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Achmad Khudori Soleh
Universitas Islam Negeri Maulana Malik Ibrahim, Malang
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Studi Analisis Aksiologi Pesantren: Eksplorasi Nilai-Nilai Etika dan Estetika Santri Risda Mursyida; Achmad Khudori Soleh; Mohammad Nasih Al Hashas; Alfadhli
Ta’wiluna: Jurnal Ilmu Al-Qur'an, Tafsir dan Pemikiran Islam Vol. 5 No. 3 (2024): Ta’wiluna: Jurnal Ilmu Al-Qur’an, Tafsir dan Pemikiran Islam
Publisher : Lembaga Penelitian, Penerbitan dan Pengabdian kepada Masyarakat (LP3M) IAIFA Kediri

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58401/takwiluna.v5i3.1896

Abstract

The study of the ethical and aesthetic values ​​of Islamic boarding school students is an interesting topic to analyze from an axiological perspective, considering the close relationship between moral and ethical values ​​in their lives. This study aims to identify the ethical values ​​instilled in Islamic boarding school students and how these values ​​can be applied in their daily lives. The method used in this study is descriptive-analytical with a literature study approach, which involves collecting data from books, scientific articles, and other sources relevant to the issue of ethical and aesthetic values ​​of Islamic boarding school students in the context of axiology. The results of the study show three main points: First, the concept of axiology emphasizes that value can be interpreted as something that has utility or goodness. In philosophy, value theory is closely related to ethical and aesthetic issues. Second, related to the ethics of Islamic boarding school students, there are two main approaches, namely teleology and deontology. The teleological approach focuses on the consequences of actions; for example, if a student violates the rules of the boarding school, then he will receive consequences in the form of takzir. Meanwhile, the deontological theory emphasizes that the good or bad of a behavior is not only judged from its impact, but also from the obligation to comply with existing Islamic boarding school regulations. Third, in terms of the aesthetics of students, there are two categories, namely expressive and functional. Expressive aesthetics reflect the inner expression of an artist through works of art, such as chanting sholawat. On the other hand, functional aesthetics emphasizes that crafts or art are not only seen from the aspect of their function, but also from their beauty, such as the appearance of a clean and tidy student room.
Obyek 'Akal Bagi Kehidupan Manusia: Prespektif Al-Qur’an Nada, Alfaini Zulfa; Soleh, Achmad Khudori
FATHIR: Jurna Studi Islam Vol 2 No 1 (2025): FATHIR: Jurnal Studi Islam
Publisher : Fanshur Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.71153/fathir.v2i1.183

Abstract

Akal adalah kemampuan berpikir yang memungkinkan seseorang memahami sesuatu. Namun, akal memiliki batasan karena ada ajaran yang tidak bisa dipahami dengan akal. Dalam Al-Qur'an, Penelitian ini bertujuan untuk menggali dan menganalisis peranan akal dalam kehidupan manusia berdasarkan perspektif Al-Quran. Menggunakan metode penelitian kepustakaan yang meliputi pengumpulan sumber-sumber bibliografi yang relevan dengan fokus penelitian, teknik pengumpulan data dari sumber kitab tafsir al misbah kemudian ada buku, jurnal, artikel dan perpustakaan. Dari hasil penelitian ini terdapat: 1). berbagai ayat Al-Quran istilah 'aql muncul sebanyak 49 kali dengan berbentuk fi'il mudhari'. Di antara bentuk-bentuk tersebut, kata ta’qilun muncul sebanyak 24 kali dan ya’qilun sebanyak 22 kali. Sedangkan verba lain seperti 'aqala, na'qilu, dan ya'qilu masing-masing hanya muncul satu kali. 2). Akal dalam Al-Qur'an memiliki peran penting untuk memahami ciptaan Allah. Manusia diajak untuk merenung dan berpikir tentang fenomena alam seperti langit, bumi, pergantian siang dan malam, laut, hujan dan binatang yang semuanya merupakan tanda-tanda kebesaran Allah. 3). Al-Qur'an menekankan pentingnya akal bagi manusia, yaitu: Akal untuk memahami kebenaran dan mendorong berpikir, akal juga sebagai objek kajian untuk mempelajari alam sebagai tanda kekuasaan Tuhan. Selain itu, al-Qur'an menegur mereka yang tidak menggunakan akal dan ingkar terhadap kebenaran.
SENI DAN ESTETIKA (KEINDAHAN) DALAM PERSPEKTIF MUHAMMAD IQBAL Rahmat, Rahmat; Soleh, Achmad Khudori
El-Waroqoh : Jurnal Ushuluddin dan Filsafat Vol 9, No 1 (2025)
Publisher : Institut Dirosat Islamiyah Al-Amien Prenduan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.28944/el-waroqoh.v9i1.1897

