Article Per Year (5 Year)
p-Index From 2021 - 2026
14.211
P-Index
This Author published in this journals
All Journal Prosiding PESAT Journal Communication Spectrum: Capturing New Perspectives in Communication IZUMI BAHASA DAN SASTRA Global Strategis Wawasan : Jurnal Ilmiah Agama dan Sosial Budaya Prosiding Seminar Nasional INDOCOMPAC CaLLs : Journal of Culture, Arts, Literature, and Linguistics LET: Linguistics, Literature and English Teaching Journal Kiryoku: Jurnal Studi Kejepangan Wahana : Tridarma Perguruan Tinggi Nation State : Journal of International Studies Jurnal Inovasi Ilmu Sosial dan Politik British: Jurnal Bahasa dan Sastra Inggris AlphabetAlphabet: A Biannual Academic Journal on Language, Literary, and Cultural Studies Pioneer: Journal of Language and Literature Anaphora: Journal of Language. Literary and Cultural Studies J-Litera; Jurnal Kajian Bahasa, Sastra dan Budaya Jepang Prologue: Journal on Language and Literature Paradigm: Journal of Language and Literary Studies Journal Of English Literature, Linguistic, and Education (JELLE) Journal of Social, Humanity, and Education Masyarakat Indonesia Mezurashii: Journal of Japanese Studies Lingue : Jurnal Bahasa, Budaya, dan Sastra TANDA: Jurnal Kajian Budaya, Bahasa dan Sastra Journal Corner of Education, Linguistics, and Literature Foremost Journal ELTALL: English Language Teaching, Applied Linguistic and Literature Seminar Nasional Hasil Riset dan Pengabdian (SNHRP) UC Journal: ELT, Linguistics and Literature Journal Jurnal Multidisiplin Dehasen (MUDE) Lingua Franca KAGANGA KOMUNIKA: Journal of Communication Science Jurnal Sosial Humaniora dan Pendidikan (JUSHPEN) Jurnal Abdi Masyarakat Multidisiplin Jurnal Ilmiah Multidisiplin Educalitra: English Education, Linguistics, and Literature Journal KOLONI Jurnal Adijaya Multidisiplin Madani: Multidisciplinary Scientific Journal SPHOTA: Jurnal Linguistik dan Sastra Fakultas Bahasa Asing Universitas Mahasaraswati Denpasar Gudang Jurnal Multidisiplin Ilmu Mutiara : Jurnal Ilmiah Multidisiplin Indonesia Metathesis: Journal of English Language, Literature, and Teaching Gudang Jurnal Pengabdian Masyarakat Seshiski: Southeast Journal of Language and Literary Studies The Sunan Ampel Review of Political and Social Sciences EJI (English Journal of Indragiri) : Studies in Education, Literature, and Linguistics ELite Journal: International Journal of Education, Language and Literature Masyarakat: Jurnal Pengabdian Jurnal Pendidikan dan Kebudayaan Al-A'raf: Jurnal Pemikiran Islam dan Filsafat Sunan Ampel International Conference of Political and Social Sciences Intertwine Candradimuka: Journal of Education Salience: English Language, Literature, And Education Journal Journal Of Advance In Social Sciences And Policy JEELL (Journal of English Education, Linguistics and Literature) Journal of Integrative International Relations
Pasopati, Rommel Utungga
English Literature Department, University Of Dr. Soetomo Surabaya, East Java, Indonesia
Religion Aerospace Engineering Agriculture, Biological Sciences & Forestry Arts Humanities Astronomy Automotive Engineering Biochemistry, Genetics & Molecular Biology Chemical Engineering, Chemistry & Bioengineering Chemistry Civil Engineering, Building, Construction & Architecture Computer Science & IT Control & Systems Engineering Decision Sciences, Operations Research & Management Dentistry Earth & Planetary Sciences Economics, Econometrics & Finance Education Electrical & Electronics Engineering Energy Engineering Environmental Science Health Professions Immunology & microbiology Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Materials Science & Nanotechnology Mathematics Mechanical Engineering Medicine & Pharmacology Neuroscience Nursing Physics Public Health Social Sciences Transportation Veterinary Other

