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All Journal E-Journal of Tourism Sosiohumaniora Indonesian Journal of Applied Linguistics (IJAL) Jurnal Pariwisata Pesona Paramita: Historical Studies Journal Harmonia: Journal of Research and Education BAHASA DAN SASTRA Journal of Indonesian Tourism and Development Studies Jurnal Master Pariwisata (JUMPA) Dharmakarya : Jurnal Aplikasi Ipteks Untuk Masyarakat Journal of Visual Art and Design JURNAL SOSIAL HUMANIORA (JSH) AGASTYA: JURNAL SEJARAH DAN PEMBELAJARANNYA Jurnal Candrasangkala Pendidikan Sejarah Jurnal Sejarah Citra Lekha Jurnal Humanitas: Katalisator Perubahan dan Inovator Pendidikan MUDRA Jurnal Seni Budaya Panggung SOSIOHUMANIORA: Jurnal Ilmiah Ilmu Sosial dan Humaniora Journal of Islamic Architecture Al-Daulah : Jurnal Hukum dan Perundangan Islam Gondang: Jurnal Seni dan Budaya Patanjala : Jurnal Penelitian Sejarah dan Budaya JMM (Jurnal Masyarakat Mandiri) SELAPARANG: Jurnal Pengabdian Masyarakat Berkemajuan VISI : Jurnal Ilmiah Pendidik dan Tenaga Kependidikan Pendidikan Non Formal Jurnal Pariwisata Terapan JSM (Jurnal Seni Musik) Fajar Historia: Jurnal Ilmu Sejarah dan Pendidikan Jurnal Penelitian Kehutanan Bonita Kumawula: Jurnal Pengabdian Kepada Masyarakat Altasia : Jurnal Pariwisata Indonesia Titian: Jurnal Ilmu Humaniora Jurnal Inovasi Penelitian Atrat: Jurnal Seni Rupa JKTP Jurnal Ekonomi PARAHITA : Jurnal Pengabdian kepada Masyarakat Journal of Mandalika Review Jumantara: Jurnal Manuskrip Nusantara Pariwisata Budaya: Jurnal Ilmiah Pariwisata Agama dan Budaya Barista : Jurnal Kajian Bahasa dan Pariwisata Masyarakat Pariwisata: Journal of Community Services in Tourism Panggung

Reiza D. Dienaputra

Fakultas Ilmu Budaya Universitas Padjadjaran

Author-ID : 248389

Religion Agriculture, Biological Sciences & Forestry Arts Humanities Civil Engineering, Building, Construction & Architecture Computer Science & IT Control & Systems Engineering Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Engineering Environmental Science Health Professions Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Materials Science & Nanotechnology Medicine & Pharmacology Nursing Public Health Social Sciences Other

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Memandang Wajah Negara Islam Di Indonesia: Usaha Pembelajaran Sejarah Melalui Materi Konflik Roni Tabroni; Mumuh Muhsin Zakaria; Reiza D. Dienaputra; R. M. Mulyadi
AGASTYA: JURNAL SEJARAH DAN PEMBELAJARANNYA Vol 10, No 1 (2020)
Publisher : UNIVERITAS PGRI MADIUN

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25273/ajsp.v10i1.4467

Wajah negara Islam di Indonesia telah mengalami perubahan sejak pertama berdengung di masa Darul Islam hingga sekarang yang dibawa oleh Hizbut Tahrir. Perubahan terletak dalam bentuk gerakan, visi-misi, ide, undang-undang yang berlaku dan sistem pemerintahan yang dianut serta di adopsi. Konflik yang menyertai perubahan tersebut pun berwajah tak sama. Mulai dari konflik intern umat beragama, antar umat beragama hingga yang menggerogoti kesatuan dan persatuan bangsa Indonesia. Penelitian ini bertujuan untuk memberikan pengetahuan tentang variasi pembelajaran sejarah melalui materi konflik dan menumbuhkan kesadaran sejarah peserta didik. Penelitian menggunakan metode kualitatif. Sumber data berasal dari informan, aktivitas pembelajaran, dan dokumen perangkat pembelajaran. Hasil penelitian menunjukkan bahwa pembelajaran sejarah melalui materi konflik yang berkenaan dengan usaha pendirian Negara Islam Indonesia berkontribusi dalam hal kesadaran sejarah. Sebuah kesadaran sejarah tentang pentingnya persatuan dan kesatuan, pengorbanan dan cinta tanah air. Dengan belajar dari konflik tersebut peserta didik juga dapat membuat langkah antisipatif supaya kejadian serupa tidak terulang lagi di masa mendatang. Selain itu, hasil penelitian juga menunjukkan apresiasi yang muncul dari peserta didik terhadap materi yang lingkupnya dekat dengan mereka, terutama tema-tema agama terkategori sangat baik.

