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All Journal DIKSI Natural Science: Journal of Science and Technology Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK) Jurnal Teknik Mesin BIOTROPIA - The Southeast Asian Journal of Tropical Biology FRANCISOLA AL KAUNIYAH BAHASA DAN SASTRA Jurnal Ilmiah Mahasiswa FEB Jurnal Keteknikan Pertanian Tropis dan Biosistem Mozaik Humaniora KEMBARA ATAVISME JURNAL ILMIAH KAJIAN SASTRA Kajian Linguistik dan Sastra Khazanah Informatika: Jurnal Ilmu Komputer dan Informatika Pro-Life Panggung BIOPROSPEK Haluan Sastra Budaya Jurnal SOLMA Early Childhood Research Journal (ECRJ) Kandai Jurnal Rekayasa Sipil Adabiyyat: Jurnal Bahasa dan Sastra J-SAKTI (Jurnal Sains Komputer dan Informatika) BAHTERA : Jurnal Pendidikan Bahasa dan Sastra Jurnal Abdi: Media Pengabdian Kepada Masyarakat Abdi Laksana : Jurnal Pengabdian Kepada Masyarakat Masyarakat Berdaya dan Inovasi JIKA (Jurnal Informatika) Jurnal Sains Agro Jurnal Restikom : Riset Teknik Informatika dan Komputer Lingua Susastra Jurnal Ekonomi Efektif International Journal of Engagement and Empowerment (IJE2) J-SAKTI (Jurnal Sains Komputer dan Informatika) Rengganis Jurnal Pengabdian Masyarakat RUANG KATA: Journal of Language and Literature Studies Jurnal Pengabdian Masyarakat Inovasi Matematika (Inomatika) ABDINE Jurnal Pengabdian Masyarakat Jurnal Pengabdian Masyarakat Bhinneka Jurnal Lektur Keagamaan Widyaparwa Jurnal PENEROKA: Kajian Ilmu Pendidikan Bahasa dan Sastra Indonesia Cerdika: Jurnal Ilmiah Indonesia Sewagati Paradigma: Jurnal Kajian Budaya Wacana: Journal of the Humanities of Indonesia Cilpa : Jurnal Ilmiah Pendidikan Seni Rupa Qurthuba: The Journal of History and Islamic Civilization Journal of Infrastructure Policy and Management (JIPM) Dharma: Jurnal Pengabdian Masyarakat Belajar Bahasa : Jurnal Ilmiah Program Studi Pendidikan Bahasa dan Sastra Indonesia Jurnal bahasa, sastra, seni, dan pengajarannya
Dwi Susanto
Universitas Sebelas Maret
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Budaya Nomad dalam Pertarungan Wacana Musik Industri Indonesia Studi Kasus: Boy-Girl Band Nofer, Dolly; Pitana, Titis Srimuda; Susanto, Dwi
Bahasa dan Seni: Jurnal Bahasa, Sastra, Seni, dan Pengajarannya Vol. 47, No. 2
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Boy-girl band K-Pop music appearing in Indonesian music industry is a discourse contruction, teritorial or music life style which is brought by pop culture and Korean culture industry. The intrance of this music culture then cause a few problems which are the battle of discourse and the construction of the K-Pop music discourse itself, which does the culture migration for any purpose. For, this research is due to solve the problems, (1) boy-girl band as once of music life style discourse, (2) boy-girl band music discourse in battle arena of music life style, and (3) impact of K-Pop discourse construction through boy-girl band. The perspective which is used in discussing those problems are concepts of territori and discourse in Cultural Studies. The data used are aesthetic discourse—surrounds the K-Pop boy-girl band. The result of this research shows that K-pop boy-girl band is a battle arena of music life style in context popular culture, consumerism, and identity struggle of Korean culture. Then, it causes the impact to music discourse in Indonesian music industry, which internalizes K-pop values—locality is other subject in Indonesian music industry discourse.
Gouw Peng Liang's Lo Fen Koei text (1903) as a cultural practice of the Chinese peranakan community: A new historicism study Susanto, Dwi
Bahasa dan Seni: Jurnal Bahasa, Sastra, Seni, dan Pengajarannya Vol. 51, No. 1
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Lo Fen Koei text (1903) by Gouw Peng Liang has been neglected in the history of Indonesian literature due to the numerous discourses on power and social, political, and ideological issues that flourished at the time. The objective of this study is to discover about the text's active response to social, political, and other discourses that exist outside of its existence. The issues addressed in this study are (1) the historical context and author's stance, (2) the meaning of Lo Fen Koei's (1903) text, and (3) the texts and discourse around Lo Fen Koei's (1903) text. The study uses a New Historicism persfective. The Loe Fen Koei text (1903) as a material object and the text's cultural practices as a formal object are the objects of this study. The study data include contents and ideas of Lo Fen Koei text (1903), the social setting in which the text is situated, non-literary texts that are present at the same time, and diverse information related to the topic. Data interpretation techniques were used to prove the paratext corresponding to the Lo Fen Koei text (1903) by following procedures presented in New Historicism studies such as reading the meaning of the text, linking the meaning of the text or the presence of the text with the social situation and discourse that developed at the time. The results of this paper reveal that Lo Fen Koei text (1903) by Gouw Peng Liang has relevance to cultural practices within Chinese society in responding to diverse prevalent discourses. Meanwhile, the vision and objective of the Tiong Hua Hwee Kuan (THHK) cultural organization, the recinanization movement or Khong Hucu, and opposing to colonial policies exist as evidence of cultural practice. This text was a proponent of cultural nationalism and the restoration of noble teachings. Through the concepts of liberalism and westernization, the work also addressed on the practice of colonialism in the colonial time.
