Article Per Year (5 Year)
p-Index From 2021 - 2026
16.139
P-Index
This Author published in this journals
All Journal Diglossia J-Simbol: Jurnal Magister Pendidikan Bahasa dan Sastra Indonesia Jurnal Kata: Bahasa, Sastra, dan Pembelajarannya JURNAL KEPEMIMPINAN DAN PENGURUSAN SEKOLAH Jurnal Manajemen Pendidikan Jurnal Kajian Bahasa, Sastra dan Pengajaran (KIBASP) Pendas : Jurnah Ilmiah Pendidikan Dasar Ghancaran: Jurnal Pendidikan Bahasa dan Sastra Indonesia Likhitaprajna: Jurnal Ilmiah Fakultas Keguruan Ilmu Pendidikan Universitas Wisnuwardhana Malang Edukasi Lingua Sastra Jurnal Sosiologi, Antropologi, dan Budaya Nusantara Education, Language, and Arts: Jurnal Pengabdian Kepada Masyarakat Jurnal Pengabdian Sosial Indonesia Jurnal Bima: Pusat Publikasi Ilmu Pendidikan Bahasa dan Sastra Riwayat: Educational Journal of History and Humanities Sintaksis: Publikasi Para Ahli Bahasa dan Sastra Inggris Filosofi: Publikasi Ilmu Komunikasi, Desain, Seni Budaya Jurnal Ikadbudi : Jurnal Ilmiah Bahasa, Sastra, dan Budaya Daerah Blaze: Jurnal Bahasa dan Sastra dalam Pendidikan Linguistik dan Pengembangan Nuwo Abdimas PESHUM Jurnal Tiyuh Lampung: Pendidikan Bahasa dan Kebudayaan Jurnal Punyimbang Jurnal Selaksa Makna Jurnal Buana Kata: Pendidikan, Bahasa, dan Ilmu Komunikasi Saka Bahasa: Jurnal Sastra, Bahasa, Pendidikan, dan Budaya Prakata: Jurnal Bahasa dan Sastra Indonesia Serta Pembelajaran Prosiding Seminar Nasional Pendidikan FKIP Universitas Lampung Research in Education, Technology, and Multiculture
Rahmat Prayogi, Rahmat
Universitas Lampung
Religion Arts Humanities Computer Science & IT Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Library & Information Science Mathematics Social Sciences Other

Published : 138 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 138 Documents
Search

 10   11   12   13   14 
PENGUATAN KOMPETENSI GURU SEKOLAH DASAR MELALUI IMPLEMENTASI MODEL NGULAM SIKUT DAN WAK SAI LIMA UNTUK MENDUKUNG REVITALISASI BAHASA LAMPUNG Yinda Dwi Gustira; Siti Samhati; Mulyanto Widodo; Rahmat Prayogi; Septia Uswatun Hasanah; Mei Fatmila Sari; Sandika Ali; Siska Meirita; Andriansyah
Education, Language, and Arts: Jurnal Pengabdian Kepada Masyarakat Vol 5 No 1 (2026): Education, Language, and Arts: Jurnal Pengabdian Kepada Masyarakat
Publisher : Jurusan Pendidikan Bahasa dan Seni, FKIP Universitas Lampung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23960/ela.v5i1.2135