Abstract

Art and aesthetics involve the analysis of values, tastes, attitudes, and standards that shape an individual's experience and judgment of human-made creations or the beauty found in nature. The purpose of this article is to present an understanding of art and aesthetics based on the thoughts of Muhammad Iqbal. This study employs a qualitative library research approach by reviewing relevant literature. Additionally, a historical approach is used to examine the concept of art and aesthetics from Muhammad Iqbal’s perspective. The data are obtained from previous scholarly works, including journal articles and books related to the subject matter, followed by an analysis of Muhammad Iqbal's historical background and his concept of art and aesthetics to draw conclusions.  The findings of this study reveal that: (1) According to Muhammad Iqbal, the core and foundation of human life organization is the ego, which encompasses the entirety of thought and awareness about life, while art and beauty are integral parts of human existence. Iqbal’s thoughts on aesthetics (beauty) and the philosophy of *khudi* originate from Islamic teachings as well as Western philosophical influences. (2) Iqbal has a unique perspective on art and beauty, emphasizing vitality and functionality, making them dynamic and full of the spirit of struggle. (3) In his view, something can be considered aesthetic if it meets at least two essential elements: first, expression, which refers to the originality of the artwork itself; and second, purpose, where one of the objectives of art is to contribute to the development and cultivation of society.
Al-Ghazali on The Method of Achieving Happiness Soleh, Achmad Khudori
Psikoislamika: Jurnal Psikologi Islam Vol 20, No 2 (2023)
Publisher : Fakultas Psikologi Universitas Islam Negeri Maulana Malik Ibrahim

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/psikoislamika.v20i2.32275

Abstract

Happiness can give immunity to the individual’s physical and psychological so that they become strong in facing pressure. In severe social and psychological conditions, happiness becomes essential and needed. This study aims to analyze al-Ghazali's concept of achieving happiness. The research uses the content analysis method with primary sources as the main reference. The research results show that achieving happiness in al-Ghazali consists of three stages. Namely, (1) recognizing one’s nature and character, (2) placing the heart as a leader, (3) directing attention to God. This stage necessitates studies on self and psychology, essential for cleansing the soul. In management, al-Ghazali's concept of heart leadership is in harmony with al-Farabi's leadership theory, which states that leaders must be able to direct their subordinates to happiness. The implication of this concept is that there is a holistic approach to improving the quality of human life as a whole in the fields of psychology, education and spirituality. Ultimately, all potential and activity must be directed to God as the source of happiness to achieve true happines.Keywords: al-Ghazali; Happiness; Know Yourself; Leadership of the Heart
Analisis Komparasi Etika Islam Ibnu Miskawaih dan Modifikasi Perilaku dalam Psikologi Barat: A Comparative Analysis of Ibn Miskawaih’s Islamic Ethics and Behavior Modification in Western Psychology Hanifah, Nor; Soleh, Achmad Khudori; Bastomi, Riza
Tasfiyah: Jurnal Pemikiran Islam Vol. 9 No. 1 (2025)
Publisher : University of Darussalam Gontor, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21111/tasfiyah.v9i1.12380