Tarekat dan Modal Sosial dalam Sistem Pendidikan Nahdlatul Wathan, 1966-1997 Abdul Rasyad; Reiza D. Dienaputra; Mumuh Muhsin Zakaria; Raden Muhammad Mulyadi
Jurnal Sejarah Citra Lekha Vol 6, No 2 (2021): Pendidikan, Kebudayaan, dan Strategi Pertahanan
Publisher : Department of History, Faculty of Humanities, Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/jscl.v6i2.31812

Tarekat [Islamic congregation] is always interesting to be studied, including the Tarekat Hizib that developed in the Islamic organization of Nahdlatul Wathan (NW). This paper aims to explain the development and exposes a system of tarekat education and understand the social capital relations involved in the NW organization. This study is a historical study which is carried out in four stages, namely heuristics, criticism, interpretation, and historiography. According to the study, the education system developed by NW combines the salafiyyah [An education system that condemns theological innovation and advocates strict adherence to shari'a and to the social structures existing in the earliest days of Islam] and khalafiyyah, in which on the one hand maintains the traditional education in pesantren [Islamic boarding schools], but on the other hand also follows government regulations in implementing the national education system. Meanwhile, tarekat relations in the tarekat education system become a social capital in the religious life of NW followers and shaping the characteristics and personality of the community as well as the spiritual messages outlined by the tarekat founders. During the period 1966 to 1997, it was the main period as well as the antithesis in changing the orientation of the spiritual life perspective among the NW followers which has been getting stronger.

Pengembangan Potensi Atraksi Wisata Gastronomi di Desa Cililin Kabupaten Bandung Barat Arfah Sahabudin; Reiza D. Dienaputra; Awaludin Nugraha
JURNAL MASTER PARIWISATA Volume 06, Nomor 01, Juli 2019
Publisher : Magister Tourism Study, Faculty of Tourism, Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JUMPA.2019.v06.i01.p05

In Cililin Village, Cililin District, West Bandung Regency, there are several potentials that can be explored and developed as tourist attractions. One of them is the famous wajit Cililin. Wajit Cililin has been produced for a long time and it is sold in the form of its products. However, there is an interesting side that has not been utilised to be developed, namely the manufacturing process. The purpose of this study is to reveal the potential of Cililin assets to be developed into tourist attractions. The research method used is a qualitative method. Primary data collection is conducted by observation and in-depth interviews. Besides that, a literature study is also conducted. Data analysis uses an interactive model, through three activities carried out simultaneously, namely reduction of data, presentation of data, and conclusion. The results showed that the wajit Cililin manufacturing process has the potential to become a gastronomic tourist attraction and educational tourism, since it has interesting uniqueness. The attraction can only be displayed to tourists by local people who have the skill to process and produce it, hence that the development must involve the local community.Keywords: gastronomic tourism, educational tourism, community based tourism.

Strategi Pengembangan Potensi Ekowisata di Desa Malatisuka Fauziah Hanum; Reiza D. Dienaputra; Dadang Suganda; Budi Muljana
JURNAL MASTER PARIWISATA Volume 08, Nomor 01, Juli 2021
Publisher : Magister Tourism Study, Faculty of Tourism, Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JUMPA.2021.v08.i01.p02

