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Lina Siti Nurwahidah
Institut Pendidikan Indonesia Garut
Religion Arts Humanities Civil Engineering, Building, Construction & Architecture Computer Science & IT Decision Sciences, Operations Research & Management Earth & Planetary Sciences Education Electrical & Electronics Engineering Languange, Linguistic, Communication & Media Library & Information Science Materials Science & Nanotechnology Mathematics Physics Public Health Social Sciences Other

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Karnivalisasi Bakhtin: Perlawanan Kekuasaan dalam Novel Genduk Duku Karya Y.B Mangunwijaya Zaira Aulia Nurjanah; Cecep Dudung Julianto; Lina Siti Nurwahidah
Bahtera: Jurnal Pendidikan Bahasa dan Sastra Vol. 25 No. 2 (2026): BAHTERA: Jurnal Pendidikan Bahasa dan Sastra, Volume 25 Nomor 2 Juli 2026
Publisher : Program Studi Pendidikan Bahasa Program Pascasarjana Universitas Negeri Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/bahtera.252.10

Abstract

 ABSTRACT   This study analyzes Bakhtin’s Carnivalization in relation to the Representation of Repressive Power in the novel Genduk Duku by Y.B. Mangunwijaya. The research employs a qualitative paradigm with a Sociology of Literature approach, specifically focusing on Mikhail Bakhtin’s theory of Carnivalization. The formal object of this study is Mikhail Bakhtin's Carnivalization, while the material object is the novel Genduk Duku. The research problem centers on the forms of Bakhtinian Carnivalization manifested within the novel. The objective of this research is to identify the forms and representations of character carnivalization in Genduk Duku as a response to the representation of the Mataram rulers repressive power. The findings demonstrate that there are four categories of carnivalization utilized as a form of implicit resistance: (1) Familiar and free interaction between people, representing the dissolution of social hierarchies which allows the critical voices of the lower class to be acknowledged by the elite; (2) Eccentric behavior, manifested through unconventional actions to subvert or deflect the repressive will of the upper class; (3) Carnivalistic mésalliances, which unite the sacred and the profane to dismantle the authority and prestige of the ruling class; (4) Sacrilegious, in the form of acts of blasphemy against the upper class.  Keywords: Bakhtin’s Carnivalization; Genduk Duku Novel; Implicit Resistance;Repressive Power; Sociology of Literature
Analisis Nilai-Nilai Budaya Dalam Cerita Rakyat “Guha Ciputri” Di Singajaya Nurhasanah, Mila; Nurwahidah, Lina Siti; Asmaniah, Zainah
Journal of Authentic Research Vol. 5 No. 1 (2026): Februari
Publisher : LITPAM

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36312/093gsy60

Abstract

Penelitian ini mengkaji nilai-nilai budaya dalam cerita rakyat Guha Ciputri di Singajaya yang menjadi warisan budaya penting masyarakat sekitar. Cerita ini mengandung nilai kesopanan, kepercayaan, tanggung jawab, gotong royong, dan pendidikan moral. Guha Ciputri dipercaya sebagai tempat tinggal makhluk gaib perempuan dan sumber mata air yang vital bagi sekitar 25 kampung. Metode penelitian kualitatif dengan pendekatan deskriptif ini melibatkan tiga orang pewaris cerita sebagai narasumber utama dan lima tokoh masyarakat sebagai informasi kunci. Untuk memvalidasi data sejarah serta fungsi sosial Guha. Data dikumpulkan melalui teks cerita rakyat, wawancara mendalam, dan observasi lingkungan, selain pendektan deskriptif, penelitian ini menggunakan teknik analisis data model interaktif yang meliputi redukasi data, penyajian data, dan penarikan kesimpulan (verifikasi) untuk membedah struktur  serta makna filosofis dalam cerita tersebut. Hasil penelitian menunjukan bahwa cerita rakyat ini berperan dalam melestarikan budaya lokal sekaligus menjadi media pendidikan karakter yang mengajarkan pentingnya menjaga hubungan harmonis antara manusia, alam, dan dunia gaib. Nilai-nilai budaya yang terkandung, memperkaya khazanah budaya setempat dan mendukung pelestarian lingkungan serta pembentukan generasi muda. Secara teoritis dan praktis, penelitian ini memberikan kontribusi signifikan terhadap penguatan dokumentasi Folklor Nusantara dan menjadi referensi model penge,bangan materi pendidikan karakter berbasis kearifan lokal yang relavan dengan tantangan zaman.
Konstruksi Makna Emosional dan Budaya dalam Novel Lembayung Senja: Analisis Semiotik Roland Barthes Dewi Rahma Anjani; Aditya Ansor Alsunah; Lina Siti Nurwahidah; Cecep Dudung Julianto
eScience Humanity Journal Vol 6 No 1 (2025): eSience Humanity Vol.6 No.1 November 2025
Publisher : Asosiasi Ide Bahasa Kepri

