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All Journal Shaut Al-'Arabiyah JIA (Jurnal Ilmu Agama) ELS Journal On Interdisciplinary Studies in Humanities Pendas : Jurnah Ilmiah Pendidikan Dasar Al Mi’yar: Jurnal Ilmiah Pembelajaran Bahasa Arab dan Kebahasaaraban Al-Tsaqafa: Jurnal Ilmiah Peradaban Islam Al Furqan: Jurnal Ilmu Al Quran dan Tafsir @is The Best [Accounting Information System & Information Technology Business Enterprise] Al-Khidmat : Jurnal Ilmiah Pengabdian Kepada Masyarakat RESLAJ: RELIGION EDUCATION SOCIAL LAA ROIBA JOURNAL Hanifiya: Jurnal Studi Agama-Agama Aphorisme: Journal of Arabic Language, Literature, and Education Jurnal Syntax Imperatif : Jurnal Ilmu Sosial dan Pendidikan Jurnal Studi Agama Hijai - Journal on Arabic Language and Literature Jurnal Ilmiah Wahana Pendidikan JURNAL PENDIDIKAN INDONESIA: Teori, Penelitian, dan Inovasi Ta’wiluna: Jurnal Ilmu Al-Qur’an,Tafsirdan Pemikiran Islam Jurnal Iman dan Spiritualitas Definisi: Journal of Religion and Social Humanities Jurnal Penelitian Ilmu Ushuluddin ELOQUENCE: Journal of Foreign Language JUQUTS Madani: Multidisciplinary Scientific Journal Riwayat: Educational Journal of History and Humanities Jurnal Vokatif: Pendidikan Bahasa, Kebahasaan, dan Sastra Iklila: Jurnal Studi Islam dan Sosial Dzil Majaz Jurnal Studi Islam dan Sosial Senarai: Journal of Islamic Heritage and Civilization Mufham Al-Irfan: Journal Of Arabic Literature and Islamic Studies Mashadiruna: Jurnal Ilmu Al-Qur’an dan Tafsir Mushaf Journal: Jurnal Ilmu Al Quran dan Hadis (MJ)
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EPISTEMOLOGI KONTEKSTUAL DAN TEKSTUAL: TAFSIR WAHBAH AL- ZUHAILI DAN SAYYID QUTB TERHADAP AL-MAIDAH 44, 45, 47 Muhamad Hamdan Tauviqillaah; Edi Komarudin; Wildan Taufik
MUSHAF JOURNAL: Jurnal Ilmu Al Quran dan Hadis Vol. 1 No. 1 (2021): MUSHAF JOURNAL : Jurnal Ilmu Al Quran dan Hadis
Publisher : CV. Adiba Aisha Amira

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Abstract

This article aims to study, identify, and compare the epistemology of contextual and textual interpretation of Wahbah Al-Zuhaili and Sayyid in interpreting Surah Al-Ma>’idah verses 44, 45, and 47. This research is qualitative with a comparative analysis method based on library research. The results of this study indicate that Al-Zuhaili interpreted the verses contextually without absolutely justifying infidels by applying specific khit}a>b targets and detailing the context of the infidel status, so that his views are flexible by prioritizing the realization of maqa>s}id al-shari>’ah. Al-Zuhaili's interpretation is based on sources and methods of interpretation that integrate al- ma’thur>r and al-ma’qu>l guided by the analysis of narrations, opinions of companions, and tabi’in, aspects of Islamic knowledge, and opinions of scholars and interpreters. Meanwhile, Sayyid Qutb's interpretation is textual by universalizing the status of kafir for anyone who does not rule by Allah's law, anytime and anywhere. Qutb's interpretation is based on the integration of history and reason with an emphasis on the goals of ideology within the framework of al-tas}awwur al-islam>mi> with an approach to analysis of history, muna>sabah, and reflection on reality. The similarity between the two is that both uphold the authority of history and believe that Allah is the main source of law in all aspects of life and those who deny Him doctrinally (belief) are included as kafir
EPISTEMOLOGI KONTEKSTUAL DAN TEKSTUAL: TAFSIR WAHBAH AL- ZUHAILI DAN SAYYID QUTB TERHADAP AL-MAIDAH 44, 45, 47 Muhamad Hamdan Tauviqillaah; Edi Komarudin; Wildan Taufik
MUSHAF JOURNAL: Jurnal Ilmu Al Quran dan Hadis Vol. 4 No. 3 (2025): MUSHAF JOURNAL : Jurnal Ilmu Al Quran dan Hadis
Publisher : CV. Adiba Aisha Amira

