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All Journal Litera Parole: Journal of Linguistics and Education Journal of Language and Literature English Language and Literature Jurnal Pendidikan Bahasa Inggris Language Circle : Journal of Language and Literature EnJourMe (English Journal of Merdeka) : Culture, Language, and Teaching of English EDULITE: Journal of English Education, Literature and Culture Abdimas Talenta : Jurnal Pengabdian Kepada Masyarakat BASIS (BAHASA DAN SASTRA INGGRIS) Edu-Ling: Journal of English Education and Linguistics Linguistics and Elt Journal JURNAL PENDIDIKAN TAMBUSAI JOURNAL OF APPLIED LINGUISTICS AND LITERATURE JETL (Journal Of Education, Teaching and Learning) Voices of English Language Education Society KLAUSA (Kajian Linguistik, Pembelajaran Bahasa, dan Sastra) BAHTERA : Jurnal Pendidikan Bahasa dan Sastra Rainbow : Journal of Literature, Linguistics and Cultural Studies TEKNOSASTIK International Journal of Cultural and Art Studies (IJCAS) JALL (Journal of Applied Linguistics and Literacy) Titian: Jurnal Ilmu Humaniora Dinasti International Journal of Education Management and Social Science Journal of Language and Literature International Journal of English Education and Linguistics (IJoEEL) IJELR: International Journal of Education, Language, and Religion Jurnal Darma Agung Lexeme : Journal of Linguistics and Applied Linguistics JL3T (Journal of Linguistics, Literature and Language Teaching) Journal of English Language and Education ELTALL: English Language Teaching, Applied Linguistic and Literature Jurnal Penelitian Inovatif International Journal of Research on English Teaching and Applied Linguistics Joal : Journal of Applied Linguistics Indonesian Journal of EFL and Linguistics SIGEH ELT : Journal of Literature and Linguistics Kajian Linguistik dan Sastra JEELS (Journal of English Education and Linguistics Studies) LingPoet: Journal of Linguistics and Literary Research Proceeding International Conference on Malay Identity Jurnal Riset Rumpun Ilmu Bahasa (JURRIBAH) Jurnal Pemberdayaan Masyarakat Innovative: Journal Of Social Science Research LINGTERSA: Jurnal Linguistik, Terjemahan, Sastra Hikari: Jurnal Bahasa dan Kebudayaan Jurnal Abdimas Maduma Journal of Mandalika Literature IJLHE: International Journal of Language, Humanities, and Education Radiant : Journal of Applied, Social, and Education Studies
Rangkuti, Rahmadsyah
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Foreign and Domestic Online Media Representation of Indonesian Minister of Finance: A Feminist Stylistics Approach Melisa P. Hutabarat, Novra; Rangkuti, Rahmadsyah; Dinda N. Hutabarat, Sharon
Dinasti International Journal of Education Management And Social Science Vol. 6 No. 3 (2025): Dinasti International Journal of Education Management and Social Science (Febru
Publisher : Dinasti Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.38035/dijemss.v6i3.4015

Abstract

An analysis of how a well-known female public person is portrayed in international and local web media, with a focus on gender representation. The study clarifies the significance of impartial and fair coverage of female leaders in the media by using a feminist stylistics approach. This can help to promote gender equality in society and destroy gender stereotypes. Using a qualitative approach, this study investigates how gender relations are portrayed at the word, phrase/sentence, and discourse levels utilizing feminist stylistics framework developed by Sara Mills. The results show that cultural norms and Sri Mulyani's standing both domestically and globally have an impact on how the Indonesian Minister of Finance is portrayed on foreign and domestic news websites. These factors produce discrete but diverse outcomes. The study finds that the minister is treated properly and without overt gender prejudice by utilizing the feminist stylistics theory framework's three levels of analysis. The results show that cultural norms and Sri Mulyani's standing both domestically and globally have an impact on how the Indonesian Minister of Finance is portrayed on foreign and domestic news websites. These factors produce discrete but diverse outcomes. The study finds that the minister is treated properly and without overt gender prejudice by utilizing the feminist stylistics theory framework's three levels of analysis. This study uses a feminist stylistics method to analyze how Indonesia's Minister of Finance is portrayed in the media, highlighting the significance of impartial and fair representation of public leaders. This thorough examination advances our knowledge of how gender is portrayed in the media and emphasizes the significance of speaking with public personalities in an impartial and fair way.
Instincts Unleashed: A Cognitive Stylistic Analysis of Maroon 5’s Song “Animal” Elchaira, Nadya; Silaban, Jelly; Rangkuti, Rahmadsyah
IJLHE: International Journal of Language, Humanities, and Education Vol. 8 No. 1 (2025): IJLHE: International Journal of Language, Humanities, and Education
Publisher : Master Program in Indonesian Language Education and The Institute for Research and Community Service STKIP PGRI Bandar Lampung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52217/ijlhe.v8i1.1631

