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All Journal Cakrawala Pendidikan Jurnal Sendratasik Grenek: Jurnal Seni Musik Gorga : Jurnal Seni Rupa Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) PROMUSIKA: Jurnal Pengkajian, Penyajian, dan Penciptaan Musik Harmonia: Journal of Research and Education SWARA - Jurnal Antologi Pendidikan Musik Jurnal Inovasi Teknologi Pendidikan JPsd ( Jurnal Pendidikan Sekolah Dasar ) Jurnal Pendidikan: Teori, Penelitian, dan Pengembangan Naturalistic : Jurnal Kajian dan Penelitian Pendidikan dan Pembelajaran Al Ishlah Jurnal Pendidikan Jurnal Obsesi: Jurnal Pendidikan Anak Usia Dini DWIJA CENDEKIA: Jurnal Riset Pedagogik Gondang: Jurnal Seni dan Budaya JURNAL PENDIDIKAN TAMBUSAI Jurnal Basicedu Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni Gelar : Jurnal Seni Budaya Komposisi: Jurnal Pendidikan Bahasa, Sastra, dan Seni Journal of Humanities and Social Studies EDUKATIF : JURNAL ILMU PENDIDIKAN JSM (Jurnal Seni Musik) Tonika: Jurnal Penelitian dan Pengkajian Seni International Journal of Visual and Performing Arts Journal of Music Science, Technology, and Industry (JOMSTI) Jurnal Paedagogy Journal of Innovation in Educational and Cultural Research Virtuoso: Jurnal Pengkajian dan Penciptaan Musik Didaktika: Jurnal Kependidikan Jurnal Kependidikan: Jurnal Hasil Penelitian dan Kajian Kepustakaan di Bidang Pendidikan, Pengajaran dan Pembelajaran Jurnal Pendidikan dan Teknologi Indonesia Jurnal Sosial dan Teknologi These proceedings represent the work of researchers participating in The International Conference on Elementary Education (ICEE) which is being hosted by the Elementary Education Study Programme School of Postgraduate Studies, Universitas Pendidikan Berajah Journal Jurnal Citra Pendidikan Journal of Scientech Research and Development Jurnal Basicedu Jurnal Citra Pendidikan Anak Jurnal Pendidikan Indonesia (Japendi) Prosiding Seminar Nasional Pascasarjana Proceeding of International Conference on Science, Education, and Technology JPLED Paradigma: Jurnal Kajian Budaya Cantata Deo: Jurnal Musik dan Seni Journal of Innovative and Creativity DEWANTECH Journal of Social Work and Science Education Indonesian Journal of Music Research, Development, and Technology KOLEKTIF: Jurnal Pendidikan, Pengajaran, dan Pembelajaran Harmonia: Journal of Arts Research and Education Jurnal Citra Pendidikan Edumaspul: Jurnal Pendidikan Jurnal bahasa, sastra, seni, dan pengajarannya OSTINATO Journal of Music Study and Research Musikolastika: Jurnal Pertunjukan dan Pendidikan Musik
Yudi Sukmayadi
Universitas Pendidikan Indonesia
Religion Arts Humanities Chemistry Civil Engineering, Building, Construction & Architecture Computer Science & IT Economics, Econometrics & Finance Education Engineering Environmental Science Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Materials Science & Nanotechnology Mathematics Physics Social Sciences Other

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The intersection of local wisdom and digital innovation in performing arts Hafizhah Insani Midyanti; Yudi Sukmayadi
Interlude: Indonesian Journal of Music Research, Development, and Technology Vol 1, No 1 (2021): Interlude: November 2021
Publisher : Universitas Pendidikan Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17509/interlude.v1i1.68640

Abstract

Utilizing technology in cultural and locally-influenced performing arts alters the conventional understanding of aesthetic experiences in live performances. It includes redefining the dynamics between performers and audiences, the impact of sound and ambience, dance and visual elements, collaboration among artists, cultural aspects, environmental factors, and temporal considerations. Furthermore, digital technology has emerged as a novel means in the performing arts realm, streamlining the artistic creation process. Currently, the field of performing arts is significantly influencing the swift advancement of digital technology. This research methodology employs a qualitative approach by utilizing internet literature and conducting literature studies. The outcome of this study indicates that digital technology facilitates the comprehension of artistic performances rooted in local culture and knowledge by both the general audience and the current youth population. The intersection between technology, local wisdom, and performing arts is evident due to the transferability of local wisdom throughout generations and the continuous development of technology over time. Digital technology has broadened the scope of creativity, pushed the limits of artistic expression, and safeguarded traditional local knowledge.
Philosophy & Aesthetics of Kendang in The Sundanese Concept of Life Rizki Rizali; Agus Budiman; Yudi Sukmayadi
Gondang: Jurnal Seni dan Budaya Vol 7, No 2 (2023): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2023
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v7i2.50702

