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KENNA AND LEDGER’S SINCERE FEELINGS WITHIN FORGIVENESS IN COLLEEN HOOVER’S NOVEL REMINDERS OF HIM Johanes Claudio Perdana Napitupulu; Yasmine Azzah Adillah Wirnoto; Raydzal Wibowo Sabandar Putra; Dwiky Jibril Aulia Baskara; Cahyaningsih Pujimahanani; Rommel Utungga Pasopati
Seminar Nasional Hasil Riset dan Pengabdian Vol. 7 (2025): Seminar Nasional Hasil Riset dan Pengabdian (SNHRP) Ke 7 Tahun 2025
Publisher : LPPM Universitas PGRI Adi Buana

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This study explores Kenna and Ledger’s sincere feelings reflected in their process to forgive in a novel entitled Reminders of Him by Colleen Hoover in 2022. The authors on this article use qualitative method which can help the readers to explore more about the contexts of the object. This forgiveness shows how Kenna and Ledger can forgive each other and move forward into better future through sincere feelings. The analysis investigates how Kenna tries to reach forgiveness in order to escape from her past memories while Ledger wants Kenna forgive him for what he has done to her. Both of them keep exchanging sincere feelings so that such forgiveness can always be realized for better future. In conclusion, the authors confirm that Kenna and Ledger indicate sincere feelings within their relationship while forgiving each other and moving forward.
GUS MARCH-PHILLIPS’ TRANSFORMATIONAL LEADERSHIP IN CULTIVATING SUPPORTIVE ENVIRONMENT IN THE MINISTRY OF UNGENTLEMANLY WARFARE FILM Dewi Syifanaya Firdausy Nurdin; Qurrota A'yunin; Romadhona Resa Ayu Sari; Bagus Pratama Wijayanto; Rommel Utungga Pasopati; Cahyaningsih Pujimahanani; Dimas Eko Saputro
Seminar Nasional Hasil Riset dan Pengabdian Vol. 7 (2025): Seminar Nasional Hasil Riset dan Pengabdian (SNHRP) Ke 7 Tahun 2025
Publisher : LPPM Universitas PGRI Adi Buana

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This study examines the reason behind transformational leadership is portrayed, namely the idea of cultivating a supportive environment, as exemplified by Gus March-Phillips in Guy Ritchie's film The Ministry of Ungentlemanly Warfare. The movie, which is set during World War II, emphasizes how Gus's leadership promotes friendship, and fostered a more inclusive and supportive work environment where team members feel valued and engaged. The research demonstrates Gus's capacity to build strong trust-based relationships with his followers, and allowing members to express their concerns freely through a qualitative examination of significant conversations and situations. The results show behind Gus’ cultivating a supportive environment and regard for motivated to contribute, which are hallmarks of transformational leadership, can improve team cohesiveness and personal development.
LACANIAN PSYCHOANALYTICAL ANALYSIS OF ADELE’S SONG EASY ON ME Lisma Ayu Arditha; Na’ilah Farashifah; Luke Zefranezra Mulyanto; Anggoro Cahyo Wicaksono; Kusuma Wijaya; Rommel Utungga Pasopati
Seminar Nasional Hasil Riset dan Pengabdian Vol. 7 (2025): Seminar Nasional Hasil Riset dan Pengabdian (SNHRP) Ke 7 Tahun 2025
Publisher : LPPM Universitas PGRI Adi Buana

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This study aims to analyze Adele's song Easy on Me through Jacques Lacan's psychoanalytic approach using descriptive qualitative methods. The research data consists of song lyrics which are then interpreted using Lacan's main concepts, namely the Real, the Imaginary, and the Symbolic. The analysis shows that the lyrics represent the inner conflict of the lyrical character in facing separation and an unresolved past. The request to “go easy on me” reflects the need for recognition in the Imaginary realm, as well as the guilt and responsibility present in the Symbolic. Meanwhile, emotional experiences that cannot be fully expressed through language describe the presence of the Real as something traumatic and unattainable. The results of this study show that song lyrics are not only emotional expressions, but also spaces of unconscious representation that can be understood through Lacan's psychoanalytic framework. In conclusion, this study points out that Adele’s song matches with Lacanian perspectives on psychoanalysis that mediates trauma through language of everyday life.
LACK OF EMPATHY IN SUPERMAN’S GOD COMPLEX DEEDS IN MOVIE OF SUPERMAN: RED SON Bagus Pratama Wijayanto; Rizal Rafsanjani; Rio Pratama Ramadan; Akmal Dafa Hizbullah; Rommel Utungga Pasopati; Kusuma Wijaya
Seminar Nasional Hasil Riset dan Pengabdian Vol. 7 (2025): Seminar Nasional Hasil Riset dan Pengabdian (SNHRP) Ke 7 Tahun 2025
Publisher : LPPM Universitas PGRI Adi Buana