Published : 128 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 128 Documents
Search

 1   2   3   4   5 
Gender Performativity as Asserted on Kate Chopin’s A Respectable Woman Cahyaningsih Pujimahanani; Rommel Utungga Pasopati; Flora Anasis
Anaphora : Journal of Language, Literary, and Cultural Studies Vol 5 No 1 (2022): JULY
Publisher : Universitas 17 Agustus 1945 Surabaya, Prodi sastra Inggris, Fakultas Ilmu Budaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/anaphora.v5i1.6423

Abstract

Literature is colored with gender studies that emphasize female struggle through social construction. The understandings widen from equalities between male and female to how woman should define her self-identity. Identity through gender is not static at all, but dynamic through its process as examined by Judith Butler through her concept of gender performativity. A Respectable Woman is Kate Chopin’s short story that tells Mrs. Baroda who is disturbed with the presence of her husband’s friend, Gouvernail, at her home. She is tempted by him but she realizes that and leaves home. She returns home and speaks to her husband, Gaston that she has made up her mind and be ready if his friend will stay over again. Then, how is gender performativity asserted on Kate Chopin’s A Respectable Woman? Through qualitative method on cultural studies, this writing underlines the wife’s firm state for not being tempted as her own self-definition. It becomes usual for a woman to fall to other man, but the wife thinks differently. She is aware of being tempted and she avoids it. Her identity is not defined by common ideas or dictated by male dominations. She is herself with her own determination by being so earnest. In conclusion, the wife’s resolution to step back, to think, and to return to her husband is her approach to define her identity. This is in line with gender performativity that is stated in line with Chopin’s focus on female subjectivity.
Questioning Universal Humanism: The European Double Standard on Refugees Hirshi Anadza; Rommel Utungga Pasopati; Syarifuddin Syarifuddin
Global Strategis Vol. 17 No. 2 (2023): Global Strategis
Publisher : Department of International Relations, Faculty of Social and Political Science, Universitas Airlangga

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20473/jgs.17.2.2023.289-306

Abstract

About 4.6 million Ukrainians were forced to migrate to several European countries. This number is about four times the number of Syrian refugees seeking asylum in Europe. With a ratio of 1:4, European countries are more likely to accept Ukraine refugees in larger numbers, and this raises the assumption that there is a double standard among European countries in treating refugees between Ukraine and Syria. This assumption is primarily based on issues of race, religion, culture, and even politics. However, humanism's universal view neglected partialism and viewed humans as members of the human family who did not leave others behind. Furthermore, the Europeans who invented the concept of humanism itself, in reality, did not implement the concept universally but only in the European region. Therefore, with a descriptive-qualitative approach, this paper aims to emphasize that regional solidarity can go beyond universal humanitarian impulses. The theory of universal humanism is used as the primary standard in analyzing the phenomenon of the European double standard. It can be said that even though the Ukraine-Russia crisis has the potential to cause high inflation with slow growth, Europeans are still making solid efforts to help refugees from Ukraine. In other words, regional solidarity seems to be more of a priority than universal humanitarian impulses. Keywords: Regional Solidarity, Universal Humanism, Refugees, Russian Invasion, Syria, Ukraine   Sekitar 4,6 juta orang Ukraina terpaksa bermigrasi ke beberapa negara Eropa. Jumlah ini adalah sekitar empat kali jumlah pengungsi Suriah yang mencari suaka di Eropa. Dengan rasio 1:4, negara-negara Eropa lebih mudah menerima pengungsi Ukraina dalam jumlah yang lebih besar, dan hal ini menimbulkan anggapan bahwa negara-negara Eropa menerapkan standar ganda dalam menangani pengungsi antara Ukraina dan Suriah. Asumsi ini sebagian besar didasarkan pada masalah ras, agama, budaya, dan bahkan politik. Akan tetapi, pandangan universal humanisme mengabaikan keberpihakan dan memandang manusia sebagai anggota keluarga manusia, yang tidak meninggalkan manusia lain. Selain itu, orang Eropa yang menemukan konsep humanisme itu sendiri pada realitanya tidak menerapkan konsep tersebut secara universal, tetapi hanya di wilayah Eropa saja. Oleh karena itu, dengan pendekatan deskriptif-kualitatif, tulisan ini ingin menekankan bahwa solidaritas regional sejatinya dapat melampaui dorongan kemanusiaan universal. Teori humanisme universal digunakan sebagai standar utama dalam menganalisis fenomena standar ganda Eropa ini. Dapat dikatakan bahwa meskipun krisis Ukraina-Rusia berpotensi menyebabkan inflasi tinggi dengan pertumbuhan yang lambat, orang Eropa masih berupaya keras untuk membantu para pengungsi dari Ukraina. Dengan kata lain, solidaritas regional tampaknya lebih menjadi prioritas dibandingkan dengan dorongan kemanusiaan universal. Kata-kata Kunci: Solidaritas Regional, Humanisme Universal, Pengungsi, Invasi Rusia, Suriah, Ukraina
Grebeg Mantra Memetri of Wonosari Residents Village, Tutur District: A Semiotic Studies Devito Andharu; Wahyu Widayati; M Reza Ishadi Fadillah; Rommel Utungga Pasopati
Journal Corner of Education, Linguistics, and Literature Vol. 3 No. 2 (2023): November
Publisher : CV. Tripe Konsultan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54012/jcell.v3i2.213

