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All Journal Prosiding PESAT Journal Communication Spectrum: Capturing New Perspectives in Communication IZUMI BAHASA DAN SASTRA Global Strategis Wawasan : Jurnal Ilmiah Agama dan Sosial Budaya Prosiding Seminar Nasional INDOCOMPAC CaLLs : Journal of Culture, Arts, Literature, and Linguistics LET: Linguistics, Literature and English Teaching Journal Kiryoku: Jurnal Studi Kejepangan Wahana : Tridarma Perguruan Tinggi Nation State : Journal of International Studies Jurnal Inovasi Ilmu Sosial dan Politik British: Jurnal Bahasa dan Sastra Inggris AlphabetAlphabet: A Biannual Academic Journal on Language, Literary, and Cultural Studies Pioneer: Journal of Language and Literature Anaphora: Journal of Language. Literary and Cultural Studies J-Litera; Jurnal Kajian Bahasa, Sastra dan Budaya Jepang Prologue: Journal on Language and Literature Paradigm: Journal of Language and Literary Studies Journal Of English Literature, Linguistic, and Education (JELLE) Journal of Social, Humanity, and Education Masyarakat Indonesia Mezurashii: Journal of Japanese Studies Lingue : Jurnal Bahasa, Budaya, dan Sastra TANDA: Jurnal Kajian Budaya, Bahasa dan Sastra Journal Corner of Education, Linguistics, and Literature Foremost Journal ELTALL: English Language Teaching, Applied Linguistic and Literature Seminar Nasional Hasil Riset dan Pengabdian (SNHRP) UC Journal: ELT, Linguistics and Literature Journal Jurnal Multidisiplin Dehasen (MUDE) Lingua Franca KAGANGA KOMUNIKA: Journal of Communication Science Jurnal Sosial Humaniora dan Pendidikan (JUSHPEN) Jurnal Abdi Masyarakat Multidisiplin Jurnal Ilmiah Multidisiplin Educalitra: English Education, Linguistics, and Literature Journal KOLONI Jurnal Adijaya Multidisiplin Madani: Multidisciplinary Scientific Journal SPHOTA: Jurnal Linguistik dan Sastra Fakultas Bahasa Asing Universitas Mahasaraswati Denpasar Gudang Jurnal Multidisiplin Ilmu Mutiara : Jurnal Ilmiah Multidisiplin Indonesia Metathesis: Journal of English Language, Literature, and Teaching Gudang Jurnal Pengabdian Masyarakat Seshiski: Southeast Journal of Language and Literary Studies The Sunan Ampel Review of Political and Social Sciences EJI (English Journal of Indragiri) : Studies in Education, Literature, and Linguistics ELite Journal: International Journal of Education, Language and Literature Masyarakat: Jurnal Pengabdian Jurnal Pendidikan dan Kebudayaan Al-A'raf: Jurnal Pemikiran Islam dan Filsafat Sunan Ampel International Conference of Political and Social Sciences Intertwine Candradimuka: Journal of Education Salience: English Language, Literature, And Education Journal Journal Of Advance In Social Sciences And Policy JEELL (Journal of English Education, Linguistics and Literature) Journal of Integrative International Relations
Pasopati, Rommel Utungga
English Literature Department, University Of Dr. Soetomo Surabaya, East Java, Indonesia
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The Emprises of Gaia Hypothesis as Shown on the Film Maleficent Lina Fadiyah; Livia Wulandari; Cahyaningsih Pujimahanani; Rommel Utungga Pasopati
Jurnal Multidisiplin Dehasen (MUDE) Vol 2 No 2 (2023): April
Publisher : Universitas Dehasen Bengkulu