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37296/esci.v6i1.348

Abstract

This article examined the construction of emotional and cultural meanings in the novel Lembayung Senja using Roland Barthes’ semiotic approach. A descriptive qualitative method was employed, and data were collected through reading and note-taking techniques to identify signs that constructed meaning within the narrative. The analysis focused on three levels of signification, namely denotation, connotation, and myth, as represented through symbols such as twilight imagery, characters’ gestures, and emotional metaphors. The findings indicated that these signs not only reinforced the narrative atmosphere but also reflected the characters’ inner journeys, experiences of loss, and underlying cultural values. The emotional and cultural meanings constructed in the novel were interconnected and produced multilayered interpretations, which expanded readers’ understanding of the themes developed by the author. The study demonstrated that Roland Barthes’ semiotic approach was effective in revealing implicit meanings in literary texts and could be applied to other literary works for deeper interpretative analysis.
Struktur Sintaksis dan Distribusi Jenis Klausa pada Lirik Lagu Album Rahasia Pertama Karya Rony Parulian Nisha Marsha Shonia; Aditya Ansor Alsunah; Lina Siti Nurwahidah; Cecep Dudung Julianto
eScience Humanity Journal Vol 6 No 1 (2025): eSience Humanity Vol.6 No.1 November 2025
Publisher : Asosiasi Ide Bahasa Kepri

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37296/esci.v6i1.349

Abstract

Song lyrics constitute a distinctive form of literary expression in which linguistic structure plays a crucial role in shaping meaning and emotional resonance. This study examines the syntactic structure and distribution of clause types in the song lyrics of Rahasia Pertama, the debut album by Rony Parulian. The research focuses on identifying and classifying clause types that appear in the lyrics, namely verbal clauses, nominal clauses, adjectival clauses, prepositional clauses, and numeral clauses, based on their formal characteristics and syntactic functions. Employing a descriptive qualitative method, the data were obtained through careful reading and systematic note-taking of the lyrics from all eight songs in the album. The collected data were then categorized and interpreted according to established syntactic theories. The findings reveal a total of 213 clauses distributed across four clause types: verbal clauses, nominal clauses, adjectival clauses, and prepositional clauses. Verbal clauses are the most dominant, indicating that the lyrics predominantly emphasize actions, processes, and emotional dynamics experienced by the lyrical subject. Nominal and adjectival clauses function to express states, identities, and emotional qualities, while prepositional clauses contribute metaphorical spatial and emotional nuances. Notably, numeral clauses are entirely absent from the album, suggesting that numerical expressions are not central to the construction of meaning in these song lyrics. These results demonstrate that syntactic structure significantly contributes to the expressive and poetic power of song lyrics. Through varied clause constructions, the album conveys themes of love, longing, loss, and emotional endurance in a nuanced manner. This study highlights the importance of syntactic examination in understanding how popular song lyrics function as literary texts and affirms the relevance of linguistic analysis in contemporary literary and cultural studies.
Kajian Semiotika Lagu Timur 2025 Sebagai Bahan Pembelajaran Bahasa Indonesia dalam Kurikulum Merdeka Selvi Nurul Hidayati; Aditya Ansor Alsunah; Lina Siti Nurwahidah; Cecep Dudung Julianto
eScience Humanity Journal Vol 6 No 1 (2025): eSience Humanity Vol.6 No.1 November 2025
Publisher : Asosiasi Ide Bahasa Kepri