Abstract

This community service program aimed to strengthen elementary school teachers' competencies through the implementation of two innovative instructional models: NGULAM SIKUT (Ngunut Pengalaman Sai Likut), developed based on the Experiential Learning approach, and WAK SAI LIMA (Nawak Sai Diliyak Mata), which emphasizes modeling within the framework of Active, Creative, Effective, and Joyful Learning (PAKEM). The program was conducted through five stages: needs assessment, workshop, instructional material development, implementation mentoring, and evaluation. Data were collected using pretest-posttest assessments, classroom observation, instructional product evaluation, and participant response questionnaires. The findings demonstrated significant improvements in teachers' pedagogical knowledge, instructional skills, and professional attitudes. Participants also expressed highly positive responses toward the program, indicating that both models were practical and applicable in elementary school settings. The program contributes not only to improving the quality of Lampung language instruction but also to supporting regional language revitalization through strengthening teachers' instructional capacity.   Program pengabdian kepada masyarakat ini bertujuan untuk memperkuat kompetensi guru sekolah dasar melalui implementasi dua model pembelajaran inovatif: NGULAM SIKUT (Ngunut Pengalaman Sai Likut), yang dikembangkan berdasarkan pendekatan Experiential Learning, dan WAK SAI LIMA (Nawak Sai Diliyak Mata), yang menekankan pada pemodelan dalam kerangka Pembelajaran Aktif, Kreatif, Efektif, dan Menyenangkan (PAKEM). Program ini dilaksanakan melalui lima tahapan: analisis kebutuhan, lokakarya (workshop), pengembangan materi pembelajaran, pendampingan implementasi, dan evaluasi. Data dikumpulkan menggunakan penilaian pretest-posttest, observasi kelas, evaluasi produk pembelajaran, dan angket respons peserta. Temuan menunjukkan adanya peningkatan yang signifikan pada pengetahuan pedagogis, keterampilan instruksional, dan sikap profesional guru. Peserta juga menyampaikan respons yang sangat positif terhadap program ini, yang menunjukkan bahwa kedua model tersebut praktis dan dapat diterapkan di lingkungan sekolah dasar. Program ini tidak hanya berkontribusi pada peningkatan kualitas pembelajaran bahasa Lampung, tetapi juga mendukung revitalisasi bahasa daerah melalui penguatan kapasitas instruksional guru.
Motivasi di Balik Bubandung Ingek Pek Mulang: Kajian Karya Efendi Sanusi Bila Fitri Pratama; Siti Nuraini Indriasih; Rahmat Prayogi; Bambang Riyadi
Jurnal IKADBUDI Vol. 14 No. 3 (2025): Jurnal Ikadbudi : Jurnal Ilmiah Bahasa, Sastra, dan Budaya Daerah
Publisher : Fakultas Bahasa Seni dan Budaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/ikadbudi.v14i3.79836

Abstract

This research is entitled "The Motivational Meaning Behind Bubandung Ingek Pek Mulang: A Study of Efendi Sanusi's Work". The purpose of this research is to find out the meaning of Bubandung Ingek Pek Mulang. This research uses qualitative literature study. In Effendi Sanusi's book "Remember Where to Return", he shows how linguistic and cultural signs shape motivational meaning. The author creates a symbolic relationship between the signifier and the signified, using markers such as poetry verses that tell the story of the Big Dipper's journey to Lampung Bay and the moral message it conveys. Here, religious and moral messages are the focus. The use of these signs is intended to convey a religious message about how important it is to remember Allah at all times in life, emphasizing moral principles such as obedience, devotion, and responsibility.Penelitian ini berjudul "Makna Motivasi Di Balik Bubandung Ingek Pek Mulang: Kajian Karya Efendi Sanusi". Tujuan dari penelitian ini adalah untuk mengetahui makna dari Bubandung Ingek Pek Mulang. Penelitian ini menggunakan studi pustaka kualitatif. Dalam buku Effendi Sanusi "Ingat Tempat Kembali", dia menunjukkan bagaimana tanda-tanda linguistik dan kultural membentuk makna motivasi. Penulis menciptakan hubungan simbolis antara penanda dan petanda, menggunakan penanda seperti bait-bait puisi yang menceritakan perjalanan biduk ke Teluk Lampung dan pesan moral yang disampaikan. Di sini, pesan agama dan moral menjadi fokus. Penggunaan tanda-tanda ini dimaksudkan untuk menyampaikan pesan keagamaan tentang betapa pentingnya mengingat Allah setiap saat dalam hidup, menekankan prinsip-prinsip moral seperti kepatuhan, pengabdian, dan tanggung jawab.
Poems in the Menggala Wedding Tradition Iqbal Hilal; Munaris; Muharsyam Dwi Anantama; Rahmat Prayogi
Jurnal IKADBUDI Vol. 14 No. 2 (Special Issue) (2025): Jurnal Ikadbudi : Jurnal Ilmiah Bahasa, Sastra, dan Budaya Dae
Publisher : Fakultas Bahasa Seni dan Budaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/ikadbudi.v14i2.91606