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37676/mude.v2i2.3713

Abstract

Maleficent (2014) is a Disney film that tells the story of a kind fairy named Maleficent. One day, several armies from the human kingdom invaded the forest and threatened the harmony of the land. Due to betrayal and loss of wings, Maleficent begins to build a kingdom of darkness to protect the fairy kingdom namely the Moors. The film indicates further ideas of relations between human and nature as also supported by Gaia Hypothesis. Then, how is Gaia Hypothesis represented on the Film Maleficent? By using a qualitative method, this paper describes the state of the kingdom in the fairy realm after humans tried to destroy it. Supported by the proposed Gaia Hypothesis by James Lovelock related to the relationship between women and nature, the ethics of caring, the idea of mother earth, and the idea of healing the earth. The results of this study concluded that there are still many people who want to destroy nature for their own sake. While there are other creatures that live there, guarding nature with all human’s might and empowered from this analysis can awaken human beings in the future to always keep nature alive for all creatures on earth.
The Representations of Inferiority Complex as Depicted on Virginia Woolf's 'The Duchess and The Jeweller' Falsyawal Galang Smarandreetha; Fatimah Nurunnada Attamimi; Kusuma Wijaya; Rommel Utungga Pasopati
Jurnal Adijaya Multidisplin Vol 1 No 01 (2023): Jurnal Adijaya Multidisiplin (JAM)
Publisher : PT Naureen Digital Education

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (312.182 KB)

Abstract

Virginia Woolf's short story entitled The Duchess and The Jeweller was first published in 1938. This short story reflects the England society era of significant change in the social class that brings many problems, especially in terms of social and economic statuses. Oliver Bacon, the main character, was born in poverty. Then, after working his way up, he eventually became the wealthiest jeweller in England. He also obsessed to move among aristocrats' circles just to satisfy his inferior feelings. Inferiority complex is a condition in which a person feels unable to do something valuable that makes the person feel inferior as stated by Alfred Adler. Then, how is the inferiority complex depicted in Oliver Bacon's character from Virginia Woolf's The Duchess and The Jeweller? Through qualitative method, this paper uses the perspective of inferiority complex to analyze Oliver Bacon’s problems when he climbs up to the social class and to demonstrate his inferiority complex because of his bad foretime. In conclusion, this paper gives proof that an inferiority complex can happen due to economic factors and make someone become a social climber.
The Rational Ignorance as Illustrated on Mushanokoji Saneatsu’s Daruma Listyaningsih Listyaningsih; Siti Wulandari; Rommel Utungga Pasopati
KIRYOKU Vol 7, No 1 (2023): Jurnal Kiryoku
Publisher : Vocational College of Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/kiryoku.v7i1.20-34

Abstract

As reflection of everyday life, literature highlights matters from simple dialogues to spiritual understandings. It is on point with Mushanokoji Saneatsu’s literary work in 1962 named Daruma that is full of metaphysical meanings. The main character seems to ignore anything else to reach such enlightenment. Interestingly, it shows that being ignorance actually makes sense. The idea is also in line with model of rational ignorance underlined by Bryan Caplan in which political and economic ideas are asserted. Then, how is rational ignorance illustrated on Mushanokoji Saneatsu’s Daruma? Through qualitative method on cultural studies, this paper exposes the search of enlightenment is matter of going out from caring too much to surroundings. Ignorance is not abandoning things at all. It is such choice to focus on a thing even if the doer must sacrifice other aspects. The main idea is following rational mind while postponing other known phenomena. In conclusion, by underlining situation of being ignorant, Saneatsu would like to examine that reaching such enlightened self is matter of being both spiritual and rational as well.
Gynocriticism As Bolstered On Margaret Atwood's Giving Birth Galuh Fadhelah Aulia Hamidah; Dewi Ayu Rengganis; Suhartawan Budianto; Rommel Utungga Pasopati
Jurnal Multidisiplin Dehasen (MUDE) Vol 2 No 2 (2023): April
Publisher : Universitas Dehasen Bengkulu