Abstract

The characteristics of Sundanese kendang in a review of multiple cultural perspectives are sufficient to provide space for exploration in the process of acculturation of traditional arts at national and international levels. Sundanese kendang has shown its existence as a collaborative local cultural product. However, the acculturation of Sundanese kendang which is currently growing has certain problems on the other hand. Through the various charms it offers, Sundanese kendang are now not only owned by the Sundanese people, but are already owned by other non-Sundanese people. Therefore, of the many changes in the process of development and distribution, identification of how the Sundanese kendang looks today is quite important to complement the Sundanese kendang literacy itself as a complete identity. Sundanese kendang as a cultural product are certainly inseparable from the Sundanese people as their owners. Periodically, Sundanese kendang have not found common ground about when, where, and who can be used as an accurate reference source for the interests of Sundanese kendang literacy itself, therefore this paper offers an approach through the pattern of rationality of Sundanese culture which allows it to be used as an option. in the study of Sundanese kendang as one of the cultural products of the Sundanese people. The philosophy of the Sundanese people will be reflected in the meaning contained in the Sundanese kendang as one of the cultural products it produces. By discovering the cultural values contained in Sundanese kendang, it will provide a new view of what, why and what is wrong with Sundanese kendang. 
The Phenomenon of Bandung Street Musicians: Interaction with Road Users and Legal Aspects Hendra Rizal; Yudi Sukmayadi
Gondang: Jurnal Seni dan Budaya Vol 7, No 2 (2023): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2023
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v7i2.50587

Abstract

The objective of this study is to investigate the phenomenon of street musicians at Bandung Traffic Lights from the perspective of traffic law and road transportation. The research method employed is a qualitative approach with a specific focus on the interaction between road users and aspects of traffic law and road transportation concerning street musicians at Bandung Traffic Lights. The research methodology includes observations, interviews, documentation, and in-depth analysis. The research findings reveal that the presence of street musicians at Bandung Traffic Lights has a diverse impact on commuters; some find it entertaining, while others feel distracted. From the standpoint of traffic and road transport law, the activities of street musicians on the sidewalk or roadway may be considered violations of Article 275, paragraph (1), and Article 28, paragraph (2), of Law No. 22 of 2009 on Traffic and Road Transport. The implications of this study underscore the significance of arts education in fostering a sense of discipline among street musicians. This research can help ensure that their artistic performances are more focused and orderly without causing disruption to road users.
Movement Analysis Of Bedincak Gymnastics Based On Traditional Dance Of Bangka Belitung Widia Srilestari; Tati Narawati; Yudi Sukmayadi
Gondang: Jurnal Seni dan Budaya Vol 8, No 1 (2024): GONDANG: JURNAL SENI DAN BUDAYA
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v8i1.56549

Abstract

The problem of this research is how Senam Bedincak can be an alternative recreational sport for the people of Bangka Belitung. The purpose of this study is to describe and analyze the choreographic and musical structure of Bedincak Gymnastics in Bedindak Gymnastics so that it becomes an alternative recreational sport for the people of Bangka Belitung. The method used is descriptive analysis with a qualitative approach. Bedincak Gymnastics is a community sport that adopts traditional Bangka Belitung dance movements such as Kedidi Dance, Dincak Dambus Dance and Measles Dance. The purpose of Bedincak Gymnastics is to improve the overall health and fitness of the community as well as to introduce and preserve Bangka Belitung culture to the community. Bedincak Gymnastics consists of 7 movement structures, namely opening movement, pattern 1 movement, pattern string movement, bedincak basic movement, pattern 2 movement, pattern 3 movement and closing movement.
Technological Pedagogical and Content Knowledge (TPACK) Integration in Teaching Music : A Perception of High School Music Teacher Febbry Cipta; Yudi Sukmayadi; Rita Milyartini; Dody Mohamad Kholid; Sandie Gunara
Jurnal Paedagogy Vol 11, No 2: Jurnal Paedagogy (April 2024)
Publisher : Universitas Pendidikan Mandalika