Desa Malatisuka merupakan salah satu desa dengan kategori tertinggal di Kecamatan Gunung Tanjung, Kabupaten Tasikmalaya yang memiliki potensi alam dan lanskap berlimpah yang dapat dijadikan destinasi wisata unggulan apabila dikelola dengan baik dengan menerapkan konsep Ekowisata dan pengembangan mengacu pada prinsip berkelanjutan. Tujuan dari penelitian ini adalah untuk membuat strategi pengembangan potensi ekowisata di Desa Malatisuka, Kecamatan Gunung Tanjung, Kabupaten Tasikmalaya. Penelitian ini adalah studi kualitatif dengan metode survey dan deskriptif. Data untuk penelitian ini dikumpulkan melalui wawancara dengan teknik pemilihan narasumber menggunakan purposive sampling, studi literatur baik itu dari buku, procceding seminar, tesis, artikel-artikel jurnal dalam atau luar negeri serta sumber lainnya. Sedangkan data akan dianalisis menggunakan cara triangulasi serta analisis SWOT untuk selanjutnya melakukan perumusan strategi yang tepat untuk pengembangan potensi ekowisata tersebut. Hasil menunjukan bahwa Desa Malatisuk memiliki kelebihan dan peluang yang besar utamanya potensi alam yang apabila dimanfaatkan sebaik mungkin maka dapat menjadi nilai lebih yang menjadi kekuatan untuk bersaing diantara daya tarik wisata khususnya dikembangkan untuk kegiatan ekowisata dan memungkinkan peluang untuk mengembangkan usaha kreatif lainnya dengan strategi yang telah dirumuskan berdasarkan analisis yang telah dilakukan. Keywords: ekowisata, sustainable tourism, pengembangan wisata, air terjun

Strategi dalam Mengembangkan Potensi Wisata Situ Lembang Dano di Desa Cipada Tita Juwita; Reiza D. Dienaputra; Awaludin Nugraha; Evi Novianti; Rusdin Tahir
JURNAL MASTER PARIWISATA Volume 07, Nomor 02, Januari 2021
Publisher : Magister Tourism Study, Faculty of Tourism, Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JUMPA.2021.v07.i02.p04

This study aims to find out how the development strategy of Lembang Dano situ in Village of Cipada, and to get the right strategy for the development of Lembang Dano tourist attractions. The data has taken of primary data and secondary data, where primary data is obtained from questionnaires and interviews to predetermined sources and secondary data obtained from agencies and agencies related to this study. The analytical tool used the SWOT analysis method the results of the research show that the development strategy needs to first determine the factors that are strengths and weaknesses (internal environment) ourism potential in Lembang Dano Cipada Village, then combines with the opportunities and threats from outside (external environment). Keywords: development strategy, Tourism, Situ lembang Dano, Village of Cipada

Transformasi Visual Lambang-Lambang Partai Politik Islam (1955 – 2004) Reiza D. Dienaputra
Journal of Visual Art and Design Vol. 3 No. 1 (2009): ITB Journal of Visual Art and Design
Publisher : ITB Journal Publisher, LPPM ITB

Show Abstract | Download Original | Original Source | Check in Google Scholar

The existence of Islamic political parties in the field of Indonesian politics has a very long history. The Islamic political parties had actually been found before the independence. Their quantitatively significant development, however, takes place after the era of independence. Throughout the development, there have been many researches on the existence of Indonesian political parties. Among those researches, however, it seems that there has never been a research carried out by employing visual sources such as symbols of political parties. These symbols are often neglected. They are as if something which cannot be explored and tend to be merely a complement for a political party. In fact without any symbols, it is impossible for a political party to follow election. Therefore, a symbol plays a very important role since it is not only to show the identity of a political party but also to fulfill the provisions of legislation. For the above reasons I am interested in carrying out this research. In relation to that, the research employs both political and cultural approaches in order to produce interesting findings about political parties’ symbols. Based on the study upon the symbols of Islamic political parties participating in 1955 – 2004 elections, it is found that the visualization of the symbols undergoes an incredibly dynamic development in both element and sense of form. There are several factors which cause the coming out of visual dynamics on political parties’ symbols such as the experience of national history, cultures built up in the society, and the improvement of design technology. The dynamics of the element of form shows a visual reality that the moon and the star, which are usually regarded as the representation of Islamic political parties, are not always used by Islamic political parties and they are not only used by them as their symbols as well. Furthermore, the dynamics of the sense of form also show interesting finding that the star as the element of form does not constantly produce the same sense of form.

