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All Journal Jurnal Ilmu Komunikasi JURNAL SOSIAL HUMANIORA (JSH) Nomosleca Masyarakat, Kebudayaan dan Politik ETTISAL Journal of Communication ETNOSIA : Jurnal Etnografi Indonesia Akuntabel : Jurnal Ekonomi dan Keuangan Jurnal ASPIKOM JWP (Jurnal Wacana Politik) MetaCommunication; Journal Of Communication Studies Pendas : Jurnah Ilmiah Pendidikan Dasar JMM (Jurnal Masyarakat Mandiri) Jurnal Representamen JPP IPTEK (Jurnal Pengabdian dan Penerapan IPTEK) NUSANTARA : Jurnal Ilmu Pengetahuan Sosial Share : Journal of Service Learning Jurdimas (Jurnal Pengabdian Kepada Masyarakat) Royal Satwika : Kajian Ilmu Budaya dan Perubahan Sosial AMALIAH: JURNAL PENGABDIAN KEPADA MASYARAKAT JARES (Journal of Academic Research and Sciences) Translitera : Jurnal Kajian Komunikasi dan Studi Media Bricolage : Jurnal Magister Ilmu Komunikasi Komunikologi: Jurnal Pengembangan Ilmu Komunikasi dan Sosial Journal of Media and Communication Science (JcommSci) Jurnal Ilmiah Manajemen dan Bisnis The Journal of Society and Media Jurnal JTIK (Jurnal Teknologi Informasi dan Komunikasi) Metafora: Education, Social Sciences and Humanities Journal JIIP (Jurnal Ilmiah Ilmu Pendidikan) Jurnal Ilmu Komunikasi PLAKAT : Jurnal Pelayanan Kepada Masyarakat Journal of Community Service and Empowerment Jurnal Ilmu Komunikasi Nusantara Science and Technology Proceedings Indonesian Journal of Social Sciences Indonesian Journal of Society Engagement (IJSE) Da'watuna: Journal of Communication and Islamic Broadcasting Jurnal Abdimas Indonesia : Jurnal Abdimas Indonesia PROFICIO: Jurnal Pengabdian Masyarakat Jejaring Administrasi Publik (JAP) International Journal of Data Science, Engineering, and Analytics (IJDASEA) Jurnal Pengabdian Kepada Masyarakat Patikala KARYA: Jurnal Pengabdian Kepada Masyarakat Unram Journal of Community Service (UJCS) Jurnal Pengbdian Teknik Mesin Jurnal Komunikasi Islam Veteran Society : Jurnal Pengabdian Masyarakat Al-Khidmah Jurnal Pengabdian Masyarakat Jurnal Pengabdian Masyarakat Sains dan Teknologi Jurnal Pengabdian Masyarakat Nusantara Safari : Jurnal Pengabdian Masyarakat Indonesia Sejahtera: Jurnal Inspirasi Mengabdi Untuk Negeri Cakrawala: Jurnal Pengabdian Masyarakat Global Jurnal Informasi Pengabdian Masyarakat Dedication : Jurnal Pengabdian Masyarakat Kreativitas Pada Pengabdian Masyarakat (Krepa) Khidmatuna: Jurnal Pengabdian Masyarakat Jurnal Pelayanan Hubungan Masyarakat Science Contribution to Society Journal JOSAR (Journal of Students Academic Research) IIJSE Pesona Pariwisata ABDIKOM Journal of Management, Education and Communication Lentera : Journal of Gender and Children Studies INTERNATIONAL JOURNAL OF SOCIETY REVIEWS (INJOSER)
Zainal Abidin Achmad
Universitas Pembangunan Nasional Veteran Jawa Timur
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Chemical Engineering, Chemistry & Bioengineering Civil Engineering, Building, Construction & Architecture Computer Science & IT Control & Systems Engineering Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Electrical & Electronics Engineering Energy Engineering Environmental Science Health Professions Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Materials Science & Nanotechnology Mathematics Mechanical Engineering Medicine & Pharmacology Nursing Public Health Social Sciences Other

