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All Journal Jurnal Sendratasik Grenek: Jurnal Seni Musik JUPIIS: Jurnal Pendidikan Ilmu-ilmu Sosial Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) MUDRA Jurnal Seni Budaya Panggung Jurnal Ilmiah Peuradeun Gondang: Jurnal Seni dan Budaya Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Journal on Education Komposisi: Jurnal Pendidikan Bahasa, Sastra, dan Seni Jurnal Review Pendidikan dan Pengajaran (JRPP) Jurnal Pendidikan dan Konseling Abdi Dosen : Jurnal Pengabdian Pada Masyarakat Jurnal Aisyah : Jurnal Ilmu Kesehatan Journal of Music Science, Technology, and Industry (JOMSTI) Community Development Journal: Jurnal Pengabdian Masyarakat JURMA : Jurnal Program Mahasiswa Kreatif Melayu Arts and Performance Journal Journal of English Language and Education Jurnal Pengabdian Seni Anglophile Journal Multidiciplinary Output Research for Actual and International Issue (Morfai Journal) Bulletin of Science Education International Journal of Social Science, Educational, Economics, Agriculture Research, and Technology (IJSET) JUrnal Riset Ilmu Pendidikan Journal Of Human And Education (JAHE) TRIMAS: Jurnal Inovasi dan Pengabdian Kepada Masyarakat IKHLAS: Jurnal Pengabdian Dosen dan Mahasiswa Innovative: Journal Of Social Science Research PMSDU Advances In Social Humanities Research Journal of Education, Linguistics, Literature, and Art Samakta: Jurnal Pengabdian Kepada Masyarakat Panggung Jurnal Pengabdian Nusantara Abdimas Paspama
Junita Batubara, Junita
Universitas HKBP Nommensen
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Analysis of the Song Dunia Tipu Tipu by Yura Yunita Viewed from Modern Singing Style Batubara, Junita; Bate'e, Ariston
Jurnal Riset Ilmu Pendidikan Vol. 5 No. 1 (2025): Jurnal Riset Ilmu Pendidikan
Publisher : Lembaga Riset Mutiara Akbar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56495/jrip.v5i1.901

Abstract

This study analyzes the modern singing style in the song Dunia Tipu-Tipu by Yura Yunita. This song uses singing techniques such as belting, falsetto, and vibrato to provide deeper and more emotional expressions. In addition, modern music elements such as music loops and sound effects are also used to enrich the nuances of the song. The research method used is descriptive qualitative with a literature study approach and lyric analysis. The results of the study show that the singing style in this song resembles poetry reading, where the delivery of emotions plays a major role in strengthening the meaning of the song. The vocal technique used is able to increase the appeal of musicality and provide a deep experience for listeners. The strong interpretation of the lyrics makes this song one of the representations of modern music that has succeeded in touching various groups.
Improving the Students’ Ability to Play Music Instruments Using Contemporary Genre Music Composition in SLB A Karya Murni Medan Juliet Panggabean, Ance; Batubara, Junita; Saragih, Ronald Herico; Rosyo, Pandang
Komposisi: Jurnal Pendidikan Bahasa, Sastra, dan Seni Vol 26, No 1 (2025)
Publisher : Fakultas Bahasa dan Seni UNP

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/komposisi.v26i1.131864

Abstract

This research aims to improve the ability to play musical instruments using contemporary genre as a music playing activity that has never been done at SLB A Karya Murni Medan.  This activity is based on the lack of ability to play musical instruments for each child and the lack of optimal music learning by using contemporary genre as their musical repertoire. Contemporary genre are very interesting because they use elements of tone color, emphasis on mixing instrument sounds, melody as a variation of pitch in rhythm (time), micropolyphonic harmony, new sounds and non-functional vertical harmony, free rhythmic patterns. and complex and rhythmic micropatterns. The research subjects of SLB A students were 13 students. This research uses qualitative methods with a descriptive analysis approach in describing phenomena that occur related to efforts to improve the ability to play musical instruments using contemporary genre or children with special needs at SLB A Karya Murni Medan. It is hoped that the results of the research can make music playing activities more interesting and provide benefits for blind children such as playing instruments, learning rhythmic patterns, singing melodies, making movements while singing collectively using contemporary musical compositions and holding small musical performances for SLB A students Murrni Medan's work.
Saxophone dalam Upacara Pernikahan Adat Batak Toba di Kota Medan: Harmoni Tradisi dan Modernitas Purba, Erwin; Purba, Mauly; Vannesia; Batubara, Junita; Naiborhu, Torang
PANGGUNG Vol 35 No 2 (2025): Representasi, Transformasi, dan Negosiasi Budaya dalam Media, Seni, dan Ruang So
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v35i2.3362