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This article examines how the Superman: Red Son movie by Sam Liu portrays Superman’s lack of empathy. The movie is about another universe in DC Comics where Superman is born in Soviet Union within Cold War. It also shows how Superman is practicing his ack of empathy within his God Complex as the sole legitimate ruler for his people in Superman: Red Son. In this movie, Superman is depicted as a very tyrannical Soviet leader. Superman also thinks that he is better than other people. He believes that all that he does is justified and bearing truth according to his own values. Through qualitative method, this article would like to explore more whether Superman’s God Complex is closely related to condition of lack of empathy. In analysis, Superman is proved to practice lack of empathy in underestimating other people ability, being arrogant to others, and always judging other people act toward Superman himself. In conclusion, it is clear that Superman’s God Complex is in matter of lack of empathy, especially in his superior behavior towards other people.
PSYCHOANALYSIS, MORALITY, AND IDEOLOGY PERSPECTIVES IN QUENTIN TARANTINO’S PULP FICTION MOVIE Yoshua Veron Handika Putra Siadari; Nasywa Nuzula Ramadhani; Anicleta Yuliastuti; Ni Nyoman Sarmi; Rommel Utungga Pasopati; Dimas Eko Saputro
Seminar Nasional Hasil Riset dan Pengabdian Vol. 7 (2025): Seminar Nasional Hasil Riset dan Pengabdian (SNHRP) Ke 7 Tahun 2025
Publisher : LPPM Universitas PGRI Adi Buana

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This article examines the complex relationships by understanding the perspectives of ideology, morality, and psychoanalysis. The main characters of this movie are Vincent Vega and Jules Winnfield. Pulp Fiction was directed by Quentin Tarantino in 1994. The authors of this article employ a qualitative method, which allows the reader to learn more about the object's background. The study demonstrates how these three viewpoints influence the characters' actions and the plot by looking at the psychological motivations, ethical issues and ideological factors at play in the movie. A deeper understanding of how Pulp Fiction deals with issues of identity management, ethical standards, and society's impact is made possible by the examination of these perspectives. The film offers an interesting story that challenges audiences to consider human nature and the idea of redemption in a morally unstable society. In conclusion, this movie is full of various literary devices and meanings, making it important to be underlined within psychoanalysis, morality and even ideology perspectives.
CULTURAL ANALYSIS OF ELTON JOHN’S SONG SATURDAY NIGHT’S ALRIGHT FOR FIGHTING Dwi Ainur Riza; Wiwin Anggraeni Kurniawati; Anggoro Cahyo Wicaksono; Achmad Maulana Marharendra; Rindrah Kartiningsih; Rommel Utungga Pasopati
Seminar Nasional Hasil Riset dan Pengabdian Vol. 7 (2025): Seminar Nasional Hasil Riset dan Pengabdian (SNHRP) Ke 7 Tahun 2025
Publisher : LPPM Universitas PGRI Adi Buana

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This study analyzes Elton John's song Saturday Night's Alright for Fighting, co-written with lyricist Bernie Taupin, through a cultural studies perspective. Released in 1973, the song is known for its energetic rock style and lyrics depicting teenage nightlife, drinking, and fighting. More than just a work of entertainment, the song can be seen as a cultural text depicting the practices and identities of working-class youth in Britain in the 1970s. Drawing on Stuart Hall's theories of representation and encoding/decoding, this study examines how meanings of freedom, aggression, and social identity are constructed in the lyrics and how listeners interpret these meanings based on their cultural and class positions. Furthermore, Dick Hebdige's subcultural theory is used to understand how music and style function as symbolic practices and forms of resistance within working-class culture. Recent research on youth and popular music suggests that cultural practices, including music, often serve as crucial spaces for the negotiation of identity and masculinity, particularly for marginalized young working-class men. In conclusion, this article argues that Saturday Night's Alright for Fighting not only depicts the spirit and rebellion of youth but also reflects the struggles, hopes, and cultural styles of working-class masculinity.
POSEY’S ALTRUISM AND HER HIGH EMPATHETIC DEEDS IN MITCH ALBOM’S NOVEL FOR ONE MORE DAY Riska Dewi Ramadhani; Happy Julia Rahmadianti; Novanda Lukwita Hakim; Rommel Utungga Pasopati; Rindrah Kartiningsih; Dimas Eko Saputro
Seminar Nasional Hasil Riset dan Pengabdian Vol. 7 (2025): Seminar Nasional Hasil Riset dan Pengabdian (SNHRP) Ke 7 Tahun 2025
Publisher : LPPM Universitas PGRI Adi Buana