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Abstract

This article aims to study, identify, and compare the epistemology of contextual and textual interpretation of Wahbah Al-Zuhaili and Sayyid in interpreting Surah Al-Ma>’idah verses 44, 45, and 47. This research is qualitative with a comparative analysis method based on library research. The results of this study indicate that Al-Zuhaili interpreted the verses contextually without absolutely justifying infidels by applying specific khit}a>b targets and detailing the context of the infidel status, so that his views are flexible by prioritizing the realization of maqa>s}id al-shari>’ah. Al-Zuhaili's interpretation is based on sources and methods of interpretation that integrate al- ma’thur>r and al-ma’qu>l guided by the analysis of narrations, opinions of companions, and tabi’in, aspects of Islamic knowledge, and opinions of scholars and interpreters. Meanwhile, Sayyid Qutb's interpretation is textual by universalizing the status of kafir for anyone who does not rule by Allah's law, anytime and anywhere. Qutb's interpretation is based on the integration of history and reason with an emphasis on the goals of ideology within the framework of al-tas}awwur al-islam>mi> with an approach to analysis of history, muna>sabah, and reflection on reality. The similarity between the two is that both uphold the authority of history and believe that Allah is the main source of law in all aspects of life and those who deny Him doctrinally (belief) are included as kafir.
Speech Acts in the Social Context of the Film "Honeymoonish" by Elie El Semaan: A Pragmatic Review According to John Austin Noviana Yusanti; R. Edi Komarudin; Rohanda Rohanda
ELS Journal on Interdisciplinary Studies in Humanities Vol. 8 No. 1 (2025): MARCH
Publisher : Hasanuddin University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34050/els-jish.v8i1.43372

Abstract

This study aims to analyze speech acts in the social context of the film Honeymoonish by Elie El Semaan using the theoretical framework of pragmatics according to John Austin. Speech acts are categorized into three types: locution, illocution, and perlocution. Through a qualitative approach, this research identifies how dialogues in the film reflect social interactions among characters and the meanings contained within them. Data is obtained through the analysis of key scenes that highlight verbal and non-verbal communication. The results of the study show that speech acts in this film not only function as communication tools but also as a medium to express emotions, conflicts, and relevant social values. Additionally, the study highlights the role of context in shaping the interpretation of speech acts, as well as the ways in which power dynamics and social hierarchies influence character interactions. By examining the intricacies of language use in Honeymoonish, this research underscores the importance of pragmatics in understanding the subtleties of human communication. These findings are expected to contribute to the study of pragmatics and film analysis, as well as enrich the understanding of social dynamics in the context of contemporary cinema.
Analysis Amr in the Book of Ṣuwar min Ḥayātiṣ-Ṣahābah by Dr. Abdurrahman Ra'fat Al-Basya (Al-Ma'ānī Study) Siti Nurhaliza; Edi Komarudin; Yadi Mardiansyah
ELS Journal on Interdisciplinary Studies in Humanities Vol. 8 No. 2 (2025): JUNE
Publisher : Hasanuddin University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34050/els-jish.v8i2.44343