Abstract

The authors aim to discuss the role of the saxophone in the presentation of Toba Batak traditional music in the city of Medan. The development of traditional music ensembles using the saxophone instrument is very rapid. This is caused by the large number of songs used that are popular music. The use of the saxophone instrument is growing rapidly in wedding customs and death ceremonies in the traditional music of the Toba Batak community as a carrier of melodies and 'bunga-bunga'. Usually, at Toba Batak traditional wedding parties, the function of the saxophone can be varied. There is the main melody carrier, carrying a collection of notes that resemble variations (flowers) and harmony with the various instruments used in the ensemble. The method used in this research is a descriptive qualitative method in which researchers conduct observations and unstructured interviews to obtain valid information. The research results show that the saxophone plays a role as power in the Toba Batak gondang ensemble for each song played. Especially when giving ulos to the bride and groom.
Komposisi Musik ˜Sampaniara™ Karya Amir Pasaribu Dalam Perspektif Musik Modern Indonesia: Unsur Pentatonik dan Elemen Harmoni Tonal Panggabean, Ance Juliet; Hirza, Herna; Simangunsong, Emmi; Batubara, Junita; Galingging, Kamaluddin
Grenek: Jurnal Seni Musik Vol. 11 No. 2 (2022): Grenek: Jurnal Seni Musik (December)
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/grenek.v11i2.39256

Abstract

Komposisi Musik  ˜Sampaniara™ Karya Amir Pasaribu Dalam Perspektif Musik Modern Indonesia: Dengan Unsur Pentatonik Dan Elemen Harmoni Tonal metode dasar menggunakan metode deskriptif  kualitatif.  Selain itu, metode pendekatan yang dilakukan dengan metode kepustakaan. Komposisi musik Sampaniara teridentifikasi sebagai sebuah komposisi musik modern, karena dari segi bentuk free form dengan pola A A B C B dan Coda,  serta unsur pentatonik yang mirip laras pelog sebagai dasar tangganadanya. Dasar harmoni, yang diharmonisir dengan elemen-elemen harmoni tonal barat terkandung didalamnya. Komposisi Sampaniara diciptakan oleh seorang komponis Indonesia yang terkenal Amir Pasaribu dengan ciri khas musik pianonya, Dengan penggunaan tingkat akor (progressi harmoni) dan permainan solois menjadikan komposisi  ini sebagai salah satu komposisi musik modern Indonesia lebih  unik dan menarik pada masanya.
A Tear by Nicky Manuputty: a Review of Alto Saxophone Playing Techniques and the Meaning of the Work Silalahi, Teddy Nicolas; Batubara, Junita
Grenek: Jurnal Seni Musik Vol. 12 No. 2 (2023): Grenek: Jurnal Seni Musik (December)
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/grenek.v12i2.48767

Abstract

A TEAR is a work of Nicky Manupputty who is a Saxophonist. The uniqueness of this song is that Nicky Manuputty uses a distinctive and different tounging. He has his own characteristics in playing saxophone in this work, namely tounging techniques resembling 'del-del' and resembling 'ta-ya' tounging. Therefore, the author is interested in researching the work A TEAR. The author found the technique of combining 'del-del' and 'ta-ya' tounging. The technique is the "dah-ya" tounging technique. In the 'dah-ya' technique, the author finds a tounging sound that is almost the same as that used by Nicky Mannuputty. The method used is descriptive qualitative method, by collecting data through youtube (https://youtu.be/76KrrEAQUek ), observation, literature study, articles/journals and documentation. The meaning of A TEAR is an expression of sadness. The results of this study are: 1) Showing the work of A TEAR live. 2) Introducing the works of Indonesian composers. 3) Knowing the techniques used by Nicky in his work, and the meaning of the work A TEAR. 
Revealing the Message of Spirituality in the Song “Tinggal Sertaku” Victory Song of Faith Number 148 Trianus, Trianus; Batubara, Junita; Tika, Dewi
Jurnal Riset Ilmu Pendidikan Vol. 5 No. 3 (2025): Jurnal Riset Ilmu Pendidikan
Publisher : Lembaga Riset Mutiara Akbar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56495/jrip.v5i3.1181

