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All Journal Prosiding PESAT Journal Communication Spectrum: Capturing New Perspectives in Communication IZUMI BAHASA DAN SASTRA Global Strategis Wawasan : Jurnal Ilmiah Agama dan Sosial Budaya Prosiding Seminar Nasional INDOCOMPAC CaLLs : Journal of Culture, Arts, Literature, and Linguistics LET: Linguistics, Literature and English Teaching Journal Kiryoku: Jurnal Studi Kejepangan Wahana : Tridarma Perguruan Tinggi Nation State : Journal of International Studies Jurnal Inovasi Ilmu Sosial dan Politik British: Jurnal Bahasa dan Sastra Inggris AlphabetAlphabet: A Biannual Academic Journal on Language, Literary, and Cultural Studies Pioneer: Journal of Language and Literature Anaphora: Journal of Language. Literary and Cultural Studies J-Litera; Jurnal Kajian Bahasa, Sastra dan Budaya Jepang Prologue: Journal on Language and Literature Paradigm: Journal of Language and Literary Studies Journal Of English Literature, Linguistic, and Education (JELLE) Journal of Social, Humanity, and Education Masyarakat Indonesia Mezurashii: Journal of Japanese Studies Lingue : Jurnal Bahasa, Budaya, dan Sastra TANDA: Jurnal Kajian Budaya, Bahasa dan Sastra Journal Corner of Education, Linguistics, and Literature Foremost Journal ELTALL: English Language Teaching, Applied Linguistic and Literature Seminar Nasional Hasil Riset dan Pengabdian (SNHRP) UC Journal: ELT, Linguistics and Literature Journal Jurnal Multidisiplin Dehasen (MUDE) Lingua Franca KAGANGA KOMUNIKA: Journal of Communication Science Jurnal Sosial Humaniora dan Pendidikan (JUSHPEN) Jurnal Abdi Masyarakat Multidisiplin Jurnal Ilmiah Multidisiplin Educalitra: English Education, Linguistics, and Literature Journal KOLONI Jurnal Adijaya Multidisiplin Madani: Multidisciplinary Scientific Journal SPHOTA: Jurnal Linguistik dan Sastra Fakultas Bahasa Asing Universitas Mahasaraswati Denpasar Gudang Jurnal Multidisiplin Ilmu Journal of Integrative International Relations Mutiara : Jurnal Ilmiah Multidisiplin Indonesia Journal of Integrative International Relations Gudang Jurnal Pengabdian Masyarakat Seshiski: Southeast Journal of Language and Literary Studies The Sunan Ampel Review of Political and Social Sciences EJI (English Journal of Indragiri) : Studies in Education, Literature, and Linguistics ELite Journal: International Journal of Education, Language and Literature Masyarakat: Jurnal Pengabdian Jurnal Pendidikan dan Kebudayaan Al-A'raf: Jurnal Pemikiran Islam dan Filsafat Intertwine Candradimuka: Journal of Education
Pasopati, Rommel Utungga
English Literature Department, University Of Dr. Soetomo Surabaya, East Java, Indonesia
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The Preservation of Femininity in A. K. Summers’ Pregnant Butch Laila Nabilahtuzzahro Ibrahim; Rommel Utungga Pasopati
Journal Corner of Education, Linguistics, and Literature Vol. 3 No. 4 (2024): May
Publisher : CV. Tripe Konsultan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54012/jcell.v3i4.277

Abstract

This study examines the depiction of femininity in the graphic novel Pregnant Butch by A. K. Summers. The novel follows the story of Teek, who is experiencing pregnancy as a butch lesbian for the first time. This article investigates Teek’s sustaining femininity throughout her pregnancy journey as a butch. A butch itself is a gender expression that holds a masculine role in lesbian relationships. The researchers took the data of this analysis is taken by reading the graphic novels thoroughly, approaching the analysis from Teek's perspective, compiling a list of dialogues and interactions, and categorizing the collected data into specific themes. Using a qualitative method, the researchers in this analysis underline the uniqueness between masculinity and femininity illustrated in the graphic novel. In conclusion, Teek's experience of femininity during pregnancy enriches her butch identity, emphasizing her ability to balance both masculine and feminine aspects of herself. The study highlights the significance of feminine elements in Teek's unwavering expression of femininity.
The Significance of Dysthymia Symptoms in Colleen Hoover’s Regretting You Falsyawal Galang Smarandreetha; Rommel Utungga Pasopati
Journal Corner of Education, Linguistics, and Literature Vol. 3 No. 4 (2024): May
Publisher : CV. Tripe Konsultan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54012/jcell.v3i4.278

