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All Journal Jurnal Sendratasik Grenek: Jurnal Seni Musik JUPIIS: Jurnal Pendidikan Ilmu-ilmu Sosial Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) MUDRA Jurnal Seni Budaya Panggung Jurnal Ilmiah Peuradeun Gondang: Jurnal Seni dan Budaya Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni IKRA-ITH ABDIMAS Journal on Education Komposisi: Jurnal Pendidikan Bahasa, Sastra, dan Seni Jurnal Review Pendidikan dan Pengajaran (JRPP) Jurnal Pendidikan dan Konseling Abdi Dosen : Jurnal Pengabdian Pada Masyarakat Jurnal Aisyah : Jurnal Ilmu Kesehatan Journal of Music Science, Technology, and Industry (JOMSTI) Community Development Journal: Jurnal Pengabdian Masyarakat JURMA : Jurnal Program Mahasiswa Kreatif Melayu Arts and Performance Journal Journal of English Language and Education Jurnal Pengabdian Seni Anglophile Journal Multidiciplinary Output Research for Actual and International Issue (Morfai Journal) Bulletin of Science Education International Journal of Social Science, Educational, Economics, Agriculture Research, and Technology (IJSET) JUrnal Riset Ilmu Pendidikan Journal Of Human And Education (JAHE) TRIMAS: Jurnal Inovasi dan Pengabdian Kepada Masyarakat IKHLAS: Jurnal Pengabdian Dosen dan Mahasiswa Innovative: Journal Of Social Science Research PMSDU Advances In Social Humanities Research Journal of Education, Linguistics, Literature, and Art Samakta: Jurnal Pengabdian Kepada Masyarakat Panggung Jurnal Pengabdian Nusantara Abdimas Paspama Jurnal ISO: Jurnal Ilmu Sosial, Politik dan Humaniora
Junita Batubara
Universitas HKBP Nommensen
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Daralo Song Composition: Mebawalase Mesampere Style Lawendatu, Frangky; Batubara, Junita; Lestari, Dewi Tika
Jurnal Riset Ilmu Pendidikan Vol. 5 No. 3 (2025): Jurnal Riset Ilmu Pendidikan
Publisher : Lembaga Riset Mutiara Akbar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56495/jrip.v5i3.1182

Abstract

This study highlights the culture of the Sangihe Talaud community, regarding the M?samper? song. M?samper? is the ancestral culture of the Sangihe community which has been passed down from generation to generation until now. The Sangihe Islands are one of the islands located in North Sulawesi Province. The term Mebawalase Mesampere means to reply in the Sangihe language, which is a singing style where the singers will reply to each other's songs (like replying to pantun). Daralo is a song composition inspired by Mebawalase Mesampere. Researchers found several styles of Mebawalase Mesampere singing in the work of daralo. Researchers also found that the creators of Mebawalase Mesampere songs did not include their names or were anonymous, so that the Mebawalase Mesampere-style songs that were created will gradually become extinct. This study uses qualitative methods with data analysis and interviews. In terms of the creation of Daralo, the style of the song Mebawalase Mesampere is performed using western musical instruments, so that the nuances of the song that characterize Mebawalase Mesampere are more creative and innovative. The results of the study have been performed at STT Jaffray Makassar in a recital as a requirement for the final exam for the concentration of church music.
MEANING OF INSTRUMENTS APEIN THE LIFE OF THE KENYAH DAYAK TRIBE Damri A Hanaou; Dewi Tika Lestari; Junita Batubara
International Journal of Social Science, Educational, Economics, Agriculture Research and Technology (IJSET) Vol. 4 No. 9 (2025): AUGUST
Publisher : RADJA PUBLIKA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54443/ijset.v4i9.857

