Article Per Year (5 Year)
p-Index From 2020 - 2025
12.733
P-Index
This Author published in this journals
All Journal Prosiding PESAT Journal Communication Spectrum: Capturing New Perspectives in Communication IZUMI BAHASA DAN SASTRA Global Strategis Wawasan : Jurnal Ilmiah Agama dan Sosial Budaya Prosiding Seminar Nasional INDOCOMPAC CaLLs : Journal of Culture, Arts, Literature, and Linguistics LET: Linguistics, Literature and English Teaching Journal Kiryoku: Jurnal Studi Kejepangan Wahana : Tridarma Perguruan Tinggi Nation State : Journal of International Studies Jurnal Inovasi Ilmu Sosial dan Politik British: Jurnal Bahasa dan Sastra Inggris AlphabetAlphabet: A Biannual Academic Journal on Language, Literary, and Cultural Studies Pioneer: Journal of Language and Literature Anaphora: Journal of Language. Literary and Cultural Studies J-Litera; Jurnal Kajian Bahasa, Sastra dan Budaya Jepang Prologue: Journal on Language and Literature Paradigm: Journal of Language and Literary Studies Journal Of English Literature, Linguistic, and Education (JELLE) Journal of Social, Humanity, and Education Masyarakat Indonesia Mezurashii: Journal of Japanese Studies Lingue : Jurnal Bahasa, Budaya, dan Sastra TANDA: Jurnal Kajian Budaya, Bahasa dan Sastra Journal Corner of Education, Linguistics, and Literature Foremost Journal ELTALL: English Language Teaching, Applied Linguistic and Literature Seminar Nasional Hasil Riset dan Pengabdian (SNHRP) UC Journal: ELT, Linguistics and Literature Journal Jurnal Multidisiplin Dehasen (MUDE) Lingua Franca KAGANGA KOMUNIKA: Journal of Communication Science Jurnal Sosial Humaniora dan Pendidikan (JUSHPEN) Jurnal Abdi Masyarakat Multidisiplin Jurnal Ilmiah Multidisiplin Educalitra: English Education, Linguistics, and Literature Journal KOLONI Jurnal Adijaya Multidisiplin Madani: Multidisciplinary Scientific Journal SPHOTA: Jurnal Linguistik dan Sastra Fakultas Bahasa Asing Universitas Mahasaraswati Denpasar Gudang Jurnal Multidisiplin Ilmu Journal of Integrative International Relations Mutiara : Jurnal Ilmiah Multidisiplin Indonesia Journal of Integrative International Relations Gudang Jurnal Pengabdian Masyarakat Seshiski: Southeast Journal of Language and Literary Studies The Sunan Ampel Review of Political and Social Sciences EJI (English Journal of Indragiri) : Studies in Education, Literature, and Linguistics ELite Journal: International Journal of Education, Language and Literature Masyarakat: Jurnal Pengabdian Jurnal Pendidikan dan Kebudayaan Al-A'raf: Jurnal Pemikiran Islam dan Filsafat Intertwine Candradimuka: Journal of Education
Pasopati, Rommel Utungga
English Literature Department, University Of Dr. Soetomo Surabaya, East Java, Indonesia
Religion Aerospace Engineering Agriculture, Biological Sciences & Forestry Arts Humanities Astronomy Automotive Engineering Biochemistry, Genetics & Molecular Biology Chemical Engineering, Chemistry & Bioengineering Chemistry Civil Engineering, Building, Construction & Architecture Computer Science & IT Control & Systems Engineering Decision Sciences, Operations Research & Management Dentistry Earth & Planetary Sciences Economics, Econometrics & Finance Education Electrical & Electronics Engineering Energy Engineering Environmental Science Health Professions Immunology & microbiology Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Materials Science & Nanotechnology Mathematics Mechanical Engineering Medicine & Pharmacology Neuroscience Nursing Physics Public Health Social Sciences Transportation Veterinary Other

Published : 116 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 116 Documents
Search

 1   2   3   4   5 
The IDEA OF CONSTRUCTIVE FEMINISM IN NAGUIB MAHFOUZ’S THE ANSWER IS NO Toto Indra Wijaya; Laila Nabilahtuzzahro Ibrahim; Cahyaningsih Pujimahanani; Rommel Utungga Pasopati
KOLONI Vol. 2 No. 1 (2023): MARET 2023
Publisher : Universitas Pahlawan Tuanku Tambusai

