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All Journal Jurnal Sendratasik Grenek: Jurnal Seni Musik JUPIIS: Jurnal Pendidikan Ilmu-ilmu Sosial Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) MUDRA Jurnal Seni Budaya Panggung Jurnal Ilmiah Peuradeun Gondang: Jurnal Seni dan Budaya Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni IKRA-ITH ABDIMAS Journal on Education Komposisi: Jurnal Pendidikan Bahasa, Sastra, dan Seni Jurnal Review Pendidikan dan Pengajaran (JRPP) Jurnal Pendidikan dan Konseling Abdi Dosen : Jurnal Pengabdian Pada Masyarakat Jurnal Aisyah : Jurnal Ilmu Kesehatan Journal of Music Science, Technology, and Industry (JOMSTI) Community Development Journal: Jurnal Pengabdian Masyarakat JURMA : Jurnal Program Mahasiswa Kreatif Melayu Arts and Performance Journal Journal of English Language and Education Jurnal Pengabdian Seni Anglophile Journal Multidiciplinary Output Research for Actual and International Issue (Morfai Journal) Bulletin of Science Education International Journal of Social Science, Educational, Economics, Agriculture Research, and Technology (IJSET) JUrnal Riset Ilmu Pendidikan Journal Of Human And Education (JAHE) TRIMAS: Jurnal Inovasi dan Pengabdian Kepada Masyarakat IKHLAS: Jurnal Pengabdian Dosen dan Mahasiswa Innovative: Journal Of Social Science Research PMSDU Advances In Social Humanities Research Journal of Education, Linguistics, Literature, and Art Samakta: Jurnal Pengabdian Kepada Masyarakat Panggung Jurnal Pengabdian Nusantara Abdimas Paspama Jurnal ISO: Jurnal Ilmu Sosial, Politik dan Humaniora
Junita Batubara
Universitas HKBP Nommensen
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Persembahan dalam Agama Suku Parmalim dan Kristen Sitanggang, Pintor Marihot; Siagian, Riris Johanna; Panjaitan, Edison; Damanik, Endo Wahyudi; Batubara, Junita
Innovative: Journal Of Social Science Research Vol. 3 No. 3 (2023): Innovative: Journal Of Social Science Research
Publisher : Universitas Pahlawan Tuanku Tambusai

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/innovative.v3i3.8125

Abstract

Tujuan dari penelitian ini adalah untuk mendeskripsikan secara ilmiah dan sistematis pengertian Mamele dalam tradisi Parmalim (Studi Ilmu Agama Tentang Persembahan Menurut Agama Malim dan Kristen) sehingga bagi awam dan teologi dapat memberikan wawasan tentang Mamele (Persembahan) melalui perspektif agama lain dan juga menganalisa, meneliti maknanya dalam agama Kristen, melihat persamaan dan perbedaan sehingga dapat memperkaya wawasan dan pola pikir pembaca. Penelitian Literatur digunakan dalam penelitian ini untuk mengumpulkan, membaca, dan memahami literatur dalam bentuk buku dan jurnal yang sesuai dengan topik yang dibahas, juga wawancara dengan tokoh Ugamo Malim. Alkitab juga sebagai sumber acuan utama dalam memberikan pandangan yang benar tentang persembahan. Kemudian akan membahas tentang budaya adat batak Toba ketika Mamele dan beragam makna yang terkandung di dalamnya, serta akan mempertimbangkan apa yang dilakukan oleh tokoh-tokoh Alkitab PL dan PB, dan Ajaran HKBP seputar persembahan dan ibadah terutama umat Allah berkaitan dengan Memele atau Persembahan. Dengan demikian akan dapat diambil suatu kesimpulan yang menjawab masalah penelitian. Hasil yang didapatkan dari penelitian ini adalah dalam pokok iman Kristen, persembahan atau pengorbanan terlebih dahulu dilakukan oleh Tuhan, baik dalam kesaksian PL, Allah menyediakan kulit untuk pakaian Adam dan Hawa, juga menyediakan hewan pengganti atas Ishak, begitu juga dalam PB, yakni Yesus Kristus sebagai anak Domba Allah, darah pengorbannanNya telah menyucikan kita dari dosa. Roh Kudus memberikan kita kekuatan dan spirit agar karakter berbuah seperti Yesus, yang menemani umat Tuhan sampai parousia. Dan kesaksian gereja, analisa Bapa-Bapa Gereja yang kesimpulannya adalah persembahan yang terindah adalah segenap hidup dan perilaku menjadi kemuliaan bagi Tuhan dan berkat bagi sesama.
Umpasa in Batak Toba Wedding Ceremony in Medan: Meaning and Tradition of Berpantun Pangaribuan, Rotua; Sihite, Jubilezer; Marbun, Juliaster; Manurung, Naomi Suryana; Batubara, Junita; Pasaribu, Tiara
Journal of English Language and Education Vol 9, No 6 (2024)
Publisher : Universitas Pahlawan Tuanku Tambusai