Abstract

Sapeis a traditional musical instrument of the Dayak Kenyah people which not only functions as a means of entertainment, but also becomes an important symbol in various traditional rituals of the Dayak Kenyah people. This study aims to analyze the meaning of musicSapein the context of Dayak Kenyah cultural rituals. With a qualitative approach and ethnomusicological approach, this study combines field observations, in-depth interviews, and literature reviews. The findings show thatSapenot only accompanies traditional rituals, but also has a socio-spiritual function in strengthening community relations, cultural identity, and the continuity of tradition. Dayak Kenyah is one of the sub-tribes of the Dayak group that inhabits the interior of Kalimantan, especially in East Kalimantan and North Kalimantan, with a distribution that is also found in the border region of East Malaysia (Sarawak). In the life of the Dayak Kenyah community, musicSapehas a very special place. Not only is it a part of artistic expression,Sapealso integrated into religious rites, traditional ceremonies such as harvest festivals, welcoming guests, and various spiritual processions that are full of meaning. This musical instrument is considered a medium of spiritual communication and a means of inheriting ancestral values. Through the plucking of its notes,Sapebe an intermediary in conveying prayers, hopes and respect for the spirits of ancestors. This study specifically focuses on the Dayak Kenyah community, to highlight howSapenot only maintained as a cultural heritage, but also brought to life in the daily lives of the community as an identity that unites and strengthens solidarity amidst the increasingly rapid flow of modernization. Thus, this study emphasizes the importance of traditional music such asSape, not only as a cultural artifact but as part of cultural identity.
ANALYSIS OF HARMONY IN MOVEMENT AND SOUND: SPIRITUAL MEANING LET ALL PRAISE GOD Levinson Y A Simaela; Junita Batubara; Dewi Tika Lestari
International Journal of Social Science, Educational, Economics, Agriculture Research and Technology (IJSET) Vol. 4 No. 9 (2025): AUGUST
Publisher : RADJA PUBLIKA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54443/ijset.v4i9.858

Abstract

This study discusses a comprehensive analysis of the choral work "Let Everything That Breathes Praise the Lord" created by Levinson Simaela, focusing on its musical structure, harmony, and performative potential.This song was inspired by Psalm 150 and became a mandatory song at the Church Choir Festival (PESPARAWI) of SMGT (Toraja Church Sunday School) throughout the East Makassar Classis in 2022.This work is a silent witness to the victory of the SMGT Satria Kasih Makassar Children's Choir at the event. Researcheras the creator of this work, I intend to identify the compositional elements in the score, explore the performance implications of the existing notation, and examine the inclusion of Torajan nuances through the use of local language lyrics and Torajan drum accompaniment.The use of Torajan lyrics and specific directions for traditional instruments such as the Torajan drum demonstrate an effort to integrate local cultural richness into church music.Using qualitative descriptive methods of formal music analysis supported by ethnographic review, this study examines how the components of melody, rhythm, and harmony interact to shape the overall work. In addition, this article discusses how the tempo direction, dynamics, and "(Sambil Menari)" instructions in the score can influence interpretation and presentation on stage. The incorporation of Torajan lyrics and the option of Torajan drum accompaniment are important points in understanding how this work inculturates regional cultural values ​​into expressions of church praise. The findings of this study are expected to provide a deeper understanding of adaptive choral composition practices, as well as the contribution of music to enriching spiritual culture in Indonesia.
Pelatihan Menyanyi Melodi dengan Pola Ostinato Patchwork Pentatonik Menggunakan Hand Signs Bagi Siswa di SMAN 1 Bahorok Panggabean, Ance Juliet; Batubara, Junita; Saragih, Ronald Heriko; Manik, Sondang; Romahulina, Romahulina
Samakta: Jurnal Pengabdian Kepada Masyarakat Vol. 2 No. 2 (2025): Samakta: Jurnal Pengabdian Kepada Masyarakat
Publisher : CV. Dharma Samakta Edukhatulistiwa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61142/samakta.v2i2.231