Abstract

This study aims to find the meaning of the mantra sign in the tradition of Grebeg Memetri. This research uses a qualitative approach. The data source in this study is the spell of slaughtering a cow's head in the Grebeg Memetri tradition. The data collection technique was carried out by primary observation of the Grebeg Memetri tradition done by residents of Wonosari village in Tutur district. The observation is done by conducting audio-visual and picture recordings using tape recorders and handy cams as well as exploratory interviews related to the Grebeg Memetri tradition done by residents of Wonosari village in Tutur district. Based on the results of the analysis, there are five code systems, namely the HER code, which indicates the existence of an enigma in it; the proaretic code (ACT), which regulates the flow of a story or narrative and guarantees that the text read is a story, the semik code (SEME) that makes use of cues, clues, or flashes of meaning elicited by certain markers, cultural code (REF) as markers that refer to a set of references or general knowledge, and symbolic code (SYM) that refers to a set of references or general knowledge that supports the text.
Authenticity and Its Discontent as Reflected on Heinrich Böll’s The Laugher Ni Nyoman Sarmi; Kheista Sasi Kirana; Kusuma Wijaya; Rommel Utungga Pasopati
LET: Linguistics, Literature and English Teaching Journal Vol. 13 No. 1 (2023)
Publisher : English Department of Faculty of Tarbiyah and Teacher Training

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18592/let.v13i1.8523

Abstract

People are justified to be original but it could hinder people from their freedom as stated by Jean-Paul Sartre. The Laugher is Heinrich Böll’s short story of someone whose job is to laugh in various platforms. His laughter must be heard as original but his own life is full of pessimistic conditions. Then, how may being authentic be contested through Böll’s The Laugher? Through qualitative method on cultural studies, this paper puts tensions between being authentic by Sartre and reality of Böll’s story. The laugh seems to be authentic, but it is set to trigger other laughter, yet he is not happy though he laughs every time. He is demanded to laugh, but the laugh is bad faith as supported by Sartre. Authenticity in Böll’s story shows its own discontent. In conclusion, the story shows how laughter is done in a timed set. His laugh is not freedom since his own life is full of sad conditions.
The Interpretations of Eternalism in Reality Club’s 2112 Pasopati, Rommel Utungga; Sasmita, Dimas Rakhmat; Santoso, Liora Samantha Valent; Kurniawati, Wiwin Anggraeni; Kartiningsih, Rindrah
Educalitra: English Education, Linguistics, and Literature Journal Vol. 3 No. 2 (2024)
Publisher : English Language Education Study Program, Faculty of Social, Economics, and Humanities, University of Nahdlatul Ulama Purwokerto

