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The Significance of Phallocentrism as Illustrated on Grace Paley’s Wants Pasopati, Rommel Utungga; Pujimahanani, Cahyaningsih; Putri, Adinda
ELTALL: English Language Teaching, Applied Linguistic and Literature Vol. 5 No. 1 (2024)
Publisher : Institut Agama Islam Negeri Ponorogo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21154/eltall.v5i1.5716

Abstract

This article would like to expose matter of phallocentrism in short story written by Grace Paley entitled Wants. Phallocentrism itself plays role as the dictations of values of male against female beings. Grace Paley’s short story published in 1974 and tells a woman’s perspective that is so slow and simple in wanting anything. Her ex-husband has certain dream to be achieved, but she only wants to be a good mother and be happy. Through qualitative method on cultural studies, this paper depicts dictation of a man to his ex-wife. This is in line with dictation of man in phallocentrism theorized by Ernest Jones. The woman actually has done many intangible things, but those meant nothing for the man as he wants tangible ones. The man wants to run but the woman prefers to walk. Both of them are lost in time of being together since the ex-husband’s side is too dominant for the ex-wife’s part. In conclusion, the short story explains total difference due to radical dominance instead of living dialogues between man and woman.
The Noteworthiness of Meteion’s Will to Power in Naoki Yoshida’s Final Fantasy XIV: Endwalker Annasai, Axlinabila Annisa; Pasopati, Rommel Utungga; Wijaya, Kusuma; Hariyono, Hariyono; Kartiningsih, Rindrah
Madani: Jurnal Ilmiah Multidisiplin Vol 2, No 2 (2024): Madani, Vol. 2, No. 2 2024
Publisher : Penerbit Yayasan Daarul Huda Kruengmane

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5281/zenodo.10801603

Abstract

This paper examines how Meteion’s Will to Power, a concept central to Friedrich Nietzsche’s philosophy, is manifested within the narrative of Final Fantasy XIV: Endwalker. Meteion is a character from the game Final Fantasy XIV: Endwalker, created by a scientist named Hermes. She and her sisters, known as the Meteia, were made to find the purpose of life but ended up wanting to destroy all existence after seeing too much destruction. Then, how is Meteion’s Will to Power reflected in Final Fantasy XIV: Endwalker? Through qualitative method in explorative approach, this study analyzes the relationship between Meteion’s actions and Nietzschean nihilism, where the disintegration of values leads to a perception of life as meaningless. Nietzsche’s perspective posits the will to power as the primary driving force in humans, emphasizing self-determination and the exertion of one’s will on the environment. Meteion’s journey, marked by despair and a wish to end all suffering, shows how Nietzsche’s idea of the Will to Power can lead to nihilism, moving from a passive to an active form. In conclusion, Meteion’s actions highlight Nietzsche’s belief that overcoming nihilism needs a reevaluation of values, showing the Will to Power’s role in facing existential despair. 
The Imperishable Sacrifice on Ralph Henry Barbour & George Randolph Osborne’s Thicker than Water Nurdin, Dewi Syifanaya Firdausy; Rosyadi, Machfianita Mirza Ayu; Putri, Alvina Salshabilla Linjani; Ramadhani, Riska Dewi; Wijaya, Kusuma; Pasopati, Rommel Utungga
Madani: Jurnal Ilmiah Multidisiplin Vol 2, No 2 (2024): Madani, Vol. 2, No. 2 2024
Publisher : Penerbit Yayasan Daarul Huda Kruengmane

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5281/zenodo.10801627

Abstract

This article underlines the perspective of sacrifice in a flash fiction of Ralph Henry Barbour & George Randolph Osborne entitled Thicker Than Water. Sacrifice is a gift for a better view of the future as it is in line with the short story that shows a sacrifice of a brother to his beloved sister who needs to be blood donated because her blood is thinner than ordinary blood. Through qualitative method in explorative approach, this paper points to the relation between Bataille’s theory and Barbour & Osborne’s short story. In analysis, Barbour & Osborn’s short story shows the sacrifice and sincerity of an older brother who had to donate a lot of blood and even hold the pain for the sake of his younger sister in order to save her from dying. In conclusion, sacrifice in this story is engaged with sincerity in which all goodness of one's self is given to the other.
The Vitalness of Negative and Positive Freedom on Kathy Hoyle’s Breathe Wardhana, Bima Tri; Fatiha, Kayla; Kartika, Ratih; Hamidah, Galuh Fadhelah Aulia; Pasopati, Rommel Utungga; Andharu, Devito; Fadillah, Muhammad Reza Ishadi
Madani: Jurnal Ilmiah Multidisiplin Vol 2, No 3 (2024): Madani, Vol. 2, No. 3 2024
Publisher : Penerbit Yayasan Daarul Huda Kruengmane