Abstract

Colleen Hoover's novel entitled Regretting You was first published in 2019. The novel reflects the intricate layers of human relationships of self-discovery, forgiveness, and lifelong family connections. Morgan and her teenage daughter, Clara, is dealing with the tragic deaths of Morgan's husband and Clara's father. As they deal with their grief and try to rebuild their lives, secrets and misunderstandings emerge, straining their relationship and causing them to experience dysthymia. Dysthymia is a lifelong form of depression, according to Michael E. Thase and Susan S. Lang. Then, how the symptoms of dysthymia depicted by Morgan and Clara in Colleen Hoover’s Regretting You? Employing a qualitative research approach, the researchers explore the symptoms of dysthymia, including changes in feeling, thinking, and behavior. Morgan and Clara's dysthymia evolves as they navigate the conflicts in the story, mainly due to the grief resulting from their loss. As a result, their mental and emotional health suffers greatly. This leads to the conclusion that their dysthymia exacerbates the tension in their mother-daughter relationship, making it difficult for them to communicate effectively and solve problems, all due to their enduring mild depression.
The Intertwined Dialogues of Peace and Forgiveness in Uncle Tom's Cabin Rommel Utungga Pasopati; Johanes Claudio Perdana Napitupulu; Komang Sinta Puspayani; Ni Putu Nia Damayanti; Maulidia Nur Faulina
Journal Corner of Education, Linguistics, and Literature Vol. 4 No. 1 (2024): August
Publisher : CV. Tripe Konsultan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54012/jcell.v4i1.281

Abstract

Crimes and peace are interdependent yet paradoxical to each other. The absence of crime can affect peace, accuracy and vice versa. This two-sided paradox can in fact be reconciled through forgiveness as a door to wider freedom. In Uncle Tom's Cabin novel, Tom forgives Legree, Sambo, and Quimbo who tortured him to death. Tom does not avenge violence with violence but with forgiveness. When Tom almost died, Legree did not care about his condition. In reverse, Sambo and Quimbo were impressed by Tom's heart and turned to take care of him. Tom's forgiveness shows ethical intention of others as in Levinas's thought, promise of peace and wider freedom in the sense of Ricoeur, and possibility of the heterogeneity of everyday life according to de Certeau. Tom's forgiveness at once shows everyone, no matter how small he is, can forgive others. This allows further reconciliation in a reciprocal way. Circle of violence can be cut off by forgiveness that heals others. Briefly, Tom is a reflection of peace in the form of forgiveness. Forgiveness means healing others, widening the circle of freedom of others, and as a promise of peace. Forgiveness can open itself up to reconciliation by promising freedom for a new life.
The Intricateness of Adaptation of Literature to Film in Today’s Crisscrossed World Rommel Utungga Pasopati; Fransisca Irnidianis Magdalena Suyaji; Kheista Sasi Kirana; Riska Dewi Ramadhani; Kusuma Wijaya
Journal Corner of Education, Linguistics, and Literature Vol. 3 No. 4 (2024): May
Publisher : CV. Tripe Konsultan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54012/jcell.v3i4.282