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THE DYNAMICS OF NETIZENS’ PERCEPTIONS TOWARD JENNIFER COPPEN’S PERSONAL BRANDING ON TIKTOK Hani Angelina Zahrah; Zainal Abidin Achmad
INTERNATIONAL JOURNAL OF SOCIETY REVIEWS Vol. 3 No. 10 (2026): INTERNATIONAL JOURNAL OF SOCIETY REVIEWS (INJOSER)
Publisher : Adisam Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5281/zenodo.20361802

Abstract

This study examines the dynamics of netizens’ perceptions toward Jennifer Coppen’s personal branding on TikTok across various phases of her personal life that attracted public attention. The study aims to understand how public perception is formed, negotiated, and transformed through digital interactions within the algorithmic environment of social media. This research employed a qualitative method with a narrative analysis approach by analyzing netizens’ comments on Jennifer Coppen’s TikTok account from May 2023 to August 2025. The research data consisted of nine TikTok posts and 72 netizen comments selected purposively and categorized into criticism, hate comments, disappointment, empathy, appreciation, and support. Data analysis was conducted using Stuart Hall’s reception theory and Peter Montoya’s Eight Laws of Personal Branding concept. The findings indicate that netizens’ perceptions of Jennifer Coppen’s personal branding are dynamic and influenced by social values, emotional engagement, and the consistency of the image presented on social media. During the phase of pregnancy before marriage, netizens’ responses were dominated by criticism and moral judgment. In the phase of family life and mourning, public perception shifted toward empathy, support, and appreciation of Jennifer as a resilient mother figure. However, when Jennifer introduced a new partner, public perception once again generated criticism and disappointment because netizens associated the action with narratives she had previously conveyed. This study concludes that personal branding on TikTok is not entirely controlled by public figures, but is continuously negotiated through audience reception, emotional attachment, and collective narratives within the digital sphere.
Melestarikan Budaya Jawa Melalui Media Digital: Studi Etnografi Virtual tentang Adaptasi Strategis Radio Puspa FM Zainal Abidin Achmad; Roziana Febrianita; Heidy Arviani
ETNOSIA : Jurnal Etnografi Indonesia Vol. 10 No. 2 (2025)
Publisher : Department of Anthropology, Faculty of Social and Political Sciences, Hasanuddin University.

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31947/etnosia.v10i2.44572

Abstract

As a station dedicated to preserving local Javanese culture, Puspa FM faces challenges in expanding its audience and increasing advertising revenue within a competitive media landscape. This study examines Radio Puspa FM's strategic adaptation in Pacitan, Indonesia, amid digital transformation and cultural commodification. Using a qualitative approach and virtual ethnography, researchers interacted with the station as listeners, community members, and contributors. Seven informants were purposively selected based on their active involvement in Puspa FM's management, cultural programming, and online listener communities. We triangulated in-depth interviews, participant observation, and a focus group discussion as our data collection methods. The findings reveal that Puspa FM utilizes digital platforms such as Facebook, Instagram, and YouTube to extend its reach and attract advertisers, while participatory engagement sustains its cultural authenticity. It also shows that the station reconfigures its content and business model to enhance engagement and sustainability while maintaining its cultural mission. The study implies that integrating digital innovation with participatory values can serve as a practical model for local cultural media seeking to balance tradition, audience engagement, and financial resilience in the digital era.
REPRESENTASI BUDAYA DALAM VIDEO DOKUMENTER SEBAGAI STRATEGI BRANDING DESTINASI: STUDI KASUS DESA ABAFALA, TIMOR LESTE Zainal Abidin Achmad; Egidia Putri Teresia Sembiring Maha; Michelle Librianora Simangasing; Mahendra Rizky Putra Pratama; Dedin Finatsiyatull Rosida; Crystia Aji Putra
PETA - Jurnal Pesona Pariwisata Vol. 5 No. 1 (2026): PETA Vol 5 No 1 Juni 2026
Publisher : Program Studi Pariwisata, UPN Veteran Jawa Timur