Abstract

The art of poetry is one of the unique cultural heritages of the people of Menggala Regency. Initially, this oral tradition of art was a form of expression of someone's feelings which was processed in the form of artistic performances. Poetry art thrives in various areas of Lampung, including Krui, South Lampung, Tanggamus, Central Lampung and North Lampung. Each region has its own unique rhythm. Poetry is a form of literature that is conveyed orally, usually through speech or live performance. The content of the poetry can be in the form of advice, criticism, aspirations, or expressions of joy. This research was carried out because proficiency in the art of such poetry is very rare. The aim of this research is to revive people's skills regarding the art of poetry which has almost become extinct. The research method used is descriptive qualitative with data collection techniques through observation and literature study. The results of the research show that the oral tradition of poetry functions as an artistic and cultural medium that connects the older generation with the younger generation or between society and the government to convey aspirations, suggestions, criticism or expressions of happiness. Several efforts have been made to preserve, utilize and develop this poetry art through schools, galleries and traditional art festivals.
Program Sarigabah (Satu Hari Tiga Bahasa) Sebagai Upaya Pelestarian Budaya dan Penguatan Multibahasa: Studi Kasus di SDN 1 Mangkujayan Lailatul Hidayati; Ahmad Mu'is; Rahmat Prayogi; Syaiful Kiram
GHANCARAN: Jurnal Pendidikan Bahasa dan Sastra Indonesia SPECIAL EDITION: LALONGET VI
Publisher : Tadris Bahasa Indonesia, Fakultas Tarbiyah, Institut Agama Islam Negeri Madura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19105/ghancaran.vi.21751

Abstract

Globalization has contributed to a decline in children's familiarity with local languages and cultures. This situation calls for educational strategies that preserve local heritage while fostering early multilingual skills. This study explores the meaning and implementation of the Sarigabah (One Day, Three Languages) program at SDN 1 Mangkujayan as a cultural preservation and multilingual education effort. Using a qualitative case study approach, data were collected through interviews, observations, and documentation involving three teachers and six students. The findings show that Sarigabah integrates the use of Indonesian, Javanese, and English within a single school day according to a set schedule. The inclusion of Reog Ponorogo traditional attire enhances cultural values. Teachers and students actively participate, show pride, and develop greater confidence in using both local and foreign languages. The program fosters a culturally rich, multilingual learning environment. Thus, Sarigabah is an effective model of local wisdom-based education to address global challenges.
KEBUDAYAAN BEGAWI CAKAK PEPADUN DI TULANG BAWANG BARAT DALAM PERSPEKTIF POSKOLONIALISME Shelvia Putri; Nova Lisna; Rahmat Prayogi
Jurnal Manajemen Pendidikan Vol. 10 No. 4 (2025): Regular Issue
Publisher : STKIP Pesisir Selatan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34125/jmp.v10i4.984

Abstract

Culture is a representation that reflects the character and identity of a community. One of the traditions that continues to exist amid the strong influence of modernization is Begawi Cakak Pepadun, a customary ceremony distinctive to the Lampung Pepadun people, particularly in the Tulang Bawang Barat region. This tradition is not merely a ritual to inaugurate a penyimbang (traditional leader) or to bestow an honorary title, but it also embodies noble values such as mutual cooperation (sakai sambaian), Piil Pesenggiri (dignity and honor), and social responsibility toward the community. This study aims to (1) describe the implementation of the Begawi Cakak Pepadun tradition in Tulang Bawang Barat, and (2) analyze this cultural practice from a postcolonial perspective to understand how indigenous communities preserve their traditions amid colonial legacies, modernization, and globalization. The findings reveal that the implementation of Begawi consists of several main stages, namely preparation, manjau and ngedio, cangget (celebratory night), turun mandei, and cakak pepadun. Each stage holds symbolic meanings that represent togetherness and respect for ancestors. From a postcolonial perspective, Begawi Cakak Pepadun can be seen as a form of cultural resistance against colonial influence and as a process of reclaiming local identity. Although modernization has introduced changes such as the use of technology and adjustments in the duration of the ceremony, the Lampung people continue to preserve the spiritual and social essence of the tradition through mutual cooperation, cultural education for the younger generation, and the strengthening of customary institutions. Thus, Begawi is not merely a relic of the past but also a symbol of cultural continuity and resistance against global domination.
BUHARAK LAMPUNG SAIBATIN SEBAGAI PELESTARIAN BUDAYA LAMPUNG PESISIR Atha Nabitha Salsabila; Serlia Maharani; Mulyanto Widodo; Rahmat Prayogi
Jurnal Manajemen Pendidikan Vol. 10 No. 4 (2025): Regular Issue
Publisher : STKIP Pesisir Selatan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34125/jmp.v10i4.1056