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37676/mude.v2i2.3774

Abstract

Margaret Atwood is a female author who is known from her works that discuss intertwinement of women's relationships with the world. Giving Birth is one of her short stories published in 1977 that focused on an unnamed female narrator’s story that tells Jeanie’s experience who are preparing and finally undergoing the process of giving birth. Through this short story, the researchers indicated matter of gynocriticism by Elaine Showalter that describes women as writers. It also included matter of soul and psychoanalytic approach. Through qualitative method, this research underlines how giving birth is specific experience felt only by women from the existence of the womb. Pregnancy is the best experience of woman that could define herself as the main author of the future adventure of her baby. In conclusion, underlining gynocriticism in Giving Birth indicated true matters of identity of women beings. Then, the criticism also shows how those shape differences between male and female kind of literature.
HOMO SACER AS ILLUSTRATED ON KYA ON THE FILM WHERE THE CRAWDADS SING Vivi Nur Aini Susanto; Axlinabila Annisa Anasai; Hariyono; Rommel Utungga Pasopati
Jurnal Sosial Humaniora dan Pendidikan Vol. 2 No. 1 (2023): April : Jurnal Sosial Humaniora dan Pendidikan
Publisher : Asosiasi Dosen Muda Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56127/jushpen.v2i1.560

Abstract

Film relates to the identity of each person's character. Kya is the leading character in the film Where the Crawdads Sing. Homo Sacer describes the pejorative previous identity of a person who can be very influential in society. Where the Crawdads Sing was adapted from a novel by Delia Owens that raised a person's life who must be sacrificed as a suspect in a murder case. This film focuses on Kya who earned the nickname 'Marsh Girl' since she lived in a marsh that was so far from settlements. Kya almost never interacts with other people. She has been isolated since childhood, lives without a family, and supports herself alone. Thus, how is Homo Sacer illustrated in Kya on the film Where the Crawdads Sing? By using qualitative method, this article focuses on the character of Kya as a 'Marsh Girl' that is illustrated by the concept of Homo Sacer by Giorgio Agamben. Agamben describes how his ideas on sovereign power and bare life could help in understanding contemporary issues. In conclusion, this film depicts a person's character related to the concept of Homo Sacer viewed through Kya as the labelled character.
THE IMPLEMENTATION OF IRONY OF THE OLD MAN AS INDICATED ON LUIGI PIRANDELLO'S WAR Putri Ayu Millenia; Nia Ayu Fitriani; Rindrah Kartiningsih; Rommel Utungga Pasopati
Jurnal Sosial Humaniora dan Pendidikan Vol. 2 No. 1 (2023): April : Jurnal Sosial Humaniora dan Pendidikan
Publisher : Asosiasi Dosen Muda Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56127/jushpen.v2i1.561

Abstract

Irony is an act to say something other than literal meaning. Somehow, it is used to cover up the sadness experienced. The old man is a character in a short story entitled War written by Luigi Pirandello. In a conversation in the Night Express, so many people talked about their sadness that nothing could cheer them up. Then, an old man came and told them that they should not be sad for their son who died. Actually, the old man feels the same sadness but he would never want to show it off to others. Then, how is the implementation of irony of the old man indicated on Luigi Pirandello’s War? Through qualitative method, this writing underlines irony as the way the old man covered the sadness he experienced when he lost his son. Supported by theory of Ronald Tanaka, the implementation of the irony of the old man is seen when he spoke a lot to cover his grief. He said that their sons are on their own and belong to the state when they grew up. Then, they should also be proud of their son because they are the heroes of country. In conclusion, the old man covered up his sadness by complimenting others’ son. Meanwhile, the irony is his son as a hero is also included in his saying.
The Implementation of Omotenashi and Experience of Internship Students in Hotel and Ryokan in Japan Cicilia Tantri Suryawati; Isnin Ainie; Ni Nyoman Sarmi; Amirul Mustofa; Rommel Utungga Pasopati
KIRYOKU Vol 7, No 1 (2023): Jurnal Kiryoku
Publisher : Vocational College of Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/kiryoku.v7i1.156-172