Dunia Arab Saudi dan Islam dalam pandangan orang Indonesia: Narasi pekerja migran dalam novel Pelukis Gurun Pasir (2018) karya Fuad Abdurahman Susanto, Dwi; Nugroho, Miftah; Wati, Rianna
Bahasa dan Seni: Jurnal Bahasa, Sastra, Seni, dan Pengajarannya Vol. 49, No. 1
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The world of Saudi Arabia in the diaspora experiences of Fuad Abdurahman is written in a novel entitled Pelukis Gurun Pasir (2018). The problems discussed in this study are: (1) the position of subject or author in the narrative structure of the text, (2) the author's relationship with the country of origin, and (3) the voices that appear within the migrant subject in dealing with Saudi Arabian tradition. The theory used is diaspora poetics, which emphasizes the concept of language expression as part of the subject's identity. The object of the research is Pelukis Gurun Pasir (2018) and the author's response to traditions in Saudi Arabia. The data include the narrative structure of the novel’s text, the ideas in the text, the author's biography, and diaspora discourse or social situations. The results show that the image of Saudi Arabian society tends to be evaluated negatively by emphasizing on the chaotic sexuality description of Arabic men, making Saudi Arabia a masculine country. In addition, the author finds tolerant Islamic values in Indonesia, which causes his longing to return to Indonesia. Dunia Arab Saudi dalam pengalaman diaspora Fuad Abdurahman dituliskan dalam Pelukis Gurun Pasir (2018). Masalah yang dikaji dalam penelitian ini adalah (1) posisi subjek atau pengarang dalam tata naratif teks (2) hubungan pengarang dengan negeri asal, dan (3) suara-suara yang muncul dalam diri subjek migran dalam menghadapi tradisi Arab Saudi. Teori yang digunakan adalah puitika diaspora yang menekan pada konsep ekpresi bahasa sebagai bagian dari identitas subjek. Objek kajian penelitian adalah novel Pelukis Gurun Pasir (2018) dan tanggapan pengarang terhadap tradisi di Arab Saudi. Data yang digunakan adalah tata naratif teks novel, gagasan yang muncul dalam teks, riwayat pengarang, dan wacana diaspora atau situasi sosial. Hasil penelitian ini adalah bahwa citra masyarakat Arab Saudi cenderung dinilai secara negatif dengan menekankan pada deskripsi seksualitas yang kacau dari laki-laki Arab sehingga Arab Saudi adalah negeri maskulin. Selain itu, pengarang justru menemukan nilai-nilai keislaman yang toleran berada di Indonesia sehingga pengarang merindukan pulang ke Indonesia.
Eksotisme dan pencitraan perempuan pribumi dalam novel Tjerita Njai Dasima Esaliana, Dias; Cinthya, Nathasha; Susanto, Dwi
Bahasa dan Seni: Jurnal Bahasa, Sastra, Seni, dan Pengajarannya Vol. 49, No. 2
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This study intends to show the self-image of Indonesian women who are considered ‘exotic’ in Gijsbert Francis’ novel Tjerita Njai Dasima. The term exotic refers to alienation and othering Europeans raised towards the eastern world, especially Indonesia. The author discusses the image of Indonesian women featured in the novel Tjerita Njai Dasima through the point of view of postcolonial feminists using a qualitative descriptive method by displaying the result based on subject relations and imagery built in the novel. The data in the discussion focuses on the contents of literary works dealing with postcolonial discourse, which brings out the construction of identity towards women based on the reality that women are often seen as symbolic images and objects of male invaders. Penelitian ini bertujuan untuk menunjukkan citra diri perempuan Indonesia yang digambarkan sebagai sesuatu yang dianggap ‘eksotik’ dalam novel Tjerita Njai Dasima karya Gijsbert Francis. Eksotik yang dimaksudkan merupakan suatu keasingan dan keliyanan yang dimunculkan oleh bangsa Barat terhadap dunia Timur, khususnya Indonesia. Penulis membahas citra perempuan Indonesia yang ditampilkan dalam novel Tjerita Njai Dasima melalui sudut pandang feminis pascakolonial menggunakan metode deskriptif kualitatif yakni dengan menampilkan hasil berdasarkan relasi-relasi subjek dan pencitraan yang dibangun dalam novel Tjerita Njai Dasima versi Gijsbert Francis. Data pada pembahasan difokuskan pada isi karya sastra yang mengandung wacana pascakolonial yang memuncul­kan konstruksi identitas terhadap perempuan. Perempuan sering dianggap sebagai gambaran simbolis dan objek dari pria yang menjajah.