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33005/peta.v5i1.297

Abstract

This study aims to analyze how cultural representation in documentary videos plays a role in the destination branding strategy of Abafala Village, Timor-Leste. The study employed a qualitative method with a case study approach, focusing on the analysis of the documentary's visual narrative as the primary object. Data were collected through in-depth interviews with community leaders, observations of cultural practices, and analysis of the documentary's audiovisual content. The analysis was conducted thematically to identify elements of cultural representation and the construction of the destination image. The results show that the documentary serves as a representational medium that constructs destination identity through visualizations of landscapes, traditional architecture, and community cultural practices. This representation not only reflects social reality but also constructs symbolic meanings that strengthen the village's authentic image. Furthermore, distribution through social media broadens the reach of representation and encourages audience engagement as part of the destination image formation process. This study confirms that documentary videos function not merely as promotional media but as a communication mechanism that integrates narratives, symbols, and experiences in shaping cultural identity-based destination branding.
Penerapan Prototipe Mesin Pengisi Gelas Semi Otomatis untuk Efisiensi Air Minum Kemasan Zainal Abidin Achmad; R. Ayu Firdausi Novira Rachman; Pungky Febi Arifianto; Zatin Niqotaini; Sjafiatul Mardliyah
Al-Khidmah Jurnal Pengabdian Masyarakat Vol. 6 No. 1 (2026): JANUARI-APRIL
Publisher : Institute for Research and Community Service (LPPM) of the Islamic University of Jember

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56013/jak.v6i1.4956

Abstract

Saringembat Village, Singgahan District, Tuban Regency, faces the challenge of high-calcium groundwater quality, which contributes to high stunting rates. To address this issue, the UPN "Veteran" East Java community service team developed a prototype for a semi-automatic, energy-efficient, and easy-to-operate plastic cup filling machine. The project, conducted in collaboration with the Mekar Sari Saringembat Village-Owned Enterprise (BUMDes), involved designing the machine, creating a logo and brand for the drinking water product, training in machine operation, and developing branding and marketing strategies. The results of the project include: (1) the availability of a low-power (180–250 Watt) cup filling machine prototype; (2) the registration of the drinking water logo and trademark design; (3) increased capacity of BUMDes human resources in operations, maintenance, and marketing; and (4) the establishment of a new village-based bottled water business unit. This program supports SDGs 3 (Good Health and Well-being) and SDG 8 (Decent Work and Economic Growth). Going forward, this innovation can be replicated in other areas facing similar challenges.
STUDI NETNOGRAFI VIRTUAL PADA VARIASI INTERAKSI AKUN X ANONIM NCTZEN Banyu Sekar Kinanti; Zainal Abidin Achmad
NUSANTARA : Jurnal Ilmu Pengetahuan Sosial Vol 12, No 9 (2025): Nusantara : Jurnal Ilmu Pengetahuan Sosial
Publisher : Universitas Muhammadiyah Tapanuli Selatan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31604/jips.v12i9.2025.%p

Abstract

Penelitian ini bertujuan untuk menganalisis variasi interaksi virtual yang dilakukan oleh akun penggemar anonim (NCTzen) di platform media sosial Twitter, yang sekarang dikenal sebagai X. Fenomena anonimitas dalam fandom disorot karena memungkinkan pengguna untuk membangun identitas daring yang terputus dari identitas kehidupan nyata mereka, menciptakan ruang yang unik dan dinamis untuk interaksi sosial. Penelitian ini menggunakan pendekatan kualitatif dengan metode netnografi virtual untuk menggambarkan motivasi di balik anonimitas, bentuk komunikasi, jenis aktivitas daring, dan karakteristik pesan yang dibagikan di antara NCTzen. Data dikumpulkan melalui observasi partisipatif, dokumentasi, dan wawancara mendalam dengan lima akun penggemar anonim NCTzen di X. Temuan menunjukkan bahwa anonimitas digunakan sebagai strategi untuk membangun persona daring yang lebih bebas, lebih aman, dan lebih ekspresif. Variasi interaksi tersebut meliputi bentuk komunikasi seperti kutipan, balasan, pesan langsung, lelucon penggemar, dan penggunaan simbol khusus fandom. Anonimitas memberikan kebebasan berekspresi yang lebih besar, memperkuat solidaritas komunitas, dan memperluas partisipasi penggemar dalam budaya fandom digital. Studi ini menyimpulkan bahwa interaksi virtual dalam komunitas penggemar anonim tidak hanya informatif dan ekspresif, tetapi juga menumbuhkan ikatan emosional. Temuan ini berkontribusi pada studi yang lebih luas tentang komunikasi digital, anonimitas, dan budaya fandom di era media sosial.
Dari Avatar ke Afirmasi Sosial: Dinamika Konstruksi Identitas Digital Kreator Roblox @kinnyichi Zainal Abidin Achmad; Rewina Syahda Nazhifah
Translitera : Jurnal Kajian Komunikasi dan Studi Media Vol 15 No 1 (2026): Maret 2026
Publisher : Universitas Islam Balitar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35457/translitera.v15i1.5678