Abstract

This paper investigates the realities of literature adaptation to film in today’s world of literary criticism. People enjoy motion pictures and compare them with its original textual Literature. By focusing on literary criticism theories, this article explains modern to postmodern aesthetic points, especially in the era of definitions in romanticism, reflectionism and its auto, empiricism until pragmatism, and the age of language beyond communication. Through those former points, the adaptation of Literature to film brings in a wider point: the world itself. The adaptation is shown to broaden concepts and interpretations among writers, directors, and also audiences. Every aspect is so active to interpret in today's crisscrossed world that meanings vary from critical and evaluation perspectives. The adaptation is not about merely fixed definitions or even market orientations but open meanings on dialogues among realities. Any measurement from Literature or film is never enough to compare adaptation to its original form since it is located between individualities and societies. In conclusion, the adaptation of Literature should indicate that dominations must be minimized by maximizing hospitality of differences.
The Prominence of Psychosocial of Dysthymia Sufferers in Colleen Hoover's Novel Regretting You Falsyawal Smarandreetha; Laila Ibrahim; Salsabila Calista; Rommel Utungga
Foremost Journal Vol. 5 No. 1 (2024): Volume 5 No. 1
Publisher : Teacher Training and Education Faculty of Syekh-Yusuf Islamic University Tangerang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33592/foremost.v5i1.4599

Abstract

This article examines the psychosocial of dysthymia sufferers in Colleen Hoover’s Regretting You. The novel follows the story of a mother and daughter, Morgan and Clara, who lose their family members because of an accident that causes them to suffer dysthymia. This article investigates Morgan and Clara’s psychosocial of their dysthymia through their grieving over a family member’s death. Dysthymia is a type of chronic mood disorder characterized by long-term depressive symptoms that are less severe than those of major depression but persist for an extended period. Then, how is the psychosocial of dysthymia sufferers represented in Colleen Hoover’s Regretting You? The researchers took the data of this analysis by reading the novels thoroughly, approaching the analysis from Morgan and Clara's perspective, compiling a list of dialogues and narratives, and categorizing the collected data into specific themes. Using a qualitative method, the researchers in this analysis underline the comparison of psychosocial between Morgan and Clara illustrated in the novel. In conclusion, Morgan and Clara's experience of dysthymia during the loss of family members enriches their psychosocial changes in a mother-daughter relationship. The article highlights the prominence of psychosocial aspects through Morgan and Clara’s dysthymia based on the novel.
The Preservations of Failures in Business in Ambrose Bierce’s The Failure of Hope and Wandel Serly Maulina Syaif; Yoshua Veron Handika Putra Siadari; Muchammad Daffa Firzatullah; Rommel Utungga Pasopati
Foremost Journal Vol. 5 No. 2 (2024): Volume 5 No. 2
Publisher : Teacher Training and Education Faculty of Syekh-Yusuf Islamic University Tangerang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33592/foremost.v5i2.4631

Abstract

This research investigates to reveal the obstacles faced by the main characters Jabez Hope and Pike Wandel in Ambrose Bierce’s flash fiction entitled The Failure of Hope and Wandel. Hope and Wandel run an ice business together and face several knowledge problems. Using qualitative method and explorative approach, this article analyzes how the excess of obstacles encountered at the beginning of the business process negatively affects the formation of qualified enterprises. This research is reviewed through Patrick A. Gaughan's theory of causes of business failure including experience, fraud, and disaster. Both Hope and Wandel never know that ice is abundant but will easily melt when the spring comes. In conclusion, this story is imaginative but real in the sense that any business could easily collapse if the owner forgets to pay attention to the core of the business materials.
Authenticity and Its Discontent as Reflected on Heinrich Böll’s The Laugher Ni Nyoman Sarmi; Kheista Sasi Kirana; Kusuma Wijaya; Rommel Utungga Pasopati
LET: Linguistics, Literature and English Teaching Journal Vol. 13 No. 1 (2023)
Publisher : English Department of Faculty of Tarbiyah and Teacher Training

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18592/let.v13i1.8523

Abstract

People are justified to be original but it could hinder people from their freedom as stated by Jean-Paul Sartre. The Laugher is Heinrich Böll’s short story of someone whose job is to laugh in various platforms. His laughter must be heard as original but his own life is full of pessimistic conditions. Then, how may being authentic be contested through Böll’s The Laugher? Through qualitative method on cultural studies, this paper puts tensions between being authentic by Sartre and reality of Böll’s story. The laugh seems to be authentic, but it is set to trigger other laughter, yet he is not happy though he laughs every time. He is demanded to laugh, but the laugh is bad faith as supported by Sartre. Authenticity in Böll’s story shows its own discontent. In conclusion, the story shows how laughter is done in a timed set. His laugh is not freedom since his own life is full of sad conditions.
The Interpretations of Eternalism in Reality Club’s 2112 Pasopati, Rommel Utungga; Sasmita, Dimas Rakhmat; Santoso, Liora Samantha Valent; Kurniawati, Wiwin Anggraeni; Kartiningsih, Rindrah
Educalitra: English Education, Linguistics, and Literature Journal Vol. 3 No. 2 (2024)
Publisher : English Language Education Study Program, Faculty of Social, Economics, and Humanities, University of Nahdlatul Ulama Purwokerto

