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All Journal International Journal of Evaluation and Research in Education (IJERE) Basastra: Jurnal Kajian Bahasa dan Sastra Indonesia BASASTRA Harmonia: Journal of Research and Education Lembaran Ilmu Kependidikan Lingua Jurnal Bahasa dan Sastra Ar-Raniry, International Journal of Islamic Studies Semantik : Jurnal Ilmiah Program Studi Pendidikan Bahasa dan Sastra Indonesia Jurnal Penelitian Humaniora Indonesian Language Education and Literature The Journal of Educational Development Jurnal Pendidikan Bahasa Indonesia Diglosia Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Silampari Bisa: Jurnal Penelitian Pendidikan Bahasa Indonesia, Daerah, dan Asing LINGUISTIK : Jurnal Bahasa dan Sastra Jurnal Basicedu Sawerigading Seloka: Jurnal Pendidikan Bahasa dan Sastra Indonesia JP-BSI (Jurnal Pendidikan Bahasa dan Sastra Indonesia) Journal of Primary Education Jurnal Pendidikan Bahasa dan Sastra Indonesia GERAM (GERAKAN AKTIF MENULIS) Jurnal Onoma: Pendidikan, Bahasa, dan Sastra Jurnal Sastra Indonesia Ghancaran: Jurnal Pendidikan Bahasa dan Sastra Indonesia English Focus: Journal of English Language Education Metafora: Jurnal Pembelajaran Bahasa Dan Sastra Britain International for Linguistics, Arts and Education Journal (BIoLAE Journal) COMSERVA: Jurnal Penelitian dan Pengabdian Masyarakat Pena: Jurnal Pendidikan Bahasa dan Sastra Formosa Journal of Multidisciplinary Research (FJMR) Jurnal Basicedu Prosiding Seminar Nasional Pascasarjana Proceeding of International Conference on Science, Education, and Technology JURNAL PENDIDIKAN BAHASA Seloka: Jurnal Pendidikan Bahasa dan Sastra Indonesia Deiksis: Jurnal Pendidikan Bahasa dan Sastra Indonesia Aksara
Agus Nuryatin
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Religion Arts Humanities Civil Engineering, Building, Construction & Architecture Computer Science & IT Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Mathematics Social Sciences Other

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Religiosity in Mustofa Bisri's Collection of Lukisan Kaligrafi Short Story Ali Azizi, Fakhri; Nuryatin, Agus; Doyin, Mukh
Seloka: Jurnal Pendidikan Bahasa dan Sastra Indonesia Vol 10 No 1 (2021): April 2021
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/seloka.v10i1.44864

Abstract

Lukisan Kaligrafi comes as a literary work that is thick in the value of religiosity, transcendent, teaching about religious social life, both vertical and horizontal. The objectives of this study are to describe religiosity in a collection of Lukisan Kaligrafi short stories, to analyze the correlation between religiosity and social reality, and to reveal the author's point of view of religiosity. The researcher used the approach of structuralism and literary sociology in this research. The method used is the hermeneutic method, which is to turn and reconstruct a text in a bound of interactions between the author and the reader. The results of the study (1) the dimension of belief or ideology, (2) the dimension of religious practice or worship, (3) the dimension of religious experience, (4) the dimension of religious knowledge, and (5) the dimension of consequence. There are several attitudes described in describing the correlation of short story religiosity with social reality, among others are: (1) education, (2) peace, (3) Social supervision, (4) worship of solidarity, (5) transformative, (6) creative, (7) sublimative, (8) harmony, (9) emotionally religious, and (10) tolerance.
Internalisasi Nilai-nilai Karakter melalui Syiir Milennial Burhanudin, Muhamad; Nuryatin, Agus
Lembaran Ilmu Kependidikan Vol 49, No 2 (2020): September
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/lik.v49i2.27264