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/koloni.v2i1.417

Abstract

Constructive feminism claims that gender is socially constructed by the domination of men. Being constructive then also indicated that women could define their own meanings by themselves. The Answer is No is a short story written by Naguib Mahfouz. It explores dilemma of a female teacher who was assaulted by a trusted tutor at fourteen years old and now faces the perpetrator as her school's new headmaster. The woman refuses to yield before the man and chooses to maintain her dignity and self-respect. Through qualitative method, this paper underlines constructive feminism in which the woman could choose her own story for her future. Despite all her bad past memories, she could keep going on by saying no as her main answer. In conclusion, constructive feminism is crucial in the daily life of women since it could criticize matter of domination of men alongside with any possibility for woman to move forward. Keywords: Constructive Feminism, Gender, Naguib Mahfouz, The Answer is No
The Emprises of Gaia Hypothesis as Shown on the Film Maleficent Lina Fadiyah; Livia Wulandari; Cahyaningsih Pujimahanani; Rommel Utungga Pasopati
Jurnal Multidisiplin Dehasen (MUDE) Vol 2 No 2 (2023): April
Publisher : Universitas Dehasen Bengkulu

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37676/mude.v2i2.3713

Abstract

Maleficent (2014) is a Disney film that tells the story of a kind fairy named Maleficent. One day, several armies from the human kingdom invaded the forest and threatened the harmony of the land. Due to betrayal and loss of wings, Maleficent begins to build a kingdom of darkness to protect the fairy kingdom namely the Moors. The film indicates further ideas of relations between human and nature as also supported by Gaia Hypothesis. Then, how is Gaia Hypothesis represented on the Film Maleficent? By using a qualitative method, this paper describes the state of the kingdom in the fairy realm after humans tried to destroy it. Supported by the proposed Gaia Hypothesis by James Lovelock related to the relationship between women and nature, the ethics of caring, the idea of mother earth, and the idea of healing the earth. The results of this study concluded that there are still many people who want to destroy nature for their own sake. While there are other creatures that live there, guarding nature with all human’s might and empowered from this analysis can awaken human beings in the future to always keep nature alive for all creatures on earth.
The Representations of Inferiority Complex as Depicted on Virginia Woolf's 'The Duchess and The Jeweller' Falsyawal Galang Smarandreetha; Fatimah Nurunnada Attamimi; Kusuma Wijaya; Rommel Utungga Pasopati
Jurnal Adijaya Multidisplin Vol 1 No 01 (2023): Jurnal Adijaya Multidisiplin (JAM)
Publisher : PT Naureen Digital Education

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (312.182 KB)

Abstract

Virginia Woolf's short story entitled The Duchess and The Jeweller was first published in 1938. This short story reflects the England society era of significant change in the social class that brings many problems, especially in terms of social and economic statuses. Oliver Bacon, the main character, was born in poverty. Then, after working his way up, he eventually became the wealthiest jeweller in England. He also obsessed to move among aristocrats' circles just to satisfy his inferior feelings. Inferiority complex is a condition in which a person feels unable to do something valuable that makes the person feel inferior as stated by Alfred Adler. Then, how is the inferiority complex depicted in Oliver Bacon's character from Virginia Woolf's The Duchess and The Jeweller? Through qualitative method, this paper uses the perspective of inferiority complex to analyze Oliver Bacon’s problems when he climbs up to the social class and to demonstrate his inferiority complex because of his bad foretime. In conclusion, this paper gives proof that an inferiority complex can happen due to economic factors and make someone become a social climber.
The Rational Ignorance as Illustrated on Mushanokoji Saneatsu’s Daruma Listyaningsih Listyaningsih; Siti Wulandari; Rommel Utungga Pasopati
KIRYOKU Vol 7, No 1 (2023): Jurnal Kiryoku
Publisher : Vocational College of Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/kiryoku.v7i1.20-34