Abstract

This study aims to analyze the form and meaning of amr as well as the structural components of imperative sentences in the book Ṣuwar min Ḥayātiṣ-Ṣaḥābah by Dr. Abdurrahman Ra’fat Al-Basha, using a semantic approach. This approach focuses on the meaning of language within a specific context. A semantic approach allows for an analysis of how the meaning of amr can vary depending on its situational usage, whether literal (Ḥaqīqī) or figurative (majāzī). The research method employed is descriptive-analytic, which serves to describe and provide an overview of the object under study through collected data or samples. The data were obtained from excerpts containing imperative verbs (fiʻl amr), which were classified according to their form and implied meaning, and then analyzed based on the theory of amr proposed by Ahmad Al-Hāsyimī. The results of this study indicate that the concept of amr in Ṣuwar min Ḥayātiṣ-Ṣaḥābah encompasses seven meanings: 55 instances of literal command (Ḥaqīqī), 2 of honoring (ikrām), 4 of permission (iʾzn), 28 of supplication (duʿāʾ), 43 of guidance (irshād), 17 of request among equals (iltimās), and 8 of threat (tahdīd). Morphologically, the imperative forms appear in two patterns: fiʻl mujarrad (basic/root verbs) and fiʻl mazīd (augmented verbs), both transitive and intransitive. Syntactically, the structure of amr typically follows the pattern: verb (fiʻl) – subject (fāʻil) – object (mafʻūl bih) – preposition (ḥarf jar) and vocative (nida'). Keywords: Balaghah, Fi'il Amr, Ṣuwar min Ḥayātiṣ - Ṣahābah
The Luxury Culture in Arab Film: Route 10 by Omar Naim (A Semiotic Analysis of Roland Barthes) Syifa Nur Afiffah; Edi Komarudin; Yadi Mardiansyah
ELS Journal on Interdisciplinary Studies in Humanities Vol. 8 No. 3 (2025): SEPTEMBER
Publisher : Hasanuddin University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34050/els-jish.v8i3.47424

Abstract

This study examines the representation of luxury culture in Omar Naim’s film Route 10 using Roland Barthes’ semiotic approach. The research aims to reveal how luxury objects and fashion function not merely as literal signs but as symbols of social hierarchy, prestige, and cultural adaptation. Employing a qualitative descriptive method with content analysis, selected dialogues and scenes are analyzed to uncover denotative and connotative meanings embedded in both narrative and visual elements. The findings indicate that luxury is depicted through icons such as branded cars, high-heeled shoes, and premium bags, representing elite status and global prestige. Indexes, including personal assistants, palatial residences, and exclusive privileges, highlight social hierarchies and structural inequalities. Symbols, such as formal attire, wedding gowns, and the fusion of religious tradition with modernity, reflect both aspirational and contradictory aspects of elite culture, including elitism, hypocrisy, and social distinction. Overall, the film presents luxury as a phenomenon that functions both as a marker of prestige and a source of social tension, illustrating how material and symbolic representations of wealth influence perceptions of identity, status, and cultural values in contemporary Arab society.
Representing Romanticism in Fadhel Chaker's Songs: A Semiotic Analysis of Roland Barthes and William Wordsworth's Concept of Romanticism Haris Khoirurrijal; Edi Komarudin; Asep Supianudin
Al-Irfan : Journal of Arabic Literature and Islamic Studies Vol. 9 No. 2 (2026)
Publisher : Sekolah Tinggi Agama Islam Darul Ulum Banyuanyar Pamekasan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58223/al-irfan.v9i2.972