Abstract

Omotenashi is Japanese hospitability that underlines matter of comfort and satisfaction from others. The best application of omotenashi is in hotel and ryokan in Japan. Some of UNITOMO students did internships on hotel and ryokan in Japan and experienced omotenashi either. This paper aims to explain implementation of omotenashi and reactions of internship students towards standardized omotenashi in hotels and ryokan in Japan. Direct interviews and observations are done to collect the data while qualitative method is used as the way to analyze it. There are three main points needed in doing omotenashi, namely appearance, behavior, and use of language. The main idea is to decorate own self to shape such comfort for others. Internship students realizes standards of omotenashi through various obstacles, especially language, communication, and cultural factors. In conclusion, studying omotenashi is used to understand Japanese hospitality deeper and how it may be applied in hotel and ryokan. Internship students could also deepen knowledge about Japanese discipline in further implementation of omotenashi.
Androgynous Perspective as Represented on The Offspring’s Why Don’t You Get A Job? Cahyaningsih Pujimahanani; Salsabila Nova Calista; Laila Nabilahtauzzahro Ibrahim; Rommel Utungga Pasopati
Jurnal Pendidikan Bahasa dan Sastra Vol 23, No 1 (2023): APRIL 2023
Publisher : Universitas Pendidikan Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17509/bs_jpbsp.v23i1.59881

Abstract

Literatures are meanings of everyday life as on point with Sandra Bem’s concept about androgynous sides that focuses on indicating masculinity and femininity of individuals and societies. Why Don’t You Get a Job? is a song by The Offspring in 1999 that underlines American couples’ condition where only one side is working while the other is doing nothing. Interestingly, this band shows how that situation happens to both gender. Then, how is androgynous perspective represented on The Offspring’s Why Don’t You Get a Job?? Through qualitative method, this paper exposes that man and woman are proved not to be so independent and dependent, but both should work to complement each other. That song indicates that society is so androgynous that spots roles of man and woman supported by Bem’s theory. In conclusion, the song shows society is not totally about man or woman but how each side asks other side for better deed. The Offspring asserts androgynous perspective that requires roles of man and woman, not of being dominant but to be complementary.
Authenticity and Its Discontent as Reflected on Heinrich Böll’s The Laugher Ni Nyoman Sarmi; Kheista Sasi Kirana; Kusuma Wijaya; Rommel Utungga Pasopati
LET: Linguistics, Literature and English Teaching Journal Vol 13, No 1 (2023)
Publisher : English Department of Faculty of Tarbiyah and Teacher Training

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18592/let.v13i1.8523

Abstract

People are justified to be original but it could hinder people from their freedom as stated by Jean-Paul Sartre. The Laugher is Heinrich Böll’s short story of someone whose job is to laugh in various platforms. His laughter must be heard as original but his own life is full of pessimistic conditions. Then, how may being authentic be contested through Böll’s The Laugher? Through qualitative method on cultural studies, this paper puts tensions between being authentic by Sartre and reality of Böll’s story. The laugh seems to be authentic, but it is set to trigger other laughter, yet he is not happy though he laughs every time. He is demanded to laugh, but the laugh is bad faith as supported by Sartre. Authenticity in Böll’s story shows its own discontent. In conclusion, the story shows how laughter is done in a timed set. His laugh is not freedom since his own life is full of sad conditions.
The Language of Cyber Gender Anonymity on Hololive Virtual Youtubers Kusuma Wijaya; Axlinabila Annisa Annasai; Annisa Deby Aulia; Rommel Utungga Pasopati
Pioneer: Journal of Language and Literature Vol 15 No 1 (2023)
Publisher : Faculty of Letters, Universitas Abdurachman Saleh Situbondo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36841/pioneer.v15i1.2683