Abstract

The song “Tinggal Sertaku” in Nyanyian Kemenangan Iman (NKI) No. 148 is a work by Henry Francis Lyte that describes a spiritual request for God’s presence, especially when facing suffering and death. This study aims to uncover the message of spirituality in the song through a qualitative narrative approach with Charles Sanders Peirce’s semiotic method. Data were obtained through literature study, congregation interviews, and analysis of the song’s lyrics which include metric structure, rhyme, and style. The results of the analysis show that this song contains poetic symbols such as “twilight”, “dark”, and “death” which represent the fragility of human life and the eternity of God’s love. This song consists of four verses with varying rhyme patterns and long meter (10.10.10.10). This song is not just a prayer song, but also a declaration of faith in the presence of God who gives strength and hope in all life situations. In conclusion, “Tinggal Sertaku” has high theological and liturgical value and is relevant to be sung in various forms of Christian worship.
Daralo Song Composition: Mebawalase Mesampere Style Lawendatu, Frangky; Batubara, Junita; Lestari, Dewi Tika
Jurnal Riset Ilmu Pendidikan Vol. 5 No. 3 (2025): Jurnal Riset Ilmu Pendidikan
Publisher : Lembaga Riset Mutiara Akbar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56495/jrip.v5i3.1182

Abstract

This study highlights the culture of the Sangihe Talaud community, regarding the M?samper? song. M?samper? is the ancestral culture of the Sangihe community which has been passed down from generation to generation until now. The Sangihe Islands are one of the islands located in North Sulawesi Province. The term Mebawalase Mesampere means to reply in the Sangihe language, which is a singing style where the singers will reply to each other's songs (like replying to pantun). Daralo is a song composition inspired by Mebawalase Mesampere. Researchers found several styles of Mebawalase Mesampere singing in the work of daralo. Researchers also found that the creators of Mebawalase Mesampere songs did not include their names or were anonymous, so that the Mebawalase Mesampere-style songs that were created will gradually become extinct. This study uses qualitative methods with data analysis and interviews. In terms of the creation of Daralo, the style of the song Mebawalase Mesampere is performed using western musical instruments, so that the nuances of the song that characterize Mebawalase Mesampere are more creative and innovative. The results of the study have been performed at STT Jaffray Makassar in a recital as a requirement for the final exam for the concentration of church music.
MEANING OF INSTRUMENTS APEIN THE LIFE OF THE KENYAH DAYAK TRIBE Damri A Hanaou; Dewi Tika Lestari; Junita Batubara
International Journal of Social Science, Educational, Economics, Agriculture Research and Technology (IJSET) Vol. 4 No. 9 (2025): AUGUST
Publisher : RADJA PUBLIKA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54443/ijset.v4i9.857

Abstract

Sapeis a traditional musical instrument of the Dayak Kenyah people which not only functions as a means of entertainment, but also becomes an important symbol in various traditional rituals of the Dayak Kenyah people. This study aims to analyze the meaning of musicSapein the context of Dayak Kenyah cultural rituals. With a qualitative approach and ethnomusicological approach, this study combines field observations, in-depth interviews, and literature reviews. The findings show thatSapenot only accompanies traditional rituals, but also has a socio-spiritual function in strengthening community relations, cultural identity, and the continuity of tradition. Dayak Kenyah is one of the sub-tribes of the Dayak group that inhabits the interior of Kalimantan, especially in East Kalimantan and North Kalimantan, with a distribution that is also found in the border region of East Malaysia (Sarawak). In the life of the Dayak Kenyah community, musicSapehas a very special place. Not only is it a part of artistic expression,Sapealso integrated into religious rites, traditional ceremonies such as harvest festivals, welcoming guests, and various spiritual processions that are full of meaning. This musical instrument is considered a medium of spiritual communication and a means of inheriting ancestral values. Through the plucking of its notes,Sapebe an intermediary in conveying prayers, hopes and respect for the spirits of ancestors. This study specifically focuses on the Dayak Kenyah community, to highlight howSapenot only maintained as a cultural heritage, but also brought to life in the daily lives of the community as an identity that unites and strengthens solidarity amidst the increasingly rapid flow of modernization. Thus, this study emphasizes the importance of traditional music such asSape, not only as a cultural artifact but as part of cultural identity.
ANALYSIS OF HARMONY IN MOVEMENT AND SOUND: SPIRITUAL MEANING LET ALL PRAISE GOD Levinson Y A Simaela; Junita Batubara; Dewi Tika Lestari
International Journal of Social Science, Educational, Economics, Agriculture Research and Technology (IJSET) Vol. 4 No. 9 (2025): AUGUST
Publisher : RADJA PUBLIKA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54443/ijset.v4i9.858