Abstract

Pelatihan vokal melodi dengan pola ostinato patchwork pentatonik memakai hand signs adalah strategi pendidikan yang dirancang untuk meningkatkan kemampuan musikal siswa, terutama dalam konteks pendidikan musik di tingkat menengah. Di SMAN 1 Bahorok, pengajaran seni musik masih terfokus pada teori dasar, sedangkan praktik kreatif dan pendekatan baru seperti solmisasi dan hand signs jarang dilaksanakan secara teratur. Ketidaksesuaian antara teori pendidikan musik yang menganjurkan pendekatan aktif dan partisipatif dengan praktik pembelajaran di sekolah menjadi alasan utama perlunya pengabdian ini. Kegiatan pengabdian bertujuan untuk memberdayakan siswa melalui pelatihan teknik menyanyi yang interaktif dan relevan, serta memperkenalkan pola ostinato patchwork yang menggunakan tangga nada pentatonik dengan bantuan isyarat tangan (hand signs). Metode yang diterapkan adalah pendekatan partisipatif melalui strategi demonstrasi, simulasi, dan latihan kelompok yang berulang. Hasil dari pelatihan menunjukkan adanya peningkatan dalam kemampuan siswa untuk mengenali interval nada, menyanyikan melodi dengan tepat, serta berkolaborasi dalam paduan suara yang berbasis pola yang berulang. Peserta didik menjadi lebih percaya diri dan bersemangat dalam latihan vokal yang inovatif dan menyenangkan. Sebagai kesimpulan, pelatihan ini sukses menghubungkan teori pendidikan musik dengan praktik di lapangan, serta memberikan kontribusi signifikan terhadap peningkatan kompetensi musikal siswa melalui pendekatan yang praktis, menarik, dan sesuai dengan kemajuan pendidikan seni musik saat ini.   Kata kunci: Melodi, Pola Ostinato Patchwork, Pentatonik, Hand Signs.
Hubungan Aransemen Musik dan Pesan Teologis dalam Lagu “Nyatakan Kasih-Nya” Karya Eko Agus Kandung P Sipahelut, Leo Michs de Bles; Batubara, Junita; Lestari, Dewi Tika
Innovative: Journal Of Social Science Research Vol. 5 No. 4 (2025): Innovative: Journal Of Social Science Research
Publisher : Universitas Pahlawan Tuanku Tambusai

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/innovative.v5i4.20275

Abstract

Lagu Nyatakan KasihNya, karya Eko Agus Kandung P. dan diaransemen oleh Leo Michs de Bles Sipahelut, merupakan karya musik yang mengintegrasikan estetika musik dengan elemen-elemen pesan teologis yang kuat. Lagu ini menyuarakan kebesaran kasih Allah serta pesan kepada umat manusia. Penelitian ini bertujuan untuk menganalisis bagaimana aransemen musik mendukung dan memperkuat penyampaian pesan teologis tersebut. Metodologi yang digunakan bersifat kualitatif deskripsi yang memadukan analisis musik dan refleksi teologi dimana teori yang digunakan adalah dengan pendekatan Hermeneutik untuk menganalisa teks lagu Nyatakan KasihNya. Untuk merangkul data-data yang digunakan, maka partitur lagu dan rekaman audio-visual dari ajang PESPARAWI sebagai data penelitian secara objektif. Analisa yang digunakan dalam analisis struktural musik yang mencakup unsur tempo, harmoni, instrumen, dan dinamika. Selain itu, Teks lagu dianalisis secara teologis dengan pendekatan hermeneutik. Hasil penelitian menunjukkan bahwa aransemen musik memainkan peran penting dalam memperdalam pesan spiritual lagu. Penggunaan tempo lambat menghadirkan nuansa reflektif; harmoni minor mencerminkan perasaan miris terhadap sikap dan perbuatan manusia dalam menjaga alam dan lingkungan; penggunaan instrumen modern menciptakan kedekatan kontekstual dengan audiens masa kini; dan dinamika lagu merepresentasikan perasaan yang digambarka secara implisit lewat teks lagu. Kesimpulannya, Nyatakan KasihNya merupakan contoh bagaimana musik gerejawi dapat menjadi medium efektif dalam menyampaikan narasi iman secara kontekstual. Melalui sensitivitas musikal dan teologis, lagu ini menghidupkan kembali peran musik sebagai sarana pewartaan dan refleksi iman di tengah realitas umat masa kini.
KNITTING UNITY THROUGH TONE: STRENGTHENING NATIONALISM THE NATION'S CHILDREN THROUGH THE ART OF SOUND Batubara, Junita; Marbun, Juliaster; Parulian, Parulian; Sihombing, Jenny Ria; Nopelin, Nancy; Sinaga, Dearlina; Elfrida, Rotua
Abdi Dosen : Jurnal Pengabdian Pada Masyarakat Vol. 9 No. 3 (2025): SEPTEMBER
Publisher : LPPM Univ. Ibn Khaldun Bogor