Pelurusan Istilah Kawih, Tembang, dan Cianjuran Dian Hendrayana; Reiza Dienaputra; Teddi Muhtadin; Widyo Nugrahanto
PANGGUNG Vol 30, No 3 (2020): Pewarisan Seni Budaya: Konsepsi dan Ekspresi
Publisher : LP2M ISBI Bandung

ABSTRACTLately, people are often confused with the definition of kawih, tembang, and cianjuran. Quite often the term kawih is dichotomized by the term tembang, or the term tembang is equated with cianjuran. This mistake even applies to educational institutions, both in high schools and in universities. Likewise with the media. This study aims to describe the meaning of kawih, tembang, and cianjuran. The method used is descriptive qualitative through an epistemological approach, which examines the exposure of the meanings of the three terms from several sources, as well as comparing from other sources who also describe the three terms to obtain meaning that is considered ideal. The results obtained are, kawih is a vocal art owned by the Sundanese people and has been around for a long time, long before the sixteenth century. Kawih is also interpreted as all kinds of songs that exist in Sundanese society. Tembang is a type of kawih or song that uses lyrics from the dangding and only emerged and was known in Sundanese society around the XVIII century as an influence of Mataram; cianjuran is a part of Sundanese kawih originating from Cianjur Regency.Keywords: Kawih, Tembang, Tembang Sunda, Cianjuran, Tembang Sunda CianjuranABSTRAKAkhir-akhir ini masyarakat kerap dikelirukan dengan definisi kawih, tembang, dan cianjuran. Tak jarang istilah kawih didikotomikan dengan istilah tembang, atau istilah tembang disamakan artinya dengan cianjuran. Kekeliruan ini bahkan berlaku pada dunia pendidikan, baik di sekolah menengah maupun di perguruan tinggi. Demikian pula pada dunia pers. Penelitian ini bertujuan untuk mendeskripsikan makna dari kawih, tembang, dan cianjuran. Metode yang digunakan adalah deskriptif kualitatif melalui pendekatan epistimologi, yakni menelaah dari paparan makna ketiga istilah dari beberapa sumber, serta membandingkan dari sumber-sumber lain yang juga memaparkan ketiga istilah tadi untuk memperoleh makna yang dianggap ideal. Hasil yang diperoleh adalah, kedudukan kawih merupakan seni suara atau nyanyian yang dimiliki masyarakat Sunda, serta sudah ada sejak lama, jauh sebelum abad XVI. Kawih dimaknai pula sebagai segala jenis nyanyian yang ada pada masyarakat Sunda. Tembang adalah jenis kawih atau nyanyian yang menggunakan lirik dari dangding dan baru muncul serta dikenal di masyarakat Sunda sekitar abad XVIII sebagai pengaruh dari Mataram; sedangkan cianjuran merupakan bagian dari kawih Sunda yang berasal dari daerah Cianjur.Kata kunci: Kawih, Tembang, Tembang Sunda, Cianjuran, Tembang Sunda Cianjuran

Seni Lukis Modern Bernafaskan Islam di Bandung 1970-2000an Agus Cahyana; Reiza D Dienaputra; Setiawan Sabana; Awaludin Nugraha
PANGGUNG Vol 30, No 1 (2020): Polisemi dalam Interpretasi Tradisi Kreatif
Publisher : LP2M ISBI Bandung

ABSTRACTWriting the history of the development of modern Indonesian painting from thematic point of viewstill refers to importance events that compose the mainstream of contemporary art trends in Indonesiainfluenced by the West. While events that are no less important relating to the emergence of aesthetictendencies related to religion have been marginalized, especially in modern art with Islamic breath becomeimportant part in the history of the development of modern Indonesian painting, aesthetic approach toanalyze the visual elements present in the painting. The result of this study the development of modernIslamic art in Bandung shows that there are 4 period of development, the 70s, the 80s, the 90s, and 2000s.This division of time is based on thematic tendencies that emerge and became the main tendencies at eachtime.Keywords: Painting, modern, Islam, BandungABSTRAKPenulisan sejarah perkembangan seni lukis modern Indonesia dari sudut pandang tematik hinggasaat ini masih mengacu pada peristiwa penting yang menggubah arus utama kecenderunganseni rupa kontemporer di Indonesia yang dipengaruhi Barat. Sementara peristiwa yang tidakkalah penting berkaitan dengan munculnya kecenderungan estetik yang berkaitan denganagama menjadi terpinggirkan, khususnya dalam seni lukis modern bernafaskan Islam. Halitu yang menjadi latar belakang penelitian ini dilakukan dengan tujuan agar perkembanganseni lukis modern bernafaskan Islam menjadi bagian penting dalam sejarah perkembanganseni lukis modern Indonesia khususnya di kota Bandung. Penelitian ini menggunakan metodesejarah visual yang tentu melibatkan pendekatan estetik untuk menganalisis unsur-unsurrupa yang hadir dalam lukisan. Hasil dari penelitian ini perkembangan seni lukis modernbernafaskan Islam di kota Bandung secara tematik menunjukkan bahwa terdapat 4 periodeperkembangan, yaitu masa tahun 70-an, masa perkembangan di tahun 80-an, di tahun 90-andan tahun 2000-an. Pembagian masa ini berdasarkan kecenderungan tematik yang muncul danmenjadi kecenderungan utama pada tiap masa.Kata Kunci: Seni lukis, modern, Islam, Bandung