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33394/jp.v11i2.9624

Abstract

This study aims to describe the perceptions of TPACK integration among high school music teachers in Bandung, West Java province, Indonesia. This study used mixed-methods with a sequential explanatory design. The research subjects consist of 19 respondents. In the first phase, quantitative data were obtained through questionnaires and analyzed using descriptive and inferential statistical techniques. In the second phase, in an effort to explore the results of the questionnaire, qualitatively conducted interviews as well as observations. The findings of this study showed that integration of each TPACK domain in music teaching was perceived as high confidence. Each domain, from one to another, positively correlated with varied interpretations. Demographic characteristics, both gender and tenure, did not show contrasting differences in confidence. This perception is the impact of the teacher education process that has been experienced, involvement in a number of trainings that have been followed, support from stakeholders in the procurement and enrichment of educational and technological resources, and the dynamics of the times that force them to be adaptive and innovative towards technological developments.
Tinjauan Permainan Kesenian Irama Minang (KIM) Sebagai Budaya Masyarakat Minangkabau Dwi Catur Berlianda; Yudi Sukmayadi
SENDRATASIK UNP Vol 13, No 1 (2024)
Publisher : Faculty of Languages and Arts, Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/js.v13i1.127249

Abstract

Every region certainly has games that are often used on certain occasions andcan even be said to be part of their culture. The purpose of this study is to review one of the games in West Sumatera namely Kesenian Irama Minang (KIM) game so that it has become one of the popular cultural games in Minangkabau. In this research, the approach used is a qualitative approach with descriptive analysis methods and the data was collected by means of interviews and literature studies to complete statements from the interview results.The results found that the KIM game was introduced in the Pariaman area of West Sumatra and was first popularized at weddings. Looking at the popularity of the KIM game researchers reviewed it from a musical perspective and concluded that the KIM game has different song forms, the poems are like rhymes with rhymes a-ba-b using the Minang regional language and use a fast tempo or what is usually called with Allegro.
Optimizing AI-Powered Music Creation Social Media to Amplify Learning Content Febbry Cipta; Yudi Sukmayadi; Rita Milyartini; Tri Indri Hardini
Jurnal Kependidikan: Jurnal Hasil Penelitian dan Kajian Kepustakaan di Bidang Pendidikan, Pengajaran dan Pembelajaran Vol 10, No 3 (2024): September
Publisher : Universitas Pendidikan Mandalika (UNDIKMA)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33394/jk.v10i3.12332

Abstract

This research aims to describe the orienting, implementing, and assessing aspects constructed by music teachers in optimizing AI-powered music creation social media to amplify learning content. This research used a qualitative approach with a descriptive method. Data were collected through focus group discussions (FGDs) and documentation studies. The data analysis technique used the Miles and Huberman model with the stages, 1) data collection, 2) data reduction, 3) data presentation, 4) conclusion drawing/verification. Data validity used triangulation techniques, including source and technical triangulation. The results show that, orientatively, the experience of interacting with technological advances and social dynamics has shaped the respondents' knowledge and understanding, not only on various types and functions, but also in determining the strengths, weaknesses, opportunities, and threats of the platform. Implementatively, in line with the values of music education, the integration of a platform that amplifies content into learning is used to engage students' creative dimensions where cognitive, affective, and psychomotor are bound to the ethical principles of AI use and aesthetic criteria of music. By assessment, the involvement of peer teachers and students provided an important drive in establishing effectiveness, impact, and support from stakeholders. This study recommends that the development of AI used in creation is a new challenge for music teachers in strengthening the integrity of their professionalism. The utilization of these tools and resources makes it easier for them to be creative in clarifying and emphasizing the elements of musical sound to build effective and valuable learning.
Persepsi Guru Sekolah Dasar pada Penerapan Kurikulum 2013 dan Kurikulum Merdeka dalam Mata Pelajaran Seni Budaya Riyadi, Lanang; Sukmayadi, Yudi
Jurnal Basicedu Vol. 7 No. 3 (2023)
Publisher : Universitas Pahlawan Tuanku Tambusai