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37296/esci.v6i1.350

Abstract

This study analyzes the layers of meaning in song lyrics using Roland Barthes’ semiotic framework, which includes denotation, connotation, and myth. The research aims to reveal how linguistic signs in the lyrics function as cultural representations reflecting identity, emotional expression, and social narratives. A qualitative descriptive method was employed by examining textual signs, connotative associations, and cultural myths embedded in the song. The findings indicate that the lyrics convey not only literal meanings but also symbolic meanings shaped by local cultural contexts. At the denotative level, the lyrics present explicit narrative elements, while at the connotative level, figurative language and cultural references reveal deeper emotional and ideological meanings, and at the myth level, the song reproduces collective values, cultural identity, and social worldviews. Furthermore, the analysis shows that song lyrics are relevant to be utilized as learning materials in Indonesian language education within the implementation of the Merdeka Curriculum, as they support contextual learning, literacy development, critical thinking skills, and students’ cultural awareness. Overall, Barthes’ semiotic approach proves effective in uncovering the symbolic and socio-cultural meanings of song lyrics.
Analisis Semiotika Ferdinand De Saussare pada Album “Dalam Dinamika” karya Perunggu Elisa Elisa; Aditya Ansor Alsunah; Cecep Dudung Julianto; Lina Siti Nurwahidah
eScience Humanity Journal Vol 6 No 2 (2026): eSience Humanity Vol.6 No.2 Mei 2026
Publisher : Asosiasi Ide Bahasa Kepri

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37296/esci.v6i2.352

Abstract

This study aims to analyze the signifiers and signified in the song lyrics of the album dalam Dinamika by Perunggu and to interpret the meanings that emerge from the interaction between the two. This study employed a descriptive qualitative method using the semiotic approach developed by Ferdinand de Saussure. The data analyzed consisted of song lyrics from the album Dalam Dinamika, including “Tapi”, “Pikiran yang Matang”, “Aku Ada Untukmu”, and “Amalan Baik”. Data collection was conducted though literature study and documentation techniques, while the data were analyzed using content analysis. The finding of this study indicate that the meaning contained in the album dalam Dinamika are constructed through the relationship between signifiers and signifieds, reflecting the life experiences  of young g people. The songs “Tapi” and “Amalan Baik” represent struggles and the search for life direction, “Pikiran yang Matang” portrays emotional closeness and nostalgia. Overall, the songs in this album reflect the dynamics of life through the semiotic perspective of Ferdinand de Saussure.
Suara Subaltern Perempuan dalam Puisi Cica 96 karya Chyntia Hariadi: Kajian Feminisme Poskolonial Jihan Rizki Anisa; Aditya Ansor Alsunah; Lina Siti Nurwahidah; Cecep Dudung Julianto
eScience Humanity Journal Vol 6 No 2 (2026): eSience Humanity Vol.6 No.2 Mei 2026
Publisher : Asosiasi Ide Bahasa Kepri