Abstract

Fenomena performativitas identitas melalui avatar di media sosial semakin menonjol dalam praktik kreator digital. Penelitian ini bertujuan menganalisis konstruksi identitas digital pada akun @kinnyichi dalam konten game Roblox. Metode yang digunakan adalah kualitatif deskriptif dengan teknik observasi digital terhadap unggahan, visual avatar, dan interaksi audiens. Analisis data menggunakan pendekatan semiotika Roland Barthes untuk mengungkap makna representasi identitas. Hasil penelitian menunjukkan bahwa @kinnyichi merekonstruksi persona sebagai anak kecil melalui kombinasi visual avatar, gaya bahasa, alur narasi, dan suara. Konstruksi identitas tersebut diperkuat oleh respons audiens yang konsisten memberikan afirmasi sosial melalui komentar. Interaksi antara kreator dan audiens berperan penting dalam menjaga stabilitas identitas digital yang ditampilkan. Bahwa identitas digital tidak bersifat tunggal, melainkan hasil dari proses performatif dan ko-konstruksi antara kreator dan audiens di media sosial.
Transformasi Media Sosial sebagai Instrumen Pemasaran UMKM di Destinasi Ikonik Surabaya Zainal Abidin Achmad; Fla Neysa Rahma Putri
Jurnal Nomosleca Vol. 11 No. 2 (2025): Oktober, 2025
Publisher : Universitas Merdeka Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26905/nomosleca.v11i2.16308

Abstract

Social media has become a strategic tool for MSMEs to expand their reach, increase brand awareness, and strengthen consumer interactions. Optimizing Instagram, TikTok, and Facebook enables MSMEs to attract buyers, foster loyalty, and refine strategies based on consumer feedback. Jalan Tunjungan in Surabaya serves as an iconic public space that combines historical value with modern tourist destinations and showcases MSME products. This study examines the utilization of social media as a marketing tool for MSMEs in the area, employing a qualitative case study method that incorporates observation, interviews, and content analysis. The results show that social media increases MSME visibility, expands the market, and strengthens Jalan Tunjungan's image as a center of the creative economy. Visual content based on the uniqueness of public spaces is more effective in attracting digital audiences. This study emphasizes the importance of synergizing public spaces and digital marketing to support MSME-based tourism and city identity.
CONSTRUCT OF WOMEN, VIOLENCE, AND LIBERATION OF IDENTITY IN "FIKSI." FILM Zainal Abidin Achmad
LENTERA: JOURNAL OF GENDER AND CHILDREN STUDIES Vol 2 No 1 (2020): Lentera: Journal of Gender and Children Studies ( 2020 )
Publisher : LPPM Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/lentera.v2i1.8203

Abstract

Film "fiksi." is one of the Indonesian films that convey a message about the importance of caring for family harmony. This qualitative research uses the John Fiske semiotic method, with a corpus on the behavior of the main character Mia (played by Ladya Cheryl) as herself. The method is suitable for examining texts, images, and symbols that have a cultural connection to particular social contexts. The theory of social reality construction and representation is useful for exploring interpretations of the symbols and signs displayed in the film. Scenes that become the corpus include Mia's speech, actions, and decisions in resolving problems and getting their goals. The analysis uses three levels, first the level of reality that examines: physical appearance, clothing, cosmetology, setting, gestures, the intonation of sounds, and facial expressions. Second, the level of representation that looks at the position of the camera, lighting, musical system, and editing. Third, the level of ideology that examines the values and ideologies implied through dialogue. Mia's various acts of violence, such as cheating, manipulating, beating, strangling, and killing, shows the liberation of her identity as a woman. Despite giving appreciation to the figure of the man she loved, the character Mia took action and carried out her decision as her own choice. The construction of women in Mia is a woman who has full authority over her body and mind. A woman who is the subject and sets her line of life. Keywords: Gender and Media; Liberation of Identity; Cultural Studies; Representation
STRATEGI NARASI REIZUKA ARI DAN DAMPAKNYA TERHADAP KONSUMSI REMAJA PEREMPUAN DI TIKTOK Celvin Dwi Putra Mudianto; Hera Nur Aini; Zainal Abidin Achmad
LENTERA: JOURNAL OF GENDER AND CHILDREN STUDIES Vol 5 No 1 (2025): Lentera: Journal of Gender and Children Studies ( June 2025)
Publisher : LPPM Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/lentera.v5i1.40349

