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Meaning of Ornaments in Pakpak Traditional House: Semiotic Study Tampubolon, Flansius; Sinulingga, Jekmen
Budapest International Research and Critics Institute (BIRCI-Journal): Humanities and Social Sciences Vol 3, No 3 (2020): Budapest International Research and Critics Institute August
Publisher : Budapest International Research and Critics University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33258/birci.v3i3.1179

Abstract

This study aims to explore the meaning of the Pakpak traditional house ornament. This study reveals the meaning that symbolically represents cultural values in the Pakpak community. This study uses a semiotic approach with qualitative descriptive research methods. The ornaments in the Pakpak traditional house imitate the shapes associated with human limbs, in the form of animals, in the form of plants and resembling the cosmos or nature. Each form of ornament has a meaning which is the cultural values that the Pakpak community believes in.
The Meaning and Symbols of the Batak Karo Ethnic Ritual Ceremony: Study of Semiotics Jekmen Sinulingga; Flansius Tampubolon
Budapest International Research and Critics Institute (BIRCI-Journal): Humanities and Social Sciences Vol 3, No 3 (2020): Budapest International Research and Critics Institute August
Publisher : Budapest International Research and Critics University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33258/birci.v3i3.1182

Abstract

This study aims to describe the meaning and symbol of the Cawir metua ritual ceremony, namely the death ceremony for the Karo community in Seberaya village, Karo district, North Sumatra Province. The method used in this research is a qualitative descriptive method which is done by collecting data by observation and interviews; descriptions that are bold and deep in nature, working with key informants. The theoretical framework used is the Social Semiotics approach, which is to interpret language in the sociocultural context in which culture is interpreted in semiotic terms as an information system. Based on the research that has been done, the authors obtained the results of the research, namely the symbolic meaning of the Cawir metua ceremony is the existence of symbols that have philosophical meanings in the Cawir metua ceremony.are still poor and need to be improved.
Form and Function of Pakpak Traditional House as Cultural Results Material of Cultural Heritage in Pakpak Community Tampubolon, Flansius; Sinulingga, Jekmen
Budapest International Research and Critics Institute-Journal (BIRCI-Journal) Vol 4, No 4 (2021): Budapest International Research and Critics Institute November
Publisher : Budapest International Research and Critics University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33258/birci.v4i4.2789

Abstract

The purpose of this research to describe the form and function of the Pakpak traditional house in Pakpak Bharat Regency, North Sumatra Province. The form and function of the Pakpak traditional house is described and interpreted from Pakpak language to Indonesian with a semiotic approach to find the meaning and function as well as the cultural value of each ornament that symbolizes the philosophical value of the Pakpak ethnic community through its traditional house. The method used in this study is a qualitative descriptive method with an ethnographic model that is carried out by collecting data carrying out ethnographic activities, namely the main focus of ethnography is to collect data by observation and interviews; work with key informants. The theoretical framework used is a semiotic approach, namely the science that examines signs in human life, the meaning obtained from a sign at the mimetic level cannot be used to express its meaning. This theory is indeed suitable for research that discusses the disclosure of the meaning of the results of material culture in the form of signs on Pakpak traditional houses.
Folklore in the Development of Tourism Based on Story Telling of Karo Culture in Dokan Village Sinulingga, Jekmen; Tampubolon, Flansius
Budapest International Research and Critics Institute-Journal (BIRCI-Journal) Vol 4, No 4 (2021): Budapest International Research and Critics Institute November
Publisher : Budapest International Research and Critics University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33258/birci.v4i4.2791

Abstract

This article entitled “Folklore of Karo in the Development of Storytelling-Based Cultural Tourism in Dokan Village” was researched by Folklore approach. This study formulates 2 problem formulations, namely the form of an inventory of Karo folklore and cultural values for the development of cultural tourism in Dokan Village, and the role of Karo Folklore in the development of cultural tourism in Dokan Village, which is beneficial for the development of cultural tourism in the Karo area. The method used in this study is qualitative paradigm of ethnographic model developed by spreadly applies 12 steps of observation and 12 steps of interview. The findings this study are expected to be benefit Karo community as  a culture owners, researchers, and students who want to explore the folklore of Karo community and the development of cultural tourism in Dokan Village.
Co-Authors Aritonang, Rebecca Saulina Asriaty R Purba Baharuddin Baharuddin Barus, Asni Batubara, Monica Uli Batubara, Monika Uli Br Karo Sekali, Emmya kristina BrSimatupang, Nori Marta Marselina Damanik, Oleg Isuando David Kristopani Marpaung Depari, Edi Elena Simatupang Entelina, Santi Monica Fadlin Fadlin Gaol, Zacklyn Dwi Vanesa Imanuela Lumban Giawa, Puji Syukur Gultom, Frendy Hendrico Harefa, Evelina Herlina Herlina Hutagalung, Adreas Hutagalung, Andreas Hutagalung, Irfan Hamonangan Hutauruk, Febri Ola Indah Agita Saragih Indah Sari Jamorlan Siahaan Jekmen Sinulingga Jonathan Liviera Marpaung Judika Panggabean Krista Dayanti Hutasoit Ma Samuel Rt Simanjuntak Malau, Sarah Porman Hatioan Marcelina Manulang, Doan Manullang, Doan Yohannes Manurung, Lasmaria Manurung, Yohana Afriani Marpaung, Jonathan Halomoan Meutia, Amalia Naibaho, Dewes Agustina Pakpahan, Hod Burju Pandiangan, Johannes Pangaribuan, Dion Nardi Panjaitan, Novita Marlina Panjaitan, Santi Monica Entelina Pasaribu, Jefri Harniko Pasaribu, Niken Kirey Patricia, Marissa Libry Pollatu, Maurits Junard Purba, Roma Hotni Uhur Ramlan Damanik Risdo Saragih Robert Sibarani, Robert Rozanna Mulyani Saing, Filemon Anthony Saragi, Mery Grace Jenita Saragih, Cristien Oktaviani Saragih, Dinda Apriani Sekali, Emmya Kristina Br Karo Sembiring, Sugihana Siahaan, Jamorlan Siahaan, Wahyu Satria Boy Siallagan, Intan Putri Sianipar, Trynanda Sibarani, Tidora Putri Sigiro, Dony Sigiro, Triputri Sihombing, Martin Roberto Sihombing, Patar Kristian Sihotang, Alexander Sijabat, Anggun Yuni Sarah Silaban, Ridho Wahyu Silaban, Ridho Wahyu C. Silaban, Robin M Simamora, Devina C Simamora, Yustina Jindi Lusmiran Simanjuntak, Elisa Simanjutak, Sadrak Simarmata, Murni Simarmata, Tioara Monika Simbolon, Efran Jonathan Simbolon, Marta Enjelina Simbolon, Selvi Sinaga, Lastiur Sinaga, Regina Sinar Indra Kesuma Sinulingga, Samerdanta Siregar, Arjuna Junifer Siregar, Eka Silviana Siregar, Helda Sitanggang, Basri Natan Sitompul, Yulia Saftania Sitorus, Oliviya Sera Sitorus, Revi Angel Sonata Situmorang, Putri Adelina Br Situmorang, Rahel Theresia Rodame Tambunan, Abel Tambunan, Abel Rotua Tambunan, Wati Tampubolon, David Hasudungan Tarigan, sarah nathasia Tarigan, Sarah Nathasia Br Tarigan, Sarah Nathasia Br. Tifany Togatorop, Julhayati Tomson Sibarani Torang Naiborhu Toruan, Khaterine A. Lumban Warisman Sinaga Zalukhu, Esther Ria Zul Fahmi, Lisan Shidqi