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The Meaning of Communication in Fashion Style of Muslim Student in Institut Agama Islam (IAI) Al-Aziziyah Samalanga Bireuen Aceh Saiful Bahri
Budapest International Research and Critics Institute (BIRCI-Journal): Humanities and Social Sciences Vol 3, No 3 (2020): Budapest International Research and Critics Institute August
Publisher : Budapest International Research and Critics University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33258/birci.v3i3.1145

Abstract

Changes in Muslim fashion trends will not be dammed and will continue to experience changes. Different from the previous year, where the trend of Muslim clothing in Indonesia tends to show an experimental trend. This year, the experimental trend has shifted to a long head covering known as the hijab syar’i. The term shari'i used, refers to Muslim women's clothing where the clothes, according to the Islamic Shari'ah guidance. Therefore, many call this ongoing fashion trend with shar'i hijab. Moving on from that thought, the problem to be investigated in this research is the meaning of Muslimah fashion communication style for Al-Aziziyah Samalanga Bireuen Aceh's Islamic Religion Institute (IAI) students. To uncover the problem thoroughly and deeply, this study uses a qualitative descriptive method that is useful for providing data and facts about the meaning of communication in the style of Al-Aziziyah Samalanga Islamic Institute (IAI) student dress style. Then the data were analyzed with the basis of the thought of George Herbert Mead and the principle of George Ritzer, in order to obtain a deep meaning about the student's fashion style. Meaning is produced from religious background, motives, and social environment. After that, meaning is modified through an interpretive process, and then individuals develop self-concepts through interactions with others. Self-concept provides an important motive for behavior and expression in choosing a style of dress. From the results of the study it was found that the meaning of communication style of Muslim female students of the Islamic Religious Institute (IAI) Al-Aziziyah Samalanga was produced from a background of religiosity, motives, and social environment. Then, individuals do the process of self-communication and produce a meaning that is interpreted through clothing. Some of the meanings of communication of Muslim female student fashion styles The Islamic Religious Institute (IAI) Al-Aziziyah Samalanga are produced based on the female Muslim students' fashion styles, namely: The meaning of Muslimah women's fashion styles as self-identities, the meaning of Muslimah women's fashion styles as a lifestyle, and the meaning of Muslim women's clothing styles as a form of obedience. Fashion communication is produced through the use of various symbols and fashion styles, so that the attitudes and behaviors of the user are reflected and generate direct appreciation through the interaction of people around. Several ways of meaning female students of communication style of Islamic clothing Islamic Institute of Islam (IAI) Al-Aziziyah Samalanga communicates Muslim clothing styles: Dressing in one color from top to bottom, fashion that is in accordance with Islamic law and ignores the trend of the times, follows the trend of Muslim fashion at the time that, dress in colors, mix and match the color of clothing.
The Veil Practice of Ustazah Dayah Jeumala Amal in Terms of the Theory of Social and Legal Change Muhammad Haikal; Saiful Bahri; Muntazir Fahri
Budapest International Research and Critics Institute (BIRCI-Journal): Humanities and Social Sciences Vol 4, No 3 (2021): Budapest International Research and Critics Institute August
Publisher : Budapest International Research and Critics University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33258/birci.v4i3.2565