Abstract

Karakter sebagai suatu ’moral excellence’ akan memiliki makna ketika dilandasi atas nilai-nilai yang berlaku dalam budaya (bangsa). Karakter luhur bangsa merupakan warisan leluhur yang dinyakini kebenarannya dan dipertahankan oleh masyarakat dalam menjalani kehidupan. Nilai-nilai karakter yang dipertahankan akan menjadikan ciri khas kepribadian bangsa. Karakter luhur diwariskan melalui produk tulisan berbentuh karya sastra lama. Syiir sebagai hasil karya leluhur kaya akan nilai-nilai karakter. Kajian ini diarahkan pada upaya mengkonservasi nilai-nilai karakter yang terdapat dalam naskah syiir kemudian menginternalisasikannya pada generasi masa kini dengan gaya milenial. Kegiatan konservasi syiir dalam kajian ini menggunakan metode filologi sedangkan kegiatan internalisasi melalui penciptaan model penyajian syiir secara milenial. Kajian terhadap karya sastra yang di tulis oleh leluhur ditemukan nilai-nilai karakter luhur. Nilai karakter luhur tersebut berupa ajaran budi pekerti, nasehat, aturan, pantangan atau anjuran dalam menjalani kehidupan. Penyajian model syiir milenial akan mendekatkan proses komunikasi antara syiir sebagai produk masa lalu dengan generasi milenial. Syiir milenial diharapkan mampu menjadi salah satu anternatif penanaman nilai karakter pada generasai masa kini.  Character as a 'moral excellence' will have meaning when based on values that apply in culture (nation). The noble character of the nation is an ancestral heritage that is believed to be true and is maintained by society in living life. Defended character values will make the personality traits of the nation. Sublime characters are inherited through written products that touch old literature. Syiir as an ancestral work is rich in character values. This study is directed at efforts to conserve character values contained in syiir texts and then internalize them in the present generation with millennial styles. Syiir conservation activities in this study use the philology method while the internalization activities through the creation of millennial syiir presentation models. Studies of literary works written by ancestors have found noble character values. The value of the noble character is in the form of teaching character, advice, rules, taboos or suggestions in living life. The presentation of the syiir millennial model will bring the process of communication between syiir as a product of the past with the millennial generation. Syiir millennial is expected to be able to become one of the alternatives in planting character values in today's generation.
Defamiliarization of Power Hegemony of the Characters in Ajidarma's Kitab Omong Kosong Prasetyo Utomo, S.; Nuryatin, Agus; A. Sayuti, Suminto; Supriyanto, Teguh
The Journal of Educational Development Vol 6 No 1 (2018): February 2018
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jed.v6i1.20676

Abstract

The intertextual study between Ajidarma’s Kitab Omong Kosong and the Ramayana romance hypogram composed by Rajagopalachari leads us to the defamiliarization of the hegemony of Rama's power, deviating to the heinous, barbaric, and harassing domination of power over the people of the Ayodya colony. In the Ramayana romance, the hegemony of Rama's power, as awatara Lord Vishnu, being honored by his people for his courage against Rahwana's wrath. The hegemony of Rama's power goes hand in hand with the moral, the virtues of life, and the dharma. Ajidarma’s Kitab Omong Kosong is marked by defamiliarization motives. The motives form a plot (sjuzet) that deviates from the Ramayana and creates the wholeness of the story (fabula) which is constructed with a unique structure. Rama's character is told by defamiliar motives that (1) deviate not far from convention, (2) balanced between convention and innovation, and (3) free oneself by convention. Ajidarma created the story of Rama with several advantages: (1) deviating the role of the characters, thus avoiding the binary opposition of black and white characters in reaching power, (2) the stories being woven in a unique story structure, alternating between myths, facts, and literary images, (3) as a whole the novel it creates presents a peculiar and unique story (fabula), and (4) the novel becomes a plural text, i.e. a text with plural interpretations.
Indonesian Absurdism in Noer's Texts of Tetralogy Drama Entitled Orkes Madun Turahmat, Turahmat; Nuryatin, Agus; A. Sayuti, Suminto; Supriyanto, Teguh
The Journal of Educational Development Vol 6 No 1 (2018): February 2018
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jed.v6i1.20749