Abstract

As reflection of everyday life, literature highlights matters from simple dialogues to spiritual understandings. It is on point with Mushanokoji Saneatsu’s literary work in 1962 named Daruma that is full of metaphysical meanings. The main character seems to ignore anything else to reach such enlightenment. Interestingly, it shows that being ignorance actually makes sense. The idea is also in line with model of rational ignorance underlined by Bryan Caplan in which political and economic ideas are asserted. Then, how is rational ignorance illustrated on Mushanokoji Saneatsu’s Daruma? Through qualitative method on cultural studies, this paper exposes the search of enlightenment is matter of going out from caring too much to surroundings. Ignorance is not abandoning things at all. It is such choice to focus on a thing even if the doer must sacrifice other aspects. The main idea is following rational mind while postponing other known phenomena. In conclusion, by underlining situation of being ignorant, Saneatsu would like to examine that reaching such enlightened self is matter of being both spiritual and rational as well.
Gynocriticism As Bolstered On Margaret Atwood's Giving Birth Galuh Fadhelah Aulia Hamidah; Dewi Ayu Rengganis; Suhartawan Budianto; Rommel Utungga Pasopati
Jurnal Multidisiplin Dehasen (MUDE) Vol 2 No 2 (2023): April
Publisher : Universitas Dehasen Bengkulu

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37676/mude.v2i2.3774

Abstract

Margaret Atwood is a female author who is known from her works that discuss intertwinement of women's relationships with the world. Giving Birth is one of her short stories published in 1977 that focused on an unnamed female narrator’s story that tells Jeanie’s experience who are preparing and finally undergoing the process of giving birth. Through this short story, the researchers indicated matter of gynocriticism by Elaine Showalter that describes women as writers. It also included matter of soul and psychoanalytic approach. Through qualitative method, this research underlines how giving birth is specific experience felt only by women from the existence of the womb. Pregnancy is the best experience of woman that could define herself as the main author of the future adventure of her baby. In conclusion, underlining gynocriticism in Giving Birth indicated true matters of identity of women beings. Then, the criticism also shows how those shape differences between male and female kind of literature.
HOMO SACER AS ILLUSTRATED ON KYA ON THE FILM WHERE THE CRAWDADS SING Vivi Nur Aini Susanto; Axlinabila Annisa Anasai; Hariyono; Rommel Utungga Pasopati
Jurnal Sosial Humaniora dan Pendidikan Vol. 2 No. 1 (2023): April : Jurnal Sosial Humaniora dan Pendidikan
Publisher : Asosiasi Dosen Muda Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56127/jushpen.v2i1.560

Abstract

Film relates to the identity of each person's character. Kya is the leading character in the film Where the Crawdads Sing. Homo Sacer describes the pejorative previous identity of a person who can be very influential in society. Where the Crawdads Sing was adapted from a novel by Delia Owens that raised a person's life who must be sacrificed as a suspect in a murder case. This film focuses on Kya who earned the nickname 'Marsh Girl' since she lived in a marsh that was so far from settlements. Kya almost never interacts with other people. She has been isolated since childhood, lives without a family, and supports herself alone. Thus, how is Homo Sacer illustrated in Kya on the film Where the Crawdads Sing? By using qualitative method, this article focuses on the character of Kya as a 'Marsh Girl' that is illustrated by the concept of Homo Sacer by Giorgio Agamben. Agamben describes how his ideas on sovereign power and bare life could help in understanding contemporary issues. In conclusion, this film depicts a person's character related to the concept of Homo Sacer viewed through Kya as the labelled character.
THE IMPLEMENTATION OF IRONY OF THE OLD MAN AS INDICATED ON LUIGI PIRANDELLO'S WAR Putri Ayu Millenia; Nia Ayu Fitriani; Rindrah Kartiningsih; Rommel Utungga Pasopati
Jurnal Sosial Humaniora dan Pendidikan Vol. 2 No. 1 (2023): April : Jurnal Sosial Humaniora dan Pendidikan
Publisher : Asosiasi Dosen Muda Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56127/jushpen.v2i1.561