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5281/zenodo.10935926

Abstract

This article investigates tensions of positive and negative freedom in a flash fiction of Kathy Hoyle entitled Breathe. The story explores themes of personal growth and resilience through one character's struggle. It fits character development in overcoming challenges and emphasizing the importance of inner strength and self-discovery. Through qualitative method and explorative approach, this paper exemplifies negative freedom with the sense of urgencies in positive freedom. The absence of external restraints must also be accompanied with comprehensive senses of belief. In analysis, the protagonist's journey from vulnerability to strength illustrates the human capacity to endure and transform in the face of life's challenges, highlighting resilience and growth in the face of adversity. In conclusion, it reminds people that even in the darkest of times, they still have the strength to breathe, endure, and ultimately thrive towards following positive freedom.
Moral Disengagements on Iconography of Superhero Films: Black Adam, Captain America: The First Avenger, and Man of Steel Pasopati, Rommel Utungga; Ramadhani, Riska Dewi; Lutvia, Frefies Lavigni Putri; Andharu, Devito; Fadillah, Muhammad Reza Ishadi
CaLLs (Journal of Culture, Arts, Literature, and Linguistics) Vol 10, No 1 (2024): CaLLs, June 2024
Publisher : Fakultas Ilmu Budaya, Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/calls.v10i1.12498

Abstract

This paper exposes collateral damage as representation of moral disengagement in the three superhero films of Black Adam, Captain America: The First Avenger, and Man of Steel. Iconography in superhero film represents ambivalent moral justifications. The superheroes must do everything to ‘save’ the world though it is done by embracing evil, destroying surroundings, or using cunning strategies. Any collateral damage in moral disengagement is considered necessary in order to destroy the source of the problem. The superheroes must do everything to save the day though he/she has to kill, to abuse his/her power, and even be ignorant only to focus on bigger things by sacrificing petty things. As the analysis, the moral disengagement is shown through recurring iconography of superheroes who kill other people and destroy the surrounding. The three superhero films indicate that the actions of the superheroes are only focusing on their own moral values. Collateral damage is considered not only as side effect of superheroes’ action, but also as reflection of their moral disengagement. In conclusion, the values that superheroes hold is universal, but actually, those destroy particular matters. Their moral doings are not totally true, but those are justified as one.
Medical Tourism, Radical Democracy and Its Discontents: The Case of Indonesia Pasopati, Rommel Utungga; Ramadhani, Riska Dewi; Wijaya, Kusuma
The Sunan Ampel Review of Political and Social Sciences Vol. 3 No. 2 (2024): June
Publisher : UIN Sunan Ampel Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15642/sarpass.2024.3.2.131-144

Abstract

This article underlines tensions between medical tourism and radical democracy in Indonesian sense. Medical tourism tends to prioritize those who have money to gain more options, yet change the ideas of medical aspects into such trivial recreations. Meanwhile, radical democracy works to realize such welfare states in which all people could reach better options in life. Radical democracy, as indicated by Ernesto Laclau and Chantal Mouffe, is analyzed through genealogy of hegemony as discourses that are used to be owned by several people are distributed to every person’s needs. Through qualitative method and explorative approach, the analysis of this paper emphasizes on how radical democracy promotes undeveloped people to have better access to basic needs but medical tourism still asks answers from capitalism itself. The discourses will only remain as dialogues while the applications of being ideational have shifted into matters of being recreational. Intertwinements of medical aspects and tourism indeed focuses on those who travel and stay, but will slowly eradicate the truth of the needs of those who need better medical assistances. In conclusion, while radical democracy would like to erode hegemony, medical tourism worsens the situation by pushing more trickle-down effects than fairness and equality before everyone.
The Preservations of Ambivalent Attachment in Tatyana Tolstaya’s Unnecessary Things Fransisca Irnidianis Magdalena Suyaji; Dyah Ayu Ratna Jelita; Gunawan Tjokro; Fransiska Litwin Nurni; Ananda Syahromi Putra; Rommel Utungga Pasopati
Gudang Jurnal Multidisiplin Ilmu Vol. 2 No. 5 (2024): GJMI - MEI
Publisher : PT. Gudang Pustaka Cendekia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59435/gjmi.v2i5.360