Abstract

This study aims to compare the concept of moral development according to Ibn Miskawaih with behavior modification in Western psychology. This topic is intriguing due to the similarities and differences between the two that can be scientifically explained. The research uses a qualitative method with a library research approach. The findings indicates that Ibn Miskawaih's moral development or ethics is based on the Al-Qur’an and philosophy, focusing on the soul’s drive to engage in good behavior without considering specific benefits, in order to achieve life perfection and happiness. According to him, the ethical hierarchy consists of al-khaiyr (goodness), al-sa‘ādah (happiness), and al-faḍīlah (virtue). In Ibn Miskawaih’s view, character formation is a potential for noble morality that can be achieved through the principle of the middle path (al-wasaṭ), influenced by internal factors such as the soul and external factors such as the environment. Meanwhile, behavior modification in Western psychology is based on theories by Western scholars that emphasize observable behavior resulting from stimulus-response and aim to shape planned behavior through learning and reinforcement processes. The comparison between the two reveals differences in basic thinking, characteristics, factors influencing behavior change, and goals. However, there are similarities in the strategies used to shape character, namely through training, habituation, reinforcement, and modeling roles within the environment. 
The Nature of the Universe in Al-Kindi's Metaphysical Perspective and Its Coherence with Qur'anic Evidence El Yasmin, Yusroh; Khudori Soleh, Achmad
Jaqfi: Jurnal Aqidah dan Filsafat Islam Vol. 9 No. 2 (2024): Jaqfi: Jurnal Aqidah dan Filsafat Islam
Publisher : Jurusan Aqidah dan Filsafat Islam Universitas Negri Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/jaqfi.v9i2.19866

Abstract

The form of the universe can be seen by the five senses, but the nature of the creation of the universe is included in the study area of metaphysics because it is abstract and related to the nature of God's form. In the study of philosophy, the nature of the universe is still widely debated; however, these differences are based on the arguments of the thoughts of each philosopher. One of the philosophers who expressed his opinions about the nature of the universe was A-Kindi. This article aims to reveal the nature of the universe from the metaphysical perspective of Al-Kindi, who was one of the Muslim philosophers and the first Arab to introduce philosophy to Islam. This study used a qualitative research method based on the type of library research. The researcher used book literature and previous research journals as a source of data. Furthermore, the researcher analyzed and described the data in a narrative manner. The results of this study reveal that Al-Kindi's metaphysical perspective on the universe is muhdats (new), which means that the universe is a creature (created) not derived from the emnation of the form of the date (God). Al-Kindi's opinion on the creation of the world can be coherent with the verses of the Qur'an: QS. Al-Hadid (57): 3, QS. Hud (11): 7, QS. Al-Anbiya' (21): 30, QS. Al-Baqarah (2): 117.
KAJIAN FILSAFAT ILMU: IMPLEMENTASI TEORI ESTETIKA MUSIK AL-FARABI PADA LAGU GALA BUNGA MATAHARI MOHAMMAD ALAUDIN ALEXUMEIN; Achmad Khudori Sholeh; Rizka Lubaba
Jurnal Penelitian Ilmiah INTAJ Vol. 9 No. 1 (2025): eclipse
Publisher : LP3M IAI Al-Qolam

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35897/intaj.v9i1.1672

Abstract

Research on music in the scope of aesthetics will always be interesting. This study uses a qualitative approach with a data mining method via literature review to analyze the song Gala Bunga Matahari through Al-Farabi's theory of musical aesthetics. The purpose of this study is to link Al-Farabi's aesthetic theory, which emphasizes the importance of harmony and harmony in music, in order to analyze the song in more depth. In the context of the song, the analysis was carried out on the elements of harmony with a mathematical scale, the symbolic meaning in the lyrics that convey the theme of longing and hope for the deceased, and the moral role contained in the lyrics. The results of the study show that Gala Bunga Matahari not only meets the technical criteria of harmonious music in the perspective of Al-Farabi's musical aesthetics, but this song also creates emotional harmony that is in accordance with Al-Farabi's musical aesthetic views, and has elements of music as a social instrument in Al-Farabi's musical approach.
Reconceptualizing Qiwamah in the Dynamics of Contemporary Muslim Families: A Phenomenological Approach jafar, zulkifli; Soleh, Achmad Khudori
Jurnal Marital: Kajian Hukum Keluarga Islam Vol 3 No 2 (2025): MARITAL: Kajian Hukum Keluarga Islam
Publisher : IAIN Parepare