Abstract

Arabic song lyrics serve not only as a form of entertainment but also as a medium for representing cultural values and emotional experiences. However, studies on the representation of romanticism in contemporary Arabic song lyrics, particularly through Roland Barthes' semiotic approach combined with William Wordsworth's concept of Romanticism, remain limited. Therefore, this study aims to analyze the representation of romanticism in the lyrics of Fiin Layalik, Ma'qool, and Ya Ghayyeb by Fadhel Chaker through denotative, connotative, and mythical meanings. This research employed a qualitative approach using the library research method. The data consisted of words, phrases, and clauses found in the song lyrics, collected through documentation and note-taking techniques, and analyzed interpretatively using Roland Barthes' semiotic theory and William Wordsworth's concept of Romanticism. The findings reveal that romanticism is represented through four main themes: longing and loss, loneliness and nostalgia, emotional dependence and sacrifice, and destiny and the idealization of the beloved. At the denotative level, the lyrics portray acts of longing, waiting, remembering, and questioning romantic relationships. At the connotative level, these signs represent longing, loss, loneliness, nostalgia, emotional dependence, sacrifice, and the idealization of the beloved. At the mythical level, love is constructed as a profound emotional experience associated with loyalty, sacrifice, and belief in destiny. This study contributes to the development of semiotic studies in Arabic literary and song lyric analysis by demonstrating that romanticism in song lyrics functions not only as an expression of individual emotions but also as a cultural construction that shapes how people understand love and romantic relationships.
Representation of Inner Conflict in Maryam Touzani's Film The Blue Caftan: A Kurt Lewin Literary Psychology Study Haekal Maulana Zaki; Edi Komarudin; Khomisah Khomisah
Al-Irfan : Journal of Arabic Literature and Islamic Studies Vol. 9 No. 2 (2026)
Publisher : Sekolah Tinggi Agama Islam Darul Ulum Banyuanyar Pamekasan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58223/al-irfan.v9i2.974

Abstract

This study aims to analyze the representation of inner conflict in Maryam Touzani's film The Blue Caftan using Kurt Lewin's psychological conflict theory within the framework of literary psychology. This research employed a descriptive qualitative method with a literary psychology approach. The data consisted of dialogues, actions, expressions, and scenes representing the characters' inner conflicts in the film. Data were collected through observation and note-taking techniques, while data analysis was conducted by identifying, classifying, interpreting, and describing the forms of inner conflict based on Kurt Lewin's theory. The findings reveal that no approach–approach conflict was identified, while two avoidance–avoidance conflicts and five approach–avoidance conflicts were found. These conflicts are represented through the psychological experiences of the three main characters, Halim, Mina, and Youssef, as they face dilemmas related to moral responsibility, interpersonal relationships, social pressure, economic conditions, and the acceptance of life's realities. This study demonstrates that Kurt Lewin's psychological conflict theory provides a more specific framework for explaining the representation of inner conflict in film and contributes to the development of literary psychology studies, particularly those focusing on contemporary Moroccan cinema.
KOMPARASI TAFSIR AL-MANAR DAN TAFSIR AL-MARAGHI STUDI CORAK ADABI IJTIMA’I DALAM MERESPONS MODERNITAS Muhammad Nur Hidayat; Asep Ahmad Fathurrohman; Edi Komarudin
Lisyabab : Jurnal Studi Islam dan Sosial Vol 6 No 2 (2025): Lisyabab, Jurnal Studi Islam dan Sosial
Publisher : Lembaga Penelitian dan Pengabdian Masyarakat (LPPM) Sekolah Tinggi Agama Islam Mulia Astuti (STAIMAS) Wonogiri

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58326/jurnallisyabab.v6i2.467