Abstract

This study discusses a comprehensive analysis of the choral work "Let Everything That Breathes Praise the Lord" created by Levinson Simaela, focusing on its musical structure, harmony, and performative potential.This song was inspired by Psalm 150 and became a mandatory song at the Church Choir Festival (PESPARAWI) of SMGT (Toraja Church Sunday School) throughout the East Makassar Classis in 2022.This work is a silent witness to the victory of the SMGT Satria Kasih Makassar Children's Choir at the event. Researcheras the creator of this work, I intend to identify the compositional elements in the score, explore the performance implications of the existing notation, and examine the inclusion of Torajan nuances through the use of local language lyrics and Torajan drum accompaniment.The use of Torajan lyrics and specific directions for traditional instruments such as the Torajan drum demonstrate an effort to integrate local cultural richness into church music.Using qualitative descriptive methods of formal music analysis supported by ethnographic review, this study examines how the components of melody, rhythm, and harmony interact to shape the overall work. In addition, this article discusses how the tempo direction, dynamics, and "(Sambil Menari)" instructions in the score can influence interpretation and presentation on stage. The incorporation of Torajan lyrics and the option of Torajan drum accompaniment are important points in understanding how this work inculturates regional cultural values ​​into expressions of church praise. The findings of this study are expected to provide a deeper understanding of adaptive choral composition practices, as well as the contribution of music to enriching spiritual culture in Indonesia.
Pelatihan Menyanyi Melodi dengan Pola Ostinato Patchwork Pentatonik Menggunakan Hand Signs Bagi Siswa di SMAN 1 Bahorok Panggabean, Ance Juliet; Batubara, Junita; Saragih, Ronald Heriko; Manik, Sondang; Romahulina, Romahulina
Samakta: Jurnal Pengabdian Kepada Masyarakat Vol. 2 No. 2 (2025): Samakta: Jurnal Pengabdian Kepada Masyarakat
Publisher : CV. Dharma Samakta Edukhatulistiwa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61142/samakta.v2i2.231

