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All Journal Prosiding PESAT Journal Communication Spectrum: Capturing New Perspectives in Communication IZUMI BAHASA DAN SASTRA Global Strategis Wawasan : Jurnal Ilmiah Agama dan Sosial Budaya Prosiding Seminar Nasional INDOCOMPAC CaLLs : Journal of Culture, Arts, Literature, and Linguistics LET: Linguistics, Literature and English Teaching Journal Kiryoku: Jurnal Studi Kejepangan Wahana : Tridarma Perguruan Tinggi Nation State : Journal of International Studies Jurnal Inovasi Ilmu Sosial dan Politik British: Jurnal Bahasa dan Sastra Inggris AlphabetAlphabet: A Biannual Academic Journal on Language, Literary, and Cultural Studies Pioneer: Journal of Language and Literature Anaphora: Journal of Language. Literary and Cultural Studies J-Litera; Jurnal Kajian Bahasa, Sastra dan Budaya Jepang Prologue: Journal on Language and Literature Paradigm: Journal of Language and Literary Studies Journal Of English Literature, Linguistic, and Education (JELLE) Journal of Social, Humanity, and Education Masyarakat Indonesia Mezurashii: Journal of Japanese Studies Lingue : Jurnal Bahasa, Budaya, dan Sastra TANDA: Jurnal Kajian Budaya, Bahasa dan Sastra Journal Corner of Education, Linguistics, and Literature Foremost Journal ELTALL: English Language Teaching, Applied Linguistic and Literature Seminar Nasional Hasil Riset dan Pengabdian (SNHRP) UC Journal: ELT, Linguistics and Literature Journal Jurnal Multidisiplin Dehasen (MUDE) Lingua Franca KAGANGA KOMUNIKA: Journal of Communication Science Jurnal Sosial Humaniora dan Pendidikan (JUSHPEN) Jurnal Abdi Masyarakat Multidisiplin Jurnal Ilmiah Multidisiplin Educalitra: English Education, Linguistics, and Literature Journal KOLONI Jurnal Adijaya Multidisiplin Madani: Multidisciplinary Scientific Journal SPHOTA: Jurnal Linguistik dan Sastra Fakultas Bahasa Asing Universitas Mahasaraswati Denpasar Gudang Jurnal Multidisiplin Ilmu Journal of Integrative International Relations Mutiara : Jurnal Ilmiah Multidisiplin Indonesia Journal of Integrative International Relations Gudang Jurnal Pengabdian Masyarakat Seshiski: Southeast Journal of Language and Literary Studies The Sunan Ampel Review of Political and Social Sciences EJI (English Journal of Indragiri) : Studies in Education, Literature, and Linguistics ELite Journal: International Journal of Education, Language and Literature Masyarakat: Jurnal Pengabdian Jurnal Pendidikan dan Kebudayaan Al-A'raf: Jurnal Pemikiran Islam dan Filsafat Intertwine Candradimuka: Journal of Education
Pasopati, Rommel Utungga
English Literature Department, University Of Dr. Soetomo Surabaya, East Java, Indonesia
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The Language of Cyber Gender Anonymity on Hololive Virtual Youtubers Kusuma Wijaya; Axlinabila Annisa Annasai; Annisa Deby Aulia; Rommel Utungga Pasopati
Pioneer: Journal of Language and Literature Vol 15 No 1 (2023)
Publisher : Faculty of Letters, Universitas Abdurachman Saleh Situbondo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36841/pioneer.v15i1.2683

Abstract

Hololive Production is a virtual YouTuber agency which accommodates 71 active talents (VTubers) with 65 million subscribers on YouTube. Hololive protects its talents’ privacy by giving them unreal names and avatars. Some viewers intend to find real identities of the talents, some others ignore the real personalities, while many of them keep secret although they know the real person behind the unreal avatar. Then, how is cyber gender anonymity characterized on the privacy of Hololive Virtual Youtubers? Using qualitative method, this article indicates necessity of cyber gender anonymity to keep Hololive’s talents’ identities safe. This is supported by Judith Butler’s posture of gender and Philip Zimbardo’s deindividuation. Unreal characters and names for VTubers are for anonymities but some viewers are doxing and making fun of them. Viewers want the streamers to be open and clear, but Hololive VTubers want to be anonymous and opaque. That idea contradicts sexual differences and gender anonymities that include tensions of being rigid and flexible. In conclusion, Hololive does not live static condition, but moves through ambiguous avatar of cyber anonymity. Anonymity could always be endangered; laws protect them but attacks to psychological condition is inevitable.
Gender Performativity as Asserted on Kate Chopin’s A Respectable Woman Cahyaningsih Pujimahanani; Rommel Utungga Pasopati; Flora Anasis
Anaphora : Journal of Language, Literary, and Cultural Studies Vol 5 No 1 (2022): JULY
Publisher : Universitas 17 Agustus 1945 Surabaya, Prodi sastra Inggris, Fakultas Ilmu Budaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/anaphora.v5i1.6423

