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Pergeseran Nilai-Nilai Islam dalam Cerita Aladdin: Perbandingan “Arabian Nights” dan Film Animasi Disney Rahayu, Mundi; Abdullah, Irwan; Udasmoro, Wening
el Harakah: Jurnal Budaya Islam Vol 17, No 1 (2015): EL HARAKAH
Publisher : UIN Maulana Malik Ibrahim Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/el.v17i1.3085

Abstract

This study compares the folktale “The Story of Aladdin and the Wonderful Lamp” from the Arabian Nights, and the animated film produced by Walt Disney Feature Animation under the title “Aladdin”. The story of Disney’s animated film “Aladdin” is based on the “The Story of Aladdin and the Wonderful Lamp.” The comparison of the two is focused on the aspect of Islamic values, its shifts and changes in the animated film Aladdin. The study applies Fairclough’s Critical Discourse Analysis, by applying the three stages of analysis.  The first level is micro level, on the language practice. In the second level, mezo level, discusses the discourse practice that covers the intertextuality that explore the production and consumption of text as the reference in delivering the ideas. In the third level, macro level, it interprets the social context of particular events. The finding shows that there is a change of discourse of Islamic value which is strongly expressed in the origiinal Aladdin story of “Arabian Nights” especiallly the important role of family. On the other hand, in the animated film Aladdin, remove the discourse of Islamic value and change it into the discourse of freedom. Artikel ini membandingkan dua cerita Aladdin yang diterjemahkan ke dalam bahasa Inggris menjadi Arabian Nights dengan judul cerita “The Story of Aladdin and the Wonderful Lamp,” dengan film animasi produksi Walt Disney Feature Animation dengan judul “Aladdin”. Cerita Aladdin dalam film animasi ini didasarkan pada cerita“The Story of Aladdin and the Wonderful Lamp.” Perbandingan ini difokuskan pada aspek nilai-nilai Islam, pergeseran dan perubahan yang terjadi pada film animasi Aladdin. Studi ini menerapkan Analisis Wacana Kritis Fairclough dengan menerapkan tiga tingkatan analisis. Tingkatan pertama adalah analisis mikro atau aspek bahasa. Pada tingkatan kedua adalah tingkatan mezo, yang menganalisis praktik wacana yang mencakup intertekstualitas yang mengeksplorasi produksi dan konsumsi teks referensi atas suatu gagasan. Pada tataran ketiga, tataran makro analisis difokuskan pada konteks sosial dari suatu peristiwa naratif tertentu. Hasil analisis menunjukkan bahwa ada pergeseran dan perubahan nilai-nilai Islam yang dalam cerita Aladdin. Dalam “Arabian Nights” cerita Aladdin sangat menonjolkan wacana nilai Islam terutama dalam hal peran penting keluarga, sedangkan dalam film animasi Aladdin wacana yang menonjol adalah nilai kebebasan.
“Flexing” and the Luxury Lifestyle: A Critique of the “False Solidarity” of Female Officials and Public Figures in Contemporary Indonesian Media Udasmoro, Wening; Marai, Leo
The Indonesian Journal of Socio-Legal Studies Vol. 5, No. 1
Publisher : UI Scholars Hub

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This study aims to explore the practice of “flexing” and the luxury lifestyle as represented in the media both through the self-representation of female public figures on their social media accounts and through coverage by mainstream outlets. These figures include actresses, entertainers, and other widely recognized social personalities. The research is urgent given that the public display of wealth and opulence disseminated through the media generates a domino effect within society, particularly in shaping consumption patterns and fueling an increasingly pervasive culture of consumerism in Indonesia. The proliferation of consumerist culture both reflects and exacerbates social inequality in Indonesia, where poverty remains a fundamental challenge. A gendered perspective, especially feminist scholarship focusing on the concept of “false solidarity” is employed as the analytical lens in this research. Here, false solidarity refers to performative gestures of empathy that reinforce inequality, mock economically disadvantaged women, and normalize such practices through state institutional complicity. The method used is Critical Discourse Analysis (CDA), which examines social practices that contain elements of inequality among members of different social groups, as conveyed through the linguistic discourses circulating on social media.
Le Génie Féminin By Julia Kristeva’s Perspective In The Novel Fī Qalbī Unṡā ‘Ibriyah Madawat Madawat M, Rabiatul; Udasmoro, Wening; Sukiman, Uki
Alinea: Jurnal Bahasa, Sastra dan Pengajaran Vol. 5 No. 3 (2025): Alinea: Jurnal Bahasa, Sastra, dan Pengajaran
Publisher : Bale Literasi: Lembaga Riset, Pelatihan & Edukasi, Sosial, Publikasi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58218/alinea.v5i3.1910