Abstract

Abstract This research explores crucial issues regarding processing systems, marketing strategies, and barriers to coconut sugar and rubber production at PTPN 1 Regional 5 Kebun Kalikempit. The aim of the research is to analyze the efficiency of the processing system, evaluate the marketing strategy implemented, and identify the production obstacles faced. Research methods involve field surveys, production data analysis, and interviews with relevant stakeholders. The results of this research reveal the potential for increased efficiency in processing systems, the need to adapt marketing strategies according to market changes, and production constraints that require sustainable solutions to increase productivity in this sector. This study provides in-depth insights that can be the basis for operational and policy improvements at PTPN 1 Regional 5.
The Empathy Of Consummate Love In Devon Daniels’ Meet You In The Middle Salsabila Nova Calista; Falsyawal Galang Smarandreetha; Laila Nabilahtuzzahro Ibrahim; Rommel Utungga Pasopati
Gudang Jurnal Multidisiplin Ilmu Vol. 2 No. 3 (2024): GJMI - MARET
Publisher : PT. Gudang Pustaka Cendekia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59435/gjmi.v2i3.383

Abstract

This article examines how the novel Meet You in the Middle by Devon Daniels portrays the reason for consummate love that causes a long term relationship, which consists of component love of intimacy, passion, and commitment in Triangular Theory of Love by Sternberg. Then, the reason is rooted in interpretation of empathy. Empathy is a physiological reaction that has three components, they are emotional, cognitive, and motivational. It helps people to understand, feel, and care about others, even if it is sometimes hard. The novel tells the story of Kate Adam and Ben Mackenzie, who are liberal and conservative Senate staffers, respectively, and who fall in love despite their ideological differences and professional rivalry. The article analyzes how the novel depicts the challenges and benefits of empathizing with a romantic partner who has opposing political views, and how empathy contributes to the development and maintenance of consummate love. Then, it concludes that the novel offers a hopeful and realistic message that consummate love can bridge the political divide, as long as the partners are willing to empathize with each other and respect their differences.
The Significant Expressions of Distrust and Pessimism to the Police in Franz Kafka’s Give It Up! Diandra Parta Wisnu Dewangga; Kusuma Wijaya; Dzil Fikris Shamad; Bintang Ryan Ananta; Ahmad Maulana Marharendra; Rommel Utungga Pasopati
Gudang Jurnal Multidisiplin Ilmu Vol. 2 No. 3 (2024): GJMI - MARET
Publisher : PT. Gudang Pustaka Cendekia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59435/gjmi.v2i3.399

Abstract

This paper investigates matters of district and pessimism to the police in Franz Kafka’s flash fiction entitled Give It Up!. The story is about a walker who gets lost on a town street and then asks a policeman to find the route to his destination. Unexpectedly, the policeman told the man to give up looking for the path while turning away and laughing. This story reflects the author's expression of distrust then leads to a state of pessimism either as a philosophical doctrine or as a psychological mentality. In analysis through qualitative method, the figure of the police is an analogy of how the attitude of distrust emerged and developed into a form of pessimism especially to public apparatus. In conclusion, distrust and pessimism are not ex nihilo, but such reaction of any ignorance from public apparatus to any civilian.
The Noteworthiness Of Perpetual Justice In James Baldwin's The Bell Of Atri Fennyta Diva Fadilla; Anggoro Cahyo Wicaksono; Dyah Ayu Ratna Jelita; Yovita Olivia; Rommel Utungga Pasopati; Devito Andharu; M Reza Ishadi Fadillah
Gudang Jurnal Multidisiplin Ilmu Vol. 2 No. 4 (2024): GJMI - APRIL
Publisher : PT. Gudang Pustaka Cendekia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59435/gjmi.v2i4.413