Abstract

Literature is colored with gender studies that emphasize female struggle through social construction. The understandings widen from equalities between male and female to how woman should define her self-identity. Identity through gender is not static at all, but dynamic through its process as examined by Judith Butler through her concept of gender performativity. A Respectable Woman is Kate Chopin’s short story that tells Mrs. Baroda who is disturbed with the presence of her husband’s friend, Gouvernail, at her home. She is tempted by him but she realizes that and leaves home. She returns home and speaks to her husband, Gaston that she has made up her mind and be ready if his friend will stay over again. Then, how is gender performativity asserted on Kate Chopin’s A Respectable Woman? Through qualitative method on cultural studies, this writing underlines the wife’s firm state for not being tempted as her own self-definition. It becomes usual for a woman to fall to other man, but the wife thinks differently. She is aware of being tempted and she avoids it. Her identity is not defined by common ideas or dictated by male dominations. She is herself with her own determination by being so earnest. In conclusion, the wife’s resolution to step back, to think, and to return to her husband is her approach to define her identity. This is in line with gender performativity that is stated in line with Chopin’s focus on female subjectivity.
Acculturation in Islam: Han Kitab and Islam Nusantara Hirshi Anadza; Rommel Utungga Pasopati
Journal of Integrative International Relations Vol. 4 No. 1 (2019): May
Publisher : Department of International Relations, State Islamic University (UIN) of Sunan Ampel Surabaya, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15642/jiir.2019.4.1.101-114

Abstract

In China, Han Kitab is an example in how Chinese culture and Islam recognized each other. Ancient Chinese culture is not omitted but enriched by Islam. Confucianism and Islam are different in its each teaching but may crisscross philosophically. Both may come from different backgrounds but both teach people how to behave as individual and part of society. In Indonesia, Islam Nusantara is how Indonesian culture is understood through Islamic perspective. Islam which came later must face many ancient rituals or thoughts. It could not totally eliminate local culture but it can clear up bad aspect of local habits by teaching Islamic way of life. Both Han Kitab and Islam Nusantara shows that Islam did not come to apply such system by force, but it builds such apprehension through acculturation.
Acculturation in Islam: Han Kitab and Islam Nusantara Hirshi Anadza; Rommel Utungga Pasopati
Journal of Integrative International Relations Vol. 4 No. 1 (2019): May
Publisher : Department of International Relations, State Islamic University (UIN) of Sunan Ampel Surabaya, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15642/jiir.2019.4.1.101-114

Abstract

In China, Han Kitab is an example in how Chinese culture and Islam recognized each other. Ancient Chinese culture is not omitted but enriched by Islam. Confucianism and Islam are different in its each teaching but may crisscross philosophically. Both may come from different backgrounds but both teach people how to behave as individual and part of society. In Indonesia, Islam Nusantara is how Indonesian culture is understood through Islamic perspective. Islam which came later must face many ancient rituals or thoughts. It could not totally eliminate local culture but it can clear up bad aspect of local habits by teaching Islamic way of life. Both Han Kitab and Islam Nusantara shows that Islam did not come to apply such system by force, but it builds such apprehension through acculturation.
Questioning Universal Humanism: The European Double Standard on Refugees Hirshi Anadza; Rommel Utungga Pasopati; Syarifuddin Syarifuddin
Global Strategis Vol. 17 No. 2 (2023): Global Strategis
Publisher : Department of International Relations, Faculty of Social and Political Science, Universitas Airlangga