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This paper examines the relationship between altruism and high empathetic deeds through the character Posey in Mitch Albom’s For One More Day. Altruism, as a selfless concern for the welfare of others based on a genuine desire to help them, is directly related to the capacity for empathy—especially when one does so without expecting anything in return. Using qualitative literary analysis, this study focuses on Posey’s emotional sensitivity and selfless actions toward her son, Charley Benetto, and those around her. Drawing on theories of empathy and altruism, this study explores key scenes that demonstrate Posey’s ability to understand and respond to the emotional needs of others with compassion. The study’s findings suggest that Posey’s altruism is rooted in her high empathy, which manifests in her caring, nurturing, and emotional support. In conclusion, Posey’s character demonstrates how empathy is a driving force behind altruistic behavior in literature and in human life.
CHILDHOOD TRAUMA IN PARAMORE’S SONG THE ONLY EXCEPTION Astika R. Pratiwi; Rizal Rafiuddin; Firdausy Alya Hasana; Lisma Ayu Arditha; Rommel Utungga Pasopati; Ni Nyoman Sarmi; Dimas Eko Saputro
Seminar Nasional Hasil Riset dan Pengabdian Vol. 7 (2025): Seminar Nasional Hasil Riset dan Pengabdian (SNHRP) Ke 7 Tahun 2025
Publisher : LPPM Universitas PGRI Adi Buana

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>This study investigates the representation of childhood trauma in Paramore’s song The Only Exception by analyzing its figurative language through the lens of trauma theory. Using a qualitative descriptive approach, the research explores how the lyrics articulate the long-term psychological effects of witnessing parental conflict and how figurative devices, such as metaphor, personification, hyperbole, paradox, and repetition, convey the narrator’s emotional struggles. Drawing on Herman’s (1992) and Perry’s (2001) theories of trauma alongside contemporary scholarship on childhood adversity, this study demonstrates that the song reflects trauma not only as an individual experience but also as a cultural narrative. The results highlight how trauma manifests in avoidance strategies, mistrust of love, and fear of intimacy, yet also reveal the possibility of resilience and gradual healing. By positioning popular music as literature, the research underscores how songs can serve as testimonies of private pain that become accessible to a wider audience, turning trauma into a shared cultural text. In conclusion, this study contributes to the fields of literature, cultural studies, and psychology by showing how music operates as both artistic expression and psychological discourse.
THE NOTEWORTHINESS OF EPICUREAN ETHICS IN WES ANDERSON’S THE WONDERFUL STORY OF HENRY SUGAR Yasmine Azzah Adillah Wirnoto; Raddine Salsabiyla; Asjad Nina Hanan Ramadhani; Lisma Ayu Arditha; Hariyono; Rommel Utungga Pasopati
Seminar Nasional Hasil Riset dan Pengabdian Vol. 7 (2025): Seminar Nasional Hasil Riset dan Pengabdian (SNHRP) Ke 7 Tahun 2025
Publisher : LPPM Universitas PGRI Adi Buana

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This study looks at The Wonderful Story of Henry Sugar (2023) by Wes Anderson through the lens of Epicurean ethics. It shows how the movie deals with ideas, things, money, and right and wrong. Anderson shows Henry Sugar’s change from selfishness motivated by greed to selflessness urged by kindness by adapting a Yogi’s experience. This study uses qualitative explorative methods and textual analysis to find out how Epicurean ideas like ataraxia (peace of mind), moderation of desire, and the search for worthwhile pleasure can be seen in Sugar’s moral journey. The movie criticizes capitalist ideas by showing how useless it is to collect things and stressing the importance of living a moral life, being kind, and being simple. Overall, this study says that Anderson’s adaptation not only brings Dahl’s moral story to life again, but it also uses Epicurean ethics as a way to think about modern problems of desire, ideology, and moral responsibility.
The Explications of Existential Despair in The Animals’ House of The Rising Sun Reku, Angelina Merici Wua; Irawan, Muhammad Barra Sofyan Nur; Napitupulu, Johanes Claudio Perdana; Yuliastuti, Anicleta; Pasopati, Rommel Utungga
SALIENCE: English Language, Literature, and Education Journal Vol 5 No 2 (2025): November
Publisher : STKIP PGRI Ponorogo Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.60155/salience.v5i2.647

