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All Journal Prosiding PESAT Journal Communication Spectrum: Capturing New Perspectives in Communication IZUMI BAHASA DAN SASTRA Global Strategis Wawasan : Jurnal Ilmiah Agama dan Sosial Budaya Prosiding Seminar Nasional INDOCOMPAC CaLLs : Journal of Culture, Arts, Literature, and Linguistics LET: Linguistics, Literature and English Teaching Journal Kiryoku: Jurnal Studi Kejepangan Wahana : Tridarma Perguruan Tinggi Nation State : Journal of International Studies Jurnal Inovasi Ilmu Sosial dan Politik British: Jurnal Bahasa dan Sastra Inggris AlphabetAlphabet: A Biannual Academic Journal on Language, Literary, and Cultural Studies Pioneer: Journal of Language and Literature Anaphora: Journal of Language. Literary and Cultural Studies J-Litera; Jurnal Kajian Bahasa, Sastra dan Budaya Jepang Prologue: Journal on Language and Literature Paradigm: Journal of Language and Literary Studies Journal Of English Literature, Linguistic, and Education (JELLE) Journal of Social, Humanity, and Education Masyarakat Indonesia Mezurashii: Journal of Japanese Studies Lingue : Jurnal Bahasa, Budaya, dan Sastra TANDA: Jurnal Kajian Budaya, Bahasa dan Sastra Journal Corner of Education, Linguistics, and Literature Foremost Journal ELTALL: English Language Teaching, Applied Linguistic and Literature Seminar Nasional Hasil Riset dan Pengabdian (SNHRP) UC Journal: ELT, Linguistics and Literature Journal Jurnal Multidisiplin Dehasen (MUDE) Lingua Franca KAGANGA KOMUNIKA: Journal of Communication Science Jurnal Sosial Humaniora dan Pendidikan (JUSHPEN) Jurnal Abdi Masyarakat Multidisiplin Jurnal Ilmiah Multidisiplin Educalitra: English Education, Linguistics, and Literature Journal KOLONI Jurnal Adijaya Multidisiplin Madani: Multidisciplinary Scientific Journal SPHOTA: Jurnal Linguistik dan Sastra Fakultas Bahasa Asing Universitas Mahasaraswati Denpasar Gudang Jurnal Multidisiplin Ilmu Mutiara : Jurnal Ilmiah Multidisiplin Indonesia Metathesis: Journal of English Language, Literature, and Teaching Gudang Jurnal Pengabdian Masyarakat Seshiski: Southeast Journal of Language and Literary Studies The Sunan Ampel Review of Political and Social Sciences EJI (English Journal of Indragiri) : Studies in Education, Literature, and Linguistics ELite Journal: International Journal of Education, Language and Literature Masyarakat: Jurnal Pengabdian Jurnal Pendidikan dan Kebudayaan Al-A'raf: Jurnal Pemikiran Islam dan Filsafat Sunan Ampel International Conference of Political and Social Sciences Intertwine Candradimuka: Journal of Education Salience: English Language, Literature, And Education Journal Journal Of Advance In Social Sciences And Policy JEELL (Journal of English Education, Linguistics and Literature) Journal of Integrative International Relations
Pasopati, Rommel Utungga
English Literature Department, University Of Dr. Soetomo Surabaya, East Java, Indonesia
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REVENGE AS MIMETIC DESIRE IN JUAN RULFO’S TELL THEM NOT TO KILL ME! Sarmi, Ni Nyoman; Suyaji, Fransisca Irnidianis Magdalena; Pasopati, Rommel Utungga
PARADIGM: Journal of Language and Literary Studies Vol 6, No 2 (2023): Paradigm: Journal of Language and Literary Studies
Publisher : Department of English Literature, Universitas Islam Negeri Maulana Malik Ibrahim Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/prdg.v6i2.20979

