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All Journal Indonesian Journal of Geography Humaniora Lensa: Kajian Kebahasaan, Kesusastraan, dan Budaya Jurnal Civics: Media Kajian Kewarganegaraan INFORMASI Litera Jurnal Komunikasi Sosiohumaniora Indonesian Journal of Applied Linguistics (IJAL) FRANCISOLA LiNGUA: Jurnal Ilmu Bahasa dan Sastra El-HARAKAH : Jurnal Budaya Islam Lingua Jurnal Bahasa dan Sastra Jurnal Kawistara : Jurnal Ilmiah Sosial dan Humaniora Teosofi: Jurnal Tasawuf dan Pemikiran Islam Lingua Cultura Al-Ulum Indonesian Journal of Islam and Muslim Societies Rubikon: Journal of Transnational American Studies Poetika: Jurnal Ilmu Sastra Jurnal Ilmu Komunikasi Jurnal Ilmu Sosial dan Ilmu Politik Journal of Urban Society´s Arts Al-Jami'ah: Journal of Islamic Studies Mozaik Humaniora ATAVISME JURNAL ILMIAH KAJIAN SASTRA ANDHARUPA Empirisma; Jurnal Pemikiran dan Kebudayaan Islam Musawa : Jurnal Studi Gender dan Islam Jurnal Ilmu Sosial dan Ilmu Politik Religious: Jurnal Studi Agama-Agama dan Lintas Budaya Masyarakat, Kebudayaan dan Politik Journal of Language and Literature Jurnal Orientasi Baru Eralingua : Jurnal Pendidikan Bahasa Asing dan Sastra Al-Albab Bakti Budaya: Jurnal Pengabdian kepada Masyarakat Jurnal Pemikiran Sosiologi LEKSIKA k@ta Lire journal (journal of linguistics and literature Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Kandai English Language and Literature International Conference (ELLiC) Proceedings International Journal of Interreligious and Intercultural Studies Adabiyyat: Jurnal Bahasa dan Sastra Jurnal Pariwisata Terapan IJISH (International Journal of Islamic Studies and Humanities) Jantra Journal of Social Studies (JSS) JURNAL KOMUNIKASI DAN BISNIS Jurnal Kajian Seni AS-SIYASI JOURNAL OF CONSTITUTIONAL LAW Jurnal Wanita dan Keluarga Bakti Budaya: Jurnal Pengabdian kepada Masyarakat AKSARA: Jurnal Bahasa dan Sastra Alinea: Jurnal Bahasa, Sastra, dan Pengajaran Widyaparwa SASDAYA: Gadjah Mada Journal of Humanities Libraria: Jurnal Ilmu Perpustakaan dan Informasi The Indonesian Journal of Socio-Legal Studies BAHASTRA Lire Journal (Journal of Linguistics and Literature) Jurnal Kawistara Indonesian Journal of Islamic Literature and Muslim Society Tabasa: Jurnal Bahasa, Sastra Indonesia, dan Pengajarannya LINGUISTS : JOURNAL OF LINGUISTICS AND LANGUAGE TEACHING Jurnal bahasa, sastra, seni, dan pengajarannya Khazanah Sosial CMES (Center of Middle Eastern Studies)
Wening Udasmoro
Fakultas Ilmu Budaya Universitas Gadjah Mada
Religion Arts Humanities Decision Sciences, Operations Research & Management Earth & Planetary Sciences Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Public Health Social Sciences Other

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The fragile upper subject: Gender, digital discourse, and superego collapse in contemporary Indonesian media Udasmoro, Wening; Marai, Leo; Firmonasari, Aprillia
Jurnal Komunikasi Vol. 20 No. 1 (2026): VOLUME 20 NO 1 APRIL 2026
Publisher : Program Studi Ilmu Komunikasi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20885/komunikasi.vol20.iss1.art1

Abstract

Studies have been exploring the processes of identity construction increasingly intertwined with the behaviors of netizens. The construction of self-identity is now entangled with global capitalism. The contribution of this article is the exploration of the Superego as a site of vulnerability in the age of social media. In the current media environment, this vulnerability of the Superego is observable through the figure of the prominent individual whose visibility, amplified by significant social capital, draws both admiration and hostility from followers. This paper introduces the concept of the Upper Subject to understand such figures. This study focuses on two political figures who can be categorized as Upper Subjects based on the number of followers they command on social media: Khofifah Indar Parawansa (the Governor of East Java) and Dedi Mulyadi (the Governor of West Java). Both serve as the primary subjects of this analysis. The study adopts a Critical Discourse Analysis (CDA) method to examine how these Upper Subjects are constructed and contested within digital discourse.
Feminine Metaphors and Archipelagic Ecological Narratives in Contemporary Indonesian Short Stories Muhammad Hafidz Assalam; Wening Udasmoro; Aprinus Salam; Wahyu Wiji Astuti; Deswandito Dwi Saptanto
Tabasa: Jurnal Bahasa, Sastra Indonesia, dan Pengajarannya Vol. 7 No. 01 (2026)
Publisher : UIN Raden Mas Said Surakarta, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22515/tabasa.v7i01.14633