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20473/jgs.17.2.2023.289-306

Abstract

About 4.6 million Ukrainians were forced to migrate to several European countries. This number is about four times the number of Syrian refugees seeking asylum in Europe. With a ratio of 1:4, European countries are more likely to accept Ukraine refugees in larger numbers, and this raises the assumption that there is a double standard among European countries in treating refugees between Ukraine and Syria. This assumption is primarily based on issues of race, religion, culture, and even politics. However, humanism's universal view neglected partialism and viewed humans as members of the human family who did not leave others behind. Furthermore, the Europeans who invented the concept of humanism itself, in reality, did not implement the concept universally but only in the European region. Therefore, with a descriptive-qualitative approach, this paper aims to emphasize that regional solidarity can go beyond universal humanitarian impulses. The theory of universal humanism is used as the primary standard in analyzing the phenomenon of the European double standard. It can be said that even though the Ukraine-Russia crisis has the potential to cause high inflation with slow growth, Europeans are still making solid efforts to help refugees from Ukraine. In other words, regional solidarity seems to be more of a priority than universal humanitarian impulses. Keywords: Regional Solidarity, Universal Humanism, Refugees, Russian Invasion, Syria, Ukraine   Sekitar 4,6 juta orang Ukraina terpaksa bermigrasi ke beberapa negara Eropa. Jumlah ini adalah sekitar empat kali jumlah pengungsi Suriah yang mencari suaka di Eropa. Dengan rasio 1:4, negara-negara Eropa lebih mudah menerima pengungsi Ukraina dalam jumlah yang lebih besar, dan hal ini menimbulkan anggapan bahwa negara-negara Eropa menerapkan standar ganda dalam menangani pengungsi antara Ukraina dan Suriah. Asumsi ini sebagian besar didasarkan pada masalah ras, agama, budaya, dan bahkan politik. Akan tetapi, pandangan universal humanisme mengabaikan keberpihakan dan memandang manusia sebagai anggota keluarga manusia, yang tidak meninggalkan manusia lain. Selain itu, orang Eropa yang menemukan konsep humanisme itu sendiri pada realitanya tidak menerapkan konsep tersebut secara universal, tetapi hanya di wilayah Eropa saja. Oleh karena itu, dengan pendekatan deskriptif-kualitatif, tulisan ini ingin menekankan bahwa solidaritas regional sejatinya dapat melampaui dorongan kemanusiaan universal. Teori humanisme universal digunakan sebagai standar utama dalam menganalisis fenomena standar ganda Eropa ini. Dapat dikatakan bahwa meskipun krisis Ukraina-Rusia berpotensi menyebabkan inflasi tinggi dengan pertumbuhan yang lambat, orang Eropa masih berupaya keras untuk membantu para pengungsi dari Ukraina. Dengan kata lain, solidaritas regional tampaknya lebih menjadi prioritas dibandingkan dengan dorongan kemanusiaan universal. Kata-kata Kunci: Solidaritas Regional, Humanisme Universal, Pengungsi, Invasi Rusia, Suriah, Ukraina
THE REFLECTIONS OF MATERNAL PASSIONS AS ASSERTED IN Y. B. MANGUNWIJAYA’S MBAH BENGUK Anicleta Yuliastuti; Cahyaningsih Pujimahanani; Rommel Utungga Pasopati
Seshiski: Southeast Journal of Language and Literary Studies Vol 1 No 2 (2021): Volume 1, Issue 2, December 2021
Publisher : Himpunan Sarjana Kesusastraan Indonesia, Komisariat Sulawesi Tenggara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53922/seshiski.v1i2.17

Abstract

Today, the discourse of feminism pays more attention to correlations between women, motherhood, and society rather than trying to make women equal to men. Julia Kristeva explains maternal passion as motherhood’s characteristic that relates to the biological state of the sacred womb and the sociological aspect of having children. Mbah Benguk in Y. B. Mangunwijaya’s work tells about a grandmother who takes care of her two disabled grandchildren left by their mother. Mangunwijaya does not attack feminism, yet he underlines the crucial role of the mother. The question is; how is maternal passion reflected in Y. B. Mangunwijaya’s Mbah Benguk? Using the qualitative method, cultural concepts are used to explain the relations between Mangunwijaya’s story and Kristeva’s perspectives. Tensions between biological concepts of woman and sociological ideas of the mother are contradicted. Being a mother shows more passion than emotion as seen in children’s language as a reflection of their mother. Motherhood is the sublimation of a woman’s desire for her children. In conclusion, the story of Mangunwijaya is enriched through Kristeva’s perspective, especially in how a woman should be present as the maternal passion of the womb and the caregiver to her children.
Grebeg Mantra Memetri of Wonosari Residents Village, Tutur District: A Semiotic Studies Devito Andharu; Wahyu Widayati; M Reza Ishadi Fadillah; Rommel Utungga Pasopati
Journal Corner of Education, Linguistics, and Literature Vol. 3 No. 2 (2023): November
Publisher : CV. Tripe Konsultan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54012/jcell.v3i2.213