Abstract

In the digital era, TikTok has become an influential social media platform that shapes people's consumption behavior. This study aims to analyze the role of Reizuka Ari as a content creator in creating digital consumption trends through narrative strategies and assertive communication. The researcher used a qualitative approach with a narrative content analysis method on several videos uploaded by Reizuka Ari that review food and beauty products. The analysis results show that Reizuka Ari consistently conveys product information clearly and relatably through a distinctive language style, strong expressions, and attractive visuals. He also utilizes the TikTok affiliate feature and builds active interactions with his followers. The combination of narrative elements, visuals, and an honest and persuasive communication approach successfully creates emotional engagement with the audience and encourages consumptive actions. This study concludes that content creators like Reizuka Ari are information providers and strategic agents who can influence digital consumption patterns through effectively curated content. Keywords: Content Creator, Tiktok, Consumption Trends, Narrative Strategy, Digital Communication.
Pemberdayaan Kelompok Usaha Perempuan Dayak Melalui Workshop Pemanfaatan Limbah Kayu dan Plastik Berbasis Keterampilan Produksi Zainal Abidin Achmad; Dyan Agustin; Diana Aqidatun Nisa; Dedin Finatsiyatull Rosida; Zatin Niqotaini
Kontibusi: Jurnal Kontribusi Kepada Masyarakat Vol 6 No 1 (2026): July, Science Contribution to Society Journal
Publisher : Universitas Islam Balitar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35457/scs.v6i1.5767