Abstract

This research aims to explain the dimension of genius, which is a cutting-edge sector that sees the subjectivity of the female by Kristeva. The main character of the novel is named Nada. This research looks at how Nada has a level of intellect and freedom within her genius dimension. Kristeva shows the dimension of female genius itself through life and thinking skills. Nada can easily enter public spaces through the power of critical thinking. The method employed in this research is qualitative descriptive. The material object is the novel Fi Qalbi Unsä Ibriyah, which serves as the research data. The data source consists of texts that are primary data, comprising dialogues, descriptions, or actions in the novel regarding the characteristics of a female’s genius. This research is based on Julia Kristeva's theory of Le Génie Féminin. The results of the research show that everything in Nada and her actions is evidence of what Kristeva refers to as the dimension of female genius. The significance of Nada's genius lies more in action, life, and thoughts. As Kristeva thought, Nada is looking at evidence of female’s talent through three dimensions. Nada builds mechanisms through self-actualization by bodily speaking and acting. She let go of the stigma that had been attached to her family tradition for a long time. Therefore, the highlight noted researchers are not at the end of the story, but on the capabilities of females and the efficiency of females’ processes over their ideas and positions. Their abilities are what Kristeva terms a feminine genius. every woman exists within her own dimension of genius, as far as she is capable of challenging the sociohistorical conditions of identity (as a woman).
Co-Authors Achmad Fawaid, Achmad Agustin, Eva Akalili, Awanis Anak Agung Gede Sugianthara Andi Mustofa Andriani, Merry andriani, merry Anjani, Albertine Darasita Aprilia Firmonasari Aprillia Firmonasari Arifah Arum Candra Hayuningsih Aryanti, Ni Nyoman Sri Azmie, Alvia Marata B.R. Suryo Baskoro B.R. Suryo Baskoro Banawiratma, JB. Bannaga Taha Al-Zubair Hussen Cholil, Suhadi Danial Hidayatullah, Danial Dian Pratiwi Diana Safinda Asran Dicky Sofjan Dyah Mutiarin, Dyah Elly Prihasti W Endang Fatmawati Endang Fatmawati Eni Harmayani Eni Maharsi, Eni Euis Nurlaelawati Eva Agustin F.X Nadar faruk faruk Fauzan Hanif Febrianto, Anggit Fikha Nada Naililhaq FIRMONASARI, Aprillia Gayatri, Satya Genny Gustina Sari Gogor Bangsa Hadiati E Hadiati E Hadiati Erry Hanif, Fauzan Hayatul Cholsy Hussen, Bannaga Taha Al-Zubair I Dewa Putu Wijana I Gusti Ngurah Antaryama Ida Bagus Gede Aric Surya Lesmana Ida Purnama Sari Ida Rochani Adi Irwan Abdullah Irwan Irwan J. Susetyo Edy Yuwono JB Banawiratma JB. Banawiratma Jemali, Maksimilianus Juliasih J. June Cahyaningtyas Kafana Fityah Kayla Taqiyya Kamila Adnani Leo Marai Lono L. Simatupang Madawat Madawat M, Rabiatul Margaretha Finna Calista Marsono Marsono Maurisa Zinira Merry Andriani Miftahul Huda Miftahul Huda Mite Setiansah Muhammad Agus Muljanto MUHAMMAD FAHMI Muhammad Najib Azca Mundi Rahayu Mutiah Amini Nadya Annisa Noer Naila Fauziah Najib Kailani NFN Mustika Noer, Nadya Annisa Nur Saktiningrum Nurwendah, Yusti Dwi Pujiharto Pujiharto Rahmatika Luthfiana Sholikhah Rahmawati, Risma Nur Ratna Noviani Ratna Noviani Resha Naura Safa Amelia Rizqia Nuur Maziyya Roberta Salsano Roberta Salzano Rohmawati, Wiwin Siti Aminah Roza Muliati Rr. Paramitha Dyah Fitriasari Rudi Ekasiswanto Ruhaida, Nana Saeful Anwar Saktiningrum, Nur Sal Murgiyanto Sal Murgiyanto, Sal Sandya Rani Yunita Setiadi Setiadi Setiadi Setiadi Siti Aisyah Yasmin Siti Machmiyah, Siti Sri Margana Sri Margana Sri Ratna Saktimulya Sri Roviana Subiyantoro Subiyantoro Subiyantoro Suhandano Suhandano Sulistyowati Sulistyowati Sulistyowati Sulistyowati Sulistyowati, NFN Susetyo, Jarwo Susiati Susiati Susiati, Susiati SYABANA, Rosidin ALI Tangguh Okta Wibowo Tesya Imanisa Setiadi Tri Astuti, Wulan Tri Indri Hardini Tri Mastoyo Jati Kesuma Uki Sukiman, Uki Utomo, Samuel Rihi Hadi Veithzal Rivai Zainal Wisma Nugraha Christianto Richardus Wiwid Nurwidyohening Wulan Nurrahma Azhari Wulan Tri Astuti Wulan Tri Astuti Yoachim Agus Tridiatno Yulia Nasrul Latifi Yulia Nasrul Latifi, Yulia Nasrul Yuniarti Sibuea