Abstract

This study aims to find the meaning of the mantra sign in the tradition of Grebeg Memetri. This research uses a qualitative approach. The data source in this study is the spell of slaughtering a cow's head in the Grebeg Memetri tradition. The data collection technique was carried out by primary observation of the Grebeg Memetri tradition done by residents of Wonosari village in Tutur district. The observation is done by conducting audio-visual and picture recordings using tape recorders and handy cams as well as exploratory interviews related to the Grebeg Memetri tradition done by residents of Wonosari village in Tutur district. Based on the results of the analysis, there are five code systems, namely the HER code, which indicates the existence of an enigma in it; the proaretic code (ACT), which regulates the flow of a story or narrative and guarantees that the text read is a story, the semik code (SEME) that makes use of cues, clues, or flashes of meaning elicited by certain markers, cultural code (REF) as markers that refer to a set of references or general knowledge, and symbolic code (SYM) that refers to a set of references or general knowledge that supports the text.
The Representations of Self-Love in Justin Bieber’s Love Yourself Ni Nyoman Sarmi; Muhammad Ilham Rahmansyah; Asjad Nina Hanan Ramadhani; Shellamita Zahra; Rommel Utungga Pasopati
Journal Corner of Education, Linguistics, and Literature Vol. 3 No. 3 (2024): February
Publisher : CV. Tripe Konsultan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54012/jcell.v3i3.252

Abstract

The song of Love Yourself by Justin Bieber talks about the importance of self-love and acceptance by encouraging any audience to prioritize their own needs and well-being, rather than seeking validation from others. Through the lyrics, Bieber emphasizes the idea that love and respect start from within oneself. Self-love should be focused by letting go of toxic relationships and negative influences and to pay more attention to each person’s own growth and happiness. By answering the question of how may self-love be represented on Justin Bieber`s Love Yourself?, the song's message is particularly relevant in today's world where social media and external pressures often dictate how people perceive themselves. Love Yourself serves as a powerful reminder that self-love and acceptance are key to mental and emotional well-being. In conclusion, Love Yourself is a powerful song that promotes self-love and acceptance including pushing out any negativity and toxic influence.
Kant’s Aesthetic Essentiality as Exposed on Selena Gomez’s Who Says Rommel Utungga Pasopati; Erlis Hersetya Firda; Evangelin Rambu Ayu; Muhammad Abu Rijal Fahmi; Raddine Salsabiyla
Journal Corner of Education, Linguistics, and Literature Vol. 3 No. 3 (2024): February
Publisher : CV. Tripe Konsultan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54012/jcell.v3i3.253

Abstract

Beauty for women is crucial as an intersection of their desires, needs, and satisfactions. Who Says is a song by Selena Gomez released in 2011 that inspires women to be confident since beauty is actually essential. Immanuel Kant’s aesthetic essentiality underlines that beauty is not agreeable since it relies on its own essence. Then, how may Kant’s aesthetic essentiality see the position of beauty in Selena Gomez’s Who Says? Through qualitative method on cultural studies, this article exposes Kant’s perspective and Gomez’s song. Recent various beauty standards make women feel insecure, but the song encourages girls to be who they are and not let what other people say get to them. All women should ignore forceful beauty standards because any expectation could be detrimental to women’s self-esteem. In conclusion, the song shows that beauty is essential and could only be experienced by individuals, not by any beauty standard.
The Relevance of Triangular Theory of Love in Devon Daniels’ Meet You in the Middle Salsabila Nova Calista; Rommel Utungga Pasopati
Journal Corner of Education, Linguistics, and Literature Vol. 3 No. 3 (2024): February
Publisher : CV. Tripe Konsultan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54012/jcell.v3i3.276