Abstract

Pelatihan vokal melodi dengan pola ostinato patchwork pentatonik memakai hand signs adalah strategi pendidikan yang dirancang untuk meningkatkan kemampuan musikal siswa, terutama dalam konteks pendidikan musik di tingkat menengah. Di SMAN 1 Bahorok, pengajaran seni musik masih terfokus pada teori dasar, sedangkan praktik kreatif dan pendekatan baru seperti solmisasi dan hand signs jarang dilaksanakan secara teratur. Ketidaksesuaian antara teori pendidikan musik yang menganjurkan pendekatan aktif dan partisipatif dengan praktik pembelajaran di sekolah menjadi alasan utama perlunya pengabdian ini. Kegiatan pengabdian bertujuan untuk memberdayakan siswa melalui pelatihan teknik menyanyi yang interaktif dan relevan, serta memperkenalkan pola ostinato patchwork yang menggunakan tangga nada pentatonik dengan bantuan isyarat tangan (hand signs). Metode yang diterapkan adalah pendekatan partisipatif melalui strategi demonstrasi, simulasi, dan latihan kelompok yang berulang. Hasil dari pelatihan menunjukkan adanya peningkatan dalam kemampuan siswa untuk mengenali interval nada, menyanyikan melodi dengan tepat, serta berkolaborasi dalam paduan suara yang berbasis pola yang berulang. Peserta didik menjadi lebih percaya diri dan bersemangat dalam latihan vokal yang inovatif dan menyenangkan. Sebagai kesimpulan, pelatihan ini sukses menghubungkan teori pendidikan musik dengan praktik di lapangan, serta memberikan kontribusi signifikan terhadap peningkatan kompetensi musikal siswa melalui pendekatan yang praktis, menarik, dan sesuai dengan kemajuan pendidikan seni musik saat ini.   Kata kunci: Melodi, Pola Ostinato Patchwork, Pentatonik, Hand Signs.
Co-Authors Agrioki Damianus Sitanggang Agustin R. P. Silalahi Algoboy Nelson Nainggolan Andre Alfandi Mendrofa Angelica Napitupulu Anita Purba Anita Sitanggang Ansen Godang Bt. Sitompul April Hampego Silitonga Arsen Nahum Pasaribu Arsyadona , Arsyadona Arsyadona, Arsyadona Aryanda Nugraha Viory Simatupang Aryani, Novia Asima Gurning Athiya, Sarah Aufah Aulia Agustina, Aulia Baehaqi Bate'e, Ariston Brian Harefa Butar, Lukas Butar Chris Riveldi Wesley Purba Colleen Colleen Colleen, Colleen Damanik, Endo Wahyudi Damri A Hanaou Daniel Purba Dearlina Sinaga Debora Debora Dewi Tika Lestari Dina Marsaulina Eben Ezer Sormin Elfrida, Rotua Elvita Purba Emmi Simangunsong Ernest Grace Erwin Purba FINO HARJA MARBUN Gabriella Maria Christine Sipahutar Galingging, Kamaluddin Gulo, Merdiani Gultom, Rendi Leo Ridhoi Happy Majesty Waruwu Hendra Hendrik Leonard Simanjuntak Herman HERNA HIRZA Hot Parulian Sitohang Injen Pardamean Butar-Butar Jeli Elvira Mangaraja Jenni Ria Sihombing Jenny Ria Sihombing Jones Irawan Sibagariang Joseph Partogi Sibarani Jubil Ezer Sihite Juli Antasari Br Sinaga Juliaster Marbun Kamaluddin Galingging Kartini Ruth Maduma Manalu Ken Steven Kevin Yvonnaha Harefa Lawendatu, Frangky Lestari, Dewi Tika Levinson Y A Simaela LUMBAN GAOL, MANATAP BERLIANA Lumbangaol, Samsa Tamara Mahameru , Erucakra Mahameru, Erucakra Manurung, Agatha Olivia Putri Manurung, Naomi Suryana Manurung, Sri Maneni Marbun, Juliaster Marbun, Tulus Marpaung, Cristofel Alfandi Mauly Purba Mauly Purba, Mauly Niko Harnadi Hutasoit Niswa, Khairun Nopelin, Nancy Nopeline, Nancy Nurmika Turnip, Anggreni Panggabean, Ance J. Panjaitan, Edison Parulian, Parulian Pasaribu, Tiara Pintor Marihot Sitanggang Purba, Chris Riveldi Wesley Purba, Indra Pranata Purba, Ridwin Raden Mohamad Herdian Bhakti Radeston Tanjung Ramot Ferdinan Ridwin Purba Romahulina, Romahulina Ronald Heriko Saragih Ronald Heriko Saragih Ronny Marusaha Situmorang Rosyo, Pandang Rotua Pangaribuan Ruth Melody Misbow Siallagan Sagala, Risma Novalina Samosir, Hendro T.G Sangjik, Lee Saragih, Imeliana Saragih, Romahulina Saragih, Ronald Herico Saragih, Ronald Heriko Sebayang, Vanesia Amelia Sheren Regina Stefani Siagian, Riris Johanna Siahaan, Indah Peronika Sidabutar, Regina Halmin Sidauruk, Rizky Sihombing, Bonita Anjelina Sihombing, Jenni Ria Sihombing, Nielson Dimpu Sihotang, Hot Parulian Silaban, Lusia Pebriyani Silaen Silalahi, Jojor Hotma Delima Silalahi, Putri Anastasia Silalahi, Teddy Silalahi, Teddy Nicolas SILALAHI, TIODORA FERMISKA Simanjuntak, Eksaulina Simanjuntak, Gina Wijaya Simatupang, Sudung Simorangkir, Maribeth Ophelia Sintia Tampubolon Sinurat, Bloner Sinurat, Juwita Nova Sipahelut, Leo Michs de Bles Sirait, Jumaria Sirait, Setia Oktaviana Sitanggang, Ronaldo Sitinjak, Lasmaria Tiodora Silviana Sitohang, Desi Damaiyanti Sombama Tambunan Sondang Manik Suhono Suhono, Suhono Suryani Sinaga Tampubolon, Diana Dian Sari Tampubolon, Nandito Tannuary, Arwin Tengku Riza Zarzani N Tika, Dewi Torang Naiborhu Trianus, Trianus Turnip, Gresy Van Thao, Nguyen Vannesia Veithzal Rivai Zainal Virda Natesya Waruwu, Happy Majesty Widya Septiana Windos Marbun Wong, Colleen Yanti Kristina Sinaga Yesaya Purwandana Simorangkir Yoas Fajar Hosea Teturia Laia Yolasrida Lubis Yoon, Phil