Abstract

This study explores the cognitive stylistic features of Maroon 5’s song “Animal” through the lens of conceptual metaphor theory and schema theory. Employing a qualitative descriptive design, the research examines the interplay between metaphorical language and cognitive processes to uncover how figurative expressions evoke imagery, emotions, and conceptual mappings related to primal instincts and desire. The analysis focuses on identifying metaphorical expressions such as hunting and predation, interpreting their cognitive and emotional resonance. The findings reveal that metaphors and vivid imagery in the song not only depict themes of obsession and vulnerability but also activate cognitive schemas, connecting listeners to the raw, instinctual aspects of human nature. This study contributes to the field of cognitive stylistics by providing insights into how language interacts with cognition to construct meaning and elicit emotional responses in artistic texts.
Cognitive Stylistic Analysis of Ariana Grande's Intro (End of the World) Sianturi, Naomi Elisabeth; Tarigan, Abigail Chrissantha; Ariqah, Nabilah; Rangkuti, Rahmadsyah
Humanitatis : Journal of Language and Literature Vol. 11 No. 1 (2024): Humanitatis: Journal of Language and Literature
Publisher : LPPM Universitas Bumigora Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30812/humanitatis.v11i1.4061

Abstract

This study explores the application of cognitive stylistics in analyzing Ariana Grande’s song "Intro (End of theWorld)" through schema theory. Schema theory is employed to understand how listeners interpret the song’s lyrics by activating pre-existing mental frameworks. The background of this research includes examining rhetorical devices used by the artist, such as personification, similes, metaphors, and hyperbole, to convey complex emotions and ideas. The methodology consists of a detailed textual analysis of the lyrics, focusing on identifying and interpreting these devices concerning the song’s thematic elements. The findings indicate that the song addresses themes of relationship evaluation, self-discovery, and the intricacies of interpersonal connections. The metaphorical language, melodic and lyrical structure, and vocal delivery contribute to the song’s emotional depth and thematic complexity. The study concludes that the use of schema theory helps elucidate how these stylistic elements influence listeners’ understanding and emotional engagement with the song, enhancing their overall experience.
A Cognitive Stylistic: Irony and Sarcasm in The Lyrics of Lana Del Rey’S “Norman F***Ing Rockwell!” Using Schema Theory Arifah, Dinillah; Sigalingging, Anggi Yolanda; Rangkuti, Rahmadsyah
Jurnal Penelitian Inovatif Vol 5 No 2 (2025): JUPIN Mei 2025
Publisher : CV Firmos

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54082/jupin.1501

Abstract

This study explore how figure of speech in Norman Fucking Rockwell! by Lana Del Rey is construct meaning through cognitive stylistic lens with focus on schema theory, approached by cognitive stylistics, specifically, the use of schema theory. Using qualitative textual analysis, this study investigates key lyrical expression that evoke disillusionment and critique idealized romantic narratives. It examines the use of irony, sarcasm, metaphor and repetition, interact with listener’s cognitive frameworks to decipher the implications of its message of normative schema of love and masculinity. Sarcastic lines like “Godd**n, man-child” and ironic contrasts such as “Why wait for the best when I could have you?” disrupt conventional expectations and prompt interpretive reevaluation. The findings show that these figures of speech are not merely rhetorical devices but central mechanisms in activating and subverting audience schemata, thereby deepening the emotional complexity and critical stance of the song. This study contributes to a clearer understanding of how cognitive stylistic features especially irony and sarcasm shape listener interpretation and reveal layered meaning in lyric based narratives.
Wracking the Stereotype: Freedom Expression in Woman on "Man! I Feel Like a Woman!" Shania Twain Song's Lyric Simanjuntak, Juni Santa; Sinaga, Muhammad Hidayatullah Tuahta; Trifena, Atalya; Rangkuti, Rahmadsyah
Kajian Linguistik dan Sastra Vol. 4 No. 2 (2025): Mei 2025
Publisher : Prodi Sastra Indonesia, FKIP Universitas Jambi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22437/kalistra.v4i2.42774