Abstract

This study aims to explore recent Indonesian short stories written by women in their efforts to produce feminine metaphors as a form of resistance against the singular truth of masculinity. In narrating their short stories, female writers produce feminine metaphors shaped by the ecological conditions surrounding them. These feminine narratives are presented as an accentuation of women's defense against the ecological damage suffered by islands inhabited by humans. The patriarchal system combined with greedy capitalism and modernism has damaged the ecology of the islands where humans live. Through literary works, women carry out symbolic resistance by producing new metaphors as a representation of the mainstreaming of women in their involvement in creating an egalitarian relationship between humans and nature. This study uses the narrative theory approach from Helene Cixous which was then developed into feminine metaphors by Leslie Rabine. Based on an exploratory analysis of linguistic data in the short stories Mandi Mayah and Kesaksian di Titik Didih by Deasy Tirayoh, and Angin Berkabar Hujan by Dian Nangin, the results show that feminine metaphors are closely related to the ecological elements of the islands, including the sea, plantations, and agriculture. In this case, the sea, plantations, and agriculture are combined with efforts to resist patriarchy, capitalism, and modernism through the accentuation of symbolic and metaphorical language. Penelitian ini bertujuan untuk mengeksplorasi cerita pendek Indonesia mutakhir yang ditulis oleh perempuan dalam upaya untuk menghasilkan metafora feminin sebagai bentuk perlawanan terhadap kebenaran tunggal maskulinitas. Dalam menarasikan cerpennya, penulis perempuan menghasilkan metafora feminin yang dibentuk dari kondisi ekologis di sekitar penulis sendiri. Narasi feminin ini disajikan sebagai penekanan pada pembelaan perempuan terhadap kerusakan ekologis yang diderita oleh pulau-pulau yang dihuni manusia. Sistem patriarki yang dikombinasikan dengan kapitalisme yang serakah dan modernisme telah merusak ekologi pulau-pulau tempat manusia tinggal. Melalui karya sastra, perempuan melakukan perlawanan simbolis dengan menghasilkan metafora baru sebagai representasi dari pengarusutamaan perempuan dalam keterlibatannya dalam menciptakan hubungan egaliter antara manusia dan alam. Penelitian ini menggunakan pendekatan teori naratif dari Helene Cixous yang kemudian dikembangkan menjadi metafora feminin oleh Leslie Rabine. Berdasarkan analisis eksploratif data linguistik dalam cerita pendek Mandi Mayah dan Kesaksian di Titik Didih karya Deasy Tirayoh, dan Angin Berkabar Hujan karya Dian Nangin, hasil analis menunjukkan bahwa metafora feminin sangat terkait dengan unsur-unsur ekologis pulau, termasuk laut, perkebunan, dan pertanian. Dalam hal ini, laut, perkebunan, dan pertanian dikorelasikan dengan upaya untuk melawan patriarki, kapitalisme, dan modernisme melalui penekanan pada bahasa simbolis dan metaforis.  
Le Génie Féminin By Julia Kristeva’s Perspective In The Novel F? Qalb? Un?? ‘Ibriyah Rabiatul Madawat Madawat M; Wening Udasmoro; Uki Sukiman
Alinea: Jurnal Bahasa, Sastra dan Pengajaran Vol. 5 No. 3 (2025): Alinea: Jurnal Bahasa, Sastra, dan Pengajaran
Publisher : Bale Literasi: Lembaga Riset, Pelatihan & Edukasi, Sosial, Publikasi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58218/alinea.v5i3.1910