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/jele.v9i6.571

Abstract

This study aims to document and analyze the role of umpasa in Batak Toba wedding ceremonies and provide younger generations with a deeper understanding of the importance of preserving wedding traditions. This study explores the cultural significance of umpasa, the traditional poetic expressions used in Batak Toba weddings, and their impact on the overall ceremony. By examining the historical context and contemporary usage of umpasa, this research seeks to highlight the intrinsic connection between language, rituals, and cultural identity in Batak Toba society. Additionally, the findings contribute to the development of educational resources and cultural preservation initiatives aimed at ensuring the continuity of these cherished traditions for future generations.   The research method employed was an ethnographic study. Data were collected through participatory observations and semi-structured interviews with traditional leaders and families involved in wedding ceremonies. The findings reveal that umpasa plays a crucial social role as a tool for maintaining harmony, strengthening family solidarity, and passing cultural values on to future generations. However, interest in this tradition has declined over time, and more effort is needed to preserve it. This study is expected to enhance appreciation of the cultural richness of Batak Toba and inspire the preservation of umpasa traditions in the future.
The Differences and Similarities of Preposition Patterns in Batak Toba and English Language through Narrative Text: A Contrastive Analysis Suryani Sinaga; Sintia Tampubolon; Angelica Napitupulu; Herman; Ridwin Purba; Junita Batubara; Suhono, Suhono
Anglophile Journal Vol. 4 No. 2 (2024): Anglophile Journal
Publisher : CV. Creative Tugu Pena

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51278/anglophile.v4i2.1480

Abstract

This study examines the differences and similarities in prepositional patterns between Batak Toba and English languages through a contrastive analysis of narrative texts. The phenomenon in focus is the variation in preposition usage between these two languages, which often poses difficulties for native Batak Toba speakers learning English. The objective of this research is to identify and compare prepositional patterns in both languages and analyzes their implications for English language learning among Batak Toba speakers. The method employed is a qualitative contrastive analysis with a descriptive approach. Data was obtained from three pairs of equivalent narrative texts in English and Batak Toba. The results reveal significant differences in the use of spatial and temporal prepositions, as well as some similarities in prepositions indicating abstract relationships. The main difference lies in the greater number and variety of prepositions in English, while Batak Toba tends to use simpler and more limited prepositions. The implications of this research provide valuable insights for developing effective English language learning strategies for Batak Toba speakers, considering positive and negative transfer between the two languages.  
Kolaborasi Ekonomi, Hukum dan Musik: Strategi PkM untuk Penguatan Komunitas Kreatif di Gereja SIB Tanjung Malim Malaysia Nopeline, Nancy; Lumban Gaol, Manatap Berliana; Debora, Debora; Batubara, Junita; Wong, Colleen
TRIMAS: Jurnal Inovasi dan Pengabdian Kepada Masyarakat Vol. 5 No. 1 (2025): Trimas: Jurnal Inovasi dan Pengabdian Kepada Masyarakat
Publisher : Indra Institute Research & Publication

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58707/trimas.v5i1.1113

Abstract

This Community Service (PkM) is one of the important pillars in community development and empowerment efforts. Collaboration of Economy, Law, and Music: CSP Strategy for Strengthening Creative Communities at SIB Church Tanjung Malim Malaysia aims to improve the capacity and skills of the church community through an interdisciplinary approach. This service integrates aspects of economy, law, and music arts to create a comprehensive and sustainable program in empowering creative communities. Through a series of trainings, this service seeks to increase community understanding of the socialization of digital financial literacy and financial processing to improve self-competence, personal data protection of consumers as users of online loan services. In addition, this activity also includes music training and choir resonance by finding the power of collective voices that aim to develop the musical talents and skills of community members. Collaboration between economists, legal experts, and professional musicians is at the heart of this approach, creating a strong synergy for community empowerment. The results of this CSP show a significant increase in participants' knowledge and skills in the fields of creative economy, legal awareness, and musical ability. Participants also showed a high interest in applying the knowledge gained to develop their own creative businesses. The program evaluation shows that the integration of these three aspects has successfully created a holistic positive impact, strengthening the creative community at the SIB Church in Tanjung Malim. This PkM highlights the importance of a collaborative and interdisciplinary approach to achieve maximum and sustainable results. This experience can be a model for similar initiatives in other communities, encouraging the development of a creative economy based on legal understanding and musical skill enhancement.
Analysis of the Song Dunia Tipu Tipu by Yura Yunita Viewed from Modern Singing Style Batubara, Junita; Bate'e, Ariston
Jurnal Riset Ilmu Pendidikan Vol. 5 No. 1 (2025): Jurnal Riset Ilmu Pendidikan
Publisher : Lembaga Riset Mutiara Akbar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56495/jrip.v5i1.901