Abstract

This study analyzes the song "Man! I Feel Like a Woman!" by Shania Twain using Sara Mills' feminist stylistic theory of three linguistic levels, namely words, phrases, and discourse to explore the lyrics that try to wrack various stereotypes attached to women, especially freedom of expression. This study uses a descriptive-qualitative method and explain the results on the word, sentence, and discourse level. Word-level analysis reveals generic pronouns and nouns emphasizing collective female identity. The phrase level reveals ready-made phrases, presuppositions and inferences, metaphors and transitive choices such as material, mental, relational, and existential that illustrate various aspects that wrack stereotypes against women. Discourse-level analysis reveals characterization, focalization, and schemata that provide deeper insight into the perspectives of the characters in the song. Overall, three-level analysis are in line with feminist principles, emphasizing to wracking stereotypes of freedom expression against women as the main theme. Abstrak Studi ini menganalisis lagu "Man! I Feel Like a Woman!" oleh Shania Twain menggunakan teori gaya feminis Sara Mills dari tiga tingkat linguistik, yaitu kata-kata, frasa, dan wacana untuk mengeksplorasi lirik yang mencoba merobek berbagai stereotip yang melekat pada perempuan, terutama kebebasan berekspresi. Penelitian ini menggunakan metode deskriptif-kualitatif dan menjelaskan hasilnya pada tingkat kata, kalimat, dan wacana. Analisis tingkat kata mengungkapkan kata ganti dan kata benda generik yang menekankan identitas perempuan kolektif. Tingkat frasa mengungkapkan frasa siap pakai, praanggapan dan kesimpulan, metafora dan pilihan transitif seperti material, mental, relasional, dan eksistensial yang menggambarkan berbagai aspek yang merusak stereotip terhadap perempuan. Analisis tingkat wacana mengungkapkan karakterisasi, fokalisasi, dan skema yang memberikan wawasan lebih dalam tentang perspektif karakter dalam lagu. Secara keseluruhan, analisis tiga tingkat sejalan dengan prinsip-prinsip feminis, menekankan pada stereotip kebebasan berekspresi terhadap perempuan sebagai tema utama.
Gender Role and Power Dynamic in Damsel Movie: A Feminist Stylistic Analysis Mutiara, Mutiara; Nasution, Putri Aulia; Lhaksmi, Maha; Rangkuti, Rahmadsyah
Kajian Linguistik dan Sastra Vol. 4 No. 2 (2025): Mei 2025
Publisher : Prodi Sastra Indonesia, FKIP Universitas Jambi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22437/kalistra.v4i2.42878

