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Sarkasme pada Kolom Komentar Media Sosial Alivia Rosita Wahyuni; Fitri Amilia; Hasan Suaedi
JURNAL PENDIDIKAN BAHASA Vol. 15 No. 2 (2025): JURNAL PENDIDIKAN BAHASA
Publisher : STKIP Taman Siswa Bima

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37630/jpb.v15i2.2655

Abstract

Penelitian ini bertujuan untuk mengidentifikasi dan menganalisis bentuk kata serta kalimat sarkasme pada kolom komentar media sosial. Fokus penelitian diarahkan pada pola linguistik dan fungsi sosial dari sarkasme yang muncul dalam bentuk leksikal dan sintaksis. Kajian dilakukan menggunakan pendekatan sosiosemantik untuk menelaah hubungan antara makna dan konteks sosial. Metode yang digunakan adalah deskriptif kualitatif, dengan teknik pengumpulan data berupa observasi dan pencatatan. Analisis data mengacu pada teori sosiosemantik yang dikemukakan oleh Halliday, khususnya dalam konteks hubungan antara teks dan situasi sosial. Hasil penelitian menunjukkan bahwa sarkasme dalam kolom komentar muncul dalam bentuk kata tunggal, kata majemuk (idiom), dan akronim. Pada tataran kalimat, ditemukan pola sarkasme berbentuk kalimat interogatif dan imperatif yang menyiratkan sindiran tajam. Struktur kalimat sarkastik umumnya mengikuti pola oposisi antara Subjek (S) dan Predikat (P), di mana makna yang muncul sering kali berlawanan dengan makna harfiah. Pola ini menciptakan efek sindiran yang kuat, sehingga sarkasme tetap terbaca meskipun mengalami variasi bentuk.
KESALAHAN PENGGUNAAN EJAAN PADA KARANGAN NARASI SISWA IMIGRANDI SANGGAR BIMBINGAN KAMUS GOMBAK UTARA KUALA LUMPUR Pahlawan, Sunan Reza; Amilia, Fitri; Suaedi, Hasan
Linguistik : Jurnal Bahasa dan Sastra Vol 8, No 1 (2023): LINGUISTIK: Jurnal Bahasa & Sastra
Publisher : Universitas Muhammadiyah Tapanuli Selatan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31604/linguistik.v8i1.246-258

Abstract

Kajian ini bertujuan untuk mendeskripsikan mengenai bentuk kesalahan penggunaan ejaan yang ditemukan pada karangan narasi siswa imigran di sangar bimbingan kamus Gombak Utara Kuala Lumpur. Penelitian ini merupakan penelitian kualitatif. Data dalam penelitian ini berupa dokumen tertulis, yang bersumber dari karangan narasi siswa imigran di sanggar bimbingan kamus Gombak Utara Kuala Lumpur. Teknik pengumpulan data yang digunakan pada penelitian ini adalah dokumentasi berupa teknik baca dan teknik catat. Teknik analisis data yang digunakan pada penelitian ini adalah analisis data kualitatif yaitu reduksi data, penyajian data, dan penarikan kesimpulan. Berdasarkan hasil penelitian mengenai kesalahan penggunaan ejaan telah disimpulkan bahwa fenomena mengenai kesalahan penggunaan ejaan masih banyak dilakukan oleh siswa saat menulis karangan narasi. Adapaun jenis-jenis kesalahan yang dialami oleh siswa yaitu sebagai berikut; 1) kesalahan penggunaan huruf ditemukan meliputi kesalahan penggunaan huruf kapial. Kesalahan penggunaan huruf kapital disebabkan oleh kesalahan penggunaan huruf kapital pada awal kalimat dan kesalahan penggunaan huruf kapiatal sebagai huruf pertama unsur nama orang, 2) kesalahan penulisan kata ditemukan kesalahan yang meliputi: kesalahan penulisan kata dasar yang disebabkan oleh kata dasar yang tidak ditulis secara satu kesatuan atau di singkat, kata depan yang disebabkan oleh kesalahan penulisan kata depan di- , partikel yang disebabkan oleh kesalahan penulisan partikel -lah , dan kata ganti yang disebabkan oleh kesalahan penulisan kata ganti -nya, 3) kesalahan penggunaan tanda baca yang meliputi: kesalahan penggunaan tanda titik yang disebabkan oleh kesalahan penggunaan tanda titik di akhir kalimat, tanda koma yang disebabkan oleh kesahan penggunaan tanda koma sebelum kata penghubung, dan tanda petik yang disebabkan oleh kesalahan penggunaan tanda petik dalam pembicaraan, 4) kesalahan penulisan unsur serapan yang disebabkan oleh kesalahan penulisan kata serapan dari bahasa arab. Kesalahan dapat terjadi disebabkan karena interferensi bahasa dimana siswa sanggar bimbingan berasal dari latar belakang bahasa melayu dan kurangnya pemahaman siswa dalam penggunaan (EYD V), karena kurangnya pemahaman tersebut dapat mengakibatkan terjadinya kesalahan penggunaan ejaan.
TRAUMA REPRESENTATION IN AGUK IRAWAN’S KIDUNG RINDU DI TAPAL BATAS: A SIGMUND FREUD’S PSYCHOLOGICAL ANALYSIS Afriliya, Novi; Alivardani, Eka Nova; Suaedi, Hasan
Language Literacy: Journal of Linguistics, Literature, and Language Teaching Vol 9, No 2: December 2025
Publisher : Universitas Islam Sumatera Utara (UISU)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30743/ll.v1i1.12200