Abstract

Absurdism in drama script is different from the concept of absurdism in drama performance. In the performance, the absurdism can be firmly differentiated. In the script, this concept is still very confusing. Such issue will be worked out in this research by solving the following problems. 1) How is the form of absurdism in Noer’s texts of the drama tetralogy? 2) How is the characteristic of Indonesian typical absurdism in Noer’s tetralogy? 3) How is the redefinition of Indonesian distinctive absurdism based on the characteristic of Indonesian typical absurdism in Noer’s drama scripts? The method used is hermeneutics with a semiotic approach. Based on the discussion, the following conclusions are obtained. 1) Absurdism in the tetralogy Noer’s drama appears in the form of themes, characters naming, and plot or storyline. 2) The typical absurdism of Indonesian drama written by Noer is as follows. First, absurdity in drama actually appears from the belief in God. Second, human life is considered irrational, meaningless, worthless, or even playful. 3) The Indonesian distinctive absurdism redefinition based on the characteristic of Indonesian typical absurdism in Noer’s Orkes Madun is as follows. The typical Indonesian absurd drama text is a drama text that tells of the human life that is considered irrational, less meaningful, worthless, meaningless, or even considered to be playful, and arising out of trust in God.
UNGKAPAN BIJAK ABAH SYEKH SAIFUL ANWAR ZUHRI ROSYID PONDOK PESANTREN ASSALAFIYAH AZ-ZUHRI SEMARANG Sahidun, Achmat; Nuryatin, Agus; Syaifudin, Ahmad
Jurnal Sastra Indonesia Vol 6 No 3 (2017): Vol 6 No 3 (2017)
Publisher : Jurusan Bahasa dan Sastra Indonesia Universitas Negeri Semarang

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Abstract

Tujuan penelitian ini adalah untuk mendeskripsikan ungkapan bijak Abah Syekh Saiful Anwar Zuhri Rosyid Pondok Pesantren Assalafiyah Az-Zuhri Semarang. Penelitian ini menggunakan pendekatan teoretis dan pendekatan metodologis. Data penelitian ini adalah kumpulan SMS Abah Syekh Saiful Anwar Zuhri Rosyid. Analisis data dilakukan secara deskriptif berdasarkan dengan teori dari Teun A. Van Dijk. Hasil penelitian ini menunjukkan 1) Satuan bahasa yang digunakan dalam ungkapan bijak Abah Syekh Saiful Anwar Zuhri Rosyid, meliputi satuan bahasa klausa, kalimat dan paragraf; 2) Pengemasan ungkapan bijak Abah Syekh Saiful Anwar Zuhri Rosyid meliputi pengemasan yang tersurat dan tersirat; serta 3) Pemikiran Abah Syekh Saiful Anwar Zuhri Rosyid dalam Ungkapan Bijak, meliputi pemikiran mengenai hablumminaallah dan hablumminannas.
analysis Transformasi Makna Simbolik Mihrab pada Novel ke Film Dalam Mihrab Cinta Karya Habiburrahman El Shirazy Oktafiyani, Ayu; Suseno, Suseno; Nuryatin, Agus
Jurnal Sastra Indonesia Vol 9 No 1 (2020): Maret
Publisher : Jurusan Bahasa dan Sastra Indonesia Universitas Negeri Semarang