Abstract

This research aims to explain the dimension of genius, which is a cutting-edge sector that sees the subjectivity of the female by Kristeva. The main character of the novel is named Nada. This research looks at how Nada has a level of intellect and freedom within her genius dimension. Kristeva shows the dimension of female genius itself through life and thinking skills. Nada can easily enter public spaces through the power of critical thinking. The method employed in this research is qualitative descriptive. The material object is the novel Fi Qalbi Unsä Ibriyah, which serves as the research data. The data source consists of texts that are primary data, comprising dialogues, descriptions, or actions in the novel regarding the characteristics of a female’s genius. This research is based on Julia Kristeva's theory of Le Génie Féminin. The results of the research show that everything in Nada and her actions is evidence of what Kristeva refers to as the dimension of female genius. The significance of Nada's genius lies more in action, life, and thoughts. As Kristeva thought, Nada is looking at evidence of female’s talent through three dimensions. Nada builds mechanisms through self-actualization by bodily speaking and acting. She let go of the stigma that had been attached to her family tradition for a long time. Therefore, the highlight noted researchers are not at the end of the story, but on the capabilities of females and the efficiency of females’ processes over their ideas and positions. Their abilities are what Kristeva terms a feminine genius. every woman exists within her own dimension of genius, as far as she is capable of challenging the sociohistorical conditions of identity (as a woman).
THE NAMES OF POLITICAL PARTIES IN EGYPT: A DISCOURSE ANALYSIS OF ISLAMIC POLITICAL PARTY NAMES AFTER THE ARAB SPRING 2011 Hamdan Hamdan; Syamsul Hadi; Wening Udasmoro
CMES (Center of Middle Eastern Studies) Vol 18, No 2 (2025)
Publisher : Arabic Literature Department

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/cmes.18.2.100889

Abstract

The Egyptian Islamic political movement gained momentum for freedom along with the 2011 Arab Spring event. The political agenda is to realise that Islamic life has the opportunity to grow again. The Egyptian Islamic political power welcomed it by establishing a political party. However, the Egyptian Law of 2011 prohibits the use of religious symbols as party identities. Therefore, the Egyptian Islamic power established it by using names from more commonly used secular concepts. This presents a distinct issue in the form of framing Islamic politics within secular discourse. This discussion attempts to examine this phenomenon by first examining the linguistic aspects of the names used by Egyptian Islamic parties. The morphological and semantic approaches are the basis of the discussion. It is concluded that the form used as the name of this party is a basic noun with an ideal meaning. The structure used is a genitive phrase as a form that gives strength to the identity carried.
The silent mannequin disciplined, commodified, silenced bodies in Madelaine Chapsal’s Les Chiffons du Rêve Diajeng Naomi Mercy Van Mary; Wening Udasmoro
Leksika: Jurnal Bahasa, Sastra dan Pengajarannya Vol. 20 No. 3 (2026): October 2026
Publisher : Universitas Muhammadiyah Purwokerto

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30595/lks.v20i3.31081

Abstract

The French haute couture industry has a long, deeply rooted history of systematically controlling women’s bodies through the aesthetics of the beauty process. This study examines how representations of the female body are presented as disciplined and commercialized objects in a collection of short stories written by Madeleine Chapsal in Les Chiffons du rêve, situating them within the socio-political context of the French fashion industry. Drawing on Wendy Harcourt’s theory of the politics of the body and Michel Foucault’s concept of “docile bodies”, the author has selected five short stories for analysis using close reading techniques. This study will identify three mechanisms or perspectives referring to Harcourt regarding interconnected forms of power: institutional subordination, commodification within luxury capitalism, and the internalization of aesthetic norms which over time slowly but surely influence the transformation of many women into individuals who ultimately discipline themselves. This study posits that the cold narrative style presented by Chapsal, the depiction of women’s bodies and “broken” models, alongside the abundant symbolism employed, serves as a function of critique and resistance against the historically entrenched patriarchal system that has been implemented and normalized within the world of haute couture from the outset, particularly regarding women and models. A key highlight that emerges is this: although a critique of oppression is presented, the narrative, as written and portrayed, simultaneously reproduces and normalizes the process of bodily compliance among women and models in every single chapter throughout the entire collection. 
Narrative Imagination of Islam in Nusantara: A Study on Islam in Babad Tanah Jawi and Babad Giyanti Achmad Fawaid; Wening Udasmoro; Sri Margana; Miftahul Huda
Indonesian Journal of Islamic Literature and Muslim Society Vol. 8 No. 1 (2023): June 2023
Publisher : UIN Raden Mas Said Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22515/islimus.v8i1.5030