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35905/marital_hki.v3i2.4870

Abstract

Kepemimpinan keluarga dalam islam perspektif fenomenologi dipahami sebagai satu pendekatan bahwa kepemimpinan merupakan amanah dan tanggung jawab yang tidak hanya dipertanggung jawabkan kepada anggota-anggota yang dipimpinnya, tetapi juga akan dipertanggung jawabkan dihadapan Allah Swt. Tujuan dari penelitain ini ialah ingin memahami lebih jauh konsepsi kepemimpinan dalam keluarga islam perspektif fenomenolgi. Metode penelitian ini adalah kajian Pustaka (library research) dengan Teknik analisis data, dalam penelitian ini menggunakan sumber data primer dan sumber data sekunder. Hasil dari penelitian ini adalah: 1. Kepemimpinan keluarga dalam islam dikenal dengan istilah qiwamah. yang merujuk kepada ayat al-Qur’an surat an-nis’ ayat 34 menyebutkan bahwa sebuah keluarga harus ada kepemimpinan yang baik untuk mewujudkan kehidupan yang harmoni penuh dengan keridhaan Allah swt. 2. dalam pendekatan fenemenologi dapat di uraikan berdasarkat tiga tahapan yakni Reduksi fenomenologis, reduksi eiditis, dan reduksi transendental. 3. kepemimpinan keluarga perspektif fenomenologi harus terintegrasi dan kolaboratif antara suami-istri demi mencapai keluarga Sakinnah mawadah warahmah
Problematika Keadilan dalam Praktik Poligami: Telaah Aksiologis atas Etika dan Estetika Ahsani, Muhammad Riyan; Samanta, Silva; Soleh, Achmad Khudori; Hakim, M Aunul
Equalita: Jurnal Studi Gender dan Anak Vol 6, No 2 (2024)
Publisher : IAIN Syekh Nurjati Cirebon

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24235/equalita.v6i2.21453

Abstract

ABSTRAK: Poligami merupakan praktik perkawinan yang memicu polemik dan perdebataan, terutama dalam hal keadilan gender dan etika keluarga. Penelitian ini bertujuan untuk menelaah secara filosofis bagaimana konsep keadilan dalam poligami dapat dinilai melalui kerangka aksiologi, khususnya dari dimensi etika dan estetika. Penelitian ini dilakukan melalui studi kepustakaan dengan pendekatan filosofis serta dianalisis secara deskriptif dan kualitatif untuk memperoleh pemahaman yang mendalam. Hasil penelitian menunjukkan bahwa dalam aspek hukum terdapat ketidak konsistenan antara Undang-Undang Perkawinan dan Kompilasi Hukum Islam (KHI) dalam mengatur poligami, terutama terkait batas maksimal poligami, mekanisme persetujuan istri, dan pengawasan pemenuhan syarat keadilan. Dalam Hukum Islam keadilan poligami lebih menekankan aspek material (nafkah, pembagian waktu), tetapi kesulitan mengukur keadilan immateri (cinta, perhatian). Kemudian perspektif Aristoteles poligami sering bertentangan dengan prinsip keadilan sebagai kemanfaatan bersama, karena cenderung merugikan perempuan dan menimbulkan ketidakseimbangan dalam rumah tangga. Berdasarkan tinjauan aksiologi dari segi teleologi, poligami hanya dapat dibenarkan jika menghasilkan kebahagiaan kolektif, bukan individual. Sedangkan deontologi memandang poligami harus tunduk pada prinsip moral absolut tentang keadilan dan kesetaraan gender. Dari segi pandangan estetika poligami seringkali menimbulkan ketegangan sosial dan emosional dalam rumah tangga, sehingga mengurangi kemungkinan terciptanya harmoni. Kata Kunci: Poligami; Keadilan; Akisologi.
IMPLEMENTASI KONSEP MAQAMAT DALAM MATERI TASAWUF PADA SISWA MADRASAH ALIYAH NEGERI (MAN) INSAN CENDEKIA PASURUAN Fatmawati, Lailil; Soleh, Achmad Khudori
Tajdid Vol 9 No 1 (2025): April
Publisher : LP2M IAI Muhammadiyah Bima