Abstract

This research aims to describe the representation of two forms of trauma, namely psychological trauma and neurosis trauma, in the novel Kidung Rindu di Tapal Batas by Aguk Irawan MN. This study integrates the traumatic theory of Fatmah K. and Diah Retno Ningsih with Sigmund Freud's psychoanalytic approach to interpret the psychological dynamics of the characters through three structures of personality: id, ego, and superego. This research uses a qualitative descriptive method through reading techniques and recording data in the form of dialogue, narration, and descriptions that show symptoms of trauma. The analysis is carried out by classifying the types of trauma and interpreting the characters' psychological responses to inner stress and traumatic experiences. The research results show that psychological trauma and neurosis are represented through inner conflict, fear, loss, and guilt experienced by the characters. The dynamics between the id, ego, and superego show how the ego acts as a mediator between instinctual drives and moral control in the face of traumatic stress. Theoretically, this research enriches the study of literary psychology by confirming that literary works function as a reflection of human psychological conditions and a medium for understanding the dynamics of trauma in the context of Indonesian literature.
THE REPRESENTATION OF WOMEN AS VICTIMS OF MASCULINE POWER IN CANTIK ITU LUKA BY EKA KURNIAWAN: AN EXISTENTIALIST FEMINIST STUDY Febriyanti, Weni; Suaedi, Hasan; Afrizal, Mohamad
Language Literacy: Journal of Linguistics, Literature, and Language Teaching Vol 9, No 2: December 2025
Publisher : Universitas Islam Sumatera Utara (UISU)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30743/ll.v1i1.12227

Abstract

This study analyzes the representation of women as victims of masculine power in Cantik Itu Luka by Eka Kurniawan through the lens of Simone de Beauvoir’s existentialist feminism. The novel was chosen for its intricate portrayal of women’s suffering and social positioning within Indonesia’s patriarchal structure, marked by violence, sexuality, and moral oppression. While earlier research has explored themes of women and patriarchy in Kurniawan’s works, studies explicitly connecting Cantik Itu Luka to Beauvoir’s existentialist feminist theory remain scarce. This study therefore contributes to a deeper understanding of women’s freedom and existence in Indonesian literature. Employing a qualitative descriptive approach, the research draws on the text of Cantik Itu Luka as the primary data source. Analysis is conducted through close reading of narrative elements, symbols, and character actions, framed by Beauvoir’s concepts of freedom, oppression, and woman as the “Other.” The findings reveal that masculine power in the novel manifests through physical violence, sexual exploitation, and moral or social control over women’s bodies. The protagonist, Dewi Ayu, together with other female characters such as Alamanda and Maya Dewi, embodies the subjugation of women under patriarchy. Yet, amid this suffering emerges an existential awareness that urges women to assert freedom and autonomy as self-determining subjects. Through his use of magical realism, Kurniawan captures the tension between oppression and resistance, illuminating women’s search for meaning and agency. Ultimately, this study enriches feminist literary criticism in Indonesia by showing how literature reflects women’s existential struggles toward liberation and self-sovereignty.
KEPRIBADIAN TOKOH UTAMA NOVEL MANUSIA DAN BADAINYA KARYA SYAHID MUHAMMAD SERTA RELEVANSINYA DALAM PEMBELAJARAN DI SMA Erdita Nur Rahmawati; Hasan Suaedi; Eka Nova Ali Vardani
Jurnal Bastra (Bahasa dan Sastra) Vol. 9 No. 4 (2024): JURNAL BASTRA EDISI OKTOBER 2024
Publisher : Program Studi Pendidikan Bahasa dan Sastra Indonesia, FKIP, Universitas Halu Oleo Kampus Bumi Tridharma Andounohu Kendari, Provinsi Sulawesi Tenggara – Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36709/bastra.v9i4.457