Abstract

This study conducts a critical-comparative analysis of Tafsir Al-Manar and Tafsir Al-Maraghi, both of which share the Adabi Ijtima'i (Social-Cultural) style, to uncover the root cause of their differences ('illat al-ikhtilaf) in responding to modernity. Using a qualitative approach with the muqāranah (comparative) method and content analysis, this research examines methodological aspects and substantive interpretations of three key verses: Q.S. Yunus [10]: 100 (reason), Q.S. An-Nisa' [4]: 59 (politics), and Q.S. An-Nisa' [4]: 34 (family). The findings reveal that despite sharing a basic style, the two commentaries exhibit systematic divergence. Al-Manar, dominated by bil ra'yi (70%) and an Islahi-Siyasi (Reformist-Political) tendency, produces transformative and polemical responses. In contrast, Al-Maraghi, dominated by bil ma'tsur (60%) and a Tarbawi-Ilmi (Educational-Scientific) tendency, produces stabilizing-educative responses. This study concludes that the primary 'illat al-ikhtilaf lies in the interaction between the Tsaqofah al-Mufassirin (the intellectual-institutional framework of the exegetes) and their historical context. Al-Manar, a product of Salafi-Activist Tsaqofah in the Early Modern era, advocates for transformative-political tajdid (renewal). Meanwhile, Al-Maraghi, a product of Azhari-Institutional Tsaqofah in the Middle Modern era, advocates for stabilizing-educative tajdid. Thus, this study not only maps the differences but also contributes to the science of tafsir by introducing Tsaqofah al-Mufassirin as an analytical framework and two models of renewal (tajdid) born from the Adabi Ijtima'i style.
Bentuk dan Makna Sapaan al-Munādā terhadap Iyasu dalam Novel al-Ẓill al-Aswad Karya Najib Kailani Malikussaleh, Malikussaleh; Mardiansyah, Yadi; Komarudin, Edi
Aphorisme: Journal of Arabic Language, Literature, and Education Vol. 7 No. 1 (2026): Arabic Language, Literature, and Education
Publisher : Study Program of Arabic Language Teaching

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37680/aphorisme.v7i1.10134

Abstract

This study aimed to classify the forms of al-munādā used to address the main character, Iyasu, in Najib Kailani's novel Aẓ-Ẓill Al-Aswad, based on the speaker's social relationships, and to analyze the meaning of these forms within the relationships that underlie them. A descriptive qualitative approach was employed using the listen-and-record technique for 34 instances of al-munādā in which Iyasu served as the addressee. The data were drawn from 10 groups of speakers, categorized into three relational groups: Family, Court, and Public. The analysis combined Al-Ghalayyini's classification of al-munādā with Hymes' SPEAKING framework to uncover the context and purpose of the utterances. The results revealed seven variations of al-munādā forms, distributed differently across each relational category. The mufrad 'alam form was found only in the Family category, while the mudhāf form appeared in both the Family and Court categories, with lexical choices producing different meanings. The Family category dominated the use of forms of address, followed by the Court and the Public. In terms of meaning, forms of address in the Family category served to express emotional closeness; those in the Court category represented hierarchical relationships; while some forms used by Tafari were employed manipulatively to create dramatic irony in the narrative. These findings indicated a correspondence between the grammatical forms of al-munādā and the meanings they conveyed. The choice of al-munādā form not only reflected the rules of nahw but also served as a tool for marking social relations, power distribution, and communication strategies among characters.
Exploring Tashbīh in Imruʾ al-Qays's Classical Poetry: A Comparative Study of Qifā Nabki and Liman Ṭalalun through the Lens of ʿIlm al-Bayān Ali Lutpiana; Edi Komarudin; Mohammad Rosyid Ridho
Dzil Majaz: Journal of Arabic Literature Vol. 4 No. 2 (2026): May-August
Publisher : Sekolah Tinggi Agama Islam Darul Ulum Banyuanyar, Pamekasan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58223/dzilmajaz.v4i2.1016