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5281/zenodo.13134392

Abstract

This paper exposes the matter of eternalism in the song of 2112 by Reality Club. By accentuating the theory of eternalism by J. M. E. McTaggart, eternalism is underlined in how all existence in time is equally real. In analysis, the song of 2112 depicts a love story that goes on since the couples were teenagers. Things are getting more complicated since they could not be together but they still have feelings of comfort and togetherness as if they live in eternal times. The memories keep going on though the time moves forward. It proves that the block universe of past, present and future events are all on an equal footing. In conclusion, the song reflects the matter of eternalism in the points of memories, not as past understandings, but as an open future towards any determinism in showing that any event is always interpreted through any matter of time.
REPRESENTATION OF VERISIMILITUDE IN ANALYSIS OF FLASH FICTION Kusuma Wijaya; Rommel Utungga Pasopati; Fransisca Irnidianis Magdalena Suyaji; Kheista Sasi Kirana; Salsabila Adinda Oktavia; Riska Dewi Ramadhani
Seminar Nasional Hasil Riset dan Pengabdian Vol. 6 (2024): Seminar Nasional Hasil Riset dan Pengabdian (SNHRP) Ke 6 Tahun 2024
Publisher : LPPM Universitas PGRI Adi Buana

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This article exposes matters of representations in the contexts of analysis of flash fiction. Flash fiction has never been into the spotlight due to its brevity compared to other canon literature. However, the simplicity of it emphasizes its complexities and specifications. Through qualitative method and explorative approach, this paper underlines that flash fiction is never limited by its short number of words. In analysis, first, the meanings involved in flash fiction are never limited by the number of words, but widened through experience and taste beyond the rigidity of definitions. Second, even many leading writers such as Ernest Hemingway and Gabriel Garcia Marquez also use this type of work as a form of simplification of their other works. Third, flash fiction relies on characters and plots by highlighting the tension between the fixed and the flexible, intention-interpretation, and even tone-mood. Fourth, flash fiction finds its uniqueness in the plot twists and extreme points of reality. Fifth, flash fiction handles representations by various cliches. Sixth, flash fiction approaches reality through explorative meanings in verisimilitude. In conclusion, flash fiction involves its verisimilitude not through transparent reality, but full of imagination starting from metaphors, representations, to subtext. Keywords Flash Fiction; Representation; Verisimilitude
The Cruciality of Self-Determination on James Baldwin’s Bruce and the Spider Pasopati, Rommel Utungga; Noviyanti, Anisa Dinda; Wijaya, Kusuma; Kartiningsih, Rindrah; Hariyono
SPHOTA: Jurnal Linguistik dan Sastra Vol. 16 No. 2 (2024): SPHOTA: Jurnal Linguistik dan Sastra
Publisher : Fakultas Bahasa Asing (FBA) Universitas Mahasaraswati Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36733/sphota.v16i2.8583

Abstract

This paper exposes the crucial points of self-determination in the flash fiction of James Baldwin entitled Bruce and the Spider. The short story is a narrative that describes a brief moment in the life of the main character, Bruce, a Scottish king who was defeated many times by the King of England. When he saw a spider weaving its web in the corner of his retreat, this moment became symbolic of Bruce's emotional journey and self-determination within himself and the kingdom of Scotland. In this flash fiction, it is witnessed how Bruce struggles amid his repeated failures. Using qualitative research method, this article illustrates small changes in perception and courage and asks questions about how simple moments can have a profound impact on a person's life. This writing is supported by Self-Determination Theory as conceptualized by Richard M. Ryan and Edward L. Deci. Through explorative approach, the analysis includes how self-determination accompanies the reflections of the meanings behind simple actions and the importance of facing failure. In conclusion, it is self-determination through self-confidence, self-understanding, and self-reliance that directs King Bruce to defeat his despair, get back up, and beat back the English soldiers.
The Postures of Wabi-Sabi as Perpetuated on Ibuse Masuji’s Carp Pasopati, Rommel Utungga; Listyaningsih, Listyaningsih; Wulandari, Siti; Ohei, Sugisaka
J-Litera: Jurnal Kajian Bahasa, Sastra dan Budaya Jepang Vol 6 No 1 (2024): May 2024
Publisher : Program Studi Sastra Jepang, Universitas Jenderal Soedirman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20884/1.jlitera.2024.6.1.9190