Abstract

In some stories, the development of the characters is motivated by desire. While modern ideas define desire as autonomous, René Girard analyzes desire as imitation from others. “Tell Them Not to Kill Me!” is Juan Rulfo’s short story that tells a story of a fugitive of murder that had to face the death penalty. He fled for thirty years thinking that everyone has forgotten his case, but then he was caught by the Colonel who was the son of the one he murdered. The death penalty was a revenge from a son to his father’s murderer. This paper then focuses on exploring the ways revenge is seen as a mimetic desire in Juan Rulfo’s “Tell Them Not to Kill Me!”. Through the perspective of Girard’s theory of desire, this paper shows that revenge becomes a direct reflection of murder that has been done before. The desire to murder is not spontaneous but determined by the former action. The desire to murder that is expressed by Colonel enables him to punish those who commit crime. ‘The eye for an eye’ is a statement that will not happen if one's own eye is not taken beforehand. Through Girard’s perspective, Rulfo’s story provides evidence that the Colonel’s desire to revenge is mimetic of murder which results in the death penalty of the murderer. In conclusion, the Colonel’s desire is not perceived as positive or negative but a mimesis to the previous other’s deeds.
Studying Comments in New York Times Magazine as Enhancement of English Language Skills Yuliastuti, Anicleta; Pujimahanani, Cahyaningsih; Pasopati, Rommel Utungga
Lingua Franca Vol 1 No 2 (2022): Geographical Coverage: Indonesia
Publisher : Institut Agama Islam Sunan Giri Ponorogo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37680/lingua_franca.v1i2.1668

Abstract

Online comments in New York Times Magazine are open; people could agree, add up, debate, and even deny provided news and opinions. Studying the comments may also bring in a better experience for learners in how to speak their minds publicly. This study aims to explain useful matters of studying online comments in New York Times Magazine that could enhance language skills. Certain written data, concepts, and theories are explained further by asserting the qualitative method. Concepts of educational technology and customization of learning experiences are stated forward in line with the purpose of language education. The result of this study is that studying the comments is useful for language learners due to their closer relations to them in everyday life experiences. The news and comments are also up to date, so learners may know newer conditions outside. The vocabulary and grammar used are common and usual, so they could be consumed easily. Moreover, it is stated in conclusion that while the news and opinions provided by the magazine are formal, the comments are informal. Studying the comments also shows informal points of teaching language more familiar to learners.
Generalized Anxiety Disorder as Accentuated in Ann Beattie’s Shifting Saputro, Dimas Eko; Rosyadi, Machfianita Mirza Ayu; Oktafiani, Adelia Putri; Pujimahanani, Cahyaningsih; Pasopati, Rommel Utungga
Jurnal Pendidikan Bahasa dan Sastra Vol 24, No 1 (2024): APRIL 2024
Publisher : Universitas Pendidikan Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17509/bs_jpbsp.v24i1.72256

Abstract

Generalized anxiety disorder is an anxiety disorder commonly experienced in excessive worry by some people with trauma. In the short story entitled Shifting written by Ann Beattie, Natalie is worried about her marriage because Natalie thinks that Larry's mother will not approve of their marriage, this is because Natalie is rarely accompanying Larry. Then, how are generalized anxiety disorders accentuated in Ann Beattie’s Shifting? In analysis, the main character in this story is over-worrying that makes herself being different in the view of the others. The language that she knows has been over consumed that she has been swallowed by the language itself.  In conclusion, the short story indicates how any disorder may come from any small worry. If the worrying is not finished, it could be piled up and be shaped into further anxiety that disturbs life of being individuals and parts of societies.
THE EMPRISES OF CLUSTERING ILLUSION AS DEPICTED IN GUY DE MAUPASSANT'S THE CHRISTENING Cahyaningsih Pujimahanani, cahyaningsih; Yuliastuti, Anicleta; Utungga Pasopati, Rommel
TANDA Vol 1 No 03 (2021): BAHASA DAN SASTRA
Publisher : COMMUNITY OF RESEARCH LABORATORY SURABAYA