Abstract

The COVID-19 pandemic has made big changes in the world including Indonesia, Dayah Jeumala Amal which is in Indonesia also has an influence, one of which is the behavior of using the veil of her ustazah. This research is descriptive analytic with mixed types whose sources are obtained from the field and literature. There are two scientific questions, the first is the cause of the use of the veil and the second is the relationship between the use of the veil and changes in the law. The results of the study show that the use of the veil is based on religion and a change in law is the right time to use it.
Co-Authors Abas Sato Abdul Basyit Abu Bakar, Miftahuddin Adek Saputra Adi Apriadi Adiansha Adi Fahrudin Adilia Galuh Pramantari Adina Zikra Afian Bayu Aji Kusuma Ahmad Zaki Ainun Wulandari Al Qadri, Muhammad Alfioni Wulandari J.E Ali Yusri Alifia Afiani Alifia Putri Salsabila Amri Amri Ana Yulyana Anas Gilang Pratama Andri Astuti Itasari Andriyani Andry Setiawan Anita Diyanah Anton Setiawan Honggowibowo Awang Saputra Ayu Rosiani Rosiani Buddy Riyanto Cut Intan Hayati Cut Intan Mustika Cut Marysa Linda Daniel Happy Putra Dara Fitrah Dwi Deanna Durbin Hutagalung Deni Martin Desi Natalia Sinaga Deviona ' Dewi Ratna Nurhayati Dwi Kartika Een Erlina Eko Mugiyanto Elvira Ningsih Elza Zuhry Endang Retno Fadhli Almu’iini Ahda Fakhrurazi, Fakhrurazi Farhan Maulana Fatimah Fauziansyah Febriani, Amelia Fida Risma Dewi Firdaus Syah Fransine B. Manginsela Fransiska Mardiyana Galih Novdiantoro Gulo, Cindy Angelina Hanafiah, Mahmudi Hanik Faizah Hasarah Hening Purwati Parlan Herdini Hervianti Nurfitria Nugrahani Hudzafidah, Khusnik Ibnurozi Khalid Darmawan Ibrahim Ida Apriyani Ifa Nofita Dewi Ika Maruya Kusuma Imam Syafi’i Iqbal ISKANDAR Jalaluddin Jayawarsa, A.A. Ketut Joko Wahyudi Karsiati Khusnik Hudzafidah Kiki Candri Kusuma, Wahyu Andrian Lailatul Maghfirah Lawrence J. L. Lumingas Levti Norisa Bely Lidia Anggita Ramadhani Lili Musnelina Luh Putu Ratna Sundari M Fatchurrohman majidah, nurfitriyah Marsa Falihah Martunis Martunis Marwan Marwan Maskudi Mastura Masyitoh Mela Artika MISBAKHUL MUNIR Misral Khatani moh lutfi Moh. Lutfi Muhaddis Muhaddis Muhamad Takhim Muhammad Adhari Muhammad Choirin Muhammad Fachri Muhammad Fiqih Ubaidi Muhammad Haikal Muhammad Labib Muhammad Osama Mukarramah Mustari, Mukarramah Munaya Fauziah Muntazir Fahri Munzir Munzir Mustajir Nahuda Naili Suraya Ninda Parwati Norma Ita Sholichah Novia Winda Novita Eka Kumalasari Nursaib Asra Nurul Afini Nuryoto Priyono Priyono Rabiatul Adawiyah rafizal Raghib Filhaq Rahmah, Nisa Aulia Rajib Muammar Refdanita Ridissa Queentari Rina Purnama Sari Riyadi, Ridho Rizky Handayani Rohmatul Maula Rosario Trijuliamos Manalu Rosnawati Br Solin Ruswanto Saddam Hosen Safira Bella Justitia Said Fadhlain Sarah Febrianti S Sari Rizki Sartono Joko Santosa Satuhu satuhu Satuhu Shofiah Mazfi Sibawayhie, M Haris Miftah Silfiana Simahate Siswadi Siswadi Siti Nuraini Sofiya Amira Sri Indriyanti Sri Rahmany Suci Tiara Suhaimah Sukmarini, Herlin Sulistiawan Purnomo Aji Supala Suseno Hadi Purnomo sutanti sutanti suyat suyat Syafriana, Vilya Syarfun Huda Syukri Syukri T. Roli Ilhamsyah Putra Tegar Dadang Dadang Teguh Kurniawan Teodhora, Teodhora TRI WULANDARI umi kalsum Wahidah Sanusi Wintolo, Hero Y. Sartono Joko Santosa Yanti Susanty Yayah Siti Djuhariah Yuli Yanti Yusril Bariki Yustika Rahma Zabitha Zahwa Zahriyanti Zalif Zalif Zurina