Abstract

Kegiatan pengabdian kepada masyarakat ini bertujuan untuk meningkatkan kapasitas produksi, keterampilan teknis, dan nilai tambah ekonomi kelompok usaha binaan Lembaga Perempuan Dayak (LPD) Provinsi Kalimantan Tengah melalui pelaksanaan workshop pemanfaatan limbah kayu dan limbah plastik menjadi kerajinan manik-manik. Kegiatan dilaksanakan pada tanggal 7–9 Januari 2026 di Kota Palangka Raya, Provinsi Kalimantan Tengah, dengan melibatkan dosen lintas disiplin dari UPN “Veteran” Jawa Timur sebagai fasilitator. Metode pelaksanaan kegiatan bersifat partisipatif, pembelajaran berbasis praktik, demonstrasi penggunaan mesin injeksi plastik, serta pendampingan proses produksi kerajinan. Hasil kegiatan menunjukkan adanya peningkatan pemahaman peserta terhadap teknik pengolahan limbah, penguasaan operasional mesin, serta kemampuan menghasilkan produk kerajinan berkualitas konsisten dan bernilai jual. Kegiatan ini memperkuat kesadaran peserta terhadap prinsip keberlanjutan lingkungan dan ekonomi kreatif berbasis sumber daya lokal. Kegiatan pengabdian ini berkontribusi pada penguatan kapasitas usaha perempuan Dayak, baik dari aspek teknis, sosial, maupun ekonomi, serta berpotensi mendukung keberlanjutan usaha komunitas di tingkat lokal.
Co-Authors Abdul Kholiq Abidin, Izzah Khalif Raihan Achmad Derajat Waskito Ade Galih Putra Ashari Adin Kurniawan Adrian Rizky Rahmawan Afif Wilanda Anaqhi Agus Wahyudi Agustina, Zalfa Nurrahmah Agustina, Zalfa Nurrahmah Ahimsa Adi Wibowo Ahmad Adibul Akrom Ahmad Ilham Ramadhan Kalis Ahmad Murtafi Haris Ahmad Shidqi Haetami Airlangga Bramayudha Almira Nur Aini, Zahra Alya Syahputri Amaliah Ifadah Anastasia Wahyu Karno Andarini, Sonja Angelique Ezra Herviani Angelita Kracibaya Nauli Panggabean Anggraeny, Dwi Nuning Anik Anekawati Anisah Farah Dhilah Syifana Anissa Feby Widya Prawesti Anita Anita Annas Kholif Khoirulla Annisa Dwi Safitri Antono Landjar Patoman Anugrah Akbar Fitra Putra Adianti Ardhelia Damayanti Wirawan Ardian Christyanti Ardo Mohhanto ARIE AMBARWATI Arista, Zusnia Fuji Arum, Dewi Puspa Aryo Wibisono Asia Ashfaq Athaya Azha Augustin Mustika Chairil Ayu Novita Sari Banyu Sekar Kinanti Barbara, Virda Kurnia Basli, Muhammad Yassaar Bayu Frastra Wiranegara Bella Febriyana Ananda Bergerat, Valentin Ceretto Bilqis Lexaluna Zahra Binti Qumairoh Budiwitjaksono, Gideon Setyo Celvin Dwi Putra Mudianto Chiara Fuadiyatul Athifah Crystia Aji Putra Deasy Arieffiani Dedin Finatsiyatull Rosida Dedin Finnasyatul Rosida Desi Tri Wahyuningsih Devina Setya Vanessa Devita Andriani Dheny Yori Putra Diana Aqidatun Nisa Didiek Tranggono Didiek Tranggono Dimas Zainal Muttaqin Dina Safira Putri Dinar Asvi Nurjannah Dinda Rizki Anita Dita Atasa Dita Megasari Diyah Ayu Putri Aprilia DR. CATUR MSI SURATNOAJI Dwi Vernanda Dwi Wahyuningtyas Dyan Agustin Dynda Tri Widyastuti Dyva Claretta Egidia Putri Teresia Sembiring Maha Elfira Prasanti Ellayuni Nur Fadila Elsa Rakhma Melani Endah Murniaseh Endah Siswati Endah Siswati Ezra Wira Omega Farikha Rahmawati Fatimatuzzahro Fatimatuzzahro Fauzi, Mahmud Ikhsan Fernanda Aurellia Putri Mukhlasin Fetty Tri Anggraeny Fisca Ardi Fitria Febriana Rachman Fla Neysa Rahma Putri Friska Lestari Samosir Ghifari Zaka Wali Ghifari Zaka Wali Gideon Setya Budiwitjaksono Gustav Ahmadi Hamdan Mustameer Hani Angelina Zahrah Haniifatul Habiibah Hanna Nurhaqiqi Haq, Jelita Arinal Haq, Jelita Arinal Hasri Maghfirotin Nisa Hawa Ridhani W Heidy Arviani Hera Nur Aini Ihza Fajri Rahmadi Indah Cahyaningrum Indri Afriyani Yasin Ira Kaestiningtyas Isnan, Mohammad Ita Sabilah Putri Chayani Ita Sabilah Putri Chayani Jelita Arinal Haq Jelita