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5281/zenodo.13134392

Abstract

This paper exposes the matter of eternalism in the song of 2112 by Reality Club. By accentuating the theory of eternalism by J. M. E. McTaggart, eternalism is underlined in how all existence in time is equally real. In analysis, the song of 2112 depicts a love story that goes on since the couples were teenagers. Things are getting more complicated since they could not be together but they still have feelings of comfort and togetherness as if they live in eternal times. The memories keep going on though the time moves forward. It proves that the block universe of past, present and future events are all on an equal footing. In conclusion, the song reflects the matter of eternalism in the points of memories, not as past understandings, but as an open future towards any determinism in showing that any event is always interpreted through any matter of time.
REPRESENTATION OF VERISIMILITUDE IN ANALYSIS OF FLASH FICTION Kusuma Wijaya; Rommel Utungga Pasopati; Fransisca Irnidianis Magdalena Suyaji; Kheista Sasi Kirana; Salsabila Adinda Oktavia; Riska Dewi Ramadhani
Seminar Nasional Hasil Riset dan Pengabdian Vol. 6 (2024): Seminar Nasional Hasil Riset dan Pengabdian (SNHRP) Ke 6 Tahun 2024
Publisher : LPPM Universitas PGRI Adi Buana

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This article exposes matters of representations in the contexts of analysis of flash fiction. Flash fiction has never been into the spotlight due to its brevity compared to other canon literature. However, the simplicity of it emphasizes its complexities and specifications. Through qualitative method and explorative approach, this paper underlines that flash fiction is never limited by its short number of words. In analysis, first, the meanings involved in flash fiction are never limited by the number of words, but widened through experience and taste beyond the rigidity of definitions. Second, even many leading writers such as Ernest Hemingway and Gabriel Garcia Marquez also use this type of work as a form of simplification of their other works. Third, flash fiction relies on characters and plots by highlighting the tension between the fixed and the flexible, intention-interpretation, and even tone-mood. Fourth, flash fiction finds its uniqueness in the plot twists and extreme points of reality. Fifth, flash fiction handles representations by various cliches. Sixth, flash fiction approaches reality through explorative meanings in verisimilitude. In conclusion, flash fiction involves its verisimilitude not through transparent reality, but full of imagination starting from metaphors, representations, to subtext. Keywords Flash Fiction; Representation; Verisimilitude
The Cruciality of Self-Determination on James Baldwin’s Bruce and the Spider Pasopati, Rommel Utungga; Noviyanti, Anisa Dinda; Wijaya, Kusuma; Kartiningsih, Rindrah; Hariyono
SPHOTA: Jurnal Linguistik dan Sastra Vol. 16 No. 2 (2024): SPHOTA: Jurnal Linguistik dan Sastra
Publisher : Fakultas Bahasa Asing (FBA) Universitas Mahasaraswati Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36733/sphota.v16i2.8583