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37296/esci.v6i2.359

Abstract

This study aims to uncover the voices of subaltern Chinese women in Chyntia Hariadi’s poetry collection CICA 96 using Gayatri Spivak’s postcolonial feminist approach. The work captures the experiences of minority women facing historical, social, and political pressures, particularly racial discrimination and the trauma following the 1998 reforms. Chinese women in the poems are depicted as experiencing double oppression in the form of gender and race-based subordination that limits their bodies, identities, and social spaces. The method used is descriptive qualitative, with textual analysis of 17 poems purposively selected based on Spivak’s three main concepts: double oppression, limited representation, and hegemony and ethical politics. The results show that double oppression is evident in the pressures of family culture, racial stereotypes, and social domination that limit the freedom of Chinese women from childhood. Limited representation emerges through the metaphor of silence, state symbols that conceal identity, and silence as a coping strategy when women’s voices are not recognized in the public sphere. Hegemony and ethical politics are reflected in historical trauma, state violence, and collective memory, which shape fragmented identities and persistent insecurity. Overall, CICA 96 provides an alternative space for subaltern women to voice their experiences through symbols and poetic language, thus reintroducing voices that have been suppressed by patriarchy, racism, and state power. This research is expected to enrich feminist literary studies in Indonesia and open up space for further research on minority identities and historical trauma in modern literature.
Representasi Penderitaan Tokoh Alie dalam Novel Rumah untuk Alie Fatmawati Fatmawati; Aditya Ansor Alsunah; Lina Siti Nurwahidah; Cecep Dudung Julianto
eScience Humanity Journal Vol 6 No 2 (2026): eSience Humanity Vol.6 No.2 Mei 2026
Publisher : Asosiasi Ide Bahasa Kepri

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37296/esci.v6i2.364

Abstract

This study aimed to analyze the representation of Alie’s suffering in the novel Rumah untuk Alie through the perspective of literary psychology. The research focused on family pressures as the main factor shaping Alie’s personality and psychological condition. The study employed a qualitative descriptive method with a literary psychology approach, examining the interaction between the character and her social environment. Data were collected through a literature study, including careful reading and documentation of events and dialogues in the novel that illustrate family pressure and its psychological impact. Data analysis was conducted chronologically by identifying forms of family pressure, categorizing them into hatred,, rejection, verbal and physical abuse, and analyzing their influence on Alie’s psychological state and personality development. The results indicated that Alie experienced repeated family pressure in the forms of verbal and physical violence,,, rejection, and neglect. These pressures contributed to feelings of guilt, despair, passivity, and withdrawal, leading to long-term psychological trauma. Monologues and internal dialogues were found to represent her inner conflict and emotional suffering. This study concludes that the representation of Alie’s suffering in the novel illustrates the profound impact of family pressure on the psychological development of the character, highlighting literature’s role as a reflection of human psychological reality.
MAKNA CINTA DAN KEHILANGAN DALAM LIRIK LAGU “BUNGA ABADI” KARYA RIO CLAPPY: KAJIAN SEMIOTIKA SASTRA Siti Musyarofah; Aditya Ansor Alsunah; Lina Siti Nurwahidah; Cecep Dudung Julianto
Anafora: Jurnal Penelitian Mahasiswa Pendidikan Bahasa dan Sastra Indonesia Vol 6 No 1 (2026)
Publisher : Prodi Pendidikan Bahasa dan Sastra Indonesia, FKIP, UNIKU