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Abstract

Penelitian ini bertujuan untuk mengetahui bentuk transformasi makna simbolik mihrab dalam novel dan film Dalam Mihrab Cinta. Penelitian ini menggunakan pendekatan ekranisasi dan Semiotik Riffaterre. Terdapat perbedaan pada hasil pemaknaan simbolik mihrab antara novel dan film karena fokus cerita yang juga berbeda, meski keduanya bermuara pada makna yang sama. Hasil transformasi menimbulkan adanya penciutan, penambahan dan perubahan bervariasi. Makna simbolik mihrab pada novel dan film diartikan sebagai pejalanan pencarian jati diri Syamsul untuk menjadi orang yang ditakdirkan baik oleh Allah, dengan mendekatkan diri kepada-Nya. Hal itu didasarkan pada hasil pembacaan heuristik, hermeneutiknya. This study aims to determine the form of transformation of symbolic meaning mihrab in novel and film. This research use approach of ekranisasi and Semiotik Riffaterre. There is a difference in the meaning of mihrab between novels and movies because the focus of the story is also different, although both boils down to the same meaning. The result of the transformation caused the shrinkage, addition and varied change. The symbolic meaning of mihrab in novels and films is defined as the quest for the identity of Syamsul in order to be a person who is destined well by Allah, by drawing closer to Him. It is based on the result of heuristic readings, hermeneutics.
TRANSFORMASI MAKNA SIMBOLIK MIHRAB PADA NOVEL KE FILM DALAM MIHRAB CINTA KARYA HABIBURRAHMAN EL SHIRAZY KAJIAN EKRANISASI Oktafiyani, Ayu; Suseno, Suseno; Nuryatin, Agus
Jurnal Sastra Indonesia Vol 6 No 3 (2017): Vol 6 No 3 (2017)
Publisher : Jurusan Bahasa dan Sastra Indonesia Universitas Negeri Semarang

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Abstract

ABSTRAK Penelitian ini bertujuan untuk mengetahui bentuk transformasi makna simbolik mihrab dalam novel dan filmDalam Mihrab Cinta. Penelitian ini menggunakan pendekatan ekranisasi dan Semiotik Riffaterre. Terdapat perbedaan pada hasil pemaknaan simbolik mihrab antara novel dan film karena fokus cerita yang juga berbeda, meski keduanya bermuara pada makna yang sama. Hasil transformasi menimbulkan adanya penciutan, penambahan dan perubahan bervariasi. Makna simbolik mihrab pada novel dan film diartikan sebagai pejalanan pencarian jati diri Syamsul untuk menjadi orang yang ditakdirkan baik oleh Allah, dengan mendekatkan diri kepada-Nya. Hal itu didasarkan pada hasil pembacaan heuristik, hermeneutiknya. Kata Kunci: ekranisasi; makna simbolik mihrab; mihrab
Religiosity in Mustofa Bisri's Collection of Lukisan Kaligrafi Short Story Ali Azizi, Fakhri; Nuryatin, Agus; Doyin, Mukh
Seloka: Jurnal Pendidikan Bahasa dan Sastra Indonesia Vol 9 No 3 (2020): December 2020
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/seloka.v10i1.44864

Abstract

Lukisan Kaligrafi comes as a literary work that is thick in the value of religiosity, transcendent, teaching about religious social life, both vertical and horizontal. The objectives of this study are to describe religiosity in a collection of Lukisan Kaligrafi short stories, to analyze the correlation between religiosity and social reality, and to reveal the author's point of view of religiosity. The researcher used the approach of structuralism and literary sociology in this research. The method used is the hermeneutic method, which is to turn and reconstruct a text in a bound of interactions between the author and the reader. The results of the study (1) the dimension of belief or ideology, (2) the dimension of religious practice or worship, (3) the dimension of religious experience, (4) the dimension of religious knowledge, and (5) the dimension of consequence. There are several attitudes described in describing the correlation of short story religiosity with social reality, among others are: (1) education, (2) peace, (3) Social supervision, (4) worship of solidarity, (5) transformative, (6) creative, (7) sublimative, (8) harmony, (9) emotionally religious, and (10) tolerance.
Cultural Hegemony of Islamic Student Marriage Arrangement in Novel Jadilah Purnamaku, Ning, Wigati, Hati Suhita By Khilma Anis Maria Ulfa, Titin; Nuryatin, Agus
Seloka: Jurnal Pendidikan Bahasa dan Sastra Indonesia Vol 10 No 1 (2021): April 2021
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/seloka.v10i1.45661