Abstract

Literature is inseparable from the culture of its intrinsic and extrinsic meanings. It is proved on wabi-sabi, as finding simple perfectness in imperfectness, which has been embraced by Japanese people since 13th century. Carp is a short story by Ibuse Masuji that underlines uneasiness to let go a deceased person that has been befriended with for a long time. The fish of carp is a symbol of despair, but then it changes to a hope when the main character makes up his mind to be sincere in allowing his deceased friend to go. Then, how is wabi-sabi perpetuated on Ibuse Masuji’s Carp? Through qualitative method on cultural studies, this paper highlights condition of wabi-sabi as underlined in that story. Perfectness could not be found if any imperfectness is not well-appreciated. Any happiness could not be found if sadness is still held tightly. Appreciating death means knowing how valuable life is. The fish in this story is not merely an animal, but symbol of belonging that should be let go as the real owners has passed away too. In conclusion, wabi-sabi is exposed in this short story to tell how death is about imperfectness, but the freedom beyond any life is the perfection itself.
Idealized Female Beauty as Represented in Alessia Cara’s Song Scars to Your Beautiful Attamimi, Fatimah Nurunnada; Galang Smarandreetha, Falsyawal; Wijaya, Kusuma; Pasopati, Rommel Utungga
Jurnal Ilmiah Multidisiplin Vol 1 No 3 (2023): Jurnal Ilmiah Multidisiplin
Publisher : PT KIMSHAFI ALUNG CIPTA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59000/jim.v1i3.82

Abstract

Kecantikan feminin yang ideal adalah seperangkat standar kecantikan yang dibangun di atas gagasan bahwa daya tarik fisik adalah salah satu aset wanita yang paling penting dan sesuatu yang harus diperjuangkan dan dipertahankan oleh semua wanita. Scars to Your Beautiful adalah lagu yang ditulis dan dinyanyikan oleh Alessia Cara. Lagu ini bercerita tentang seorang gadis yang ingin menjadi cantik seperti gadis sampul. Dia ingin semua orang terpikat dengan kecantikannya. Namun, dalam proses memenuhi standar kecantikan itu, dia melupakan apa yang berharga di dalam dirinya. Dia rela menderita rasa sakit dan kelaparan untuk menjadikan dirinya secantik yang standar kecantikan inginkan. Lalu, bagaimana kecantikan perempuan yang diidealkan dan dampak negatifnya direpresentasikan dalam Scars to Your Beautiful karya Alessia Cara? Melalui metode kualitatif, artikel ini menjelaskan bagaimana standar kecantikan berdampak negatif pada gadis dalam lagu Alessia Cara. Didukung oleh teori dari Savannah Greenfield, kecantikan wanita yang diidealkan dan dampak negatifnya tercermin ketika gadis dalam lagu ini mendambakan dirinya seperti gadis sampul. Kesimpulannya, gadis itu melakukan segalanya untuk menjadi cantik namun dia akhirnya tersiksa dalam usahanya untuk memenuhi standar kecantikan yang dipenuhi oleh gadis-gadis sampul.
The Fundamental Expressions of Fear in Sofia Samatar's The Huntress Hariyono; Wijaya, Silvia Marta; Wijaya, Kusuma; Pasopati, Rommel Utungga; Kartiningsih, Rindrah
Alphabet Vol. 7 No. 1 (2024)
Publisher : Universitas Brawijaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.alphabet.2024.07.01.06