Co-Authors Abdul Fadlil Abdullah, Agni Pusparina Putri Achmad Basuki Achmad Nugrahantoro Ade Candra, Ade Adi, Rizky Kusumo Aditya, Anggie Yudistira Adviany, Ida Afida, Nurul Lailia Ahmad Jundi Al Mubarak Aini, Fadhilah Dhinur Aji Nugroho Aji, Rendra Suprobo Al Faruq, Hammam Alayya, Syamila Isyqi Albar, Dini Salima Alfirman, Diva Muhammad aloysius mering Alqoronie, Uwais Anggraeni, Martianda Erste Anggraini , Martianda Erste Annisa Nur Fauziah Anton Yudhana Apsari, Lela Ardiansyah, DT Arifin, Ahmad Zaki Arofani, Nilam Yuhanisa Ashafidz Fauzan Dianta, Ashafidz Fauzan Ashafidz Fauzan, Ashafidz Bagaskara, Yunior Dhian Barriyah, Insanul Qisti Baskoro Baskoro, Baskoro Betrand Erlangga Candra, Rizal Naufal Chairunisak, Uum Helmina Chandra, Dio Pamola Cinthya, Nathasha Darmawan, Zakha Maisat Eka Debby Ustari Deny Tri Ardianto Duanda, Prada Esaliana, Dias Eva Agustriani Hutauruk, Eva Agustriani Faradisa, Rosiyah Fathoni, Kholid Finanda, Septy Asri Fitzgelard, Arsyita Rahma Flora Grace Putrianti Hane, Thomas Didimus Harahap, Aqiilah Bilqiis Salsabiil Hartina, Hartina Hetty Manurung, Hetty Huda, Lailatul Ikhsani, Mifta Kurnia Imbenai, Gibson Samuel Indary, Melati Deshy Indri Astuti Islam, Mohamad Fajarudin Kharismajati, Gema Khilian, Abdul Mutalib Kulsum, Lastunna Umi Kuncoro, Nayla Amara Kusuma, Andri Kusumawati, Eko Kusumawati, Eko Lukmanul Hakim Lupiyanto M Baihaqi Mahmudah Mahmudah Margatama, Tegar Taryan Mayasari, Fony Medi Hendra, Medi Mibtadin Mibtadin, Mibtadin Moh. Zikky, Moh. Monita Olivia Muhammad Fauzi Arif Muhammad Irfan MUHAMMAD REZA FAHLEVI Muhammadiyah, Muhammadiyah munasirah, Munasirah Mustariani, Erry Muthmainnah, Atikah Mutia Hesti Istiqomah Negara, Muhammad Radhitya Kusuma Nofer, Dolly Nugroho Heri Cahyono Nugroho, Miftah Nurhikmah, Putri Indah Nuriyadin, Nuriyadin Nursinta, Neng Tita Pandhito, Bagus Wahyu Periyanto, Ari Peryanto, Ari Pitasari, Putri Amalia Dwi Pradahati, Kisma Prihatini Prihatini, Prihatini Priyani, Diah Indah Purnama, Miryan Sucianti Putri Permatasari, Putri Putri, Dheya Kusuma Arianing Putri, Fiorhentina Rabbaniyah, Nabilah Ramdani, Nurrahmad Rante, Hestiasari Ratna Kusuma, Ratna Rustam, Fradilah Rusydi Umar Sabila, Nabila Dienna Samsurianto Samsurianto Samsurianto Saptaningsih, Nur Saputri, Hafizah Rahma Sari, Mustika Wulan Sasanti Silvya Putri Sasmi, Dwi Andini Arditya Shabrina, Almira Wynne Sidik, Muhamad Fajar Siti Muslifah, Siti Siti Patimah, Isad Suhaeb Stafrizal, Syafrizal Sudrajat Sudrajat Suhendar, Satrian Sujarwo, Joko Supriyanto, Rahmat Susanto, Moh. Rusnoto Syafrizal Syafrizal Syamsiar, Syamsiar Syarief Fajaruddin Titi Lestari, Titi Titis Srimuda Pitana, Titis Srimuda Tri Budi Santoso Wati, Ilma Wiwit Rahina Wati, Rianna Wati, Rianna Wibowo, Eko Putra Widananda, Charisma Wulan Widi Sarinastiti Widiyanto, Imam Juni Widowati Pusporini, Widowati Wijayanti, Fadhilah Ayu Winarno, Nadya Yanti Puspita Sari Yenny Muliani Yudistira Aditya, Anggie Yuliatin, Ervinda Yuwono Fitri Widodo Zahra'ni, Izzahtu Nuha Zainuddin, Muhammad Agus Zikky, Moh Zulfikar Djauhari