Abstract

This study analyzes the modern singing style in the song Dunia Tipu-Tipu by Yura Yunita. This song uses singing techniques such as belting, falsetto, and vibrato to provide deeper and more emotional expressions. In addition, modern music elements such as music loops and sound effects are also used to enrich the nuances of the song. The research method used is descriptive qualitative with a literature study approach and lyric analysis. The results of the study show that the singing style in this song resembles poetry reading, where the delivery of emotions plays a major role in strengthening the meaning of the song. The vocal technique used is able to increase the appeal of musicality and provide a deep experience for listeners. The strong interpretation of the lyrics makes this song one of the representations of modern music that has succeeded in touching various groups.
Improving the Students’ Ability to Play Music Instruments Using Contemporary Genre Music Composition in SLB A Karya Murni Medan Juliet Panggabean, Ance; Batubara, Junita; Saragih, Ronald Herico; Rosyo, Pandang
Komposisi: Jurnal Pendidikan Bahasa, Sastra, dan Seni Vol 26, No 1 (2025)
Publisher : Fakultas Bahasa dan Seni UNP

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/komposisi.v26i1.131864

Abstract

This research aims to improve the ability to play musical instruments using contemporary genre as a music playing activity that has never been done at SLB A Karya Murni Medan.  This activity is based on the lack of ability to play musical instruments for each child and the lack of optimal music learning by using contemporary genre as their musical repertoire. Contemporary genre are very interesting because they use elements of tone color, emphasis on mixing instrument sounds, melody as a variation of pitch in rhythm (time), micropolyphonic harmony, new sounds and non-functional vertical harmony, free rhythmic patterns. and complex and rhythmic micropatterns. The research subjects of SLB A students were 13 students. This research uses qualitative methods with a descriptive analysis approach in describing phenomena that occur related to efforts to improve the ability to play musical instruments using contemporary genre or children with special needs at SLB A Karya Murni Medan. It is hoped that the results of the research can make music playing activities more interesting and provide benefits for blind children such as playing instruments, learning rhythmic patterns, singing melodies, making movements while singing collectively using contemporary musical compositions and holding small musical performances for SLB A students Murrni Medan's work.
Saxophone dalam Upacara Pernikahan Adat Batak Toba di Kota Medan: Harmoni Tradisi dan Modernitas Purba, Erwin; Purba, Mauly; Vannesia; Batubara, Junita; Naiborhu, Torang
PANGGUNG Vol 35 No 2 (2025): Representasi, Transformasi, dan Negosiasi Budaya dalam Media, Seni, dan Ruang So
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v35i2.3362

Abstract

The authors aim to discuss the role of the saxophone in the presentation of Toba Batak traditional music in the city of Medan. The development of traditional music ensembles using the saxophone instrument is very rapid. This is caused by the large number of songs used that are popular music. The use of the saxophone instrument is growing rapidly in wedding customs and death ceremonies in the traditional music of the Toba Batak community as a carrier of melodies and 'bunga-bunga'. Usually, at Toba Batak traditional wedding parties, the function of the saxophone can be varied. There is the main melody carrier, carrying a collection of notes that resemble variations (flowers) and harmony with the various instruments used in the ensemble. The method used in this research is a descriptive qualitative method in which researchers conduct observations and unstructured interviews to obtain valid information. The research results show that the saxophone plays a role as power in the Toba Batak gondang ensemble for each song played. Especially when giving ulos to the bride and groom.
Komposisi Musik ˜Sampaniara™ Karya Amir Pasaribu Dalam Perspektif Musik Modern Indonesia: Unsur Pentatonik dan Elemen Harmoni Tonal Panggabean, Ance Juliet; Hirza, Herna; Simangunsong, Emmi; Batubara, Junita; Galingging, Kamaluddin
Grenek: Jurnal Seni Musik Vol. 11 No. 2 (2022): Grenek: Jurnal Seni Musik (December)
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/grenek.v11i2.39256