Abstract

This article underlines the expressions of fear in Sofia Samatar’s flash fiction entitled The Huntress. The fear felt by the townspeople was thick, the darkness and silence merged. The moon was shining, everyone had their windows shut tight, and a brave man had come to visit the town. The silence is in line with a frightening situation in the story of The Huntress by Sofia Samatar. This paper would like to answer the question of how may fear be accentuated in Sofia's Samatar's The Huntress? Through qualitative method with cultural studies approach in the theory of myth by Claude Levi-Strauss, this paper locates expressions of fear, darkness, and courage in a story of The Huntress by Sofia Samatar. Darkness expresses the threat and disgrace experienced by the townspeople, the hunters are like a feared tenor lion, but then comes a young stranger who calls for courage in the townspeople. The fear of the townspeople is such a socio-cultural myth that has been embraced by them for a long time. In conclusion, the story shows how a young stranger tries to dispel the fear that gnaws at the townspeople's souls, convincing them that hunters are not dangerous
Co-Authors -Nabilahtauzzahro Ibrahin, Laila -Pujimahanani, Cahyaningsih -Putri Oktafiani, Adelia Agil, Agischa Putri Agischa Putri Agil Akmal Dafa Hizbullah Albert Wijaya Kusuma Alyanto, Jihan Nurul Savira Amirul Mustofa Ananda Syahromi Putra Ananta, Bintang Ryan Andharu, Devito Anggoro Cahyo Wicaksono Anggraeni Ramadhani Anicleta Yuliastuti Anindya Thalita Salsabila Annasai, Axlinabila Annisa Annisa Deby Aulia Aprilla, Evania Nur Asihta Aulia Azzahra Attamimi, Fatimah Nurunnada Axlinabila Annisa Anasai Axlinabila Annisa Annasai Ayu Rengganis, Dewi Ayu, Evangelin Rambu Bagus Pratama Wijayanto Bethari, Chili Podhang Bhagaskoro, Pradipto Bhagaskoro, S. Hub, Pradipto Bintang Indra Wibisono Budianto, Suhartawan Budianto, Suhartawan Cahyaningsih Pujimahanani Cahyaningsih Pujimahanani Cahyaningsih Pujimahanani, cahyaningsih Calista, Salsabila Nova Camila, Myrilla Shafa Camilla, Myrilla Shafa Cicilia Tantri Suryawati Damayanti, Ni Putu Nia Dermawan, Zahwa Amelia Putri Devito Andharu Devito Andharu Devito Andharu Dewangga, Diandra Parta Wisnu Dewi Ayu Rengganis Dewi Ayu Rengganis Djanarko, Indri Dyah Ayu Ratna Jelita Eka Hesty Rohma Darmawati Erlis Hersetya Firda Erlis Hersetya Firda Fadhelah Aulia Hamidah, Galuh Fadillah, Muhammad Reza Ishadi Fahmi, Muhammad Abu Rijal Falsyawal Galang Smarandreetha Fatiha, Kayla Fatimah Nurunnada Attamimi Faulina, Maulidia Nur Fennyta Diva Fadilla Fiona Smith, Marion Firda, Erlis Hersetya Firdausy Alya Hasana Firzatullah, Muchammad Daffa Flora Anasis Fransisca Irnidianis Magdalena Suyaji Fransiska Litwin Nurni Gadi, Epifanius Karso Seda Galang Smarandreetha, Falsyawal Galuh Fadhelah Aulia Hamidah Gunawan Tjokro Hadi Saputra Hamdani, Farham Nazhib Hamidah, Galuh Fadhelah Aulia Hariyono Hariyono Hariyono Hariyono Hasana, Firdausy Alya Hidayat, Sanjaya