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25134/ajpm.v6i1.295

Abstract

ABSTRAK: Lirik lagu sering dipandang hanya sebagai hiburan, padahal di dalamnya tersimpan pengalaman batin dan cara manusia memaknai hidup. Lagu “Bunga Abadi” merupakan salah satu karya populer yang menyampaikan tema cinta melalui simbol bunga yang abadi serta perjalanan emosi yang dialami dalam hubungan. Penelitian ini bertujuan untuk membaca dan menafsirkan makna simbol yang terdapat dalam lirik lagu “Bunga Abadi” dengan menggunakan pendekatan semiotika sastra. Penelitian ini dilakukan dengan metode deskriptif kualitatif melalui teknik analisis teks, yaitu membaca dan menafsirkan bagian-bagian lirik secara rinci untuk menemukan makna tanda dan simbol yang terkandung di dalamnya. Hasil kajian menunjukkan bahwa simbol “bunga abadi” merepresentasikan cinta yang tidak berhenti meskipun waktu telah berlalu serta hubungan emosional yang melewati berbagai suasana seperti kebahagiaan dan kesedihan, yang tetap hidup melalui ingatan dan kesetiaan. Cinta dalam lirik lagu tersebut tetap terjaga melalui kesadaran akan makna kasih sayang dan penerimaan terhadap dinamika kehidupan hubungan. Dengan demikian, lirik lagu “Bunga Abadi” dipahami sebagai refleksi pengalaman emosional manusia yang bersifat universal dan layak dikaji sebagai bagian dari sastra populer. KATA KUNCI: Lirik lagu; semiotika sastra; simbol bunga; cinta abadi; pengalaman emosional         >    THE MEANING OF LOVE AND LOSS IN THE LYRICS OF THE SONG "ETERNAL FLOWER" BY RIO CLAPPY: A STUDY OF LITERARY SEMIOTICS   ABSTRACT: Song lyrics are often regarded merely as entertainment, even though they contain inner experiences and reflect how humans interpret life. The song “Bunga Abadi” is a popular work that conveys the theme of love through the symbol of an eternal flower and the emotional journey experienced within a relationship. This study aims to read and interpret the symbolic meanings found in the lyrics of “Bunga Abadi” using a literary semiotic approach. The research employs a qualitative descriptive method through text analysis techniques, namely reading and interpreting the lyric sections in detail to uncover the meanings of the signs and symbols contained within them. The results of the analysis show that the symbol of the “eternal flower” represents a love that does not fade despite the passage of time, as well as an emotional relationship that passes through various states such as happiness and sadness, yet remains alive through memory and loyalty. Love in the song’s lyrics is preserved through an awareness of the meaning of affection and an acceptance of the dynamics of relationships in life. Thus, the lyrics of “Bunga Abadi” can be understood as a reflection of universal human emotional experiences and are worthy of study as part of popular literature. KEYWORDS: song lyrics; literary semiotics; flower symbolism; eternal love; emotional experience
KONFLIK SOSIAL DALAM NOVEL HOME SWEET LOAN KARYA ALMIRA BASTARI ( KAJIAN SOSIOLOGI SASTRA ) Hopi Siti Syaripah; Aditya Ansor Alsunah; Lina Siti Nurwahidah; Cecep Dudung Julianto
Anafora: Jurnal Penelitian Mahasiswa Pendidikan Bahasa dan Sastra Indonesia Vol 6 No 1 (2026)
Publisher : Prodi Pendidikan Bahasa dan Sastra Indonesia, FKIP, UNIKU

