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All Journal Indonesian Journal of Geography Humaniora Lensa: Kajian Kebahasaan, Kesusastraan, dan Budaya Jurnal Civics: Media Kajian Kewarganegaraan INFORMASI Litera Jurnal Komunikasi Sosiohumaniora Jurnal YIN YANG Indonesian Journal of Applied Linguistics (IJAL) FRANCISOLA LiNGUA: Jurnal Ilmu Bahasa dan Sastra El-HARAKAH : Jurnal Budaya Islam Lingua Jurnal Bahasa dan Sastra Jurnal Kawistara : Jurnal Ilmiah Sosial dan Humaniora Teosofi: Jurnal Tasawuf dan Pemikiran Islam Lingua Cultura Al-Ulum Indonesian Journal of Islam and Muslim Societies Rubikon: Journal of Transnational American Studies Poetika: Jurnal Ilmu Sastra Jurnal Ilmu Komunikasi Jurnal Ilmu Sosial dan Ilmu Politik Journal of Urban SocietyÂ´s Arts Al-Jami'ah: Journal of Islamic Studies Mozaik Humaniora ATAVISME JURNAL ILMIAH KAJIAN SASTRA ANDHARUPA Empirisma; Jurnal Pemikiran dan Kebudayaan Islam Musawa : Jurnal Studi Gender dan Islam Jurnal Ilmu Sosial dan Ilmu Politik Religious: Jurnal Studi Agama-Agama dan Lintas Budaya Masyarakat, Kebudayaan dan Politik Journal of Language and Literature Jurnal Orientasi Baru Eralingua : Jurnal Pendidikan Bahasa Asing dan Sastra Al-Albab Indonesian Journal of Islamic Literature and Muslim Society Bakti Budaya: Jurnal Pengabdian kepada Masyarakat Jurnal Pemikiran Sosiologi LEKSIKA k@ta Lire journal (journal of linguistics and literature Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Kandai English Language and Literature International Conference (ELLiC) Proceedings International Journal of Interreligious and Intercultural Studies Adabiyyat: Jurnal Bahasa dan Sastra Jurnal Pariwisata Terapan IJISH (International Journal of Islamic Studies and Humanities) Khazanah Sosial Jantra Journal of Social Studies (JSS) JURNAL KOMUNIKASI DAN BISNIS Jurnal Kajian Seni Bahasa dan Seni: Jurnal Bahasa, Sastra, Seni, dan Pengajarannya Jurnal Wanita dan Keluarga Bakti Budaya: Jurnal Pengabdian kepada Masyarakat AKSARA: Jurnal Bahasa dan Sastra Alinea: Jurnal Bahasa, Sastra, dan Pengajaran Widyaparwa SASDAYA: Gadjah Mada Journal of Humanities Libraria: Ilmu Perpustakaan dan Informasi The Indonesian Journal of Socio-Legal Studies BAHASTRA Lire Journal (Journal of Linguistics and Literature) Jurnal Kawistara Indonesian Journal of Islamic Literature and Muslim Society LINGUISTS : JOURNAL OF LINGUISTICS AND LANGUAGE TEACHING

Wening Udasmoro

Fakultas Ilmu Budaya Universitas Gadjah Mada

Author-ID : 2385170

Religion Arts Humanities Decision Sciences, Operations Research & Management Earth & Planetary Sciences Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Public Health Social Sciences Other

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Articles

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Women and Pleasure in Guillaume Apollinaireâ€™s Calligram Collection PoÃ¨mes Ã Lou Eva Agustin; Wening Udasmoro
k@ta: A Biannual Publication on the Study of Languange and Literature Vol 20 No 2 (2018): DECEMBER 2018
Publisher : The English Department, Faculty of Humanities & Creative Industries, Petra Christian University

This article attempts to examine the connections between poetry and the constructions of women and pleasure emphasized by the author. The works examined are those of Gullaume Apollinaire, a famed French poet whose calligramatic poetry collections specifically positioned women as objects of pleasure. Most interestingly, inÂ Apollinaire's poetry the depiction of women as objects of pleasure through connotative symbols that can only be given significance by decoding the highly cultural meanings they contain. The theory of the male gaze is used here to examine how visual pleasure has beenÂ operated by the poet. Meanwhile, semiotics has been used to decode theÂ calligrammaticÂ aspects ofÂ Apollinaire'sÂ poems. This research finds that symbols of exoticism, reproduction, and fantastic pleasures are utilized byÂ Apollinaire in his poetry to emphasize hisÂ dominance of women by positioning them as objects of pleasure.