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Abstract

Psychological perspective is widely used today in literary criticism. Guy de Maupassant’s The Christening is one short story related to clustering illusion through the psychological point of view. Clustering illusion is seeing things in logical ways. The question is; how is clustering illusion be depicted in Guy de Maupassant’s The Christening? By using the qualitative method, cultural concepts are used to explain the story in clustering illusion. Things that are so logical then are abandoned in this short story because of religion, custom, and alcohol matters. By comparing the reality and the logic of the doctor as the storyteller, clustering illusion reflects how things that are easily predicted could be really different from reality. Here, tensions between modernity ideas and cultural concepts are contradicted. Modernity which is full of prediction, progress, and individuality is challenged by customary understanding known best by people. In conclusion, the storyteller experiences clustering illusion; what he thinks is logical in an action resulted after another is not as it is because of custom that honors habitual culture above anything else.
THE COMPLEXITIES OF INTERPERSONAL CONFLICTS AS REFLECTED IN ERNEST HEMINGWAY’S THE KILLERS -Putri Oktafiani, Adelia; -Nabilahtauzzahro Ibrahin, Laila; -Pujimahanani, Cahyaningsih; Utungga Pasopati, Rommel
TANDA Vol 3 No 01 (2023): SASTRA DAN BAHASA
Publisher : COMMUNITY OF RESEARCH LABORATORY SURABAYA

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Abstract

The Killers is a short story written by Ernest Hemingway with Nick as the main character. The story centers on how fear is glorified through communications in this story. Nick, who is terrified of a word of death, tries to save Ole Anderson who is about to be killed. Nick tells the news to Ole, but he chooses to resign himself to his own death. Humans are filled with complex emotions and this short story indicates various matters of them in the response of death. This article would like to emphasize The Killers as direct reflection of complexities of interpersonal conflicts. By using qualitative methods, the analysis underlines complex ideas behind any communication. Language is not only related to communication, but also the intertwined meanings of known discourse. In conclusion, Hemingway’s short story involves various struggles of people who experience interpersonal conflicts around them.
THE PSYCHODYNAMIC ANALYSIS OF TRAUMA SUFFERED BY ARCHER HALE IN MIA SHERIDAN’S ARCHER’S VOICE Fiona Smith, Marion; Salsabila, Shafa; Kartiningsih, Rindrah; Utungga Pasopati, Rommel
TANDA Vol 3 No 02 (2023): SASTRA DAN BAHASA
Publisher : COMMUNITY OF RESEARCH LABORATORY SURABAYA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.69957/tanda.v3i02.955

Abstract

This research is a study of Mia Sheridan’s novel Archer’s Voice. The purpose of this study is to reveal the trauma suffered by the mute male main character named Archer Hale. Archer was only seven years old when he got into a tragic accident that took away his voice and left him mute. He is a survivor of his own trauma since no one seems to care about him and his muteness. He was all alone, had no one to talk to, was an outcast in his town, and people called him a freak. Trauma is happened from a disturbing event that overwhelmed an individual and affects mood, motivation, and relationship in life. This feeling caused an individual to build a wall around and shut everybody out of life. Then, how is trauma suffered by Archer Hale portrayed in Mia Sheridan’s Archer’s Voice? Using qualitative method, this research is reviewed with Psychodynamic Theory focusing on psychological drives within individuals that explain human behavior and personality. In conclusion, Archer’s trauma has taken control of his life so bad that made him lose his voice both physically and mentally.
GENDER DISCRIMINATIONS AS REFLECTED IN THE FILM ON THE BASIS OF SEX Ayu Rengganis, Dewi; Fadhelah Aulia Hamidah, Galuh; Kartiningsih, Rindrah; Utungga Pasopati, Rommel
TANDA Vol 3 No 02 (2023): SASTRA DAN BAHASA
Publisher : COMMUNITY OF RESEARCH LABORATORY SURABAYA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.69957/tanda.v3i02.960