Abstract

This article investigates how perpetual justice is prolonged in James Baldwin’s flash fiction entitled The Bell of Atri. Drawing on theories of moral and ethical principles, this study examines the idea of justice that transcends time and its implications in the context of the narrative. There is restorative justice emphasizing on repairing the harm caused by lawlessness and restoring disturbed relationships between perpetrators, victims, and society. Through qualitative approach, this article involves the active participation in the restorative process of apology, reparation, and reconciliation. The Bell of Atri then underscores the importance of moral integrity and fairness in society as it highlights the enduring relevance of ethical principles and the significance of upholding justice across generations. In conclusion, The Bell of Atri emphasizes the importance of the perception of justice in the relationships of fellow beings and the peace within well-being conditions of others.
Co-Authors -Nabilahtauzzahro Ibrahin, Laila -Pujimahanani, Cahyaningsih -Putri Oktafiani, Adelia Adelia Putri Oktafiani Agil, Agischa Putri Agischa Putri Agil Agischa Putri Agil Ahmad Maulana Marharendra Akmal Dafa Hizbullah Akmal Dafa Hizbullah Akmal Dafa Hizbullah Albert Wijaya Kusuma Amirul Mustofa Ananda Syahromi Putra Ananta, Bintang Ryan Andharu, Devito Anggoro Cahyo Wicaksono Anggraeni Ramadhani Anicleta Yuliastuti Anicleta Yuliastuti Anindya Thalita Salsabila Annasai, Axlinabila Annisa Annisa Deby Aulia Asihta Aulia Azzahra Asjad Nina Hanan Ramadhani Attamimi, Fatimah Nurunnada Axlinabila Annisa Anasai Axlinabila Annisa Annasai Ayu Rengganis, Dewi Ayu, Evangelin Rambu Bagus Pratama Wijayanto Bhagaskoro, Pradipto Bhagaskoro, S. Hub, Pradipto Bima Tri Wardana Bintang Indra Wibisono Bintang Ryan Ananta Budianto, Suhartawan Cahyaningsih Pujimahanani Cahyaningsih Pujimahanani Cahyaningsih Pujimahanani, cahyaningsih Camila, Myrilla Shafa Cicilia Tantri Suryawati Dermawan, Zahwa Amelia Putri Devito Andharu Devito Andharu Devito Andharu Dewi Ayu Rengganis Dewi Ayu Rengganis Dewi Syifanaya Firdausy Nurdin Diandra Parta Wisnu Dewangga Djanarko, Indri Dyah Ayu Ratna Jelita Dyah Ayu Ratna Jelita Dzil Fikris Shamad Eka Hesty Rohma Darmawati Erlis Hersetya Firda Erlis Hersetya Firda Erlis Hersetya Firda Evangelin Rambu Ayu Evania Nur Aprilla Fadhelah Aulia Hamidah, Galuh Fadillah, Muhammad Reza Ishadi Falsyawal Galang Smarandreetha Falsyawal Galang Smarandreetha Falsyawal Galang Smarandreetha Falsyawal Smarandreetha Fatiha, Kayla Fatimah Nurunnada Attamimi Fennyta Diva Fadilla Fiona Smith, Marion Firdausy Alya Hasana Flora Anasis Fransisca Irnidianis Magdalena Suyaji Fransisca Irnidianis Magdalena Suyaji Fransisca Irnidianis Magdalena Suyaji Fransiska Litwin Nurni Gadi, Epifanius Karso Seda Galang Smarandreetha, Falsyawal Galuh Fadhelah Aulia Hamidah Galuh Fadhelah Aulia Hamidah Gunawan Tjokro Hamdani, Farham Nazhib Hamidah, Galuh Fadhelah Aulia Hariyono Hariyono Hariyono Hariyono Hariyono Hariyono Hasana, Firdausy Alya Hirshi Anadza Hizbullah, Akmal Dafa Ibrahim, Laila Nabilahtuzzahro Indri Djanarko, Indri Ishadi Fadillah, M Reza Isnin Ainie Johanes Claudio Perdana