Konstruksi dan Kontestasi Kuasa Perempuan pada Naskah Drama Les Bonnes Karya Jean Genet Ida Bagus Gede Aric Surya Lesmana; Wening Udasmoro; Arifah Arum Candra Hayuningsih
Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Vol 4 No 1 (2021)
Publisher : Magister Pendidikan Bahasa dan Sastra Indonesia, Fakultas Keguruan dan Ilmu Pendidikan, Universitas Mulawarman

This research aims to portray the social categories such as social class and gender that construct the oppression experienced by women in the drama script Les Bonnes written by Jean Genet. This contestation appears as a result of an interaction between three main characters in the drama: Claire and Solange, as maids and Madame as their employer. Madame is a rich woman who treats them badly because of their social background as poor women. As a result of her treatment, Claire and Solange aim to kill their employer as the way out to be free from Madame’s oppression. They create an assassination simulation to obtain their objective. To analyze this problem, this research uses the concept of habitus, capital, and arena from the theory of cultural production of Pierre Bourdieu. The method used in this article is a textual analysis method. The material objects are the drama script, Les Bonnes. The corpus data is taken from the words, sentences, and paragraphs containing the expression correlated with the contestations of power. The data is then analyzed using the lenses from the concept of habitus and cultural arena by Pierre Bourdieu. The finding shows that the habitus forms a constant and repetitive interaction among the subjects. It is influenced by the subjects’ position based on the social capital they possess. The position is characterized by two classes: the dominant and the worker that contribute to the form of contestations in Les Bonnes.

DINAMIKA HUBUNGAN KETERASINGAN DENGAN TRANSMISI MEMORI DALAM NOVELLA “TEMPÊTE” KARYA J. M. G. LE CLÉZIO: TELAAH POSTMEMORY Nadya Annisa Noer; Wening Udasmoro; Subiyantoro Subiyantoro
Bahasa dan Seni: Jurnal Bahasa, Sastra, Seni, dan Pengajarannya Vol 48, No 2 (2020)
Publisher : Fakultas Sastra Universitas Negeri Malang

THE DYNAMICS OF RELATIONSHIP BETWEEN ISOLATION AND MEMORY TRANSMISSION IN “TEMPÊTE” NOVELLA BY J. M. G. LE CLÉZIO: A POST-MEMORY REVIEWAbstract: The concept of postmemory, introduced by Hirsch (2012), focuses on the processes through which memories—particularly traumatic memories— of a historical tragedy, “Holocaus”, which is transmitted across generations. Drawing on the elements supporting inter-individual memory transmission, this paper examines the dynamics of human memory within Novel Prize-winning French-Mauritian author J. M. G. Le Clézio's novella entitled “Tempête”. Using a qualitative approach, this study aims to examine the individual forms of memory transmission that are rooted in conditions of isolation, and developed through one trauma site as the memory connector. The presence of semiotics within the story also builds the narration of traumatic memories. It indicates that memory transmission is not necessarily vertical, which is passed from the previous to the next generations. Memory transmission is also not always linear, as there are factors and methods affecting the interpretation of received memory aside from verbally. Thus, the complex relationship between alienation and individual memory transmission processes can directly impact individuals' life projection.Keywords: French Literature, Memory Transmission, Postmemory, TraumaDINAMIKA HUBUNGAN KETERASINGAN DENGAN TRANSMISI MEMORI DALAM NOVELLA “TEMPÊTE” KARYA J. M. G. LE CLÉZIO: TELAAH POSTMEMORY Abstrak: Postmemory sebagai konsep digagas oleh Hirsch (2012), berfokus pada proses transmisi memori. Khususnya memori traumatis dari peristiwa historis “Holokaus” yang diwarisi generasi penerus, disebut juga antargenerasi. Berangkat dari elemen-elemen pendukung pewarisan memori melalui satu individu pada individu lainnya, tulisan ini menelaah kedinamisan konsep memori manusia di dalam novella yang berjudul “Tempête” karya peraih hadiah Nobel franco-mauritian, J. M. G. Le Clézio. Menggunakan pendekatan kualitatif, penelitian ini bertujuan untuk mengkaji bentuk-bentuk transmisi memori individual yang berkembang dari kondisi keterasingan di dalam satu lokasi sebagai penghubung memori. Unsur simbolisme dan semiotik turut membingkai narasi sebagai indikasi memori traumatis di dalam karya. Hasil penelitian ini menunjukkan bahwa transmisi memori tidak selalu bersifat vertikal, yaitu yang diturunkan dari generasi sebelum terhadap generasi seterusnya. Transmisi memori juga tidak selalu bersifat linear, karena adanya faktor dan cara yang memengaruhi interpretasi memori selain daripada lisan. Kompleksitas hubungan keterasingan dan proses transmisi memori individu dapat berdampak langsung pada proyeksi kehidupan seseorang.Kata Kunci: Sastra Prancis, Transmisi Memori, Postmemory, Trauma Permalink/DOI: dx.doi.org/10.17977/um015v48i22020p155