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25134/ajpm.v6i1.297

Abstract

ABSTRAK: Penelitian ini bertujuan untuk menganalisis konflik sosial dalam novel Home Sweet Loan karya Almira Bastari dengan menggunakan pendekatan sosiologi sastra. Penelitian ini menggunakan metode kualitatif deskriptif dengan sumber data berupa novel Home Sweet Loan. Data penelitian berupa kutipan-kutipan yang menggambarkan konflik sosial, yang dikumpulkan melalui teknik baca dan catat serta didukung oleh studi pustaka dan dokumentasi. Data yang diperoleh dianalisis dengan cara mengklasifikasikan dan menafsirkan bentuk-bentuk konflik sosial yang ditemukan. Hasil penelitian menunjukkan adanya beberapa bentuk konflik sosial, yaitu konflik ekonomi, konflik dalam hubungan keluarga, serta konflik sosial yang berkaitan dengan tekanan lingkungan dan status sosial. Konflik-konflik tersebut mencerminkan realitas kehidupan masyarakat perkotaan yang dihadapkan pada tuntutan ekonomi dan sosial. Dengan demikian, novel Home Sweet Loan dapat dipahami sebagai cerminan kondisi sosial masyarakat modern yang sarat dengan tekanan hidup dan ketimpangan sosial. KATA KUNCI: konflik ekonomi; konflik sosial; novel; sosiologi sastra; masyarakat perkotaan >  SOCIAL CONFLICT IN THE NOVEL HOME SWEET LOAN BY ALMIRA BASTARI (A SOCIOLOGY OF LITERATURE STUDY)   ABSTRACT: This study aims to analyze social conflict in the novel Home Sweet Loan by Almira Bastari using a literary sociology approach. The research employed a descriptive qualitative method with the novel as the primary data source. The data consisted of quotations that depict social conflict and were collected through reading and note-taking techniques, supported by literature studies and documentation. The collected data were analyzed by classifying and interpreting the forms of social conflict found in the novel. The results indicate that several types of social conflict are represented, including economic conflict, family relationship conflict, and social conflict related to environmental pressure and social status. These conflicts reflect the realities of urban life, particularly the economic and social demands faced by modern society. The study concludes that Home Sweet Loan portrays social conflict as a reflection of contemporary social conditions characterized by life pressures and social inequality. KEYWORDS: economic conflict; literary sociology; novel; social conflict; urban society
Co-Authors Abdul Hasim Aditya Ansor Alsunah Aditya Ansor Alsunah Agus Hamdani Agus Hamdani Agus Haris Ai Delin Alia Annisa Nurpajriani Alsunah, Aditya Ansor Amar, Anton Dermawan Ambarwati Anggela, Inggit Ansor Alsunah, Aditya Anwar Hidayatulloh Ardi Mulyana Ari Kartini Arief Loekman Aryanti Asep Nurjamin Asep Setia Budi Asiah, Lisantika Nur Aulia, Azka Cecep Dudung Julianto Cecep Dudung Julianto Dadang Sunendar Deasy Aditia Damayanti Deasy Aditya Damayanti Deasy Aditya Damayanti Dela Ayu Puspita Desi Sugiarti Destiani, Risma Fitri Dewi Rahma Anjani Didin Sahidin Didin Sahidin Dina Agustriani Dini Windarini Dita Aulia Nafisah Dodi Misbah Ejen Jenal Mutaqin Elisa Elisa Endah Pujianti Engkos, Engkos Erik Kurniawan, Erik Erni Fitriani Fajar Nugraha Fakri Hamdani Fakry Hamdani Fatmawati Fatmawati Fiam Musahlah Fitri Ayu Febrianti Fitri Ayu Febrianti Gantini, Syalwa Romantika Hasim, Abdul Hidayani, Silva Tresna Hopi Siti Syaripah Iin Indriyani Indriyani, Iin Ira Nurul Hotami Jamilah Jamilah Jihan Rizki Anisa Julianto, Cecep Dudung Karimah, Iik Kartini, Ari Lasmidewi, Reni Noviani Lestari, Anggia Septin Dwi Masrini, Imas Maulida Aulia Rahman Mulyana, Yuyun Mustopa, Endang Nabella Alani Naida, Winka Nazmi, Alya Neneng Hartini Neni Nadiroti Muslihah Nina Siti Nurjanah Nisa, Annida Firdaus Nisha Marsha Shonia Nur Alyani Salsabila Nuralyani Nuralyani Nurhasanah, Mila Nurhasanah, Syifa Aulia Nurjatini, Tintin Nurlia, Nani Nursalamah, Rita Pelapory, Khirst David Permana, Ajeng Ratna Pitriani, Pipit Popon Rohaeti Puspita, Ghariza Putri Rahmadini, Suci Nur Rahmalia, Rika Rismawati, Irma Rivan Syahrul Falah Rostina Sundayana Ruhyati, Ruhyati Salma, Mardiatu Sela, Ai Selvi Nurul Hidayati Sholeh, Asep Haris SITI MARIYAH Siti Musyarofah Siti Nadiah Siti Nur Halimah Sofia Rahmawati Solihat, Ai Sopi Ali Mubarok Sufyani Prabawanto, Sufyani Suhendar Suhendar Sulaiman, Zoni Sumiati Agphyra Supardi, Chris Novika Tanjung, Ramdani Tatang Herman, Tatang Tri Indri Hardini Uda Hudaya Umi Kulsum Widaningrum Widaningrum, Widaningrum Widdy Sukma Nugraha Wulandari Wulandari Yanti Susanti Yennie Indriati Widyaningsih Yennie Indriati Widyaningsih Yosi Yolanda Maulani Yuli Nurhayati Yuli Yulianti Yulliandri Amelia Yulyanti, Caci Selfi Zainah Asmaniah ZAINAH ASMANIAH, ZAINAH Zaira Aulia Nurjanah