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/basicedu.v7i3.5323

Abstract

Penerapan dua kurikulum pada satuan pendidikan mengalami proses pembelajaran yang berbeda dan didasari oleh bedanya capaian pembelajaran masing-masing kurikulum. Tujuan penelitian ini untuk mengungkap bagian integral persepsi guru SD Negeri 18 Bungo Pasang pada penerapan Kurikulum 2013 & Kurikulum Merdeka dalam permasalahan proses pembelajaran seni budaya. Mendasari hal tersebut dikarenakan penerapan Kurikulum Merdeka saat ini belum sepenuhnya dilaksanakan, baik itu dari segi kesiapan maupun kematangan. Pendekatan kualitatif digunakan dengan metode analisis deskriptif dalam penelitian ini, datanya dikumpulkan dengan wawancara, dan studi pustaka untuk melengkapi pernyataan dari hasil wawancara. Hasil penelitian ditemukan bahwa SD 18 Bungo Pasang masih menerapkan dua kurikulum dengan pembagian berdasarkan tingkatan kelas. Terdapat tantangan dan juga hambatan dalam pembelajarannya, diantaranya siswa masih berpatokan pada teori yang terdapat pada buku, sehingga minimnya eksplorasi siswa terhadap lingkungan. Selain itu metode belajar yang dilakukan oleh guru dianggap menjadi beban dan keluhan bagi siswa, seharusnya dengan adanya konsep Merdeka Belajar diharapkan dapat menciptakan belajar yang bahagia. Simpulan penelitian ini terlihat bahwa dua kurikulum tersebut masih berjalan dengan baik hingga saat ini dimana kelebihan dan kekurangan masing-masng kurikulum terlihat saling melengkapi khususnya pada pembelajaran seni budaya.
SUMELEH, SEMELEH: SIGNIFIKANSI ESTETIKA KERONCONG GAYA SOLO Andini, Mustika; Sukmayadi, Yudi; Supiarza, Hery
SWARA - Jurnal Antologi Pendidikan Musik Vol 3, No 2 (2023): ANTOLOGI PENDIDIKAN MUSIK
Publisher : Program Studi Pendidikan Seni Musik UPI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17509/swara.v3i2.32991

Abstract

Surakarta (Solo), yang dilegitimasikan sebagai kota keroncong, memiliki peranan yang sangat penting dalam perkembangan dan pelestarian musik keroncong di Indonesia. Dengan berbagai hegemoni yang dilakukan, di tengah maraknya kreasi dan inovasi di era serba modern, masyarakat keroncong Solo masih mempertahankan sajian musik keroncong yang menjunjung tinggi nilai estetika keroncong gaya Solo. Penelitian ini bertujuan untuk memaparkan signifikansi estetika keroncong gaya Solo bagi para pelaku maupun penikmat musik keroncong. Metode yang digunakan dalam penelitian ini adalah metode deskriptif kualitatif dengan teknik pengumpulan data menggunakan observasi, wawancara, studi dokumentasi, dan triangulasi untuk menguji keabsahan data. Hasil yang diperoleh dalam penelitian ini yaitu terkait puncak estetika keroncong gaya Solo dan signifikansinya. Untuk mencapai puncak estetika keroncong gaya Solo, terdapat berbagai unsur yang membangun dan aturan-aturan tertentu. Signifikansi utama dari sajian musik keroncong gaya Solo yang telah mencapai puncak estetikanya yakni disebut dengan istilah sumeleh/semeleh. Istilah ini diidentifikasi dalam beberapa sub-bahasan, di antaranya sumeleh dalam kebahasaan dan makna, sumeleh sebagai emosi yang mempengaruhi perilaku, serta sumeleh sebagai pengalaman estetis (estesis) yang berkaitan dengan subjek, objek, dan nilai estetis. Sumeleh digambarkan oleh masyarakat keroncong Solo sebagai suatu keadaan/suasana hati yang tenteram dan tenang. Manfaat penelitian ini dapat menjadi rujukan bagi pelaku maupun penikmat musik keroncong. Kata kunci : Sumeleh, Signifikansi Estetika Keroncong, Keroncong Gaya Solo
KAJIAN ORGANOLOGI ALAT MUSIK FOI DOA PRODUKSI HUBERTUS RUBA Daranua, N. Yeremias Kasimirus; Sukmayadi, Yudi; Harto, Tono Rachmad Pudjo
SWARA - Jurnal Antologi Pendidikan Musik Vol 3, No 1 (2023): ANTOLOGI PENDIDIKAN MUSIK
Publisher : Program Studi Pendidikan Seni Musik UPI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17509/swara.v3i1.55097