Abstract

The study aims to analyze the healthy personality of the main character in the Manusia dan Badainya novel and to describe its relevance in high school studies. The methods involve a type of qualitative work. Data collection uses reduction techniques. The source of the data is the Manusia dan Badainya novel by Syahid Muhammad novel that released on 2022. The background is to identify healthy personality phenomena of the main character in the Manusia dan Badainya novel. The results of are that 13 physiological data found on the main character in the Manusia dan Badainya novel. There are consist of some details, the physiological needs eat and drink as 6 data, physiological needs of residence and rest are 3 data each of them, and the physiological needs of clothing as 1 data. The conclusion is the main character in the novel fulfill one of the requirements of a healthy personality according to maslow's theory of personality. A healthy personality consisting of the dominant physiological needs of the main character is the physiological needs of eating and drinking. This analysis has relevance to high school literature, especially at phase F in the free curriculum.
SOLIDARITAS SOSIAL DALAM NOVEL TANAH PARA BANDIT KARYA TERE LIYE: ANALISIS WACANA KRITIS Bintang Ramadhan, Muhammad Dwi; Bintang Ramadhan, M Dwi; Suaedi, Hasan; Afrizal, Mohamad
JURNAL KONFIKS Vol 12 No 4 (2025): KONFIKS
Publisher : LEMBAGA PENELITIAN DAN PENGABDIAN PADA MASYARAKAT

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26618/44zgvv48

Abstract

  Abstract This study, entitled “Social Solidarity in Tere Liye’s Novel *Tanah Para Bandit: A Critical Discourse Analysis,”focuses on how language is used by Tere Liye to portray forms of social solidarity and power relations among the characters in the novel. The backgrounds of this research is based on the view that literary works do not merely serve as aesthetic media but also as mirrors of social reality rich in values, ideologies, and power relations. Through language, authors construct representations of social realities that reflect the dynamics between traditional and modern societies. To addres these issues, the study employ a qualitative descriptive approach using Émile Durkheim’s theory of social solidarity, which distinguishes between two types of solidarity mechanical and organic alongside Norman Fairclough’s Crittical Discoursse Analys (CDA) model, which encompasses three main dimensions: text (language), discourse practice (power), and social practice (social context). The findings reveal that language in the novel is strategically employed to construct two forms of social solidarity: mechanical solidarity, reflected in shared values, adherence to traditions, and the role of Abu Syik as a moral authority within society; and organic solidarity, manifested through cooperation, division of roles, and social awareness that arise from character interactions. Through deliberate word choices, distinctive speech styles, and powerful narration, Tere Liye presents a picture of social transformation from a traditional society toward a modern one that values collaboration, knowledge, and collective spirit. The novelty of this study lies in the applications of Durkheim’s social solidarity theory within the framework of Fairclough’s Critical Discourse Analysis, aiming to uncover the relationship between language, power, and social reality in modern Indonesian literature. The research gap addressed is the scarcity of studies analyzing forms of social solidarity in Tanah Para Bandit with a focus on deological and power dimensions expressed through language .Keywords: Social Solidarity; Critical Discourse Analysis; Émile Durkheim; Norman Fairclough; Tanah Para Bandit
Discourse on Character Education of the Main Character Enong in the Novel Padang Bulan by Andrea Hirata Sofhan, Irfan Kholid; Suaedi, Hasan; Afrizal, Mohamad
Journal of Language and Literature Studies Vol. 5 No. 4 (2025): December
Publisher : Lembaga Penelitian dan Pemberdayaan Masyarakat (LITPAM)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36312/pqw04h20