Abstract

This study aims to describe and analyze the Buharak tradition among the Lampung Saibatin community as a form of cultural preservation in the Lampung Pesisir region. Buharak is a wedding procession held after the marriage ceremony with the aim of introducing the couple to the community while affirming the honor of the family and social status in the Saibatin customary system. This study uses a descriptive qualitative method with in-depth interview techniques, participatory observation, and documentation studies of traditional leaders, ritual performers, and coastal communities. Data analysis is carried out through a thematic approach with stages of reduction, categorization, and interpretation of meaning. The results show that Buharak has three main functions: as a social glue that strengthens community solidarity and mutual cooperation (sakai sambayan); as a marker of status and customary legitimacy that reflects the hierarchical social structure of the Saibatin community; and as an arena for negotiating modernity, where the younger generation and religious leaders adapt traditional practices to align with Islamic norms and current socio-economic conditions. This adaptation is evident in the simplification of the duration of the procession, reduction of costs, integration of religious elements, and digital documentation that expands the scope of cultural preservation.
STRATEGI PELESTARIAN TRADISI NGELEMANG SEBAGAI WARISAN KULINER BUDAYA PADA GENERASI MUDA DI LAMPUNG BARAT Egi Gusti Al Fajri; Rizky Agung Abadi; Rahmat Prayogi
Jurnal Manajemen Pendidikan Vol. 10 No. 4 (2025): Regular Issue
Publisher : STKIP Pesisir Selatan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34125/jmp.v10i4.1075

Abstract

Indonesia is a nation with a rich diversity of cultures, due to its hundreds of millions of inhabitants from various ethnic groups spread from Sabang to Merauke. This is in line with Maulida's opinion that Indonesian culture is a combination of various local cultures found in every region of Indonesia. This culture continues to evolve over time, influenced by the community's desire for change and adaptation in cultural aspects.Culture is an important element that binds individuals in society, encompassing various systems such as beliefs and traditions. Indonesia, with its cultural diversity, has many traditions that have been passed down from generation to generation. One example is the Ngelemang tradition in Lampung, which is the process of cooking lemang, a traditional food made from sticky rice. In this study, qualitative and ethnographic methods were used to understand the essence and preservation of this tradition. Ngelemang is not just a cooking activity, but also a means of strengthening social interaction and communal identity. Preservation strategies involve the active role of the younger generation, who are expected to not only be successors but also promoters through digital media, so that this tradition remains alive and relevant in everyday life.
Maksim Kuantitas pada Dialog Karakter dalam Film Pendek “Limau Tahluy” Pada Saluran Youtube Naila Agustin; Fena Audy Yena Freskela; Rahmat Prayogi; Mulyanto Widodo
Edukasi Lingua Sastra Vol 24 No 1 (2026): Edukasi Lingua Sastra
Publisher : Universitas Muhammadiyah Kotabumi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47637/elsa.v24i1.2088