Abstract

This article explores into the concept of existential despair, as presented in The Animals' 1964 song House of the Rising Sun. The authors explore how the main character's personal journey grows important existentialist problems such as freedom, responsibility, regret, and the consequences of untrue existence by studying the song's lyrics. The authors of this article employ a qualitative method, which allows the reader to learn more about the object's background. By examining tone and symbolic imagery, the song changes into not only a warning but also a deep thought on what it means to experience life and awaken to the weight of one's own existence. In conclusion, this song is not only about melodic music, but it also contains song lyrics of existential despair as reflected in everyday points of human life.
Co-Authors -Nabilahtauzzahro Ibrahin, Laila -Pujimahanani, Cahyaningsih -Putri Oktafiani, Adelia Achmad Maulana Marharendra Agil, Agischa Putri Agischa Putri Agil Akmal Dafa Hizbullah Albert Wijaya Kusuma Alyanto, Jihan Nurul Savira Amirul Mustofa Ananda Syahromi Putra Ananta, Bintang Ryan Andharu, Devito Anggoro Cahyo Wicaksono Anggraeni Ramadhani Anicleta Yuliastuti Anicleta Yuliastuti Anindya Thalita Salsabila Annasai, Axlinabila Annisa Annisa Deby Aulia Aprilla, Evania Nur Asihta Aulia Azzahra Asjad Nina Hanan Ramadhani Astika R. Pratiwi Attamimi, Fatimah Nurunnada Aulia, Annisa Deby Axlinabila Annisa Anasai Axlinabila Annisa Annasai Ayu Rengganis, Dewi Ayu, Evangelin Rambu Bagus Pratama Wijayanto Bethari, Chili Podhang Bhagaskoro, Pradipto Bhagaskoro, S. Hub, Pradipto Bintang Indra Wibisono Budianto, Suhartawan Budianto, Suhartawan Cahyaningsih Pujimahanani Cahyaningsih Pujimahanani Cahyaningsih Pujimahanani, cahyaningsih Calista, Salsabila Nova Camila, Myrilla Shafa Camilla, Myrilla Shafa Cicilia Tantri Suryawati Damayanti, Ni Putu Nia Dermawan, Zahwa Amelia Putri Devito Andharu Devito Andharu Dewangga, Diandra Parta Wisnu Dewi Ayu Rengganis Dewi Ayu Rengganis Dewi Syifanaya Firdausy Nurdin Dimas Eko Saputro Djanarko, Indri Dwi Ainur Riza Dwiky Jibril Aulia Baskara Dyah Ayu Ratna Jelita Eka Hesty Rohma Darmawati Erlis Hersetya Firda Erlis Hersetya Firda Fadhelah Aulia Hamidah, Galuh Fadillah, Muhammad Reza Ishadi Fahmi, Muhammad Abu Rijal Falsyawal Galang Smarandreetha Fatiha, Kayla Fatimah Nurunnada Attamimi Faulina, Maulidia Nur Fennyta Diva Fadilla Fiona Smith, Marion Firda, Erlis Hersetya Firdausy Alya Hasana Firzatullah, Muchammad Daffa Flora Anasis Fransisca Irnidianis Magdalena Suyaji Fransiska Litwin Nurni Gadi, Epifanius Karso Seda Galang Smarandreetha, Falsyawal Galuh Fadhelah Aulia Hamidah Gunawan Tjokro Hadi Saputra Hakim, Novanda Lukwita Hamdani, Farham Nazhib Hamidah, Galuh Fadhelah Aulia Happy Julia Rahmadianti Hariyono Hariyono Hariyono Hariyono Hasana, Firdausy Alya Hidayat, Sanjaya Ahmad Hirshi Anadza Hizbullah, Akmal Dafa Ibrahim, Laila Nabilahtuzzahro Indri Djanarko, Indri Irawan, Muhammad Barra Sofyan Nur Ishadi Fadillah, M Reza Isnin Ainie Johanes Claudio Perdana Napitupulu Kartika, Ratih Kartiningsih, Rindrah