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32832/abdidos.v9i3.2944

Abstract

The 2025 Solo Vocal Competition and National Choir organized by Ombas Arts Indonesia is a tangible form of community service that integrates sound arts with character education and strengthening nationalist values. Through the active participation of children aged 9-14 years from various regions, this activity aims to instill the spirit of nationalism, strengthen cultural identity, and shape the character of the younger generation through meaningful musical expression. This activity is designed as an educational and inclusive space, where vocal art is used as a medium of social and emotional learning. This article examines the background of the activity, the implementation method, as well as the results and social impact on the participants and the surrounding community. The analysis was conducted with an art-based character education approach and supported by academic literature and community-based art practices. The results of the study show that art activities such as national vocal competitions are able to strengthen the love of the homeland, increase children's confidence, and build social cohesion between participants and supporting institutions. This article recommends the development of similar activities as a sustainable strategy in character education and art service to the community.
Phenomenon of Music Therapy Using BmT in Treating Neurological Disorders Patients Batubara, Junita
Jurnal Aisyah : Jurnal Ilmu Kesehatan Vol 9, No 1 (2024): March 2024
Publisher : Universitas Aisyah Pringsewu

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30604/jika.v9i1.2363

Abstract

This study aimed to develop music therapy using a BmT device as a 'supplement” media for patients with neurological disorders. there are 2 (two) methods of music therapy in the namely: 1). In active music therapy, the patient is invited to sing, learn to use musical instruments, imitate notes, and even compose short songs. 2). Passive music therapy, this is music therapy that is cheap, easy and effective. The patient has to listen to and experience a certain type of music that is tailored to the problem, where music therapy can reduce pain, relax the body and mind, and adjust other benefits to the content of the music. Researchers have performed music therapy in patients with neurological disorders using passive music therapy methods. This was done by creating a music therapy tool named Box musik Terapi (BmT). The most important aspect in carrying out music therapy with BmT is that the choice of music type must be appropriate for the patient's needs. The method used by researchers to conduct their research was a quasi-experimental method with a non-equivalent design. This method was performed by providing a pre-test and post-test on patients with nervous disorders. The expected benefit of music therapy is that it can realize the function of music therapy through the BmT tool for patients with neurological disorders, so that the target achieved is that patients can overcome their neurological disorders.
Jazz Sharing Experience: Kolaborasi Pengabdian Masyarakat untuk Berbagi Pengetahuan Musik di Daegu Korea Selatan Batubara, Junita; Arsyadona, Arsyadona; Mahameru, Erucakra; Elfrida, Rotua; Debora, Debora; Nopeline, Nancy; Lumban Gaol, Manatap Berliana; Herman, Herman; Yoon, Phil; Sangjik, Lee; Silalahi, Teddy; Sidauruk, Rizky
Journal Of Human And Education (JAHE) Vol. 4 No. 6 (2024): Journal of Human And Education (JAHE)
Publisher : Universitas Pahlawan Tuanku Tambusai

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/jh.v4i6.2028

Abstract

Pengabdian masyarakat berbasis musik jazz menjadi sebuah inovasi dalam upaya pelestarian budaya dan pendidikan musik. Proyek "Jazz Sharing Experience: Kolaborasi Pengabdian Masyarakat untuk Berbagi Pengetahuan Musik di Daegu, Korea Selatan" bertujuan untuk menginspirasi dan mengedukasi masyarakat Daegu melalui kolaborasi antara musisi jazz internasional dan lokal. Program ini melibatkan serangkaian aktivitas yang meliputi, konser interaktif, dan diskusi panel yang bertujuan untuk memperkenalkan serta memperkaya pemahaman masyarakat tentang musik jazz. Melalui pendekatan partisipatif, proyek ini berusaha menjembatani kesenjangan antara berbagai kelompok usia dan latar belakang sosial-ekonomi. Dengan memanfaatkan platform digital dan media sosial, inisiatif ini juga berupaya untuk memperluas jangkauan dampak edukasi musik hingga ke komunitas yang lebih luas. Kolaborasi dengan institusi pendidikan, komunitas seni, dan pemerintah lokal menjadi pilar utama dalam keberhasilan program ini. Program ini diikuti berbagai komunitas seni diantaranya komunitas The Next Human. The Next Human menunjukkan peningkatan signifikan dalam minat dan apresiasi terhadap musik jazz di kalangan masyarakat Daegu, Korea Selatan. Selain itu, The Next Human berhasil menciptakan ruang dialog yang konstruktif antara musisi dan masyarakat, yang berdampak positif terhadap perkembangan seni dan budaya lokal. Kegiatan ini menyoroti pentingnya kolaborasi global dalam upaya pemberdayaan komunitas melalui musik, serta menggarisbawahi potensi musik jazz sebagai alat pendidikan dan pelestarian budaya yang efektif.
The Effectiveness of BmT Accompanied by Music Therapy for Neurology Patients at Martha Friska Multatuli Hospital Waruwu, Happy Majesty; Batubara, Junita; Saragih, Ronald Heriko; Lumbangaol, Samsa Tamara
Gondang: Jurnal Seni dan Budaya Vol. 7 No. 2 (2023): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2023
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v7i2.52964