Abstract

Literature work is human mind production by projecting real events. Literature work has many life values for readers. The novel is a part of literary work that tells the daily problems completely that are acted out by the characters. This research aims to review the marriage arrangement hegemony realization in Khilma Anis works and review the hegemonic acceptance realization of marriage arrangement in Khilma Anis works. This research is a literature-sociology approached research. The technique of analyzing the data was done by heuristically reading and hermeneutics interpreting the events, such as the words, sentences, and dialogs in the novel. The results showed that Jadilah Purnamaku, Ning had two characters that hegemonically succeed to matchmake their children. It was persuasive hegemony and destructively done with intellectual and moral leadership. The hegemonic acceptance realization occurred totally and degenerately. Wigati's novel was found to have two hegemonic characters that were successfully hegemonic. The hegemony was found to be moralized and intellectual leaderships. The acceptance realizations of both characters occurred totally. In Hati Suhita's novel, there are two hegemony and hegemonic characters. Both hegemony characters had intellectual leadership and the hegemonic acceptance realizations occurred degenerately. Then, these changed into a total acceptance from other characters. Theoretically, this research could deepen the previous studies and allow new theory findings. Thus, it could contribute to sociology field literature knowledge. Practically, it could improve the literacy of readers and improve the loving feeling of literature work as a life inspiration via the written stories. It could also inspire the accurate hegemony ways so other people will not feel to be insisted but to accept it voluntarily
Symbolic Meaning and Function Jaka Poleng's Following Story and Burok Art Ilman Elfikri, Zidnie; Nuryatin, Agus; Doyin, Mukh
Seloka: Jurnal Pendidikan Bahasa dan Sastra Indonesia Vol 10 No 2 (2021): August 2021
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/seloka.v10i3.53372