Abstract

This study aims to analyze the character education discourse reflected through the main character, Enong, in the novel Padang Bulan by Andrea Hirata using F.W. Foerster's character education theory. The methodological approach employed is discourse analysis with descriptive qualitative methods. The research data consist of narrative excerpts and dialogues reflecting the character values of Enong, which are then classified based on Foerster's four main principles: orderliness (discipline), adherence to values (obedience to values), loyalty, and integrity of life (unity of life). The research findings indicate that the character education discourse in this novel is manifested through two main aspects: learning motivation and hard work. Learning motivation is reflected in Enong's enthusiasm for continuously pursuing knowledge, diligence in self-directed learning, and loyalty to her aspirations despite living in economic and social limitations. Meanwhile, the value of hard work is evident in Enong's persistence in bearing the family's economic burden, courage in taking on the role of a tin prospector, and resilience in facing failure without giving up. All four of Foerster's principles are consistently present in Enong's actions and words, demonstrating the integration of moral, intellectual, and social values. This study concludes that Andrea Hirata successfully constructs a humanistic character education discourse through the figure of Enong as a representation of a resilient, independent, and educated woman. These findings are relevant for use as literary teaching materials in character education learning in schools because they contain universal values such as discipline, responsibility, determination, and loyalty to one's aspirations.
Representation of Javanese Beliefs in the Film Sumala (2024):Magical Realism Oktaviona, Anindya; Suaedi, Hasan; Dzarna, Dzarna
Journal of Language and Literature Studies Vol. 5 No. 4 (2025): December
Publisher : Lembaga Penelitian dan Pemberdayaan Masyarakat (LITPAM)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36312/w2e3ep60

Abstract

The phenomenon of the representation of local beliefs in modern Indonesian films shows a tendency to combine traditional elements with contemporary storytelling styles, but studies that specifically examine this combination through the perspective of magical realism are still limited. This study aims to reveal how the film Sumala  (2024) represents Javanese beliefs through three main elements of magical realism according to Wendy B. Faris, namely the irreducible element, merging realms, and disruptions of time, space, and identity. The study uses a qualitative descriptive method with data sources in the form of scenes, Dialogues, and visual symbols in the film. Data are analyzed through a process of reduction, classification, interpretation, and drawing conclusions based on the theory of magical realism and the concept of Javanese beliefs. The results show that Sumala presents magical objects, spiritual rituals, and human interactions with spirits as magical elements that are naturally accepted in the story world. This representation illustrates the Javanese view of life that emphasizes the balance between the rough universe and the subtle universe as an important part of the cosmological order. This study concludes that the magical elements in Sumala not only function as narrative aesthetics but also play an important role in preserving Javanese spiritual and cultural values. This finding has implications for strengthening film and cultural studies, particularly regarding the representation of local wisdom in modern Indonesian cinema.
Tahapan Moral dalam Novel Garis Waktu Karya Fiersa Bersari Hasanah, Annisa Dallilatul; Alivardani, Eka Nova; Suaedi, Hasan
Bahasa: Jurnal Keilmuan Pendidikan Bahasa dan Sastra Indonesia Vol 7, No 3 (2025): Bahasa: Jurnal Keilmuan Pendidikan Bahasa dan Sastra Indonesia
Publisher : ppjbsip