MULTIKULTURALISME KEBUDAYAAN DAERAH CIREBON Reiza D. Dienaputra; Agusmanon Yunaidi; Susi Yuliawati
PANGGUNG Vol 31, No 2 (2021): Estetika Dalam Keberagaman Fungsi, Makna, dan Nilai Seni
Publisher : LP2M ISBI Bandung

Cirebon has a very heterogeneous population. The heterogeneity of the Cirebon Population goes through a very long process, going on since the early days of the Cirebon Sultanate in the XV century. Along with the heterogeneity of its population, Cirebon culture has developed into a culture that is full of diversity, as well as representing cultural diversity in equality. This reality is interesting to observe, especially to find out about how multiculturalism is in Cirebon culture and how the elements of multiculturalism are represented in Cirebon culture. To reveal all this, the historical method is used, which consists of four stages of work, namely, heuristics, criticism, interpretation, and historiography. The results of research on several objects of the advancement of Cirebon culture has a correlation with the heterogeneous population of Cirebon. The cultures that contributed to the birth of a multicultural Cirebon culture were Indian, Arabic, Chinese, Western, Sundanese and Javanese culture. The cultural reality of Cirebon, which is full of cultural diversity, certainly needs to be maintained and preserved as well as being a model for strengthening national integration.

Ideologi Seni Rupa Indonesia Era 1990-an Pada Karya Tisna Sanjaya Anggiat Tornado; H. Dadang Suganda; Setiawan Sabana; H. Reiza D. Dienaputra
PANGGUNG Vol 24, No 2 (2014): Modifikasi, Rekonstruksi, Revitalisasi, dan Visualisasi Seni
Publisher : LP2M ISBI Bandung

ABSTRACTÂ The 1990s was the spirit of the New Art Movement undeniable as the embryo of the development of art in the 1990s. Fine art combining all the art that developed (sculpture, painting and printma- king and performance art) by some of the artists who eventually become aesthetic choice. This re- search used emic and etic, semiotic and hermeneutic approach. The research result describes Tisna Sanjaya ideology in the process of creative work tends to raise the issue in this case social critic.Tisna Sanjaya more knows from the source which was appointed to be the theme of his work. Installation art and performace art are an art form that is recognized by Tisna that can communicate directly with the people who were subjected to his art. Tisna Sanjaya as an artist who has the inclination and ideology, art as follows: a) Awareness of the problems though art can not reply on the matter then and there, because art takes time to find the answer. b) Representation of the things that happen to be reported continuously up through artpeople can catch from the issues that are and have happened.Â Keywords: Ideology,Â Art in The 1990â€™s, Tisna SanjayaÂ Â ABSTRAKÂ Era 1990-an adalah semangat Gerakan Seni Rupa Baru yang tak dapat dipungkiri sebagai embrio dari perkembangan seni rupa 1990-an. Seni rupa yang memadukan seluruh seni yang berkembangh (antara seni patung, seni lukis dan seni grafis dan performance art) berkembang dan mendapat tem- pat oleh beberapa seniman yang akhirnya menjadi pilihan estetikanya. Penelitian ini menggunakan pendekatan hermeneutik, semiotik dan etik dan emik.Hasil penelitian memaparkan ideology Tisna Sanjaya dalam proses kerja kreatifnya cenderung mengangkat persoalan kritik sosial.. Tisna Sanjaya sebagai seniman yang memiliki kecenderungan dan memiliki ideologi, Â seni sebagai berikut: a) Penyadaran terhadap persoalan walaupun seni tidak dapat menjawab dari persoalan tersebut saat itu juga , karena seni membutuhkan waktu untuk me- nemukan jawabannya. b) Representasi dari hal yang terjadi yang harus dikabarkan terus menerus hingga lewat seni orang dapat menangkap dari persoalan yang sedang dan pernah terjadi.Â Kata kunci: Ideologi, Seni Era 1990-an, Tisna SanjayaÂ