Abstract

This study aims to describe the application of the maxim of quantity in the character dialogue in the short film Limau Tahluy which is broadcast on the YouTube channel. The maxim of quantity is one of Grice's cooperative principles that applies so that speakers provide sufficient, clear and appropriate information, without excess or deficiency. The research method used is descriptive qualitative with data collection techniques through the method of free listening and conversation (SBLC). The data are in the form of character speech in the film that shows compliance and violation of the maxim of quantity. The results show that the dialogue in the film Limau Tahluy shows two forms of the application of the maxim of quantity, namely compliance and violation. Compliance occurs when the speaker provides relevant and sufficient information, while violation occurs when the information conveyed is too little, excessive, or irrelevant. These violations do not always have a negative impact, because they are often used to express emotions, familiarity, and character of the characters. Overall, the application of the maxim of quantity in the film Limau Tahluy shows the polite, expressive, and contextual way of communication of the Lampung people in accordance with local cultural values. Penelitian ini bertujuan untuk mendeskripsikan penerapan maksim kuantitas dalam dialok karakter pada film pendek Limau Tahluy yang di tayangkan di saluran YouTube. Maksim kuantitas merupakan salah satu prinsip kerja sama Grice yang menerapkan agar penutur memberikan informasi yang cukup, jelas dan sesuai kebutuhan, tanpa berlebihan dan kekurangan. Metode penelitian yang digunakan adalah deskriptif kualitatif dengan teknik pengumpulan data melalui metode simak bebas libat cakap (SBLC). Data berupa tuturan tokoh dalam film yang menunjukkan kepatuhan dan pelanggaran terhadap maksim kuantitas. Hasil penelitian menunjukkan bahwa dialog dalam film Limau Tahluy memperlihatkan dua bentuk penerapan maksim kuantitas, yaitu kepatuhan dan pelanggaran. Kepatuhan muncul ketika penutur memberikan informasi yang relevan dan secukupnya, sedangkan pelanggran terjadi ketika informasi yang di sampaikan terlalu sedikit, berlebihan , atau tidak relevan. Pelanggaran tersebut tidak selalu berdampak negatif, karena sering digunakan antuk mengekspresikan emosi, keakraban, dan karakter tokoh. Secara keseluruhan, penerapan maksim kuantitas dalam film Limau Tahluy menujukkan cara komunikasi masyarakat lampung yang sopan, ekspresif, dan kontesktual sesuaidengan nilai budaya lokal.
Co-Authors Abadi, Rizky Agung Achyari, Asrul Adelio Alvaro Aditama, Haryuda Afni, Vernia Nur Agustina , Dhita Aulia Ahmad Mu'is Ainunnisa, Aisyahvira Salwa Alfanny Pratama Fauzy Alfina Fistalita Ali Mustofa Ali Mustofa Alvindra, Alya Putri Alya Putri Alvindra Amalia, Romaisya Amelia, Elda Andriansyah Anggraini, Dwi Susi Anggraini, Sabryna Annajar, M. Naufal Ardana, Rafli Dwi Asrul Achyari Atha Nabitha Salsabila Atik Kartika Aulia Yunisa Aulia, Miya Aulia, Sindy Azarine Kayla Bagus Sahmega Balqis, Syira Amanah Bambang Riadi Bambang Riyadi Betnawati Betnawati, Betnawati Bila Fitri Pratama Budiman , Ahmad Arif Celshy Audrielia Rahman Cinta Adinda Nur Jane Daffa Hibban Bahrisy Damayanti, Dwi Darma Devanza Nur Dea Yulianita Defi, Dini Ananda Della Eka Putri Delta Anggraeni Delvina Maulhy Azahra Hulu Deni wahyu Saputra Destiana, Nindy Destiani Destiani Detia Aulia Oktarina Dewi Nur Azizah Dewi Ratnaningsih Dewi Yanti Dhaivina Gustiani