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/bahasa.v7i3.1644

Abstract

This study investigates the representation of moral stages in Fiersa Besari's novel Garis Waktu, focusing on Lawrence Kohlberg's Theory of Moral Development in conjunction with Ian Watt's Sociological Approach to Literature. The primary research problem lies in analyzing how the main character's ethical reasoning evolves under social pressure. Utilizing a descriptive qualitative method, the research aims to identify and analyze two specific stages: Conventional Stage 4 (Law and Order Orientation) and Postconventional Stage 5 (Social Contract and Individual Rights Orientation). The findings reveal that the protagonist's moral development reflects a dynamic conflict between adherence to social institutions (Stage 4), often interpreted as the author's and society's emphasis on formal order, and the defense of self-chosen universal principles (Stage 5), mirroring the modern societal struggle between conventional norms and individual rights. This interdisciplinary analysis contributes to both literary sociology and ethical studies by demonstrating how the novel functions as a medium for reflecting complex human moral and social dilemmas. AbstrakPenelitian ini bertujuan mengidentifikasi dan menganalisis tahapan moral dalam novel Garis Waktu karya Fiersa Besari menggunakan Teori Perkembangan Moral Lawrence Kohlberg dan Pendekatan Sosiologi Sastra Ian Watt. Metode penelitian yang digunakan adalah deskriptif kualitatif dengan teknik pengumpulan data berupa pembacaan mendalam dan pencatatan kutipan yang relevan. Teknik analisis data dilakukan melalui kategorisasi berdasarkan tahapan moral Kohlberg dan konsep sosiologi sastra Ian Watt,  dilanjutkan dengan penafsiran dan deskripsi mendalam. Hasil penelitian menunjukkan bahwa tokoh protagonis merepresentasikan dua tahapan moral, yaitu: tahapan konvensional tahap 4 (Orientasi Hukum dan Tatanan Sosial) yang tercermin dalam kepatuhan pada norma dan tanggung jawab sosial, serta tahapan pascakonvensional tahap 5 (Orientasi Kontrak Sosial dan Hak Individu) yang tercermin melalui pembelaan terhadap prinsip universal dan hak individu. Perkembangan moral tokoh mencerminkan konflik dinamis antara tuntutan masyarakat akan ketertiban formal dengan perjuangan mempertahankan prinsip-prinsip universal yang dipilih sendiri.
The Language Attitude of Madurese Speakers in Jember: The Sociolinguistic Identity of a Multilingual Community Hasan Suaedi; Fitri Amilia; Yeni Mardiyana Devanti; Astri Widyaruli Angraeni; Nurkamilah Nurkamilah; Indah Werdiningsih
KEMBARA: Jurnal Keilmuan Bahasa, Sastra, dan Pengajarannya Vol. 11 No. 1 (2025): April
Publisher : Universitas Muhammadiyah Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22219/kembara.v11i1.37871