Abstract

This paper exposes the crucial points of self-determination in the flash fiction of James Baldwin entitled Bruce and the Spider. The short story is a narrative that describes a brief moment in the life of the main character, Bruce, a Scottish king who was defeated many times by the King of England. When he saw a spider weaving its web in the corner of his retreat, this moment became symbolic of Bruce's emotional journey and self-determination within himself and the kingdom of Scotland. In this flash fiction, it is witnessed how Bruce struggles amid his repeated failures. Using qualitative research method, this article illustrates small changes in perception and courage and asks questions about how simple moments can have a profound impact on a person's life. This writing is supported by Self-Determination Theory as conceptualized by Richard M. Ryan and Edward L. Deci. Through explorative approach, the analysis includes how self-determination accompanies the reflections of the meanings behind simple actions and the importance of facing failure. In conclusion, it is self-determination through self-confidence, self-understanding, and self-reliance that directs King Bruce to defeat his despair, get back up, and beat back the English soldiers.
Co-Authors -Nabilahtauzzahro Ibrahin, Laila -Pujimahanani, Cahyaningsih -Putri Oktafiani, Adelia Adelia Putri Oktafiani Agil, Agischa Putri Agischa Putri Agil Agischa Putri Agil Ahmad Maulana Marharendra Akmal Dafa Hizbullah Akmal Dafa Hizbullah Akmal Dafa Hizbullah Albert Wijaya Kusuma Amirul Mustofa Ananda Syahromi Putra Ananta, Bintang Ryan Andharu, Devito Anggoro Cahyo Wicaksono Anggraeni Ramadhani Anicleta Yuliastuti Anicleta Yuliastuti Anindya Thalita Salsabila Annasai, Axlinabila Annisa Annisa Deby Aulia Asihta Aulia Azzahra Asjad Nina Hanan Ramadhani Attamimi, Fatimah Nurunnada Axlinabila Annisa Anasai Axlinabila Annisa Annasai Ayu Rengganis, Dewi Ayu, Evangelin Rambu Bagus Pratama Wijayanto Bhagaskoro, Pradipto Bhagaskoro, S. Hub, Pradipto Bima Tri Wardana Bintang Indra Wibisono Bintang Ryan Ananta Budianto, Suhartawan Cahyaningsih Pujimahanani Cahyaningsih Pujimahanani Cahyaningsih Pujimahanani, cahyaningsih Camila, Myrilla Shafa Cicilia Tantri Suryawati Dermawan, Zahwa Amelia Putri Devito Andharu Devito Andharu Devito Andharu Dewi Ayu Rengganis Dewi Ayu Rengganis Dewi Syifanaya Firdausy Nurdin Diandra Parta Wisnu Dewangga Djanarko, Indri Dyah Ayu Ratna Jelita Dyah Ayu Ratna Jelita Dzil Fikris Shamad Eka Hesty Rohma Darmawati Erlis Hersetya Firda Erlis Hersetya Firda Erlis Hersetya Firda Evangelin Rambu Ayu Evania Nur Aprilla Fadhelah Aulia Hamidah, Galuh Fadillah, Muhammad Reza Ishadi Falsyawal Galang Smarandreetha Falsyawal Galang Smarandreetha Falsyawal Galang Smarandreetha Falsyawal Smarandreetha Fatiha, Kayla Fatimah Nurunnada Attamimi Fennyta Diva Fadilla Fiona Smith, Marion Firdausy Alya Hasana Flora Anasis Fransisca Irnidianis Magdalena Suyaji Fransisca Irnidianis Magdalena Suyaji Fransisca Irnidianis Magdalena Suyaji Fransiska Litwin Nurni Gadi, Epifanius Karso Seda Galang Smarandreetha, Falsyawal Galuh Fadhelah Aulia Hamidah Galuh Fadhelah Aulia Hamidah Gunawan Tjokro Hamdani, Farham Nazhib Hamidah, Galuh Fadhelah Aulia Hariyono Hariyono Hariyono Hariyono Hariyono Hariyono Hasana, Firdausy Alya Hirshi Anadza