Ahmad Hirshi Anadza Hizbullah, Akmal Dafa Ibrahim, Laila Nabilahtuzzahro Indri Djanarko, Indri Irawan, Muhammad Barra Sofyan Nur Ishadi Fadillah, M Reza Isnin Ainie Johanes Claudio Perdana Napitupulu Kartika, Ratih Kartiningsih, Rindrah Katarina Surensa Khaled Ahmed Mohammed Kheista Sasi Kirana Kheista Sasi Kirana Kirana, Kheista Sasi Kurniawati, Wiwin Anggraeni Kusuma Wijaya Kusuma Wijaya Kusuma Wijaya Kusuma Wijaya Kusuma, Albert Wijaya Laila Nabilahtauzzahro Ibrahim Laila Nabilahtuzzahro Ibrahim Laura Ika Angelina Arfina Putri Lina Fadiyah Listyaningsih Listyaningsih Listyaningsih Listyaningsih Listyaningsih Listyaningsih Livia Wulandari Luh Putu Ratna Sundari Lutvia, Frefies Lavigni Putri M Reza Ishadi Fadillah M Reza Ishadi Fadillah Margaretha, Sherlly Marharendra, Ahmad Maulana Michelle, Michelle Mikail, Izzaditya Dharmaputra Mohammad Mirza Mohammed, Khaled Ahmed Muchammad Daffa Firzatullah Muhammad Adji Mullah Akbar Muhammad Daffa Firzatullah Muhammad Reza Ishadi Fadillah Mulyanto , Luke Zefanezra Mulyanto, Luke Zefanezra Nafis, Naufal Napitupulu, Johanes Claudio Perdana Ni Nyoman Sarmi Ni Nyoman Sarmi Ni Nyoman Sarmi Ni Nyoman Sarmi, Ni Nyoman Nia Ayu Fitriani Noviyanti, Anisa Dinda Nurdin, Dewi Syifanaya Firadausy Nurdin, Dewi Syifanaya Firdausy Ohei, Sugisaka Oktafiani, Adelia Putri Oktavia, Dian Oktavia, Salsabila Adinda Pandu Bagus Sutowijoyo Pangestu, Imelza Novia Rakhmadani Pradipto Bhagaskoro Puspayani, Komang Sinta Putra, Ananda Syahromi Putri Ayu Millenia Putri, Adinda Putri, Alvina Salshabilla Linjani Putri, Laura Ika Angelina Arfina Putriana, Kadek Olivia Novi Rahmansyah, Muhammad Ilham Ramadhani, Anggraeni Ramadhani, Asjad Nina Hanan Ramadhani, Riska Dewi Reku, Angelina Merici Wua Rengganis, Dewi Ayu Rindrah Kartiningsih Rindrah Kartiningsih Riska Dewi Ramadhani Riza, Dwi Ainur Rosyadi, Machfianita Mirza Ayu Salsabila Adinda Oktavia Salsabila Nova Calista Salsabila Nova Calista Salsabila, Anindya Thalita Salsabila, Shafa Salsabiyla, Raddine Santoso, Liora Samantha Valent Saputro, Dimas Eko Sasmita, Dimas Rakhmat Setiadi, Kostavialdus Shamad, Dzil Fikris Siadari, Yoshua Veron Handika Putra Simanjuntak, Nensy Megawati Simbolon, Sinta Uli Sinta Uli Simbolon Siti Wulandari siti wulandari Smarandreetha, Falsyawal Galang Soenarko, Zahra Pramatatya Suyaji, Fransisca Irndianis Magdalena Suyaji, Fransisca Irnidianis Magdalena Syaif, Serly Maulina Syarifuddin Syarifuddin Syarifuddin Syarifuddin Syarifuddin Syarifuddin, S. Hub. Int., M. Si., Syarifuddin Tobing, Victor Maruli Tua L. Toto Indra Wijaya Vivi Nur Aini Susanto Wahyu Widayati Wardana, Bima Tri Wardhana, Bima Tri Wicaksono, Anggoro Cahyo Wijaya, Kusuma Wijaya, Silvia Marta Wijaya, Toto Indra Wijayanto, Bagus Pratama Wirnoto, Yasmine Azzah Adillah Yasmine Azzah Adillah Wirnoto Yoshua Veron Handika Putra Siadari Yoshua Veron Handika Putra Siadari Yovita Olivia Yuliastuti, Anicleta Zahra, Shellamita Zaimudin, Ashlaha Baladina Zaky, Raffi Ahmad Zhafirah, Muthiah Qalbu