Abstract

Language attitude refers to the behavior of speakers toward a language and its usage. There are differences in the language attitudes of Madurese speakers on Madura Island and those in Java. These differences arise from cultural contact among language speakers. This study aims to explore the language attitudes of Madurese speakers in Jember. Jember is a regency characterized by harmonious cultural interactions. Many residents in Jember are multilingual, speaking Indonesian and two regional languages: Javanese and Madurese. This research employs a phenomenological approach to capture the language attitudes of Madurese speakers in Jember as a representation of a multilingual society. The data were gathered through indicators of language attitudes using a questionnaire distributed via Google Forms. The respondents targeted were Madurese speakers with varied educational backgrounds, balanced in terms of gender. The questionnaire covered aspects such as comprehension, usage, preservation, and transmission of the Madurese language in their surroundings. The data were analyzed descriptively to identify the language attitudes of Madurese speakers. The analysis revealed both positive and negative attitudes. Positive attitudes were marked by comprehension, usage, preservation, and transmission of the Madurese language within families and local communities. Positive attitudes were evident in private and public settings, demonstrating pride in the language and its use. On the other hand, negative attitudes were also observed. These included partial pride in the Madurese language—speakers were willing to use the language but reluctant to preserve or pass it down to their children. Some speakers used the language but resisted being labeled as Madurese. The key finding of this study is the distinction between the language attitudes of Madurese speakers on Madura Island and those outside it. Madurese speakers on Madura Island are primarily monolingual or bilingual (Madurese and Indonesian). At the same time, those outside the island often belong to multilingual communities and display a complex sense of pride in multiple languages. Multilingual Madurese speakers often identify themselves as "Madura Swasta." They take pride in speaking Madurese but do not identify fully as Madurese. For "Madura Negeri," being Madurese means living on Madura Island and using the Madurese language exclusively. Those who live outside the island, even if fluent in Madurese, often have a dual attitude toward their regional language and the other languages they use.
Co-Authors Adilah Puja Rahmawati Afifah, Uni Nur Afriliya, Novi Afrizal, Mohammad Agus Milu Susetyo agus milu susetyo Alivardani, Eka Nova Alivia Rosita Wahyuni Amaliatuz Zahrah Anang Santoso Andini Fatima Azizah Anggraeni, Astri Widyaruli Anindya Oktaviona Ervinawati Annisa Dallilatul Hasanah Arini Ika Ramadhanti Astri Widyaruli Anggraeni Astri Widyaruli Anggraeni Astri Widyaruli Angraeni Audy Yourdiansyah Firdaus Ayunda Putri Nazarrina Bagas Eko Firmansyah Bahtiar Hari Hardovi Bintang Ramadhan, M Dwi Bintang Ramadhan, Muhammad Dwi Callista Azalia Nur Firdaus Cantika Kunthi Prabandari Dela Febriyanti Devanti, Yeni Mardiana Dzarna Dzarna Dzarna Dzarna Dzarna Dzarna, Dzarna Eka Nova Ali Vardani Elisa Kurnia Putri Erdita Nur Rahmawati Fadilah Rahmawati Fatkurochman, Henri Fatmawati Fatmawati Fatmawati, Fatmawati Fatqurhohman Fatqurhohman Febbi Mivia Rira Febriyanti, Weni Filia Dwi Lestari Fitri Amilia Fitri Amilia Fitri Amilia Fitri Sakinah Fitrianingsih, Rina Ayu Hanina Zahra Al Muhdlar Hasanah, Annisa Dallilatul Hasanah, Lina Umayatul Henri Fatkurochman Indah Werdiningsih Irfan Kholid Sofhan Isnaini Nur Azizah Isnaini Nur Azizah Isnanda, Wheka Isti'anah Jasmin Fauzia Jessinta Dwi Lestari Kevin Ferdian Agarta Khoirun Nadia Krisdianti, Cucuk Laila Nurmayanti Laila Nurmayanti Laylatul Musoffa Lestari, Desy Elok Mega Lestari, Marselia Dwi M. Dwi Bintang Ramadhan M. Toyyib Mustofa Lathif Maesaroh, Galuh Marisa Nur Rohma Mar’atus Sholihah Melinda Disti Nuraulia Mijianti, Yerry Mohamad Afrizal Muhamad Ipnu Hasan Muhammad Amin Amirullah Nabiilah, Deffa Nadila Devi Tsabita Neyskia Ramadila Nia Anggraeni Novi Afriliya Nuning Indagwiya Nuning Indahwiya Nurkamilah Nurkamilah Nurul Imamah Nurul Kurniawati, Nurul Nurul Lailatuz Zakiyah Oktaviani, Dwi Sinta Oktaviona, Anindya Pahlawan, Sunan Reza Palupi, Sucitra Risa Permatasari, Marsella Putri Putri, Elisa Kurnia Renita, Stella Rintan Amalia Rohar Rintan Amalia Rohar Rohimah, Ainur Salman Faris, Muhammad Sholahuddin Ayyubi Sila Rahmatina Siti Husnul Amaliyah Sofhan, Irfan Kholid Sulistiyawati, Eka Susetyo, Agus Milu Tasya Madinah Taufiq Ahmad Ranasanto Tri Endang Jatmikowati Ukhtul Iffah Daat Arina Uni Nur Afifah Uqraniyyah, Siti Murtifatul Vardani, Eka Nova Ali Vardani, Eka Nova Ali Wahyudi Siswanto Wahyuni, Alivia Rosita Warda, Humairotul Weni Febriyanti Widyaruli Anggraeni, Astri Widyaruli, Astri Wilujeng, Dinda Ayu Yeni Mardiyana Devanti Yeni Mardiyana Devanti Yerry Mijianti Yessy putri Wulandari Yuni Pratiwi Yuniar Firjinia Fatwa