EKSISTENSI MENJADI PELACUR DALAM NOVEL TUHAN, IZINKAN AKU MENJADI PELACUR! KARYA MUHIDIN M. DAHLAN NFN Mustika; Wening Udasmoro
Kandai Vol 12, No 1 (2016): Kandai
Publisher : Kantor Bahasa Sulawesi Tenggara

Penelitian ini bermula dari munculnya masalah yaitu muslimah dalam TIAMP yang begitu taat tetapi pada akhirnya justru memilih menjadikan dirinya sebagai pelacur. Pelacur merupakan pekerjaan yang sarat dengan tekanan. Namun dengan menjadi pelacur, tokoh dalam novel ini justru merasa bebas dan kehilangan tekanan dalam hidupnya. Pekerjaan pelacur adalah bentuk eksistensinya dengan mengabaikan pandangan-pandangan masyarakat terhadapnya. Bertolak dari hal demikian, maka peneliti berupaya menjelaskan bagaimana eksistensi sebagai muslimah dan bagaimana eksistensinya menjadi pelacur. Penelitian ini menggunakan teori eksistensialisme Jean Paul Sartre. Konsep kebebasan, tanggung jawab, absurditas, keinginan menjadi Tuhan, penderitaan, keyakinan buruk, dan faktisitas (termasuk orang lain) dalam teori eksistensialisme Jean Paul Sartre, erat kaitannya dengan karya Muhidin M. Dahlan yang sarat dengan permasalahan-permasalahan tersebut. Penelitian ini menemukan bahwa dalam TIAMP, muslimah diobjektivikasi oleh orang lain, tetapi akhirnya menjadi subjek dengan mengembalikan kesadaran pada dirinya sendiri. Eksistensinya menjadi pelacur adalah bentuk mauvaise foi atau keyakinan buruk sebab ia berada di antara transendensi dan faktisitas.

Contestation of Perspectives Toward Suicide in The Film Monsieur Lazhar (2011) by Philippe Falardeau Tesya Imanisa Setiadi; Wening Udasmoro; Hayatul Cholsy
Eralingua: Jurnal Pendidikan Bahasa Asing dan Sastra Vol 5, No 1 (2021): ERALINGUA
Publisher : Makassar State University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/eralingua.v5i1.14982

Abstract. Suicide is one of the causes of death that occurs in a global scope but always causes divisive perspectives in various circles of society. For most people, suicide is a taboo topic, but not for other groups. The film Monsieur Lazhar (2011) is a film that shows the different perspectives between different age groups, namely the adult age group and the young age group, on a suicide that occurred at an elementary school in Montreal, Canada. This study aims at determining the different perspectives of the two different parties on suicide and the reasons for these differences in views. Pierre Bourdieu’s Champ de Force theory is the lens used in this research. The difference in perspective is influenced by the disposition system which Bourdieu calls the habitus. Habitus operates in a realm (champ). In the film, the domain in question is school. Meanwhile, Durkheim’s theory of suicide was chosen to determine the relationship of social problems to suicide. The method used in this research is content analysis. The data used are the chronological text of the scenes and the transcript of the conversations from the film. From the research, it was found that the school, which is the adult age group, has a counter and stigmatic view of suicide, reinforced by perceptions of psychological problems and social taboos. Meanwhile, students, who are in the young age group, tend to view suicide as a problem related to personal aspects and personal experiences so that they do not have a judgmental attitude like the school. Keywords : Suicide, Contestation, Realm, Perspective, Habitus