Abstract

This journal intends to evaluate Ruth Bader Ginsburg, the major female character in the film On The Basis of Sex (2018), who encounters gender prejudice in her daily life. The story is based on the true story of Ruth Bader Ginsburg, who experienced prejudice and stereotype in America about 1950s. This article would like to explore reflections of gender discriminations in the film On The Basis Of Sex. To study the subject, gender discrimination theory by Cassie Damewood is used by employing qualitative method. On The Basis Of Sex discusses societal beliefs and gender stereotypes that still exist today. Ruth Ginsburg is a successful woman who successfully overcame traditional gender norms and achieved gender equality, which significantly altered her life and society. She struggles to fulfill her dream of becoming a lawyer. She experienced injustice because of her gender. Ruth reflects liberal feminism when she champions equality on education, work, and justice. The conclusion of this study is any gender discrimination should never stop women to fight for equality and to find any uniqueness for them to move forward.
The Significance of Phallocentrism as Illustrated on Grace Paley’s Wants Pasopati, Rommel Utungga; Pujimahanani, Cahyaningsih; Putri, Adinda
ELTALL: English Language Teaching, Applied Linguistic and Literature Vol. 5 No. 1 (2024)
Publisher : Institut Agama Islam Negeri Ponorogo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21154/eltall.v5i1.5716

Abstract

This article would like to expose matter of phallocentrism in short story written by Grace Paley entitled Wants. Phallocentrism itself plays role as the dictations of values of male against female beings. Grace Paley’s short story published in 1974 and tells a woman’s perspective that is so slow and simple in wanting anything. Her ex-husband has certain dream to be achieved, but she only wants to be a good mother and be happy. Through qualitative method on cultural studies, this paper depicts dictation of a man to his ex-wife. This is in line with dictation of man in phallocentrism theorized by Ernest Jones. The woman actually has done many intangible things, but those meant nothing for the man as he wants tangible ones. The man wants to run but the woman prefers to walk. Both of them are lost in time of being together since the ex-husband’s side is too dominant for the ex-wife’s part. In conclusion, the short story explains total difference due to radical dominance instead of living dialogues between man and woman.
The Noteworthiness of Meteion’s Will to Power in Naoki Yoshida’s Final Fantasy XIV: Endwalker Annasai, Axlinabila Annisa; Pasopati, Rommel Utungga; Wijaya, Kusuma; Hariyono, Hariyono; Kartiningsih, Rindrah
Madani: Jurnal Ilmiah Multidisiplin Vol 2, No 2 (2024): Madani, Vol. 2, No. 2 2024
Publisher : Penerbit Yayasan Daarul Huda Kruengmane

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5281/zenodo.10801603

Abstract

This paper examines how Meteion’s Will to Power, a concept central to Friedrich Nietzsche’s philosophy, is manifested within the narrative of Final Fantasy XIV: Endwalker. Meteion is a character from the game Final Fantasy XIV: Endwalker, created by a scientist named Hermes. She and her sisters, known as the Meteia, were made to find the purpose of life but ended up wanting to destroy all existence after seeing too much destruction. Then, how is Meteion’s Will to Power reflected in Final Fantasy XIV: Endwalker? Through qualitative method in explorative approach, this study analyzes the relationship between Meteion’s actions and Nietzschean nihilism, where the disintegration of values leads to a perception of life as meaningless. Nietzsche’s perspective posits the will to power as the primary driving force in humans, emphasizing self-determination and the exertion of one’s will on the environment. Meteion’s journey, marked by despair and a wish to end all suffering, shows how Nietzsche’s idea of the Will to Power can lead to nihilism, moving from a passive to an active form. In conclusion, Meteion’s actions highlight Nietzsche’s belief that overcoming nihilism needs a reevaluation of values, showing the Will to Power’s role in facing existential despair. 
The Imperishable Sacrifice on Ralph Henry Barbour & George Randolph Osborne’s Thicker than Water Nurdin, Dewi Syifanaya Firdausy; Rosyadi, Machfianita Mirza Ayu; Putri, Alvina Salshabilla Linjani; Ramadhani, Riska Dewi; Wijaya, Kusuma; Pasopati, Rommel Utungga
Madani: Jurnal Ilmiah Multidisiplin Vol 2, No 2 (2024): Madani, Vol. 2, No. 2 2024
Publisher : Penerbit Yayasan Daarul Huda Kruengmane