Putri Dhalimah, Septia Dhita Aulia Agustina Dhiya Ulhaq Zafira Diah Ayu Dinda Ferika Khairunnisa Dini Ananda Defi Duta Inovasi Wibowo Dwi Agustiana Putri Dwi Damayanti Dwi Rahma Safitri Edi Suyanto Egi Gusti Al Fajri Eka Sofia Agustina Eka Sofia Agustina Elly Nur Fatimah Elsya Salsabila Fajri, Egi Gusti Al Faktiah, Harummi Fauzi , Irfan Febra Anjar Kusuma, Febra Anjar Felisa, Nadia Fena Audy Yena Freskela Fifi Mutia Sari Filmansah, Een Firnanda, M. Evan Fitri Nur Hidayah Hardi Sagita Harummi Fakhtiah Haryuda Aditama Hayati, Dwi Herga , Rafa Maritza Heru Prasetyo Hidayatullah, Maikel Humaira, Fannisa I Wayan Ardi Sumarta I Wayan Mustika Iqbal Hilal Iqbal Hilal Irawan Suprapto Irawan, Putri Calista Irma Bela Oktaviana Istiqomah Nurzafira Jane, Cinta Adinda Nur Jimny, Zahra Adellia Dewi Khairunnisa, Dinda Ferika Khotman, Desy Rahmawati Kouri Asyiah Kurniawan, Aldo Kurniawan, Rizaldi Yosep Kurniawati Kurniawati Kurniawati Kurniawati Kusuma, Nirma Fadia Lailatul Hidayati Latifah, Umun Lesti Susanti Lisna, Nova Maharani , Syifa Maharani, Salwa Pramesti Maharani, Serlia Maikel Hidayatullah Marlisa, Ani Marya Utari Marza Utari Utari Mawardi, Raisya Thania Mei Fatmila Sari Meilinda Tiara Putri Meirita, S.Pd., M.Pd., Siska Melia Pitriyani Meyriska, Alya Selsa Mila Sari Mildawati, Arini Mira Fitri Yani Monica, Rosa Dina Muhammad Arfa Reza Muhammad Fuad Muhammad Rafi Munandar Muhammad, Ulul Azmi Muharidha, Suharti Muharsyam Dwi Anantama Mulyanto Widodo Mulyanto Widodo Mulyanto Widodo Munandar, Muhammad Rafi Munaris . Mustika , I Wayan Mutiara Ananda ZR Nabila Trya Nabila, Julia Putri Nadia Felisa Nadila Ayu Putri Naewa Puarada, Friska Dewi Nahdliyya Izzatul Mutammimah Naila Agustin Nanalia Nereus Eko Prasetyo Nindi Sintia Nova Lisna Nur Halimah Nur Hikmawati Adinda Nur Irwan Syah Nur, Darma Devanza Nurjanah, Vivi Baity Nurlaksana Eko Rusminto Nurlaksana Eko Rusminto Nurlelawati, Nurlelawati Prasetyo, Nereus Eko Purwoko, Agus Puspita, Citra Putri Calista Irawan Putri, Claudiana Omega Putri, Della Eka Putri, Meilinda Tiara Putri, Shelvia Putri, Shulamid Shania Permata Putri, Tania Aurellia Rafa Maritza Herga Rahmatika, Zidny Rizka Rahmawati, Annisa Az-Zahra Raisya Thania Mawardi Ramadhany, Nurul Astry Rani Oktavia Ratu, Puja Bidi Reihan Franige Restiani, Kharisma Reza, Muhammad Arfa Riadi , Bambang Riadi, Bambang Rian Andri Andri Prasetya Rian Andri Prasetya Riansyah, Zadra Riska Sukma Triyani Riskika, Septia Rizky Agung Abadi Ronalta, Ratna Rahayu Rosa Dina Monica Sabilla Mukhtar, Amalia Safei Soleh Safira Salsabila Safitri, Dwi Rahma Safitri, Reni Septi Sagita, Hardi Sahmega, Bagus Salsabila, Atha Nabitha Salsabila, Elsya salsabila, safira Sanah Riah Sandika Ali Saputra, Deni wahyu Saputra, Dira Sari, Arivia Tri Novita Sari, Ima Permata Septia Uswatun Hasanah Septia Uswatun Hasanah Serlia Maharani Shantiya, Dela Shelvia Putri Sintia, Nindi Siska Meirita Siswoyo, Joan Siti Hasanah HS Siti Nuraini Indriasih Siti Samhati Soleh, Safei Solina Solina Sudirman Husin Sulistiyanti Khalizah Sumarti Sumarti Sumarti Sunarti, Iing Syah, Nur Irwan Syaiful Kiram Syifa Athiyyatus Zuhro Syira Amanah Balqis Tania Aurellia Putri Tiara Brilliant Tiara Nazila Dewi Tri Kuryanti Triyani, Riska Sukma Ubaidillah, Muhammad Umun Latifah Utami, Annisa Widya Utari, Marya Utari, Marza Utari Vernia Nur Afni Wahyuni, Lena Wibowo, Duta Inovasi Yani, Mira Fitri Yanti, Dewi Yinda Dwi Gustira Yulianita, Dea Yunisa, Aulia Yustiana, Berlianna Asih Zafira, Dhiya Ulhaq Zahra Adellia Dewi Jimny ZR, Mutiara Ananda