Co-Authors Abdul Rasyad Abdullah, Nabila Nurrahmadina Abdurrahman, Dida I. Acep Rahmat Agus Cahyana Agus S Suryadimulya Agus S. Suryadimulya Agus S. Suryadimulya Agus Suherman Suryadimulya Agus Suherman Suryadimulya Agusmanon Yunaidi Agusmanon Yunaidi Agusmanon Yuniadi Agustina Eka Putri Andi Arismunandar Andini, Mustika Anggiat Tornado Anggiat Tornado Anggiat Tornado, Anggiat Arovah, Eva Nur Aryanto, Peranciscus Asy'ari, Rifqi Asy'ari, Rifqi Awaludin Nugraha Awaludin Nugraha Awaludin Nugraha Awaludin Nugraha Awaludin Nugraha Awaludin Nugraha Ayu Septiani Bambang Hermanto Bambang Hermanto Bucky Wibawa Karya Guna Bucky Wibawa Karya Guna Budi Muljana Cecep Ucu Rakhman Dadang Sudrajat Dadang Sudrajat Dadang Suganda Dadang Suganda Dadang Suganda Deni Yana Dida I. Abdurrahman Doni Wahidul Akbar Dwi Agusta Ekawardhani, Yully Ambarsih Eldo Delamontano Emmy Sundari Eva Mardiyana Evi Novianti Evi Novianti Evi Novianti Evi Novianti Fajriasanti, Ruwaida Farida, Pingkan D Fauziah Hanum Fauziah Ismi Desiana Florenza, Lovinda Lusya Guna, Bucky Wibawa Karya Gusdi, Taqiy H. Dadang Suganda H. Dadang Suganda, H. Dadang Harprianto, RM Anto Hazmirullah Aminuddin Hendrayana, Dian Hermanto, Bambang Heryadi Rachmat I Syarief Hidayat Imam Santosa Indar Buana Pradipta Kartika, N. kasiran, sugiarti Krishna Yuliawati, Ayu Kunkun Kurniawan Lukman, Kevin Muhamad Mas Dadang Enjat Munajat Mohammad Refi Omar Ar Razy Muhamad Adji Muhammad Rinaldy Syarifulloh Mulyadi, R M Mumuh Muhsin Zakaria Mutawally, Anwar Firdaus N Kartika Nandang Rachmat Nany Ismail Niknik Dewi Pramanik NIKNIK DEWI PRAMANIK, NIKNIK DEWI Nina Herlina Lubis Nina Herlina Lubis Nugraha, Awaludin Nugraha, Awaludin Nugraha, Muhamad Satria Nur Solihah Nyai Kartika Oktavia, Dina Pepen Efendi Peranciscus Aryanto Priani, Zalsa Az Zahra Prima Agustina Prima Agustina Mariamurti R. M. Mulyadi Rachmat, Nandang Raden Muhammad Mulyadi Rahman, Farid Asfari Rifki Rahmanda Putra Rifqi Asy’ari Rizkiyah, Nurul Farikhatir Roni Tabroni Roni Tabroni Rony Hidayat Rony Hidayat Sutisna Rusdin Tahir Rusdin Tahir Rusdin Tahir Sahabudin, Arfah Setiawan Sabana Setiawan Sabana Setiawan Sabana Sri Astuti Pratminingsih Sri R. Wardiani Sriwardani, Nani Sundari, Emmy Suryadimulya, Agus S Suryadimulya, Agus S. Susi Machdalena Susi Machdalena Susianty Natalia Dewi Sutisna, Rony Hidayat Syahrani, Tirana Devi Syifa Afifah Qalby Tahir, Rusdin Teddi Muhtadin Tita Juwita Titin Nurhati Ma'mun Titin Nurhayati Ma’mun U Sudjana Ute Lies Siti Khadijah Uud Wahyudin Wardiani, Sri R. Widyo Nugrahanto Witakania Sundasari Witakania Sundasari Som Withaningsih, Susanti Yan Yan Sunarya Yan Yan Sunarya Yasraf Amir Piliang Yuliawati, Susi Yully Ambarsih Ekawardhani Yustikasari Zahra, Izzatun Zhafarini, Ghaziana

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