Abstract

his research aims to analyze Damsel (2024), a movie related to gender role and power dynamic that analyzed through the lens of feminist stylistics. This research uses descriptive qualitative approach and conducted into three levels: word level, phrase/sentence level, and discourse level, following the frame of feminist stylistics introduced by Sara Mills (1995). At the word level, strong and assertive language is used by female characters, particularly Elodie and the stepmother, to resist patriarchal oppression. At the sentence level, active sentence structures position Elodie as the driving force of the narrative rather than a passive victim. At the discourse level, the film challenges the trope of the helpless princess and instead presents a protagonist who fights for justice and subverts traditional power dynamics. In conclusion, the feminist stylistic analysis of Damsel (2024) movie reveals that the film actively dismantles gender role and power dynamic by using language and character interactions. Abstrak Penelitian ini bertujuan untuk menganalisis Damsel (2024), sebuah film yang berkaitan dengan peran gender dan dinamika kekuasaan yang dapat dianalisis melalui lensa stilistika feminis. Penelitian ini menggunakan pendekatan kualitatif deskriptif untuk mengkaji analisis. Analisis dilakukan dalam tiga level: level kata, level frasa/kalimat, dan level wacana, mengikuti kerangka stilistika feminis yang diperkenalkan oleh Sara Mills (1995). Pada level kata, bahasa yang kuat dan tegas digunakan oleh tokoh-tokoh perempuan, khususnya Elodie dan ibu tiri, untuk melawan penindasan patriarki. Pada level kalimat, struktur kalimat aktif memposisikan Elodie sebagai penggerak narasi, bukan sebagai korban yang pasif. Pada tingkat wacana, film ini menantang kiasan putri yang tak berdaya dan sebagai gantinya menampilkan tokoh protagonis yang memperjuangkan keadilan, dan menumbangkan dinamika kekuasaan tradisional. Kesimpulannya, analisis gaya bahasa feminis terhadap film Damsel (2024) menunjukkan bahwa film ini secara aktif membongkar peran gender dan dinamika kekuasaan dengan menggunakan bahasa dan interaksi karakter.
FEMINIST NARRATIVE AND STYLISTICS ANALYSIS IN THE DETECTIVE GENRE: ENOLA HOLMES 2 Dalimunte, Sukma Rahayu; Turnip, Novi Kanaya Perdana; Simanjuntak, Jessica Ruth Margaretha; Br Panjaitan, Eureka Jovita; Rangkuti, Rahmadsyah
BASIS (Bahasa dan Sastra Inggris) Vol 12 No 1 (2025): JURNAL BASIS UPB
Publisher : Universitas Putera Batam

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33884/basisupb.v12i1.9960

Abstract

This research described the feminist stylistic and gender specifications in Enola Holmes 2 movie. The method used in this research is a qualitative method and the theory applied is feminist stylistics theory by Sarah Mills. The researchers analysed the collected data based on the level of words, phrases or sentences, and discourses. The objectives of this research are some words, sentences and discourses in the Enola Holmes 2 Movie’s Script that refers to the feminist stylistics, such as the diction, language used, figurative language and how the style affects the feminist value in Enola Holmes 2 movie. The result found in this research is the different styles in presenting female and male by the script writer. Females are represented with feminine words and mostly represented by their physical appearances, feminine stereotypes, and beauty behaviours. Meanwhile, males are represented with masculine words and mostly represented by their strong characteristics. Also, masculine stereotypes and many occupation titles or jobs refer to men rather than women. It proved that the script writer shows men involved more in the professional world than women, especially in investigating professions like detective.
Feminist Stylistics in Boston Strangler (2023): Women’s Struggle for Equality in Media Representation Rusida, Elizabeth; Tambunan, Friska; Aprianti, Thesia; Rangkuti, Rahmadsyah
Linguistics and ELT Journal Vol 13, No 1 (2025): June
Publisher : Universitas Muhammadiyah Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31764/leltj.v13i1.30894

Abstract

This study aims to analyze the gender dynamics reflected in the film Boston Strangler (2023) using a qualitative by feminist stylistics approach. The research examines how the film's linguistic representation reflects the challenges and progress of women in investigative journalism. By employing linguistic and stylistic analysis, the study identifies language choices, sentence structures, and discourse patterns that either reinforce or challenge traditional gender constructs in the media. The findings reveal that at the lexical level, the film often depicts men as authoritative figures, while women are portrayed as emotional or excessive in asserting their professionalism. Sentence structures further emphasize gender inequalities, with female characters frequently having to justify their abilities in the workplace. On a broader discourse level, while the film highlights the structural barriers faced by women in male-dominated fields, it also showcases their resilience in challenging societal expectations. This study underscores the significance of language in shaping gender perceptions and provides deeper insights into the representation of women in the media. It also contributes to broader discussions on the portrayal of women on screen and the role of media in shaping social norms. Future research could explore similar linguistic patterns in other films within the same genre to observe the evolving portrayal of gender in cinema.
Gender in Power: Breaking Boundaries on Little Mix's "Power" Simamora, Debora Anriyani; Galaska, Candrika; Maria, Jessicca; Rangkuti, Rahmadsyah
Linguistics and ELT Journal Vol 13, No 1 (2025): June
Publisher : Universitas Muhammadiyah Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31764/leltj.v13i1.30391