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5281/zenodo.10801627

Abstract

This article underlines the perspective of sacrifice in a flash fiction of Ralph Henry Barbour & George Randolph Osborne entitled Thicker Than Water. Sacrifice is a gift for a better view of the future as it is in line with the short story that shows a sacrifice of a brother to his beloved sister who needs to be blood donated because her blood is thinner than ordinary blood. Through qualitative method in explorative approach, this paper points to the relation between Bataille’s theory and Barbour & Osborne’s short story. In analysis, Barbour & Osborn’s short story shows the sacrifice and sincerity of an older brother who had to donate a lot of blood and even hold the pain for the sake of his younger sister in order to save her from dying. In conclusion, sacrifice in this story is engaged with sincerity in which all goodness of one's self is given to the other.
Co-Authors -Nabilahtauzzahro Ibrahin, Laila -Pujimahanani, Cahyaningsih -Putri Oktafiani, Adelia Agil, Agischa Putri Agischa Putri Agil Akmal Dafa Hizbullah Albert Wijaya Kusuma Alyanto, Jihan Nurul Savira Amirul Mustofa Ananda Syahromi Putra Ananta, Bintang Ryan Andharu, Devito Anggoro Cahyo Wicaksono Anggraeni Ramadhani Anicleta Yuliastuti Anindya Thalita Salsabila Annasai, Axlinabila Annisa Annisa Deby Aulia Aprilla, Evania Nur Asihta Aulia Azzahra Attamimi, Fatimah Nurunnada Axlinabila Annisa Anasai Axlinabila Annisa Annasai Ayu Rengganis, Dewi Ayu, Evangelin Rambu Bagus Pratama Wijayanto Bethari, Chili Podhang Bhagaskoro, Pradipto Bhagaskoro, S. Hub, Pradipto Bintang Indra Wibisono Budianto, Suhartawan Budianto, Suhartawan Cahyaningsih Pujimahanani Cahyaningsih Pujimahanani Cahyaningsih Pujimahanani, cahyaningsih Calista, Salsabila Nova Camila, Myrilla Shafa Camilla, Myrilla Shafa Cicilia Tantri Suryawati Damayanti, Ni Putu Nia Dermawan, Zahwa Amelia Putri Devito Andharu Devito Andharu Devito Andharu Dewangga, Diandra Parta Wisnu Dewi Ayu Rengganis Dewi Ayu Rengganis Djanarko, Indri Dyah Ayu Ratna Jelita Eka Hesty Rohma Darmawati Erlis Hersetya Firda Erlis Hersetya Firda Fadhelah Aulia Hamidah, Galuh Fadillah, Muhammad Reza Ishadi Fahmi, Muhammad Abu Rijal Falsyawal Galang Smarandreetha Fatiha, Kayla Fatimah Nurunnada Attamimi Faulina, Maulidia Nur Fennyta Diva Fadilla Fiona Smith, Marion Firda, Erlis Hersetya Firdausy Alya Hasana Firzatullah, Muchammad Daffa Flora Anasis Fransisca Irnidianis Magdalena Suyaji Fransiska Litwin Nurni Gadi, Epifanius Karso Seda Galang Smarandreetha, Falsyawal Galuh Fadhelah Aulia Hamidah Gunawan Tjokro Hadi Saputra Hamdani, Farham Nazhib Hamidah, Galuh Fadhelah Aulia Hariyono Hariyono Hariyono Hariyono Hasana, Firdausy Alya Hidayat, Sanjaya Ahmad Hirshi Anadza Hizbullah, Akmal Dafa Ibrahim, Laila Nabilahtuzzahro Indri Djanarko, Indri Irawan, Muhammad