Abstract

Komposisi Musik  ˜Sampaniara™ Karya Amir Pasaribu Dalam Perspektif Musik Modern Indonesia: Dengan Unsur Pentatonik Dan Elemen Harmoni Tonal metode dasar menggunakan metode deskriptif  kualitatif.  Selain itu, metode pendekatan yang dilakukan dengan metode kepustakaan. Komposisi musik Sampaniara teridentifikasi sebagai sebuah komposisi musik modern, karena dari segi bentuk free form dengan pola A A B C B dan Coda,  serta unsur pentatonik yang mirip laras pelog sebagai dasar tangganadanya. Dasar harmoni, yang diharmonisir dengan elemen-elemen harmoni tonal barat terkandung didalamnya. Komposisi Sampaniara diciptakan oleh seorang komponis Indonesia yang terkenal Amir Pasaribu dengan ciri khas musik pianonya, Dengan penggunaan tingkat akor (progressi harmoni) dan permainan solois menjadikan komposisi  ini sebagai salah satu komposisi musik modern Indonesia lebih  unik dan menarik pada masanya.
A Tear by Nicky Manuputty: a Review of Alto Saxophone Playing Techniques and the Meaning of the Work Silalahi, Teddy Nicolas; Batubara, Junita
Grenek: Jurnal Seni Musik Vol. 12 No. 2 (2023): Grenek: Jurnal Seni Musik (December)
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/grenek.v12i2.48767

Abstract

A TEAR is a work of Nicky Manupputty who is a Saxophonist. The uniqueness of this song is that Nicky Manuputty uses a distinctive and different tounging. He has his own characteristics in playing saxophone in this work, namely tounging techniques resembling 'del-del' and resembling 'ta-ya' tounging. Therefore, the author is interested in researching the work A TEAR. The author found the technique of combining 'del-del' and 'ta-ya' tounging. The technique is the "dah-ya" tounging technique. In the 'dah-ya' technique, the author finds a tounging sound that is almost the same as that used by Nicky Mannuputty. The method used is descriptive qualitative method, by collecting data through youtube (https://youtu.be/76KrrEAQUek ), observation, literature study, articles/journals and documentation. The meaning of A TEAR is an expression of sadness. The results of this study are: 1) Showing the work of A TEAR live. 2) Introducing the works of Indonesian composers. 3) Knowing the techniques used by Nicky in his work, and the meaning of the work A TEAR. 
Revealing the Message of Spirituality in the Song “Tinggal Sertaku” Victory Song of Faith Number 148 Trianus, Trianus; Batubara, Junita; Tika, Dewi
Jurnal Riset Ilmu Pendidikan Vol. 5 No. 3 (2025): Jurnal Riset Ilmu Pendidikan
Publisher : Lembaga Riset Mutiara Akbar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56495/jrip.v5i3.1181