Napitupulu Johanes Claudio Perdana Napitupulu Kartika, Ratih Kartiningsih, Rindrah Katarina Surensa Khaled Ahmed Mohammed Khaled Ahmed Mohammed Kheista Sasi Kirana Kheista Sasi Kirana Kheista Sasi Kirana Kirana, Kheista Sasi Komang Sinta Puspayani Kostavialdus Setiadi Kurniawati, Wiwin Anggraeni Kusuma Wijaya Kusuma Wijaya Kusuma Wijaya Kusuma Wijaya Kusuma Wijaya Kusuma Wijaya Kusuma, Albert Wijaya Laila Ibrahim Laila Nabilahtauzzahro Ibrahim Laila Nabilahtuzzahro Ibrahim Laila Nabilahtuzzahro Ibrahim Laila Nabilahtuzzahro Ibrahim Laura Ika Angelina Arfina Putri Lina Fadiyah Listyaningsih Listyaningsih Listyaningsih Listyaningsih Listyaningsih Listyaningsih Livia Wulandari Luh Putu Ratna Sundari Lutvia, Frefies Lavigni Putri M Reza Ishadi Fadillah M Reza Ishadi Fadillah M Reza Ishadi Fadillah Margaretha, Sherlly Maulidia Nur Faulina Michelle, Michelle Mikail, Izzaditya Dharmaputra Mohammad Mirza Mohammed, Khaled Ahmed Muchammad Daffa Firzatullah Muchammad Daffa Firzatullah Muhammad Abu Rijal Fahmi Muhammad Adji Mullah Akbar Muhammad Daffa Firzatullah Muhammad Ilham Rahmansyah Muhammad Reza Ishadi Fadillah Mulyanto , Luke Zefanezra Myrilla Shafa Camilla Napitupulu, Johanes Claudio Perdana Naufal Nafis Nensy Megawati Simanjuntak Ni Nyoman Sarmi Ni Nyoman Sarmi Ni Nyoman Sarmi Ni Nyoman Sarmi Ni Nyoman Sarmi Ni Nyoman Sarmi, Ni Nyoman Ni Putu Nia Damayanti Nia Ayu Fitriani Noviyanti, Anisa Dinda Nurdin, Dewi Syifanaya Firadausy Nurdin, Dewi Syifanaya Firdausy Ohei, Sugisaka Oktafiani, Adelia Putri Oktavia, Dian Oktavia, Salsabila Adinda Pandu Bagus Sutowijoyo Pangestu, Imelza Novia Rakhmadani Pradipto Bhagaskoro Putra, Ananda Syahromi Putri Ayu Millenia Putri, Adinda Putri, Alvina Salshabilla Linjani Raddine Salsabiyla Raddine Salsabiyla Ramadhani, Anggraeni Ramadhani, Riska Dewi Reku, Angelina Merici Wua Rengganis, Dewi Ayu Rindrah Kartiningsih Rindrah Kartiningsih Riska Dewi Ramadhani Riska Dewi Ramadhani Riska Dewi Ramadhani Riza, Dwi Ainur Rosyadi, Machfianita Mirza Ayu Salsabila Adinda Oktavia Salsabila Calista Salsabila Nova Calista Salsabila Nova Calista Salsabila Nova Calista Salsabila, Anindya Thalita Salsabila, Shafa Sanjaya Ahmad Hidayat Santoso, Liora Samantha Valent Saputro, Dimas Eko Sasmita, Dimas Rakhmat Serly Maulina Syaif Shellamita Zahra Sherlly Margaretha Siadari, Yoshua Veron Handika Putra Sinta Uli Simbolon Siti Wulandari siti wulandari Smarandreetha, Falsyawal Galang Soenarko, Zahra Pramatatya Suyaji, Fransisca Irndianis Magdalena Suyaji, Fransisca Irnidianis Magdalena Syarifuddin Syarifuddin Syarifuddin Syarifuddin Syarifuddin Syarifuddin Syarifuddin Syarifuddin, S. Hub. Int., M. Si., Syarifuddin Tobing, Victor Maruli Tua L. Toto Indra Wijaya Victor Maruli Tua L. Tobing Victor Maruli Tua L. Tobing Vivi Nur Aini Susanto Wahyu Widayati Wardhana, Bima Tri Wijaya, Kusuma Wijaya, Silvia Marta Wijaya, Toto Indra Wijayanto, Bagus Pratama Wirnoto, Yasmine Azzah Adillah Yasmine Azzah Adillah Wirnoto Yasmine Azzah Adillah Wirnoto Yoshua Veron Handika Putra Siadari Yoshua Veron Handika Putra Siadari Yoshua Veron Handika Putra Siadari Yovita Olivia Yuliastuti, Anicleta Zaimudin, Ashlaha Baladina Zaky, Raffi Ahmad Zhafirah, Muthiah Qalbu