto Trisakti Trisakti , Trisakti Trisakti Trisakti Trisakti Trisakti Tutur Jatmiko ULIL AMRI, DEVA Victor Bintang Gemilang Warih Handayaningrum WELLY SURYANDOKO Welly Suryandoko WELLY SURYANDOKO Welly Suryandoko Wicaksono, Bayu Aji Windarti, Wiwik Wulandari, Reny Catur Yanuartati, Setyo Yuwana, Setya