Abstract

This study uses Sara Mills' feminist stylistics theoretical framework to analyze how Little Mix's song “Power” actively challenges traditional gender norms through language.  The main goal is to examine how this song challenge gender stereotypes by portraying women as strong and in charge rather than just calling for equality or opposing oppression. Using a descriptive qualitative approach, this study examines song lyrics at three levels: words, phrases/sentences, and discourse in accordance with Sara Mills' theoretical framework (1995). The findings of this study prove that Little Mix's power song is full of lyrics that actively break traditional gender stereotypes, affirming that women can hold and have control, not as a concession from men, but as an inherent right. The language used in the song successfully challenges patriarchal roles, reinforcing the idea that power is not only limited to masculine men but is also accessible to women. The song is a true feminist anthem.
Engagement System in BBC The Big Questions: Appraisal Approach La Ajina Hasibuan, Faninsky Aryanti; Deliana, Deliana; Nurlela, Nurlela; Setia, Eddy; Rangkuti, Rahmadsyah
PAROLE: Journal of Linguistics and Education Vol 14, No 1 (2024): Volume 14 Number 1 April 2024
Publisher : Master Program in Linguistics, Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/parole.v14i1.21-34

Abstract

In human communication, language is really important because it helps us express ourselves and connect with others by sharing ideas, feelings, and information. Appraisal Theory of Engagement explains how language and emotions are connected. Engagement with the audience involves creating a connection between the speaker or writer and the intended recipients of the message. The research employs qualitative techniques on kinds of engagement system reflected by the host of BBC: The Big Questions. The researcher will focus on BBC The Big Questions show from YouTube entitled “Is digital media good for democracy? BBC News.”  The result showed that there are 7 Monoglossic clauses and 86 Heretoglossic clauses. The domination of Heterogloss clause on BBC The Big Questions show that the clauses said by the speakers are dominantly engaged with the viewpoints of other. The most heterogloss which found on the show is Entertain. There are 56 clauses out of 86 clauses. It shows that the percentage of Entertain is 65,1%. The domination of Entertain shows that the speakers explain their opinions as well as to open up possibilities in the viewpoints.
Co-Authors Achmad, Zakaria Afandi, Fahri Ahmad, Sophie Meilatifah Akhyar, Fadhilah Tsaqila Alfia, Fila Alivia, Cut Putri Alvin Alfian, Yofina Mulyati, Ambarita, Mariyanti Anargya, Hafwen Andini, Riza Saskia Andira, Missy Ayu Aprianti, Thesia Apuilina, Theresia Widya Aria, Fahri Mulia Ariqah, Nabilah Artanti, Chairinnisa Artika, Mutiara Romi Azahra, Naiya Azzahra, Sekar Bacas, Chintami Angelica Balqis, Shafiah Batubara, Vinjellina Beru Sembiring, Inggrid Gavrila Br Pane, Khairina Juliana Br Panjaitan, Eureka Jovita Br Perangin – Angin, Alemina Br. Perangin-angin, Alemina br. Sirait, Naomi Sephania Br. Sitorus, Rosalyn Magdalena Br.Sinulingga, Desi Rahma Yuni Caroline, Yohanna Pebrianti Chaterina Manalu, Lidya Arella Dachi, Paulus Dalimunte, Sukma Rahayu Dalimunte, Vina Fitriani Daulay, Olga Adelia Deliana Deliana, Deliana Dinda N. Hutabarat, Sharon Dinillah Arifah Eddy Setia Effendi, Fika Emylia