Hizbullah, Akmal Dafa Ibrahim, Laila Nabilahtuzzahro Indri Djanarko, Indri Ishadi Fadillah, M Reza Isnin Ainie Johanes Claudio Perdana Napitupulu Johanes Claudio Perdana Napitupulu Kartika, Ratih Kartiningsih, Rindrah Katarina Surensa Khaled Ahmed Mohammed Khaled Ahmed Mohammed Kheista Sasi Kirana Kheista Sasi Kirana Kheista Sasi Kirana Kirana, Kheista Sasi Komang Sinta Puspayani Kostavialdus Setiadi Kurniawati, Wiwin Anggraeni Kusuma Wijaya Kusuma Wijaya Kusuma Wijaya Kusuma Wijaya Kusuma Wijaya Kusuma Wijaya Kusuma, Albert Wijaya Laila Ibrahim Laila Nabilahtauzzahro Ibrahim Laila Nabilahtuzzahro Ibrahim Laila Nabilahtuzzahro Ibrahim Laila Nabilahtuzzahro Ibrahim Laura Ika Angelina Arfina Putri Lina Fadiyah Listyaningsih Listyaningsih Listyaningsih Listyaningsih Listyaningsih Listyaningsih Livia Wulandari Luh Putu Ratna Sundari Lutvia, Frefies Lavigni Putri M Reza Ishadi Fadillah M Reza Ishadi Fadillah M Reza Ishadi Fadillah Margaretha, Sherlly Maulidia Nur Faulina Michelle, Michelle Mikail, Izzaditya Dharmaputra Mohammad Mirza Mohammed, Khaled Ahmed Muchammad Daffa Firzatullah Muchammad Daffa Firzatullah Muhammad Abu Rijal Fahmi Muhammad Adji Mullah Akbar Muhammad Daffa Firzatullah Muhammad Ilham Rahmansyah Muhammad Reza Ishadi Fadillah Mulyanto , Luke Zefanezra Myrilla Shafa Camilla Napitupulu, Johanes Claudio Perdana Naufal Nafis Nensy Megawati Simanjuntak Ni Nyoman Sarmi Ni Nyoman Sarmi Ni Nyoman Sarmi Ni Nyoman Sarmi Ni Nyoman Sarmi Ni Nyoman Sarmi, Ni Nyoman Ni Putu Nia Damayanti Nia Ayu Fitriani Noviyanti, Anisa Dinda Nurdin, Dewi Syifanaya Firadausy Nurdin, Dewi Syifanaya Firdausy Ohei, Sugisaka Oktafiani, Adelia Putri Oktavia, Dian Oktavia, Salsabila Adinda Pandu Bagus Sutowijoyo Pangestu, Imelza Novia Rakhmadani Pradipto Bhagaskoro Putra, Ananda Syahromi Putri Ayu Millenia Putri, Adinda Putri, Alvina Salshabilla Linjani Raddine Salsabiyla Raddine Salsabiyla Ramadhani, Anggraeni Ramadhani, Riska Dewi Reku, Angelina Merici Wua Rengganis, Dewi Ayu Rindrah Kartiningsih Rindrah Kartiningsih Riska Dewi Ramadhani Riska Dewi Ramadhani Riska Dewi Ramadhani Riza, Dwi Ainur Rosyadi, Machfianita Mirza Ayu Salsabila Adinda Oktavia Salsabila Calista Salsabila Nova Calista Salsabila Nova Calista Salsabila Nova Calista Salsabila, Anindya Thalita Salsabila, Shafa Sanjaya Ahmad Hidayat Santoso, Liora Samantha Valent Saputro, Dimas Eko Sasmita, Dimas Rakhmat Serly Maulina Syaif Shellamita Zahra Sherlly Margaretha Siadari, Yoshua Veron Handika Putra Sinta Uli Simbolon siti wulandari Siti Wulandari Smarandreetha, Falsyawal Galang Soenarko, Zahra Pramatatya Suyaji, Fransisca Irndianis Magdalena Suyaji, Fransisca Irnidianis Magdalena Syarifuddin Syarifuddin Syarifuddin Syarifuddin Syarifuddin Syarifuddin Syarifuddin Syarifuddin, S. Hub. Int., M. Si., Syarifuddin Tobing, Victor Maruli Tua L. Toto Indra Wijaya Victor Maruli Tua L. Tobing Victor Maruli Tua L. Tobing Vivi Nur Aini Susanto Wahyu Widayati Wardhana, Bima Tri Wijaya, Kusuma Wijaya, Silvia Marta Wijaya, Toto Indra Wijayanto, Bagus Pratama Wirnoto, Yasmine Azzah Adillah Yasmine Azzah Adillah Wirnoto Yasmine Azzah Adillah Wirnoto Yoshua Veron Handika Putra Siadari Yoshua Veron Handika Putra Siadari Yoshua Veron Handika Putra Siadari Yovita Olivia Yuliastuti, Anicleta Zaimudin, Ashlaha Baladina Zaky, Raffi Ahmad Zhafirah, Muthiah Qalbu