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52266/tadjid.v9i1.4217

Abstract

Implementasi Konsep Maqamat dalam Materi Tasawuf pada Siswa Madrasah Aliyah Negeri Insan Cendekia Pasuruan. Penelitian ini bertujuan untuk mengeksplorasi implementasi konsep maqamat dalam pembelajaran materi tasawuf di Madrasah Aliyah Negeri (MAN). Konsep maqamat merupakan bagian integral dari studi tasawuf yang menggambarkan tingkat-tingkat spiritualitas dalam perjalanan menuju Tuhan. Metode penelitian yang digunakan adalah studi kualitatif dengan teknik observasi dan wawancara terhadap guru-guru dan siswa-siswa di MAN Insan Cendekia Pasuruan. yang telah mengikuti pembelajaran tasawuf. Hasil penelitian menunjukkan bahwa implementasi konsep maqamat dalam pembelajaran tasawuf di MAN Insan Cendekia Pasuruan melibatkan pendekatan holistik yang mencakup teori dan praktik spiritual. Guru-guru tasawuf menggunakan pendekatan yang beragam untuk mengajarkan maqamat, termasuk ceramah, diskusi kelompok, dan praktik langsung. Siswa-siswa menunjukkan pemahaman yang beragam terhadap konsep ini, dengan beberapa menunjukkan kemampuan untuk menerapkan prinsip-prinsip maqamat dalam kehidupan sehari-hari mereka. Penelitian ini memberikan kontribusi pada pemahaman lebih lanjut tentang bagaimana konsep-konsep kompleks seperti maqamat dapat diintegrasikan dalam kurikulum pendidikan agama Islam di MAN. Insan Cendekia Pasuruan.
Co-Authors Abd. Basid Abdillah, Muhammad Hanif Abdul Hafid Abdul Hakim Abdulloh, Mochammad Sayyid Achmad Beadie Busyroel Basyar Ahmad Barizi Ahmad Hidayat Buang Ahmad Hidayat Buang Ahmad Nadif Muhlisin Ahmad Nadif Muhlisin Ahmad Naweed Rahimi Khamoush Ahmad Nur Fauzi Ahsani, Muhammad Riyan Akbar, Yogi Muhammad Akhmad Sirojudin Munir Alfadhli Alfain, Shinta Nuriya Idatul Alfiesyahrianta Habibie Alfikri, Ahmad Faiz Shobir Ali Farhan, Zinedine Ali Murfi Alif Nur Fitriyani Amalia, Novi Husnatul Amaliya, Risma Nailul Amelia, Asti Anahdiah, Shofia Anindhya Faza Arzaqi Anisa Anisa Annisa Mukti Ningrum Aryani Pamukti Arzaqi, Anindhya Faza Asrori, Moh. Andi Assidiqi, Ali Hasan Asti Amelia Asti Amelia Asy'arie, Bima Fandi Asy-Syarifah, Chodijah Avita Aniqotul 'Athiyyah Azizah, Hana Malihatul Azmi Putri Ayu Wardani Bastomi, Riza Binti Ros Azman, Aina Sofea Bunayar, Bunayar Cahaya Zakia A’yunin Juwita Hanum Cahyati, Lia Camila, Humaida Ghevira Syavia Chabibi, Chamim Cholili, Abd Hamid Dhairobi, Ahmad Diah Qurrotul’ain El Yasmin, Yusroh Erik Sabti Rahmawati Ermawan, Mohamad Zakky Ubaid Erny Fitroh Nabila Muwafiqi Fadil Mas’ud FAHRUL KHARIS NURZEHA Faiqotul Faiqotul Himmah Faizah, Eka Zahrotul Fathurrahman. Mh, A. Fatmawati, Lailil Faza ‘Ainun Najah Fazary, M Fakhry Asa Fuadah, Makkis Ghina Nadia Hakim, Aunul Hakim, M Aunul Hakim, M Aunul