Abstract

This study investigates the profound love shared between the main characters, Kate Adam and Ben Mackenzie, in the novel "Meet You in the Middle" by Devon Daniels drawing from Robert J. Sternberg’s concept of Triangular Theory of Love. The study aims to understand the realization that is underlying components of love by contributing through the triangular theory of love in their relationship. The researchers employ qualitative approach, focusing on the contexts and subjective interpretations. The analysis uncovers that Kate Adam and Ben Mackenzie attain triangular theory of love by embodying the fundamental components of intimacy, passion, and commitment within their relationship.
Co-Authors -Nabilahtauzzahro Ibrahin, Laila -Pujimahanani, Cahyaningsih -Putri Oktafiani, Adelia Adelia Putri Oktafiani Agil, Agischa Putri Agischa Putri Agil Agischa Putri Agil Ahmad Maulana Marharendra Akmal Dafa Hizbullah Akmal Dafa Hizbullah Akmal Dafa Hizbullah Albert Wijaya Kusuma Amirul Mustofa Ananda Syahromi Putra Ananta, Bintang Ryan Andharu, Devito Anggoro Cahyo Wicaksono Anggraeni Ramadhani Anicleta Yuliastuti Anicleta Yuliastuti Anindya Thalita Salsabila Annasai, Axlinabila Annisa Annisa Deby Aulia Asihta Aulia Azzahra Asjad Nina Hanan Ramadhani Attamimi, Fatimah Nurunnada Axlinabila Annisa Anasai Axlinabila Annisa Annasai Ayu Rengganis, Dewi Ayu, Evangelin Rambu Bagus Pratama Wijayanto Bhagaskoro, Pradipto Bhagaskoro, S. Hub, Pradipto Bima Tri Wardana Bintang Indra Wibisono Bintang Ryan Ananta Budianto, Suhartawan Cahyaningsih Pujimahanani Cahyaningsih Pujimahanani Cahyaningsih Pujimahanani, cahyaningsih Camila, Myrilla Shafa Cicilia Tantri Suryawati Dermawan, Zahwa Amelia Putri Devito Andharu Devito Andharu Devito Andharu Dewi Ayu Rengganis Dewi Ayu Rengganis Dewi Syifanaya Firdausy Nurdin Diandra Parta Wisnu Dewangga Djanarko, Indri Dyah Ayu Ratna Jelita Dyah Ayu Ratna Jelita Dzil Fikris Shamad Eka Hesty Rohma Darmawati Erlis Hersetya Firda Erlis Hersetya Firda Erlis Hersetya Firda Evangelin Rambu Ayu Evania Nur Aprilla Fadhelah Aulia Hamidah, Galuh Fadillah, Muhammad Reza Ishadi Falsyawal Galang Smarandreetha Falsyawal Galang Smarandreetha Falsyawal Galang Smarandreetha Falsyawal Smarandreetha Fatiha, Kayla Fatimah Nurunnada Attamimi Fennyta Diva Fadilla Fiona Smith, Marion Firdausy Alya Hasana Flora Anasis Fransisca Irnidianis Magdalena Suyaji Fransisca Irnidianis Magdalena Suyaji Fransisca Irnidianis Magdalena Suyaji Fransiska Litwin Nurni Gadi, Epifanius Karso Seda Galang Smarandreetha, Falsyawal Galuh Fadhelah Aulia Hamidah Galuh Fadhelah Aulia Hamidah Gunawan Tjokro Hamdani, Farham Nazhib Hamidah, Galuh Fadhelah Aulia Hariyono Hariyono Hariyono Hariyono Hariyono Hariyono Hasana, Firdausy Alya Hirshi Anadza Hizbullah, Akmal Dafa Ibrahim, Laila Nabilahtuzzahro Indri Djanarko, Indri Ishadi Fadillah, M Reza Isnin Ainie Johanes Claudio Perdana Napitupulu Johanes Claudio Perdana Napitupulu Kartika, Ratih Kartiningsih, Rindrah Katarina Surensa Khaled Ahmed Mohammed Khaled Ahmed Mohammed Kheista