Women in Public Sphere after The Implementation of Islamic Sharia in Aceh Sri Roviana; Wening Udasmoro; Euis Nurlaelawati
Al-Albab Vol 10, No 1 (2021)
Publisher : Graduate Program of Pontianak Institute of Islamic Studies

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24260/alalbab.v10i1.1970

This article discusses several activities intended for Acehnese women after the implementation of Islamic sharia. Activities aimed at women in public spaces have an impact on the marginalization and narrowing of women's public spaces. This article also explicitly provides an overview and analysis of what actually happened to Acehnese women so that it appears that there is a problem of the domination of male power over women based on religious, cultural, and political arguments. The purpose of this article is for the public to understand that the Aceh government has made policies aimed at women in the public sphere with the support of Wilayatul Hisbah, which has an impact on the marginalization of women. It is found that after the implementation of Islamic law in 2001 until now, in Aceh, there have been domestication of women with various regulations (qonuns) as well as text interpretations which are used as legitimacy by the power of conservative ideology on progressive understanding. This article makes Aceh a focus area. This article is based on the literature as a secondary source as well as interviews with experts.

Hambor as Little Narrative in Managing Conflict and Peace Situation in Manggarai, Flores, East Nusa Tenggara Maksimilianus Jemali; JB Banawiratma; Wening Udasmoro
International Journal of Interreligious and Intercultural Studies Vol 4 No 2 (2021): International Journal of Interreligious and Intercultural Studies
Publisher : UNHI PRESS

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32795/ijiis.vol4.iss2.2002.2226

This article explores the practice of Hambor tradition as little narrative in managing conflict and peace situations in Manggarai, Eastern Indonesia. Hambor, which means peace, is a component of local wisdom and a strategy for resolving conflict based on local culture. There are several issues to address, including the following: what is the meaning, impact, and manifestation of Hambor for Manggarai people on a personal and social level? What is the role of Hambor tradition in managing conflict and peace in Manggarai? This research used the ethnographic method through the genetic structuralism approach developed by the French philosopher and sociologist Pierre Bourdieu to understand the meaning, impact, and implementation of the Hambor process in daily life by the Manggaraian speech community. The research result shows that Hambor is the leading force in creating peace and harmony for the Manggarai people. Hambor is the substance of harmony between humans, the world (tana lino), the ancestors (wura agu ceki), and the God (Mori KraÃ©ng). Hambor process in Manggarai will be useful if it is based on a mutual commitment to overcoming disputes, transformative option (post-conflict), and the involvement and willingness of perpetrator and victim to forgive one another.

Between Memory and Trajectory: Gendered Literary Narratives of Javanese Diaspora in New Caledonia Wening Udasmoro; Setiadi Setiadi; Aprillia Firmonasari
International Journal of Interreligious and Intercultural Studies Vol 5 No 1 (2022): International Journal of Interreligious and Intercultural Studies
Publisher : UNHI PRESS

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32795/ijiis.vol5.iss1.2022.2851

The purpose of this research is to explore the memory and the trajectory of the Javanese diaspora on the novels written by two female authors of Javanese descent in New Caledonia using a gender perspective. The Javanese diaspora in New Caledonia is a community that has left their homeland (Java) to start a new life in their destination land (New Caledonia) since 1896. They are descendants of the contract coolies (laborers) sent by the Dutch colonial government who controlled the Dutch Indies, including Java, at the request of French colonial government. The delivery of contract coolies was based on an agreement called the “Koeli Ordonatie” which had become a legal regulation and was implemented since the 1880s. It was a regulation signed by the Governor-General of the Netherlands Number 138 whose purpose was to fid unskilled laborers willing to work in the Dutch colonies, especially in the plantations and mining. The coolies, especially from Java, were mostly used as manual laborers in various parts of Dutch colonies, such as in Suriname. Seeing that this Dutch policy brought positive results for the exploitation of natural resources in the Dutch colonies, the French colonial government asked the help from the Dutch colonial government to recruit the laborers to be sent to French colonial region, New Caledonia.