Hamzah, Hakma Hanifah, Nor Hannani, Rohmatul Hasan Assidiqi, Ali Hasan, Nor Hasan Hasanah Harahap, Nurizka Hasna Ulfa Nur Laini Hidayatulloh, Muhammad Mahbub Humaida Ghevira Syavia Camila Humaida Ghevira Syavia Camila Imam Syarifudin Imroatus Sholikha Azzuhriyyah Indrawayanti, Rika Dwi Irwan Ahmad Akbar Islamy, Mohammad Fadil Akbar Isnaini, M. Agus jafar, zulkifli Joko Kristanto Karimah Darojat Kholidiyah Salma Lailil Fatmawati Lathifa Budiaty Mawaddah Lukman Hakim Rohim Luthfi, Muhammad Ilzam M Aunul Hakim M Aunul Hakim M Zainuddin M. Agus Isnaini M. Aunul Hakim M. Najich Syamsuddini M. Rifqi Aminul M M. Zainuddin M. Zainuddin, M. Zainuddin Magfiroh, Norma Hasanatul Maharani, Farah Diba Manggala, Kayan Marsuki Marsuki Marsuki Marsuki, Marsuki Maulana, Hafidz Fajar Mawaddah, Lathifa Budiaty Miftahul Huda Moch Yusuf Syakir Pratama Moh. Anang Khumaidi Moh. Andi Asrori Mohamad Zakky Ubaid Ermawan MOHAMMAD ALAUDIN ALEXUMEIN Mohammad Fadil Akbar Islamy Mohammad Nasih Al Hashas Morinawa, Salsabilla Muhammad Abdur Rozaq Muhammad Fahim Tharaba Muhammad Hanif Abdillah Muhammad Nurullah Erfany Muhammad Rafi Yamani Muhammad Riduwan Masykur Muhammad Ubaidilah Mujtahid Mujtahid Mulyadi Mulyadi Munirul Abidin Munirul Abidin Murman, Nawal Aulia Mursyid, Achmad Yafik Musyarrofah, Musyarrofah Mutammimah, Bidayatul Muthohar, Muhammad Amin Muwafiqi, Erny Fitroh Nabila Nada Shobah Nada, Alfaini Zulfa Nafia, Moh Fahmi Ilman Naila Shofia Naila Shofia Nailis Sa'adah Nanda Azzah Salsabila Nauval, Ach. Nauval Afandi Enhas Niki Sutoyib Noor, Rifqi Nazahah Nor Hanifah Nur Fatimah Nuriyyah, Habibatun Nurkhoiriyah, Siti Nurul Hidayah Andarini Pamukti, Aryani Poppy Rachman Rahmat Rahmat Nugroho Rahmat Rahmat Rahmawati, Rizkia Amalia Ramadhani Islami Putri Raya, Moch Khafidz Fuad Rihlatuz Zakiyah Rika Dwi Indrawayanti Riza Bastomi Rizamul Malik Akbar Rizka Lubaba Rodiallah, Alkaf Rohmatin, Ilma Nur Rosyida Nurul Anwar Sa'adah, Nayla Afna Sadiyah, Dini Salam, Nor Saleh Abdul Rahman Al-Senussi Youssef Al-Sanhaji Salim Al Idrus Samanta, Silva Sarah Nur Rahmawati Sayyidin Panatagama, Ahmad Dzulfikar Sayyidin Panatagama Sayyidin Shinta Nuriya Idatul Alfain Shofia Anahdiah Sidqu Halilintar Al Azkaa Siti Mahmudah Sofia, Naila Sugeng Santoso Syamsuddini, M. Najich Syihabuddin, Muhammad Tajuddin, M. Reivanut Tanjung, Wahyuditira Taufiqurrahman, Muh. Ula, Atik Halimatul Umam, Reza Wasilul Umam, Yaul Urgenadila, Aulia Vick Ainun Haq Wafi, Hasan Abdul Wahda, Maziya Rahma Wahyu Wahyu Wahyu Wajdi, Muhammad Fasih Wardah Wardah Nailul Qudsiyah Wardani, Azmi Putri Ayu Waty, Dwi Septiana Khofida Wulan Nur Diana Yadi Fajri Yamani, Muhammad Rafi Zainuddin Zainuddin Zainuddin, M Zakiyah, Rihlatuz Zaman, Jamrud Qomaruz ‘Afifah Nailur Rohmah ‘Aliyah Usman, Nurul