Abstract

Folklore is a story born from fictional ideas and true stories. Folklore of each region generally tells about the past from one generation to the next. The folklore of Jaka Poleng and the Arts of Burok is a form of folklore from the Brebes area which is told in the form of true stories and passed down from generation to generation through oral and written traditions. Every folklore must have symbols and meanings that describe certain social characteristics. This study aims to examine the symbolic meaning and function of the Jaka Poleng folklore and Burok Arts for the people of Brebes Regency. This research uses Paul Ricoeur's hermeneutical point of view and William R. Bascom's theory of functions. The study of symbolic meaning from a hermeneutic point of view is a textual interpretation of the meaning of the readings contained in the stories of Jaka Poleng and Seni Burok. The implementation of the symbolic meaning contained in the story is divided into three meanings, namely; respect, resistance, and religion. The functions of the two folklores are a) fantasy function, b) as a means of validation, c) as a means of education, d) as a means of social control of society, and e) as cultural validation.
Co-Authors A’am Khunaefi, A’am Adianto, Irham Husna Afriyanti, Rinna Agus Pujianto Ahmad Mubarok Mubarok Ahmad Nur Cahyo Ahmad Sunardi Ahmad Sunardi Ahmad Syaifudin Aini, Irmayanti Nur Alda Marsya Ayudia Alfi Khoiru An Nisa Ali Azizi, Fakhri Alifiya Habiba, Sri Penny Alimatussa’diyah, Alimatussa’diyah Amalia Fajriyyatin Najichah Amir Mahmud Andi Sulfana Masri Andri Yulianto Andriani, Eva Kristian Anwar Sutoyo Arifiyanto, Fajar Arini, Dessy Rizqi Ariyanto, Dodi Arumda, Larasaji Narindri Bambang Indiatmoko Bambang Widiatmoko Bambang Widiatmoko Burhanudin, Muhamad Cahyo, Ahmad Nur Choirina, Risma Choirina Christiani, Resistia Friska Deby Luriawati Dede Indra Wahyu Nugroho Dhoni Zustiyantoro Dian Nuzulia Armariena, Dian Nuzulia Dwi Desi Fajarsari Dwi Desi Fajarsari Dwi Wahyu Candra Dewi Ekasari, Anisa Diyah Ella, Seylla Arifeni Endah Dyah Wardani Evi Chamalah Evi Chamalah Fadli, Bagus Muhamad Farah Failasufa Faridah Eriyaningsih Faridhatun Nikmah Fathur Rohman Fathur Rohman, Fathur Fathur Rokhman Fitriana, Henika Hari Bakti Mardikantoro Hariyadi Hariyadi Haryadi - Haryadi Haryadi Hasan Bastomi Hasan Busro, Ahmad Hasyim, Suhaedah Hehanussa, St Naisa HERAWATI, LILIK Herman J. Waluyo Hidayah, Isnaini Rahmah Hikmah, Mamluatul Husniyatul Adibah Alwaliyah Ida Zulaeha Ida Zulaeha Ida Zulaeha Ilman Elfikri, Zidnie Inayati, Tatik Indra Putra Pahlewi, Indra Putra irmaningsih, karni dwi Ismuwardani, Zakiyah Istiqomah, Elly Astika Khunaefi, A’am Kurniawati, Nike Esti Kusumawati, Dita Ayu Leli Nisfi Setiana Leli Nisfi Setiana Leni Salindri Lestari, Arum Yulia lilik Herawati Luh Made Indah Sri Handari Adiputra Lusiana Agustina Main Sufanti Maria Ulfa, Titin Marwan, Rafli Masfufah, Elisa Raudlatul Mei Fita Asri Untari Meina Febriani Meina Febriani Mimi Mulyani Muayah, Bindarin Mubarok, Ahmad Mubarok MUCHAMMAD FAIZIN Muh Doyin Muhamad Haryanto Muhamad Yahya Mauliddin Mukh Doyin Mukh Doyin Mukh Doyin Mukh. Doyin Mukh. Doyin Mukh. Doyin Muliawan, Pondra Mulyaningsih, Indrya Mulyono . Mulyono Mulyono Mulyono Mulyono Muttaqin, Nufi Azam Naryatmojo, Deby Luriawati Nas Haryati Setyaningsih Nas Haryati Setyaningsih Nas Haryati Setyaningsih Nur, Wahyu Azam Nurdian Susilowati Nurhannah Widianti Nurhannah Widianti Nurul Lailatul Aini Oktafiyani, Ayu Oktafiyani, Ayu Pebri Dwi Lesmono Nugroho Prabaningrum, Dyah Prasetyo Utomo, S. Prasetyo Utomo, S. Pratama, Galih Suci Purbiyanti, Elis Dwi Putri Indah Wahyuningsih Qurrota Ayu Neina R M Teguh Supriyanto Rahayu Pristiwati RM Teguh Supriyanto Rustono - Rustono, Mr Sahidun, Achmat Sahidun, Achmat Seylla Arifeni Seylla Arifeni Ella Sonya Trikandi Sri Kartini SUAIDAH SUAIDAH, SUAIDAH Subyantoro Sugiyanti Pratiwi Sari Sugiyo Sugiyo Sumartini Sumartini Suminto A. Sayuti Supratman, Suparmin Dandan Suryadi, Riza Suseno Suseno Suseno Suseno Suwito, Wagiran Suyitno Suyitno Syarifa, Lu’ul Lailatis Syavica, Cindy Gea Tato Nuryanto, Tato Teguh Supriyanto Titi Wuryani Tommi Yuniawan Tri Jayanti, Tri Tri Joko Raharjo Tri Mulyono Turahmat Turahmat, Turahmat Utomo, Tirto Aji Vio Amandini Afriliana Vio Amandini Afriliana Wagiran Wagiran Wahyu Azam Nur Wahyuni, Janetri Suti Wahyuningsih, Putri Indah Waluyo, Herman J. Wasino Wasino Widianti, Nurhannah Widiyastuti, Tri Wuryani, Titi Yuliannurunnisa, Wahyutia Yuliarti Yuliarti Yuniarti Yuniarti Yusro Edi Nugroho Yusro Edy Nugroho Yusro Edy Nugroho Zuhra Sl. Datu Zulfa Fahmy Zuliyanti, Zuliyanti Zustiyantoro, Dhoni