Pendampingan UKM Bidang Fashion pada Masa Pandemi Covid-19 di Daerah Istimewa Yogyakarta Hayatul Cholsy; Aprillia Firmonasari; Wening Udasmoro
Bakti Budaya: Jurnal Pengabdian kepada Masyarakat Vol 3, No 2 (2020)
Publisher : Faculty of Cultural Sciences

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/bb.60725

The Covid-19 pandemic has affected various aspects of human life, including to the fashion sector. The negative impact of the pandemic has disrupted the business operations of MSME (Micro, Small and Medium Enterprises) players, that exports cannot be carried out so that production does not run properly. This program, in collaboration with FFTI (Forum Fair Trade Indonesia) and IFC (Indonesian Fashion Chamber), aims to assist MSMEs in preparing products that can be made and marketed during the new normal in the local and global markets. The online seminar, which was held twice by presenting competent speakers, is expected to be able to help as well as open the insights of MSMEs in the fashion sector to be ready to run their business during the pandemic and new normal by continuing to be creative and think positively.====Pandemi Covid-19 telah berpengaruh terhadap berbagai aspek kehidupan manusia, termasuk dalam bidang fashion. Dampak negatif pandemi mengganggu jalannya bisnis para pelaku UMKM (Usaha Mikro Kecil dan Menengah), di antaranya ekspor tidak bisa dilakukan sehingga produksi tidak berjalan sebagaimana mestinya. Program yang bekerja sama dengan FFTI (Forum Fair Trade Indonesia) dan IFC (Indonesian Fashion Chamber) ini bertujuan untuk mendampingi UMKM dalam menyiapkan produk yang dapat dibuat dan dipasarkan selama masa new normal di pasar lokal dan pasar global. Seminar daring yang dilakukan sebanyak dua kali dengan menghadirkan narasumber yang kompeten diharapkan dapat membantu sekaligus membuka wawasan para pelaku UMKM bidang fashion untuk siap menjalani bisnisnya pada masa pandemi dan new normal dengan terus berkreasi serta berpikir positif.

Konstruksi Media Terhadap Perempuan Terlibat Kasus Korupsi dalam Tayangan Televisi Hadiati Erry; Irwan Abdullah; Wening Udasmoro
Jurnal Pemikiran Sosiologi Vol 2, No 2 (2013): Tantangan Global Dalam Perubahan Lokal
Publisher : Departemen Sosiologi Universitas Gadjah Mada

Artikel ini memfokuskan pada konstruksi media-televisi terhadap perempuan yang terlibat kasus tindak pidana korupsi. Dalam sepuluh tahun terakhir fenomena perempuan masuk dunia politik pemerintahan semakin meningkat, tetapi sekaligus juga diikuti oleh semakin banyaknya perempuan yang terjerat perkara korupsi. Pertanyaan pokok yang ingin dijawab dalam penelitian ini adalah bagaimana media massa mengkonstruksi perempuan terlibat korupsi melalui produksi dan reproduksi wacana yang dilakukan lewat ekspose pemberitaannya. Studi ini menggunakan metode analisis wacana kritis dari Norman Faircloug. Konstruksi media terhadap perempuan terlibat korupsi lebih banyak dibelokan ke isu irotis, domistik, dan suka glamour, bukan pada substansi masalah korupsi itu sendiri. Proses domestikasi oleh media ini mengindikasikan bahwa di ranah politik masih merupakan ranah laki-laki. Konteks sosial budaya akan fenomena tersebut merujuk bahwa dalam masyarakat ternyata masih patriarkis, sehingga jika ada perempuan aktivis politik mengalami kasus politik, media pun kemudian mengkonstruksi perempuan tidak beranjak dari sektor domistik. Produksi wacana seperti itu terus-menerus dilakukan televisi, terlebih lagi ketika mengambil momentum perempuan yang terkena kasus tindak pidana korupsi. Implikasi lebih lanjut, televisi semakin menegaskan dan meneguhkan bahwa ranah politik bukanlah ranah perempuan, melainan laki-laki.