Abstract

Research on tasybih (simile) in Arabic literature has predominantly focused on modern literary works, while the characteristics of tasybih in classical Arabic poetry, particularly the Mu‘allaqāt of Imruʾ al-Qays, remain underexplored. This study aims to identify the types, purposes, and dominant patterns of tasybih in two qaṣidahs by Imruʾ al-Qays, namely Qifā Nabki Min Dhikrā Ḥabībin wa Manzili and Liman Ṭalalun Bayna al-Judayyati wa al-Jabali, from the perspective of ʿilm al-bayān. This research employed a descriptive qualitative approach using observation and note-taking techniques. The data consisted of poetic verses containing tasybih, which were analyzed by identifying the elements of tasybih, classifying its types based on the theory of Ali al-Jarim and Mustafa Amin, and examining their rhetorical purposes. The findings reveal 14 instances of tasybih, comprising eight instances in Qifā Nabki Min Dhikrā Ḥabībin wa Manzili and six instances in Liman Ṭalalun Bayna al-Judayyati wa al-Jabali. The dominant type is tasybih mursal mujmal, while the most frequent rhetorical purpose is tazyīn al-musyabbah (embellishing the subject of comparison). Furthermore, the objects of comparison are predominantly drawn from the natural environment and the daily life of pre-Islamic Arab society, creating vivid visual imagery, strengthening emotional expression, and enhancing the aesthetic quality of the poems. This study contributes by mapping the dominant patterns of tasybih, identifying its rhetorical tendencies, and describing the characteristics of comparative imagery in Imruʾ al-Qays's Jahiliyyah poetry, thereby enriching the study of ʿilm al-bayān and the stylistics of classical Arabic literature.
Co-Authors adhia nugraha Adudin Alijaya Ahmad Aqiel Azkiya’ Ahmad Asep Fathurrohman Ahmad, Nurwadjah Akhmad Sobarna Ali Lutpiana Allisya Rizky Islami Ananda Rizky Maulana Apriani, Laelati Dwina Aryanto, Redi Asep Ahmad Fathurrohman Asep Ahmad Fathurrohman Asep Supianudin Baehaqi Dayudin, Dayudin Dedi Junaedi Dedi Supriadi Dedi Supriadi Deuis Sugaryamah, Deuis Dyan Fachri Maulana Fangesty, Maolidya Asri Siwi Fatimah, Nisa Fitri Azizah Restiani Fitri Meliani Fitriana Lubis, Mumun Fitriansyah, Muhammad Bayu Habibah Haekal Maulana Zaki Haris Khoirurrijal Hidayah, Asep Taopik Ice Sariyati Ihin Solihin Iksan Nurhakim Ilma Amalia Ilma Amalia, Ilma Imam, Jahira Salsabila Nurul Jahira Salsabila Nurul Imam Jajang A Rohmana Jajang A Rohmana Kafiyah, Fitroh Ni'matul Kafiyah, Fitroh Ni’matul Khomisah Khomisah Kodir, Abdul - Kusuma, Dwiki Laelani, Lilih Lu'lu Abdullah Afifi Malikussaleh, Malikussaleh Maman Abdul Djaliel Maolidya Asri Siwi Fangesty Maulana, Aldi Rifki Mohammad Irfan Farraz Haecal Mohammad, Ridho Rosyid Muh. Asriadi AM Muhamad Hamdan Tauviqillaah Muhamad Hamdan Tauviqillaah Muhamad Khabib Imdad Muhamad Nurhasan Muhamad Yoga Firdaus Muhammad Abdul Aziz Muhammad Arif Muhammad Bayu Fitriansyah Muhammad Hasan Ali Muhammad Nur Hidayat Muhammad Rijal Maulana Muhammad Yahya Muhammad Yahya Munawar, Zacky Yudin Nida Husna Abdul Malik Nisa Fatimah Noviana Yusanti Nurdin, Aldi Nurhayat, Tasya Putri Nursidik, Ihsan Purwa, Dyas Rahayu, Tami Dewi Puspa Ramadhan Syaeful Bahri Revky Oktavian Sakti Riyani, Irma Rizal, Rony Muhammad Rizki Maulana Putra Rohanda Rohanda Safrudin, Ramadhan Salsabila, Syifa Satia SAPTANADI YUDISTIRA Sholikul Hadi Siti Nurhaliza Sudjatnika, Tenny Suryana Alfathah Syam, Ishmatul Karimah Syawaluddin, Fauzan Akbar Syifa Nur Afiffah Syifa Satia Salsabila Tarek Yalouli Taufik, Wildan Taufiq, Wildan Wahyuni, Neneng Sri Wildan Taufik Wildan Taufik Wildan Taufiq Yadi Mardiansyah Zacky Yudin Munawar Zulaiha, Eni