Abstract

Irony is an act to say something other than literal meaning. Somehow, it is used to cover up the sadness experienced. The old man is a character in a short story entitled War written by Luigi Pirandello. In a conversation in the Night Express, so many people talked about their sadness that nothing could cheer them up. Then, an old man came and told them that they should not be sad for their son who died. Actually, the old man feels the same sadness but he would never want to show it off to others. Then, how is the implementation of irony of the old man indicated on Luigi Pirandello’s War? Through qualitative method, this writing underlines irony as the way the old man covered the sadness he experienced when he lost his son. Supported by theory of Ronald Tanaka, the implementation of the irony of the old man is seen when he spoke a lot to cover his grief. He said that their sons are on their own and belong to the state when they grew up. Then, they should also be proud of their son because they are the heroes of country. In conclusion, the old man covered up his sadness by complimenting others’ son. Meanwhile, the irony is his son as a hero is also included in his saying.
The Implementation of Omotenashi and Experience of Internship Students in Hotel and Ryokan in Japan Cicilia Tantri Suryawati; Isnin Ainie; Ni Nyoman Sarmi; Amirul Mustofa; Rommel Utungga Pasopati
KIRYOKU Vol 7, No 1 (2023): Jurnal Kiryoku
Publisher : Vocational College of Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/kiryoku.v7i1.156-172

Abstract

Omotenashi is Japanese hospitability that underlines matter of comfort and satisfaction from others. The best application of omotenashi is in hotel and ryokan in Japan. Some of UNITOMO students did internships on hotel and ryokan in Japan and experienced omotenashi either. This paper aims to explain implementation of omotenashi and reactions of internship students towards standardized omotenashi in hotels and ryokan in Japan. Direct interviews and observations are done to collect the data while qualitative method is used as the way to analyze it. There are three main points needed in doing omotenashi, namely appearance, behavior, and use of language. The main idea is to decorate own self to shape such comfort for others. Internship students realizes standards of omotenashi through various obstacles, especially language, communication, and cultural factors. In conclusion, studying omotenashi is used to understand Japanese hospitality deeper and how it may be applied in hotel and ryokan. Internship students could also deepen knowledge about Japanese discipline in further implementation of omotenashi.
Androgynous Perspective as Represented on The Offspring’s Why Don’t You Get A Job? Cahyaningsih Pujimahanani; Salsabila Nova Calista; Laila Nabilahtauzzahro Ibrahim; Rommel Utungga Pasopati
Jurnal Pendidikan Bahasa dan Sastra Vol 23, No 1 (2023): APRIL 2023
Publisher : Universitas Pendidikan Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17509/bs_jpbsp.v23i1.59881

Abstract

Literatures are meanings of everyday life as on point with Sandra Bem’s concept about androgynous sides that focuses on indicating masculinity and femininity of individuals and societies. Why Don’t You Get a Job? is a song by The Offspring in 1999 that underlines American couples’ condition where only one side is working while the other is doing nothing. Interestingly, this band shows how that situation happens to both gender. Then, how is androgynous perspective represented on The Offspring’s Why Don’t You Get a Job?? Through qualitative method, this paper exposes that man and woman are proved not to be so independent and dependent, but both should work to complement each other. That song indicates that society is so androgynous that spots roles of man and woman supported by Bem’s theory. In conclusion, the song shows society is not totally about man or woman but how each side asks other side for better deed. The Offspring asserts androgynous perspective that requires roles of man and woman, not of being dominant but to be complementary.
Authenticity and Its Discontent as Reflected on Heinrich Böll’s The Laugher Ni Nyoman Sarmi; Kheista Sasi Kirana; Kusuma Wijaya; Rommel Utungga Pasopati
LET: Linguistics, Literature and English Teaching Journal Vol 13, No 1 (2023)
Publisher : English Department of Faculty of Tarbiyah and Teacher Training