Abstract

Penelitian ini berjudul Kajian Organologi Alat Musik foi doa Desa Takatunga Kecamatan Golewa Selatan Kabupaten Ngada, produksi Hubertus Ruba. Foi doa adalah alat musik tiup dengan bahan baku utama bambu kecil/bambu wuluh dalam bahasa Ngada disebut ila. Kajian penelitian adalah kriteria pemilihan bahan baku, proses pembuatan dan hasil dari proses pembuatan alat musik foi doa. Tujuan penelitian adalah untuk mendapatkan informasi secara terperinci mengenai organologi alat musik foi doa. Penelitian ini menggunakan metode kualitatif dan pendekatan deskriptif. Data yang dikumpulkan melalui wawancara, observasi, studi literatur dan dokumentasi. Hasil penelitian alat musik foi doa ini berbeda dengan alat musik tiup yang lain karena alat musik foi doa terdiri dari dua tabung bambu di buat dengan cara bergandengan. Seorang pemain dapat meniup menghasilkan nada yang sama dan nada yang berbeda tergantung selera pemain. Harapan supaya alat musik ini tetap diminati dan dicintai oleh masyarakat desa Takatunga khususnya dan masyarakat Ngada umumnya. Maka sebagai ahli waris sangat perlu musik foi doa disosialisasikan dan diajarkan di sekolah-sekolah di daerah Ngada.Kata kunci: Kajian organologi, Alat Musik foi doa, Produksi Hubertus Ruba.
Co-Authors Abizar Algifari Saiful ADITYA NUGRAHA Agung Prabowo Agus Budiman Agus Budiman Ananda, Fazrin Sheila Andini, Mustika Andrian Purwanto Anugrah, Agung Tresna Arif Purnama Aryuda Fakhleri Fallen Asep Rizwan Nurfalah Ayo Sunaryo Ayo Sunaryo Azra Mahira Ihzadila Bayu Denia Shanti Cece Sobarna Chandra Diana Islamanov Cipta, Febbry Dadang Dwi Septiyan Daranua, N. Yeremias Kasimirus Debora Catherine Pranata Dedy Ari Nugroho Dedy Setyawan Dera Raksaesa Regawa Dini Oktavia Dody Mohamad Kholid Dopo, Florentianus Dwi Catur Berlianda Dwi Utami Ningsih Eko Wahyudianto Enry Johan Jaohari Fallen, Aryuda Fakhleri Fathurohman, Muhammad Aji Fauziyyah, Nida Ghaida Fauzy Ananda, Rizky Fazrin Sheila Ananda Febriyani Febriyani Fensy Sella Firdaus, Jhon Gilang Maulana Haka, Eddy Aprianto Haviana, Asani Gian Hendra Rizal Heropurnindia, Jilian Sarasati Hikmah Sari Hikmah Sari, Hikmah Hulumudi, Siti Indriyani Insani Midyanti, Hafizhah Islamanov, Chandra Diana Iwan Gunawan Jerry Rinaldo Joko Sembodo Juju Masunah Juju Masunah Julia Julia Julia Kristiyano, Agung Kusuma, Adel Sulaiman Kusumah, Satria Manggala Lanang Riyadi Latifatuzzahra, Hilmia Maulana, Marsel Ridky Maulana, Rizqi Midyanti , Dwi Marisa Midyanti, Hafizhah Insani Moeradi, Vista Amabile Mugiyat, Arellya Muhamad Ihsan, Muhamad Muhamad Zulfikri Husaeni Muhammad Fiqri Rizqullah Muhammad Sirojul Muniir Muniir, Muhammad Sirojul Munir Nada Sofia Irmanika Nadine Rizkita Najamudin, Muhammad Nana Supriatna Nandang Budiman Narawaty, Taty Nikawanti, Gia Nisyar Fauzi Noor Noviyanti Maulani Piter Sembiring Pratama Muharram, Yusuf Aulia Purwanto, Andrian Putri Anastasya Rachmad, Tono Rachmajumadila Agustint Raden Muhammad Mulyadi Rahman, Pispian Regawa, Dera Raksaesa Respati, Resa Ridwan, Ridwan Rita Milyartini Rizal, Hendra Rizali, Rizki Rizki Rizali Rizkita, Nadine Rizqi Maulana Saiful, Abizar Algifari sandie gunara, sandie Saprudin Saprudin, Saprudin Satria Manggala Kusumah Satya, Royys Bagja Rizky Sella, Fensy Selvi Rahmadani Pratiwi Sembiring, Piter Siti Indriyani Hulumudi Slamet Haryono Sri Wahyuni Srilestari, Widia Sunaryo, Ayo Supiarza, Hery Suswanti, Tutik Tati Narawati Tawangsasi, Uni Tono Rachmad Pudjo Harto Tresnadi, Soni Tri Indri Hardini Tri Karyono Trianti Nugraheni Trianti Nugraheni Trimulyani Nurjatisari Urfan Saniylabdhawega Ridhwan uus karwati Vista Amabile Moeradi Wadiyo Wadiyo Widia Srilestari Wiharja, Muh. Kurniawan Adikusuma Yana Endrayanto Yustianingsih, Desti Zafirahana, Mutia Rahmi