Abstract

The song “Tinggal Sertaku” in Nyanyian Kemenangan Iman (NKI) No. 148 is a work by Henry Francis Lyte that describes a spiritual request for God’s presence, especially when facing suffering and death. This study aims to uncover the message of spirituality in the song through a qualitative narrative approach with Charles Sanders Peirce’s semiotic method. Data were obtained through literature study, congregation interviews, and analysis of the song’s lyrics which include metric structure, rhyme, and style. The results of the analysis show that this song contains poetic symbols such as “twilight”, “dark”, and “death” which represent the fragility of human life and the eternity of God’s love. This song consists of four verses with varying rhyme patterns and long meter (10.10.10.10). This song is not just a prayer song, but also a declaration of faith in the presence of God who gives strength and hope in all life situations. In conclusion, “Tinggal Sertaku” has high theological and liturgical value and is relevant to be sung in various forms of Christian worship.
Co-Authors Agrioki Damianus Sitanggang Agustin R. P. Silalahi Algoboy Nelson Nainggolan Ance Panggabean Andre Alfandi Mendrofa Angelica Napitupulu Anita Purba Anita Sitanggang Ansen Godang Bt. Sitompul April Hampego Silitonga Arsen Nahum Pasaribu Arsyadona , Arsyadona Arsyadona, Arsyadona Aryanda Nugraha Viory Simatupang Aryani, Novia Asima Gurning Athiya, Sarah Aufah Aulia Agustina Bate'e, Ariston Bonita Anjelina Sihombing Brian Harefa Butar, Lukas Butar Chris Riveldi Wesley Purba Colleen Colleen Colleen, Colleen Damanik, Endo Wahyudi Damri A Hanaou Daniel Purba Dearlina Sinaga Debora Debora Dewi Tika Lestari Dina Marsaulina Eben Ezer Sormin Elfrida Yuliana Simamora Elfrida, Rotua Elvita Purba Emmi Simangunsong Emmi Simangunsong Ernest Grace Erwin Purba FINO HARJA MARBUN Gabriella Maria Christine Sipahutar Galingging, Kamaluddin Gomgom Simorangkir Gulo, Merdiani Gultom, Rendi Leo Ridhoi Happy Majesty Waruwu Happy Majesty Waruwu Hendra Hendrik Leonard Simanjuntak Herman Herman Herman HERNA HIRZA Hot Parulian Sitohang Injen Pardamean Butar-Butar Jeli Elvira Mangaraja Jenni Ria Sihombing Jenny Ria Sihombing Jones Irawan Sibagariang Joseph Partogi Sibarani Jubil Ezer Sihite Juli Antasari Br Sinaga Juliaster Marbun Juwita Gea Juwita Nova Sinurat Kamaluddin Galingging Kartini Ruth Maduma Manalu Ken Steven Kevin Yvonnaha Harefa Lawendatu, Frangky Lestari, Dewi Tika Levinson Y A Simaela LUMBAN GAOL, MANATAP BERLIANA Lumbangaol, Samsa Tamara Lumbantoruan, Rutman Mahameru , Erucakra Mahameru, Erucakra Manurung, Agatha Olivia Putri Manurung, Naomi Suryana Manurung, Sri Maneni Marbun, Juliaster Marbun, Tulus Marpaung, Cristofel Alfandi Martin Hasonangan Silaen Mauly Purba Mauly Purba Mauly Purba, Mauly Merdiani Gulo Natalia, Merryopita Niko Harnadi Hutasoit Niswa, Khairun Nopelin, Nancy Nopeline, Nancy Nurmika Turnip, Anggreni Panjaitan, Edison Parulian, Parulian Pasaribu , Arsen Nahum Pasaribu, Tiara Pintor Marihot Sitanggang Pulumun P. Ginting Purba, Chris Riveldi Wesley Purba, Indra Pranata Purba, Ridwin Raden Mohamad Herdian Bhakti Radeston Tanjung Ramot Ferdinan Ridwin Purba Rifai, Muhamad Riki Andika Romahulina, Romahulina Ronald Heriko Saragih Ronald Heriko Saragih Ronald Heriko Saragih Ronny Marusaha Situmorang Rosyo, Pandang Rotua Pangaribuan Ruth Melody Misbow Siallagan Sagala, Risma Novalina Samosir, Hendro T.G Samsa Tamara Lumbangaol Sangjik, Lee Saragih , Romahulina Saragih, Imeliana Saragih, Romahulina Saragih, Ronald Herico Saragih, Ronald Heriko Sariguna Johnson Kennedy, Posma Setia Oktaviana Sirait Sheren Regina Stefani Siagian, Riris Johanna Siahaan, Indah Peronika Sidabutar, Regina Halmin Sidauruk, Rizky Sihombing, Jenni Ria Sihombing, Nielson Dimpu Sihotang, Hot Parulian Silaban, Lusia Pebriyani Silaen Silaen Grace Lizs Cross Silalahi, Jojor Hotma Delima Silalahi, Putri Anastasia Silalahi, Teddy Silalahi, Teddy Nicolas SILALAHI, TIODORA FERMISKA Simanjuntak, Eksaulina Simanjuntak, Gina Wijaya Simatupang, Sudung Simorangkir, Maribeth Ophelia Sintia Tampubolon Sinurat, Bloner Sipahelut, Leo Michs de Bles Sirait, Jumaria Sitanggang, Ronaldo Sitinjak, Lasmaria Tiodora Silviana Sitohang, Desi Damaiyanti Sombama Tambunan Sondang Manik Suhono Suhono, Suhono Surbakti, Asmyta Suryani Sinaga Tampubolon, Diana Dian Sari Tampubolon, Nandito Tannuary, Arwin Teddy Nicolas Silalahi Tengku Riza Zarzani N Tika, Dewi Torang Naiborhu Trianus, Trianus Turnip, Gresy Van Thao, Nguyen Vanesia Amelia Sebayang Vannesia Veithzal Rivai Zainal Virda Natesya Waruwu, Happy Majesty Widya Septiana Windos Marbun Wong, Colleen Yanti Kristina Sinaga Yesaya Purwandana Simorangkir Yoas Fajar Hosea Teturia Laia Yolasrida Lubis Yoon, Phil