Elchaira, Nadya Fayusaurada, Annan Fianda, Afiqah Fila Alfia Fitriana, Fadila Fitriyani, Murni Nur Fransisca, Amanda Galaska, Candrika Ganie, Rohani Ginting, Sinta P Amelia Ginting, Valencia Laurence Hamzah, Syifa Hamzah, Syifa Fitri Handyanto, Wina Avrillia Harianja, Alvernod Hasan, Hani Firlyali Hasnain, S. Imtiaz Hia, Nadia Virdhani Hidayat, Chatrine Aulia Hutabarat, Sharon Dinda N. Hutapea, Vimelia Fratiwi Ilma, Dzikri Indah Permata Sari Irwan Istiqomah istiqomah istiqomah Kaonedy, Jesselyn Khairun Nisa Khansa, Syifa Nadiah Kurniasy, Dessy Kurniawan, Salsabila La Ajina Hasibuan, Faninsky Aryanti Lekson, Mutiara Alda Lhaksmi, Maha Loeis, Jhonson Lorise, Grace Lubis, Ezra Rumatha Lubis, Heri Setiawan Lubis, Masdiana Lubis, Rafi Muhammad Lubis, Reza Dian Irawan Ma, Cynthia Madi, Salwa Saleh Manalu, Lidya Arella Chaterina Manurung, Anna Shinta Vholyna Manurung, Rifdah Aatikah Margareth, Ruth Anggina Margaretta, Witness Eunike Maria, Jessicca Marsha, Sit Azzahra Marsha, Siti Azzahra Matanari, Desna Uli Maulida, Dini Eka Meisya, Shalsa Billa Mentari, Lanjar Melati Setio Muchtar, Muhizar Muhammad Yusuf Murtias, Latifa Nanda Muthi’ah, Nadhirah mutiara mutiara Nabila, Kanaya Nur Naifa Naila, Aisya Namira, Ade Nasution, Atikah Auni Nasution, Diantry Binarwaty Habibie Nasution, Khairina Nasution, Khairunnisa Fitri Nasution, Puja Indriana Nasution, Putri Aulia Nazreensyah, Fabian Putra Nilma Zola Novra Melisa P. Hutabarat Nurhayati Sitorus Nurlela Nurlela Nurul Hasanah Oktira, Harisa Dwi Onggatta, Reggina Panggabean, Devi Sari Panggabean, Erin Yohana Parinduri, Afrahul Fadhillah Pasaribu, Sastha Theresia Pasaribu, Uswatun Rafi'a Perangin - angin, Alemina Perangin-angin, Angelia Maria Igesia Pradinda, Yulia Pratiwi, Anggita Pujiono Pujiono Purba, Raysa Putri, Arina Putri, Riska Ananda Rahma, Alya Vania Rahmah Fithriani Rohani Ganie Rusdi Noor Rosa Rusdi Noor Rosa Rusida, Elizabeth S, Dwi Triana S, M. Farhaz Krisnawan Salim, Fahri Saputra, Diendra Wahyu Saragih, Silvia Efani Sasmita, Rheina Sastia, May Sembiring, Teresia Anjelina Septiandri, Muhammad Rizky Septiandri, Rizky Shafridawati Siahaan, Daniel Fernando Siahaan, Rachel Pratiwi Sianturi, Naomi Elisabeth Siburian, Jessica Br. Sigalingging, Anggi Yolanda Sihite, Adinda Dwi Putri Sihotang, Anggraeni Permata Sihotang, Tiarma Sijabat, Carissa Margaret Silaban, Jelly Silitonga, Mega Uli Arta Silpandi, Neviya Silvizi Hijra, Hannah Zakiyya Simamora, Debora Anriyani Simangunsong, Anisyah S. Simangunsong, Anisyah Srirezeki Simanjuntak, Ivan Fernando Simanjuntak, Jessica Ruth Margaretha Simanjuntak, Juni Santa Simanjuntak, Windy Octalin Simorangkir, Raslima Sinaga, Amelia Putrilanel Sinaga, Joyce Chardha Sinaga, Muhammad Hidayatullah Tuahta Sinaga, Tantiara Fiesta Sinar, T. Silvana Sirait, Anjeli Lorena Siregar, Akbar Pangeran Siregar, Florence Siregar, Lailan Haz Sitompul, Ines Margaretha Sitompul, M. Riyadhil Sitompul, Muhammad Riyadhil Sitompul, Riyadhil Situmorang, Evelyn Sofilla, Devi Sofyani, Rizki Amelia Suhery, Dedy Syahron Lubis Syifa, Ghaissanie T. Thyrhaya Zein Tambunan, Cindy Uli Basa Tambunan, Friska Tambunan, Khairunnisa Tanjung, Putri Aziza Muvta Tannada, Susanty Tarigan, Abigail Chrissantha Tarigan, Abigail Putri Chrissantha Tarigan, Agit Seprina Tarigan, Aina Zahra Taufany, Wahyu Trifena, Atalya Turnip, Novi Kanaya Perdana Ulfa, Maryam Umar Mono Wahyu Ningsih Wulandari, Vanny Zahara, Ayuna Zahrani, Tasya Zahratul Idami Zulaika, Adristi Yajna