Abstract

Hololive Production is a virtual YouTuber agency which accommodates 71 active talents (VTubers) with 65 million subscribers on YouTube. Hololive protects its talents’ privacy by giving them unreal names and avatars. Some viewers intend to find real identities of the talents, some others ignore the real personalities, while many of them keep secret although they know the real person behind the unreal avatar. Then, how is cyber gender anonymity characterized on the privacy of Hololive Virtual Youtubers? Using qualitative method, this article indicates necessity of cyber gender anonymity to keep Hololive’s talents’ identities safe. This is supported by Judith Butler’s posture of gender and Philip Zimbardo’s deindividuation. Unreal characters and names for VTubers are for anonymities but some viewers are doxing and making fun of them. Viewers want the streamers to be open and clear, but Hololive VTubers want to be anonymous and opaque. That idea contradicts sexual differences and gender anonymities that include tensions of being rigid and flexible. In conclusion, Hololive does not live static condition, but moves through ambiguous avatar of cyber anonymity. Anonymity could always be endangered; laws protect them but attacks to psychological condition is inevitable.
Co-Authors -Nabilahtauzzahro Ibrahin, Laila -Pujimahanani, Cahyaningsih -Putri Oktafiani, Adelia Agil, Agischa Putri Agischa Putri Agil Akmal Dafa Hizbullah Albert Wijaya Kusuma Alyanto, Jihan Nurul Savira Amirul Mustofa Ananda Syahromi Putra Ananta, Bintang Ryan Andharu, Devito Anggoro Cahyo Wicaksono Anggraeni Ramadhani Anicleta Yuliastuti Anindya Thalita Salsabila Annasai, Axlinabila Annisa Annisa Deby Aulia Aprilla, Evania Nur Asihta Aulia Azzahra Attamimi, Fatimah Nurunnada Axlinabila Annisa Anasai Axlinabila Annisa Annasai Ayu Rengganis, Dewi Ayu, Evangelin Rambu Bagus Pratama Wijayanto Bethari, Chili Podhang Bhagaskoro, Pradipto Bhagaskoro, S. Hub, Pradipto Bintang Indra Wibisono Budianto, Suhartawan Budianto, Suhartawan Cahyaningsih Pujimahanani Cahyaningsih Pujimahanani Cahyaningsih Pujimahanani, cahyaningsih Calista, Salsabila Nova Camila, Myrilla Shafa Camilla, Myrilla Shafa Cicilia Tantri Suryawati Damayanti, Ni Putu Nia Dermawan, Zahwa Amelia Putri Devito Andharu Devito Andharu Devito Andharu Dewangga, Diandra Parta Wisnu Dewi Ayu Rengganis Dewi Ayu Rengganis Djanarko, Indri Dyah Ayu Ratna Jelita Eka Hesty Rohma Darmawati Erlis Hersetya Firda Erlis Hersetya Firda Fadhelah Aulia Hamidah, Galuh Fadillah, Muhammad Reza Ishadi Fahmi, Muhammad Abu Rijal Falsyawal Galang Smarandreetha Fatiha, Kayla Fatimah Nurunnada Attamimi Faulina, Maulidia Nur Fennyta Diva Fadilla Fiona Smith, Marion Firda, Erlis Hersetya Firdausy Alya Hasana Firzatullah, Muchammad Daffa Flora Anasis Fransisca Irnidianis Magdalena Suyaji Fransiska Litwin Nurni Gadi, Epifanius Karso Seda Galang Smarandreetha, Falsyawal Galuh Fadhelah Aulia Hamidah Gunawan Tjokro Hadi Saputra Hamdani, Farham Nazhib Hamidah, Galuh Fadhelah Aulia Hariyono Hariyono