Barra Sofyan Nur Ishadi Fadillah, M Reza Isnin Ainie Johanes Claudio Perdana Napitupulu Kartika, Ratih Kartiningsih, Rindrah Katarina Surensa Khaled Ahmed Mohammed Kheista Sasi Kirana Kheista Sasi Kirana Kirana, Kheista Sasi Kurniawati, Wiwin Anggraeni Kusuma Wijaya Kusuma Wijaya Kusuma Wijaya Kusuma Wijaya Kusuma, Albert Wijaya Laila Nabilahtauzzahro Ibrahim Laila Nabilahtuzzahro Ibrahim Laura Ika Angelina Arfina Putri Lina Fadiyah Listyaningsih Listyaningsih Listyaningsih Listyaningsih Listyaningsih Listyaningsih Livia Wulandari Luh Putu Ratna Sundari Lutvia, Frefies Lavigni Putri M Reza Ishadi Fadillah M Reza Ishadi Fadillah Margaretha, Sherlly Marharendra, Ahmad Maulana Michelle, Michelle Mikail, Izzaditya Dharmaputra Mohammad Mirza Mohammed, Khaled Ahmed Muchammad Daffa Firzatullah Muhammad Adji Mullah Akbar Muhammad Daffa Firzatullah Muhammad Reza Ishadi Fadillah Mulyanto , Luke Zefanezra Mulyanto, Luke Zefanezra Nafis, Naufal Napitupulu, Johanes Claudio Perdana Ni Nyoman Sarmi Ni Nyoman Sarmi Ni Nyoman Sarmi Ni Nyoman Sarmi, Ni Nyoman Nia Ayu Fitriani Noviyanti, Anisa Dinda Nurdin, Dewi Syifanaya Firadausy Nurdin, Dewi Syifanaya Firdausy Ohei, Sugisaka Oktafiani, Adelia Putri Oktavia, Dian Oktavia, Salsabila Adinda Pandu Bagus Sutowijoyo Pangestu, Imelza Novia Rakhmadani Pradipto Bhagaskoro Puspayani, Komang Sinta Putra, Ananda Syahromi Putri Ayu Millenia Putri, Adinda Putri, Alvina Salshabilla Linjani Putri, Laura Ika Angelina Arfina Putriana, Kadek Olivia Novi Rahmansyah, Muhammad Ilham Ramadhani, Anggraeni Ramadhani, Asjad Nina Hanan Ramadhani, Riska Dewi Reku, Angelina Merici Wua Rengganis, Dewi Ayu Rindrah Kartiningsih Rindrah Kartiningsih Riska Dewi Ramadhani Riza, Dwi Ainur Rosyadi, Machfianita Mirza Ayu Salsabila Adinda Oktavia Salsabila Nova Calista Salsabila Nova Calista Salsabila, Anindya Thalita Salsabila, Shafa Salsabiyla, Raddine Santoso, Liora Samantha Valent Saputro, Dimas Eko Sasmita, Dimas Rakhmat Setiadi, Kostavialdus Shamad, Dzil Fikris Siadari, Yoshua Veron Handika Putra Simanjuntak, Nensy Megawati Simbolon, Sinta Uli Sinta Uli Simbolon siti wulandari Siti Wulandari Smarandreetha, Falsyawal Galang Soenarko, Zahra Pramatatya Suyaji, Fransisca Irndianis Magdalena Suyaji, Fransisca Irnidianis Magdalena Syaif, Serly Maulina Syarifuddin Syarifuddin Syarifuddin Syarifuddin Syarifuddin Syarifuddin, S. Hub. Int., M. Si., Syarifuddin Tobing, Victor Maruli Tua L. Toto Indra Wijaya Vivi Nur Aini Susanto Wahyu Widayati Wardana, Bima Tri Wardhana, Bima Tri Wicaksono, Anggoro Cahyo Wijaya, Kusuma Wijaya, Silvia Marta Wijaya, Toto Indra Wijayanto, Bagus Pratama Wirnoto, Yasmine Azzah Adillah Yasmine Azzah Adillah Wirnoto Yoshua Veron Handika Putra Siadari Yoshua Veron Handika Putra Siadari Yovita Olivia Yuliastuti, Anicleta Zahra, Shellamita Zaimudin, Ashlaha Baladina Zaky, Raffi Ahmad Zhafirah, Muthiah Qalbu