Arinal Haq Jojok Dwirido Tjahjono Julian Firdausy, Wildan Juliana Nur Rachmah Juwito Juwito Kalvin Edo Wahyudi Kamilah, Salwa Ridha Kezia Rahadita A Khelsea, Yustika Okta Kiki Sandra Amelia Krisna Rendi Awalludin Kusnarto Kustini Kustini Kusuma Wardhani Mas'udah Kusuma Wardhani Mas’udah Kusuma, Ade Kusumasari, Fitri Latif Ahmad Fauzan Linc Bellatrix Adhara Liza Shafira Ningtyas Luhur Aditya Prayudhi Lunariana Lubis Lusia Ervi Oktaviarika Lusia Ervi Oktaviarika M. Husni Tamrin Mafruudloh, Naajihah Maha, Egidia Putri Teresia Sembiring Mahendra Rizky Putra Pratama Malafitri, Novreza Mar'atus Sholichah Mardiana, Cindy Aprilia Marisa Oktaviana Marizka Distya Anastasia Maulana, Hendra Meilya Syifa Aghniya Rahman Meilya Syifa Aghniya Rahman Metrya Damayanti Metrya Damayanti Michelle Librianora Simangasing Moch. Rizky Ramadhan Mohammad Ali Imron Mohammad Idhom Mohammad Rizqy Muchlisiniyati Safeyah Muchlisiniyati Safeyah Muchlisniyati Safeyah Muhadjir Anwar Muhamad Farhan Nudin Muhammad Ardy Prakoso Muhammad Fadhlurrohman Hanif Muhammad Fahri Rizaldi Muhammad Iqbal Dwi Fanani Muhammad Iqbal Dwi Fanani Muhammad Saud Munoto Muruah, Iftitan Mustain Mustain Nabila Alysia Multazam Nadiya Nur Wahyunita Nadya Aisyah Nurdiyana Nafila Nuryaningrum Najwa Tsaniya Anjainah Nanda Defi Anita, Nanda Niken Nathania Nindy Irzavika Niqotaini, Zatin Nobertus Ribut Santoso Norsely, Febfi Novia Kurniasari Novira Rachman, Raden Ayu Firdausi Nur Lathifa Meida Nuri Fitrianingrum Chasanah Nurul Widji Triana Nurul Widji Triana Nuryananda, Praja Firdaus Oktifani Winarti, Oktifani Pardianto, Pardianto Prahasti Ken Dewani Prakoso, Muhammad Ardy Prastyo, Adi Septo Pratama, Mahendra Rizky Putra Pratamasari, Riza Putri Priambodo, Alvian Rafif Priyadarshini, Rossyda Pungky Febi Arifianto Putra, Chrystia Aji Putra, Crystia Aji Putri Musicasari Putri Nada Camilia Lubna Putri, Dea Rahmanda R. Ayu Firdausi Novira Rachman Rachmah Ida Rahadyan Naufal A Raharja, Wildan Taufik Rahman, Meilya Syifa Aghniya Rahmawati, Icha Nur Ramadhani Mahendra Kusuma Ratih Pandu Mustikasari Ratnawati, Roro Anggi Razanah Mutiara Rysan Rewina Syahda Nazhifah Rhyndu Wijayanti Ricky Fajar Adi Putra Rillia Aisyah Haris Rima Nur Pitasari Rima Nur Pitasari Ririn Puspita Tutiasri Rizkiyatul Nadhifah Rizkiyatul Nadhifah Rizqiyah Ahmad Rochmana, Sunnah Dwi Rofi Wahyu Aditama Rofi Wahyu Aditama Roziana Febrianita Ruri Handariastuti Ryando Alwirasesa Rumbo Sitepu Safeyah, Muchlisiniyati Safira Puspa Krisnadiyanti Sagran, Arif Abdullah Saifuddin Zuhri Saifuddin Zuhri Saifuddin Zuhri Salma Rivani Luawo Salsa Billa Frisanti Sanin Salwa Masahida Cahaya Sari, Tria Puspa Satvikadewi, AAI. Prihandari Saukina Widhi, Salsabila Shafa, Aliyya Sausan Sheren Aurellia Nathania Putri Sherly Arindawati Silvi Puspita Dewi Simangasing, Michelle Librianora Sinar Aju Wulandari Siti Winarsih SJAFIATUL MARDLIYAH Sonia Ayu Cahyani Sri Tjondro Winarno, Sri Tjondro Sri Umiyati Suksmawati, Herlina Sumardjijati, Sumardjijati Syifa Syarifah Alamiyah Taufikurrahman Taufikurrahman Thareq Zendo Azhari Thariq Zinedin Widiansyah Thinzar Win Tika Ramadani Tri Juniati Andayani Tria Puspa Sari Trianna, Nurul Widji Ulya Sarofa Umi Nurul Fadilah Vieri Samuel Juliando Pakpahan Wahyu Dwi Lestari Wahyu Mukti Jaya Nata Wahyu Mustiko Sejati Wardhani Mas’udah, Kusuma Wiati Gusti, Kharisma Widiana Khurnia Permatasari Wildan Naufal Esfandiar Wulandari, Sinar Aju Yenny WURYANDARI Yeriko Felis Yesi Mariska Yuhanin Zamrodah Yuli Candrasari Yustika Aini Arrochmah Yusuf Fadhilah Zalfa Nurrahmah Agustina Zalfa Nurrahmah Agustina Zalfa Nurrahmah Agustina Zhafira Hanina Zuhri4, Saifuddin Zulham Yahya