Abstract

This research focuses on the application of BmT (Box Music Therapy) as a music therapy medium for treating neurological patients in Martha Friska Multatuli hospital, Medan. The aim of this research is to test the performance of BmT and its effectiveness in treating patients with neurological disorders. In this case, the nervous disorders experienced by the patient are mild/severe strokes, pinched nerves, and weak nerves. The BmT is an instrument equipped with four main components, namely the Galvanic Skin Response (GSR) sensor to detect stress levels, the MPX5050dp sensor to detect Beat Per Minute (bpm). Memory card as a storage medium for 16 instrumental music works and songs created by composer Prof. Junita Batubara, S.Sn., M.Sn and headphones as a medium for listening to music. Through the use of quasi-experimental methods, the results of this study show that out of 22 (twenty two) outpatients in the neurology unit at Matha Friska Hospital in Medan, the patients experienced a decrease in GSR and BPM numbers based on the results of the numbers that appeared on the BmT monitor screen before and after being given music therapy treatment. Furthermore, researchers also obtained information that the patient experienced a feeling of relaxation, which eased the pain in the patient's limbs both during the process and after music therapy.
The Influence of Instrumental Music Alam Menyapa for Prenatal and Postnatal Patients at the Martha Friska Multatuli Hospital Saragih, Ronald Heriko; Batubara, Junita; Waruwu, Happy Majesty; Gulo, Merdiani
Gondang: Jurnal Seni dan Budaya Vol. 7 No. 2 (2023): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2023
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v7i2.53000