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18592/let.v13i1.8523

Abstract

People are justified to be original but it could hinder people from their freedom as stated by Jean-Paul Sartre. The Laugher is Heinrich Böll’s short story of someone whose job is to laugh in various platforms. His laughter must be heard as original but his own life is full of pessimistic conditions. Then, how may being authentic be contested through Böll’s The Laugher? Through qualitative method on cultural studies, this paper puts tensions between being authentic by Sartre and reality of Böll’s story. The laugh seems to be authentic, but it is set to trigger other laughter, yet he is not happy though he laughs every time. He is demanded to laugh, but the laugh is bad faith as supported by Sartre. Authenticity in Böll’s story shows its own discontent. In conclusion, the story shows how laughter is done in a timed set. His laugh is not freedom since his own life is full of sad conditions.
Co-Authors -Nabilahtauzzahro Ibrahin, Laila -Pujimahanani, Cahyaningsih -Putri Oktafiani, Adelia Adelia Putri Oktafiani Agil, Agischa Putri Agischa Putri Agil Agischa Putri Agil Ahmad Maulana Marharendra Akmal Dafa Hizbullah Akmal Dafa Hizbullah Akmal Dafa Hizbullah Albert Wijaya Kusuma Amirul Mustofa Ananda Syahromi Putra Ananta, Bintang Ryan Andharu, Devito Anggoro Cahyo Wicaksono Anggraeni Ramadhani Anicleta Yuliastuti Anicleta Yuliastuti Anindya Thalita Salsabila Annasai, Axlinabila Annisa Annisa Deby Aulia Asihta Aulia Azzahra Asjad Nina Hanan Ramadhani Attamimi, Fatimah Nurunnada Axlinabila Annisa Anasai Axlinabila Annisa Annasai Ayu Rengganis, Dewi Ayu, Evangelin Rambu Bagus Pratama Wijayanto Bhagaskoro, Pradipto Bhagaskoro, S. Hub, Pradipto Bima Tri Wardana Bintang Indra Wibisono Bintang Ryan Ananta Budianto, Suhartawan Cahyaningsih Pujimahanani Cahyaningsih Pujimahanani Cahyaningsih Pujimahanani, cahyaningsih Camila, Myrilla Shafa Cicilia Tantri Suryawati Dermawan, Zahwa Amelia Putri Devito Andharu Devito Andharu Devito Andharu Dewi Ayu Rengganis Dewi Ayu Rengganis Dewi Syifanaya Firdausy Nurdin Diandra Parta Wisnu Dewangga Djanarko, Indri Dyah Ayu Ratna Jelita Dyah Ayu Ratna Jelita Dzil Fikris Shamad Eka Hesty Rohma Darmawati Erlis Hersetya Firda Erlis Hersetya Firda Erlis Hersetya Firda Evangelin Rambu Ayu Evania Nur Aprilla Fadhelah Aulia Hamidah, Galuh Fadillah, Muhammad Reza Ishadi Falsyawal Galang Smarandreetha Falsyawal Galang Smarandreetha Falsyawal Galang Smarandreetha Falsyawal Smarandreetha Fatiha, Kayla Fatimah Nurunnada Attamimi Fennyta Diva Fadilla Fiona Smith, Marion Firdausy Alya Hasana Flora Anasis Fransisca Irnidianis Magdalena Suyaji Fransisca Irnidianis Magdalena Suyaji Fransisca Irnidianis Magdalena Suyaji Fransiska Litwin Nurni Gadi, Epifanius Karso Seda Galang Smarandreetha, Falsyawal Galuh Fadhelah Aulia Hamidah Galuh Fadhelah Aulia Hamidah Gunawan Tjokro Hamdani, Farham Nazhib Hamidah, Galuh Fadhelah Aulia Hariyono Hariyono Hariyono Hariyono Hariyono Hariyono Hasana, Firdausy Alya Hirshi Anadza Hizbullah, Akmal Dafa Ibrahim, Laila Nabilahtuzzahro Indri Djanarko, Indri Ishadi Fadillah, M Reza Isnin Ainie Johanes Claudio Perdana Napitupulu