Sasi Kirana Kheista Sasi Kirana Kheista Sasi Kirana Kirana, Kheista Sasi Komang Sinta Puspayani Kostavialdus Setiadi Kurniawati, Wiwin Anggraeni Kusuma Wijaya Kusuma Wijaya Kusuma Wijaya Kusuma Wijaya Kusuma Wijaya Kusuma Wijaya Kusuma, Albert Wijaya Laila Ibrahim Laila Nabilahtauzzahro Ibrahim Laila Nabilahtuzzahro Ibrahim Laila Nabilahtuzzahro Ibrahim Laila Nabilahtuzzahro Ibrahim Laura Ika Angelina Arfina Putri Lina Fadiyah Listyaningsih Listyaningsih Listyaningsih Listyaningsih Listyaningsih Listyaningsih Livia Wulandari Luh Putu Ratna Sundari Lutvia, Frefies Lavigni Putri M Reza Ishadi Fadillah M Reza Ishadi Fadillah M Reza Ishadi Fadillah Margaretha, Sherlly Maulidia Nur Faulina Michelle, Michelle Mikail, Izzaditya Dharmaputra Mohammad Mirza Mohammed, Khaled Ahmed Muchammad Daffa Firzatullah Muchammad Daffa Firzatullah Muhammad Abu Rijal Fahmi Muhammad Adji Mullah Akbar Muhammad Daffa Firzatullah Muhammad Ilham Rahmansyah Muhammad Reza Ishadi Fadillah Mulyanto , Luke Zefanezra Myrilla Shafa Camilla Napitupulu, Johanes Claudio Perdana Naufal Nafis Nensy Megawati Simanjuntak Ni Nyoman Sarmi Ni Nyoman Sarmi Ni Nyoman Sarmi Ni Nyoman Sarmi Ni Nyoman Sarmi Ni Nyoman Sarmi, Ni Nyoman Ni Putu Nia Damayanti Nia Ayu Fitriani Noviyanti, Anisa Dinda Nurdin, Dewi Syifanaya Firadausy Nurdin, Dewi Syifanaya Firdausy Ohei, Sugisaka Oktafiani, Adelia Putri Oktavia, Dian Oktavia, Salsabila Adinda Pandu Bagus Sutowijoyo Pangestu, Imelza Novia Rakhmadani Pradipto Bhagaskoro Putra, Ananda Syahromi Putri Ayu Millenia Putri, Adinda Putri, Alvina Salshabilla Linjani Raddine Salsabiyla Raddine Salsabiyla Ramadhani, Anggraeni Ramadhani, Riska Dewi Reku, Angelina Merici Wua Rengganis, Dewi Ayu Rindrah Kartiningsih Rindrah Kartiningsih Riska Dewi Ramadhani Riska Dewi Ramadhani Riska Dewi Ramadhani Riza, Dwi Ainur Rosyadi, Machfianita Mirza Ayu Salsabila Adinda Oktavia Salsabila Calista Salsabila Nova Calista Salsabila Nova Calista Salsabila Nova Calista Salsabila, Anindya Thalita Salsabila, Shafa Sanjaya Ahmad Hidayat Santoso, Liora Samantha Valent Saputro, Dimas Eko Sasmita, Dimas Rakhmat Serly Maulina Syaif Shellamita Zahra Sherlly Margaretha Siadari, Yoshua Veron Handika Putra Sinta Uli Simbolon Siti Wulandari siti wulandari Smarandreetha, Falsyawal Galang Soenarko, Zahra Pramatatya Suyaji, Fransisca Irndianis Magdalena Suyaji, Fransisca Irnidianis Magdalena Syarifuddin Syarifuddin Syarifuddin Syarifuddin Syarifuddin Syarifuddin Syarifuddin Syarifuddin, S. Hub. Int., M. Si., Syarifuddin Tobing, Victor Maruli Tua L. Toto Indra Wijaya Victor Maruli Tua L. Tobing Victor Maruli Tua L. Tobing Vivi Nur Aini Susanto Wahyu Widayati Wardhana, Bima Tri Wijaya, Kusuma Wijaya, Silvia Marta Wijaya, Toto Indra Wijayanto, Bagus Pratama Wirnoto, Yasmine Azzah Adillah Yasmine Azzah Adillah Wirnoto Yasmine Azzah Adillah Wirnoto Yoshua Veron Handika Putra Siadari Yoshua Veron Handika Putra Siadari Yoshua Veron Handika Putra Siadari Yovita Olivia Yuliastuti, Anicleta Zaimudin, Ashlaha Baladina Zaky, Raffi Ahmad Zhafirah, Muthiah Qalbu