Hariyono Hariyono Hasana, Firdausy Alya Hidayat, Sanjaya Ahmad Hirshi Anadza Hizbullah, Akmal Dafa Ibrahim, Laila Nabilahtuzzahro Indri Djanarko, Indri Irawan, Muhammad Barra Sofyan Nur Ishadi Fadillah, M Reza Isnin Ainie Johanes Claudio Perdana Napitupulu Kartika, Ratih Kartiningsih, Rindrah Katarina Surensa Khaled Ahmed Mohammed Kheista Sasi Kirana Kheista Sasi Kirana Kirana, Kheista Sasi Kurniawati, Wiwin Anggraeni Kusuma Wijaya Kusuma Wijaya Kusuma Wijaya Kusuma Wijaya Kusuma, Albert Wijaya Laila Nabilahtauzzahro Ibrahim Laila Nabilahtuzzahro Ibrahim Laura Ika Angelina Arfina Putri Lina Fadiyah Listyaningsih Listyaningsih Listyaningsih Listyaningsih Listyaningsih Listyaningsih Livia Wulandari Luh Putu Ratna Sundari Lutvia, Frefies Lavigni Putri M Reza Ishadi Fadillah M Reza Ishadi Fadillah Margaretha, Sherlly Marharendra, Ahmad Maulana Michelle, Michelle Mikail, Izzaditya Dharmaputra Mohammad Mirza Mohammed, Khaled Ahmed Muchammad Daffa Firzatullah Muhammad Adji Mullah Akbar Muhammad Daffa Firzatullah Muhammad Reza Ishadi Fadillah Mulyanto , Luke Zefanezra Mulyanto, Luke Zefanezra Nafis, Naufal Napitupulu, Johanes Claudio Perdana Ni Nyoman Sarmi Ni Nyoman Sarmi Ni Nyoman Sarmi Ni Nyoman Sarmi, Ni Nyoman Nia Ayu Fitriani Noviyanti, Anisa Dinda Nurdin, Dewi Syifanaya Firadausy Nurdin, Dewi Syifanaya Firdausy Ohei, Sugisaka Oktafiani, Adelia Putri Oktavia, Dian Oktavia, Salsabila Adinda Pandu Bagus Sutowijoyo Pangestu, Imelza Novia Rakhmadani Pradipto Bhagaskoro Puspayani, Komang Sinta Putra, Ananda Syahromi Putri Ayu Millenia Putri, Adinda Putri, Alvina Salshabilla Linjani Putri, Laura Ika Angelina Arfina Putriana, Kadek Olivia Novi Rahmansyah, Muhammad Ilham Ramadhani, Anggraeni Ramadhani, Asjad Nina Hanan Ramadhani, Riska Dewi Reku, Angelina Merici Wua Rengganis, Dewi Ayu Rindrah Kartiningsih Rindrah Kartiningsih Riska Dewi Ramadhani Riza, Dwi Ainur Rosyadi, Machfianita Mirza Ayu Salsabila Adinda Oktavia Salsabila Nova Calista Salsabila Nova Calista Salsabila, Anindya Thalita Salsabila, Shafa Salsabiyla, Raddine Santoso, Liora Samantha Valent Saputro, Dimas Eko Sasmita, Dimas Rakhmat Setiadi, Kostavialdus Shamad, Dzil Fikris Siadari, Yoshua Veron Handika Putra Simanjuntak, Nensy Megawati Simbolon, Sinta Uli Sinta Uli Simbolon siti wulandari Siti Wulandari Smarandreetha, Falsyawal Galang Soenarko, Zahra Pramatatya Suyaji, Fransisca Irndianis Magdalena Suyaji, Fransisca Irnidianis Magdalena Syaif, Serly Maulina Syarifuddin Syarifuddin Syarifuddin Syarifuddin Syarifuddin Syarifuddin, S. Hub. Int., M. Si., Syarifuddin Tobing, Victor Maruli Tua L. Toto Indra Wijaya Vivi Nur Aini Susanto Wahyu Widayati Wardana, Bima Tri Wardhana, Bima Tri Wicaksono, Anggoro Cahyo Wijaya, Kusuma Wijaya, Silvia Marta Wijaya, Toto Indra Wijayanto, Bagus Pratama Wirnoto, Yasmine Azzah Adillah Yasmine Azzah Adillah Wirnoto Yoshua Veron Handika Putra Siadari Yoshua Veron Handika Putra Siadari Yovita Olivia Yuliastuti, Anicleta Zahra, Shellamita Zaimudin, Ashlaha Baladina Zaky, Raffi Ahmad Zhafirah, Muthiah Qalbu