Abstract

The research was a trial of instrumental music therapy on prenatal and postnatal patients at the Martha Friska Multatuli Hospital in Medan. The aim of this research is to be a solution to reduce pain and stress so that mothers who are about to give birth and after giving birth can feel relaxed. The tool used in the research is BmT (Music Box Therapy). Previously, BmT (Music Box Therapy) was tested on patients affected by drugs at the Mutiara Abadi Binjai Foundation (2019) and hypertension patients at the Medan Methodist Hospital (2021). The method used in the research was a quasi-experiment on four patients before and after giving birth. The BmT is designed to use two types of sensors, namely the MPX5050dp sensor as a blood pressure sensor and Galvanic Skin Resistance (GSR) as a sensor to measure the patient's skin conductivity level. One of the components of BmT is 16 pieces of instrumental music which are musical compositions by Prof. Junita Batubara, S.Sn., M.Sn., Ph.D.. The results of this trial show that the use of the instrumental music Alam Selamat, which is one of the therapeutic music in BmT, can reduce stress levels in mothers who are about to give birth and after giving birth.
Co-Authors Agrioki Damianus Sitanggang Agustin R. P. Silalahi Algoboy Nelson Nainggolan Ance Panggabean Andre Alfandi Mendrofa Angelica Napitupulu Anita Purba Anita Sitanggang Ansen Godang Bt. Sitompul April Hampego Silitonga Arsen Nahum Pasaribu Arsyadona , Arsyadona Arsyadona, Arsyadona Aryanda Nugraha Viory Simatupang Aryani, Novia Asima Gurning Athiya, Sarah Aufah Aulia Agustina Bate'e, Ariston Bonita Anjelina Sihombing Brian Harefa Butar, Lukas Butar Chris Riveldi Wesley Purba Colleen Colleen Colleen, Colleen Damanik, Endo Wahyudi Damri A Hanaou Daniel Purba Dearlina Sinaga Debora Debora Dewi Tika Lestari Dina Marsaulina Eben Ezer Sormin Elfrida Yuliana Simamora Elfrida, Rotua Elvita Purba Emmi Simangunsong Emmi Simangunsong Ernest Grace Erwin Purba FINO HARJA MARBUN Gabriella Maria Christine Sipahutar Galingging, Kamaluddin Gomgom Simorangkir Gulo, Merdiani Gultom, Rendi Leo Ridhoi Happy Majesty Waruwu Happy Majesty Waruwu Hendra Hendrik Leonard Simanjuntak Herman Herman Herman HERNA HIRZA Hot Parulian Sitohang Injen Pardamean Butar-Butar Jeli Elvira Mangaraja Jenni Ria Sihombing Jenny Ria Sihombing Jones Irawan Sibagariang Joseph Partogi Sibarani Jubil Ezer Sihite Juli Antasari Br Sinaga Juliaster Marbun Juwita Gea Juwita Nova Sinurat Kamaluddin Galingging Kartini Ruth Maduma Manalu Ken Steven Kevin Yvonnaha Harefa Lawendatu, Frangky Lestari, Dewi Tika Levinson Y A Simaela LUMBAN GAOL, MANATAP BERLIANA Lumbangaol, Samsa Tamara Lumbantoruan, Rutman Mahameru , Erucakra Mahameru, Erucakra Manurung, Agatha Olivia Putri Manurung, Naomi Suryana Manurung, Sri Maneni Marbun, Juliaster Marbun, Tulus Marpaung, Cristofel Alfandi Martin Hasonangan Silaen Mauly Purba Mauly Purba Mauly Purba, Mauly Merdiani Gulo Natalia, Merryopita Niko Harnadi Hutasoit Niswa, Khairun Nopelin, Nancy Nopeline, Nancy Nurmika Turnip, Anggreni Panjaitan, Edison Parulian, Parulian Pasaribu , Arsen Nahum Pasaribu, Tiara Pintor Marihot Sitanggang Pulumun P. Ginting Purba, Chris Riveldi Wesley Purba, Indra Pranata Purba, Ridwin Raden Mohamad Herdian Bhakti Radeston Tanjung Ramot Ferdinan Ridwin Purba Rifai, Muhamad Riki Andika Romahulina, Romahulina Ronald Heriko Saragih Ronald Heriko Saragih Ronald Heriko Saragih Ronny Marusaha Situmorang Rosyo, Pandang Rotua Pangaribuan Ruth Melody Misbow Siallagan Sagala, Risma Novalina Samosir, Hendro T.G Samsa Tamara Lumbangaol Sangjik, Lee Saragih , Romahulina Saragih, Imeliana Saragih, Romahulina Saragih, Ronald Herico Saragih, Ronald Heriko Sariguna Johnson Kennedy, Posma Setia Oktaviana Sirait Sheren Regina Stefani Siagian, Riris Johanna Siahaan, Indah Peronika Sidabutar, Regina Halmin Sidauruk, Rizky Sihombing, Jenni Ria Sihombing, Nielson Dimpu Sihotang, Hot Parulian Silaban, Lusia Pebriyani Silaen Silaen Grace Lizs Cross Silalahi, Jojor Hotma Delima Silalahi, Putri Anastasia Silalahi, Teddy Silalahi, Teddy Nicolas SILALAHI, TIODORA FERMISKA Simanjuntak, Eksaulina Simanjuntak, Gina Wijaya Simatupang, Sudung Simorangkir, Maribeth Ophelia Sintia Tampubolon Sinurat, Bloner Sipahelut, Leo Michs de Bles Sirait, Jumaria Sitanggang, Ronaldo Sitinjak, Lasmaria Tiodora Silviana Sitohang, Desi Damaiyanti Sombama Tambunan Sondang Manik Suhono Suhono, Suhono Surbakti, Asmyta Suryani Sinaga Tampubolon, Diana Dian Sari Tampubolon, Nandito Tannuary, Arwin Teddy Nicolas Silalahi Tengku Riza Zarzani N Tika, Dewi Torang Naiborhu Trianus, Trianus Turnip, Gresy Van Thao, Nguyen Vanesia Amelia Sebayang Vannesia Veithzal Rivai Zainal Virda Natesya Waruwu, Happy Majesty Widya Septiana Windos Marbun Wong, Colleen Yanti Kristina Sinaga Yesaya Purwandana Simorangkir Yoas Fajar Hosea Teturia Laia Yolasrida Lubis Yoon, Phil