Co-Authors Achmad Fawaid, Achmad Agustin, Eva Akalili, Awanis Anak Agung Gede Sugianthara Andi Mustofa andriani, merry Andriani, Merry Anjani, Albertine Darasita Aprilia Firmonasari Aprillia Firmonasari Arifah Arum Candra Hayuningsih Aryanti, Ni Nyoman Sri Azmie, Alvia Marata B.R. Suryo Baskoro B.R. Suryo Baskoro Banawiratma, JB. Bannaga Taha Al-Zubair Hussen Cholil, Suhadi Danial Hidayatullah, Danial Dian Pratiwi Diana Safinda Asran Dicky Sofjan Dyah Mutiarin, Dyah Elly Prihasti W Endang Fatmawati Endang Fatmawati Eni Harmayani Eni Maharsi, Eni Euis Nurlaelawati Eva Agustin F.X Nadar faruk faruk Fauzan Hanif Febrianto, Anggit Fikha Nada Naililhaq FIRMONASARI, Aprillia Gayatri, Satya Genny Gustina Sari Gogor Bangsa Hadiati E Hadiati E Hadiati Erry Hanif, Fauzan Hayatul Cholsy Hussen, Bannaga Taha Al-Zubair I Dewa Putu Wijana I Gusti Ngurah Antaryama Ida Bagus Gede Aric Surya Lesmana Ida Purnama Sari Ida Rochani Adi Irwan Abdullah Irwan Irwan J. Susetyo Edy Yuwono JB Banawiratma JB. Banawiratma Jemali, Maksimilianus Juliasih J. June Cahyaningtyas Kafana Fityah Kayla Taqiyya Kamila Adnani Leo Marai Lono L. Simatupang Madawat Madawat M, Rabiatul Margaretha Finna Calista Marsono Marsono Maurisa Zinira Merry Andriani Miftahul Huda Miftahul Huda Mite Setiansah Muhammad Agus Muljanto MUHAMMAD FAHMI Muhammad Najib Azca Mundi Rahayu Mutiah Amini Nadya Annisa Noer Naila Fauziah Najib Kailani NFN Mustika Noer, Nadya Annisa Nur Saktiningrum Nurwendah, Yusti Dwi Pujiharto Pujiharto Rahmatika Luthfiana Sholikhah Rahmawati, Risma Nur Ratna Noviani Ratna Noviani Resha Naura Safa Amelia Rizqia Nuur Maziyya Roberta Salsano Roberta Salzano Rohmawati, Wiwin Siti Aminah Roza Muliati Rr. Paramitha Dyah Fitriasari Rudi Ekasiswanto Ruhaida, Nana Saeful Anwar Saktiningrum, Nur Sal Murgiyanto Sal Murgiyanto, Sal Sandya Rani Yunita Setiadi Setiadi Setiadi Setiadi Siti Aisyah Yasmin Siti Machmiyah, Siti Sri Margana Sri Margana Sri Ratna Saktimulya Sri Roviana Subiyantoro Subiyantoro Subiyantoro Suhandano Suhandano Sulistyowati Sulistyowati Sulistyowati Sulistyowati Sulistyowati, NFN Susetyo, Jarwo Susiati Susiati Susiati, Susiati SYABANA, Rosidin ALI Tangguh Okta Wibowo Tesya Imanisa Setiadi Tri Astuti, Wulan Tri Indri Hardini Tri Mastoyo Jati Kesuma Uki Sukiman, Uki Utomo, Samuel Rihi Hadi Veithzal Rivai Zainal Wisma Nugraha Christianto Richardus Wiwid Nurwidyohening Wulan Nurrahma Azhari Wulan Tri Astuti Wulan Tri Astuti Yoachim Agus Tridiatno Yulia Nasrul Latifi Yulia Nasrul Latifi, Yulia Nasrul Yuniarti Sibuea

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