Katarina Surensa Khaled Ahmed Mohammed Kheista Sasi Kirana Kheista Sasi Kirana Kirana, Kheista Sasi Kurniawati, Wiwin Anggraeni Kusuma Wijaya Kusuma Wijaya Kusuma Wijaya Kusuma Wijaya Kusuma, Albert Wijaya Laila Nabilahtauzzahro Ibrahim Laila Nabilahtuzzahro Ibrahim Laura Ika Angelina Arfina Putri Lina Fadiyah Lisma Ayu Arditha Listyaningsih Listyaningsih Listyaningsih Listyaningsih Listyaningsih Listyaningsih Livia Wulandari Luh Putu Ratna Sundari Luke Zefranezra Mulyanto Lutvia, Frefies Lavigni Putri M Reza Ishadi Fadillah M Reza Ishadi Fadillah Margaretha, Sherlly Marharendra, Ahmad Maulana Michelle, Michelle Mikail, Izzaditya Dharmaputra Mohammad Mirza Mohammed, Khaled Ahmed Muchammad Daffa Firzatullah Muhammad Adji Mullah Akbar Muhammad Daffa Firzatullah Mulyanto , Luke Zefanezra Mulyanto, Luke Zefanezra Nafis, Naufal Napitupulu, Johanes Claudio Perdana Nasywa Nuzula Ramadhani Na’ilah Farashifah Ni Nyoman Sarmi Ni Nyoman Sarmi Ni Nyoman Sarmi Ni Nyoman Sarmi, Ni Nyoman Nia Ayu Fitriani Novanda Lukwita Hakim Noviyanti, Anisa Dinda Nurdin, Dewi Syifanaya Firadausy Nurdin, Dewi Syifanaya Firdausy Ohei, Sugisaka Oktafiani, Adelia Putri Oktavia, Dian Oktavia, Salsabila Adinda Pandu Bagus Sutowijoyo Pangestu, Imelza Novia Rakhmadani Pradipto Bhagaskoro Pratiwi, Astika R. Puspayani, Komang Sinta Putra, Ananda Syahromi Putri Ayu Millenia Putri, Adinda Putri, Alvina Salshabilla Linjani Putri, Laura Ika Angelina Arfina Putriana, Kadek Olivia Novi Qurrota A'yunin Raddine Salsabiyla Rahmadianti, Happy Julia Rahmansyah, Muhammad Ilham Ramadhani, Anggraeni Ramadhani, Asjad Nina Hanan Ramadhani, Nasywa Nuzula Ramadhani, Riska Dewi Raydzal Wibowo Sabandar Putra Reku, Angelina Merici Wua Rengganis, Dewi Ayu Rindrah Kartiningsih Rindrah Kartiningsih Rindrah Kartiningsih Rio Pratama Ramadan Riska Dewi Ramadhani Riza, Dwi Ainur Rizal Rafiuddin Rizal Rafsanjani Romadhona Resa Ayu Sari Rosyadi, Machfianita Mirza Ayu Salsabila Adinda Oktavia Salsabila Nova Calista Salsabila Nova Calista Salsabila, Anindya Thalita Salsabila, Shafa Salsabiyla, Raddine Santoso, Liora Samantha Valent Saputro, Dimas Eko Sasmita, Dimas Rakhmat Setiadi, Kostavialdus Shamad, Dzil Fikris Siadari, Yoshua Veron Handika Putra Simanjuntak, Nensy Megawati Simbolon, Sinta Uli Sinta Uli Simbolon Siti Wulandari siti wulandari Smarandreetha, Falsyawal Galang Soenarko, Zahra Pramatatya Suyaji, Fransisca Irndianis Magdalena Suyaji, Fransisca Irnidianis Magdalena Syaif, Serly Maulina Syarifuddin Syarifuddin Syarifuddin Syarifuddin Syarifuddin Syarifuddin, S. Hub. Int., M. Si., Syarifuddin Tobing, Victor Maruli Tua L. Toto Indra Wijaya Vivi Nur Aini Susanto Wahyu Widayati Wardana, Bima Tri Wardhana, Bima Tri Wicaksono, Anggoro Cahyo Wijaya, Kusuma Wijaya, Silvia Marta Wijaya, Toto Indra Wijayanto, Bagus Pratama Wirnoto, Yasmine Azzah Adillah Wiwin Anggraeni Kurniawati Yasmine Azzah Adillah Wirnoto Yasmine Azzah Adillah Wirnoto Yoshua Veron Handika Putra Siadari Yoshua Veron Handika Putra Siadari Yovita Olivia Yuliastuti, Anicleta Zahra, Shellamita Zaimudin, Ashlaha Baladina Zaky, Raffi Ahmad Zhafirah, Muthiah Qalbu