Johanes Claudio Perdana Napitupulu Kartika, Ratih Kartiningsih, Rindrah Katarina Surensa Khaled Ahmed Mohammed Khaled Ahmed Mohammed Kheista Sasi Kirana Kheista Sasi Kirana Kheista Sasi Kirana Kirana, Kheista Sasi Komang Sinta Puspayani Kostavialdus Setiadi Kurniawati, Wiwin Anggraeni Kusuma Wijaya Kusuma Wijaya Kusuma Wijaya Kusuma Wijaya Kusuma Wijaya Kusuma Wijaya Kusuma, Albert Wijaya Laila Ibrahim Laila Nabilahtauzzahro Ibrahim Laila Nabilahtuzzahro Ibrahim Laila Nabilahtuzzahro Ibrahim Laila Nabilahtuzzahro Ibrahim Laura Ika Angelina Arfina Putri Lina Fadiyah Listyaningsih Listyaningsih Listyaningsih Listyaningsih Listyaningsih Listyaningsih Livia Wulandari Luh Putu Ratna Sundari Lutvia, Frefies Lavigni Putri M Reza Ishadi Fadillah M Reza Ishadi Fadillah M Reza Ishadi Fadillah Margaretha, Sherlly Maulidia Nur Faulina Michelle, Michelle Mikail, Izzaditya Dharmaputra Mohammad Mirza Mohammed, Khaled Ahmed Muchammad Daffa Firzatullah Muchammad Daffa Firzatullah Muhammad Abu Rijal Fahmi Muhammad Adji Mullah Akbar Muhammad Daffa Firzatullah Muhammad Ilham Rahmansyah Muhammad Reza Ishadi Fadillah Mulyanto , Luke Zefanezra Myrilla Shafa Camilla Napitupulu, Johanes Claudio Perdana Naufal Nafis Nensy Megawati Simanjuntak Ni Nyoman Sarmi Ni Nyoman Sarmi Ni Nyoman Sarmi Ni Nyoman Sarmi Ni Nyoman Sarmi Ni Nyoman Sarmi, Ni Nyoman Ni Putu Nia Damayanti Nia Ayu Fitriani Noviyanti, Anisa Dinda Nurdin, Dewi Syifanaya Firadausy Nurdin, Dewi Syifanaya Firdausy Ohei, Sugisaka Oktafiani, Adelia Putri Oktavia, Dian Oktavia, Salsabila Adinda Pandu Bagus Sutowijoyo Pangestu, Imelza Novia Rakhmadani Pradipto Bhagaskoro Putra, Ananda Syahromi Putri Ayu Millenia Putri, Adinda Putri, Alvina Salshabilla Linjani Raddine Salsabiyla Raddine Salsabiyla Ramadhani, Anggraeni Ramadhani, Riska Dewi Reku, Angelina Merici Wua Rengganis, Dewi Ayu Rindrah Kartiningsih Rindrah Kartiningsih Riska Dewi Ramadhani Riska Dewi Ramadhani Riska Dewi Ramadhani Riza, Dwi Ainur Rosyadi, Machfianita Mirza Ayu Salsabila Adinda Oktavia Salsabila Calista Salsabila Nova Calista Salsabila Nova Calista Salsabila Nova Calista Salsabila, Anindya Thalita Salsabila, Shafa Sanjaya Ahmad Hidayat Santoso, Liora Samantha Valent Saputro, Dimas Eko Sasmita, Dimas Rakhmat Serly Maulina Syaif Shellamita Zahra Sherlly Margaretha Siadari, Yoshua Veron Handika Putra Sinta Uli Simbolon Siti Wulandari siti wulandari Smarandreetha, Falsyawal Galang Soenarko, Zahra Pramatatya Suyaji, Fransisca Irndianis Magdalena Suyaji, Fransisca Irnidianis Magdalena Syarifuddin Syarifuddin Syarifuddin Syarifuddin Syarifuddin Syarifuddin Syarifuddin Syarifuddin, S. Hub. Int., M. Si., Syarifuddin Tobing, Victor Maruli Tua L. Toto Indra Wijaya Victor Maruli Tua L. Tobing Victor Maruli Tua L. Tobing Vivi Nur Aini Susanto Wahyu Widayati Wardhana, Bima Tri Wijaya, Kusuma Wijaya, Silvia Marta Wijaya, Toto Indra Wijayanto, Bagus Pratama Wirnoto, Yasmine Azzah Adillah Yasmine Azzah Adillah Wirnoto Yasmine Azzah Adillah Wirnoto Yoshua Veron Handika Putra Siadari Yoshua Veron Handika Putra Siadari Yoshua Veron Handika Putra Siadari Yovita Olivia Yuliastuti, Anicleta Zaimudin, Ashlaha Baladina Zaky, Raffi Ahmad Zhafirah, Muthiah Qalbu