Abstract

The lack of research on literary elements in "babad" is in line with the limited study of Islamic elements within this genre. This research aims to analyze the Javanese poets' depictions of Islam in "Babad Tanah Jawi" and "Babad Giyanti." The study operates under the assumption that "babad" as literary works can allegorically create a contested space where Islam interacts with other traditions. A qualitative paradigm with a comparative structural approach is employed in this study, focusing on the narratives that shape the author's understanding of Islam in the 18th century. The findings of this research reveal that the court poet's portrayal of Islam in "Babad Tanah Jawi" shares similarities with another work in the same genre, "Babad Giyanti." These commonalities encompass the utilization of Islamic verses in the "bhabuka" text and "asmaul husna," the depiction of "walisongo's" role, the practice of "tawajjuh," moral Islamic teachings, and the political positioning characterized by ambivalence and negotiation among different traditions.
Postcolonial encounters between the west, the east, and Islam in Hanum Salsabiela’s travel writing Risma Nur Rahmawati; Faruk Faruk; Wening Udasmoro
BAHASTRA Vol. 45 No. 2 (2025): BAHASTRA
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Travel writing serves as a crucial medium through which narrators document and interpret their encounters with foreign cultures. This study examines Hanum Salsabiela’s Bulan Terbelah di Langit Amerika (BTLA) to explore how the narrator reports on the United States, expresses her self-identity during her journey in the United States, and represents the people of the United States through the lens of postcolonial travel writing. This research is significant because the narrator not only depicts the United States as a geographical and cultural space but also highlights the presence of Islam within it. As the country with the largest Muslim population in the world, it is not surprising that many Indonesian travel writers are drawn to Islamic regions such as the Middle East. However, in recent years, some have begun to explore Western countries, which differ significantly in culture and religion. The data collection methods used in this research are textual observation and note-taking. In addition, the data analysis employs discourse analysis grounded in the postcolonial travel writing paradigms of Carl Thompson. In conclusion, the study indicates that the United States is portrayed as a metropolitan country, yet it continues to face overlapping social issues, including homelessness, Islamophobia, and discrimination. BTLA functions as self-reflective travel writing, using the United States as a space for the narrator to explore and reflect on her identity as a Muslim. Furthermore, in representing the Other, the narrator still exhibits traces of a neo-colonial attitude, even though she strives to present a cosmopolitan perspective.
Co-Authors Achmad Fawaid Agustin, Eva Anak Agung Gede Sugianthara Andi Mustofa andriani, merry Andriani, Merry Anjani, Albertine Darasita Aprilia Firmonasari Aprillia Firmonasari Aprinus Salam Arifah Arum Candra Hayuningsih Aryanti, Ni Nyoman Sri Awanis Akalili Azmie, Alvia Marata B.R. Suryo Baskoro B.R. Suryo Baskoro Banawiratma, JB. Bannaga Taha Al-Zubair Hussen Cholil, Suhadi Danial Hidayatullah, Danial Deswandito Dwi Saptanto Diajeng Naomi Mercy Van Mary Dian Pratiwi Diana Safinda Asran Dicky Sofjan Dyah Mutiarin, Dyah Elly Prihasti W Endang Fatmawati Endang Fatmawati Eni Harmayani Eni Maharsi, Eni Euis Nurlaelawati Eva Agustin F.X Nadar Faruk, Faruk Fauzan Hanif Febrianto, Anggit Fikha Nada Naililhaq FIRMONASARI, Aprillia Gayatri, Satya Genny Gustina Sari Gogor Bangsa Hadi, Syamsul Hadiati E Hadiati E Hadiati Erry Hamdan Hamdan Hamdan Hamdan Hanif, Fauzan Hayatul Cholsy Hussen, Bannaga Taha Al-Zubair I Dewa Putu Wijana I Gusti Ngurah Antaryama Ida Bagus Gede Aric Surya Lesmana Ida Purnama Sari Ida Rochani Adi Irwan Abdullah Irwan Irwan J. Susetyo Edy Yuwono JB Banawiratma JB. Banawiratma Jemali, Maksimilianus Juliasih J. July Wiarti, July June Cahyaningtyas Kafana Fityah Kayla Taqiyya Kamila Adnani Leo Marai Lono L. Simatupang Madawat Madawat M, Rabiatul Margaretha Finna Calista Marsono Marsono Maurisa Zinira Merry Andriani Miftahul Huda Mite Setiansah Muhammad Agus Muljanto MUHAMMAD FAHMI Muhammad Hafidz Assalam Muhammad Najib Azca Mundi Rahayu Mutiah Amini Nadya Annisa Noer Naila Fauziah Najib Kailani NFN Mustika Noer, Nadya Annisa Nur Saktiningrum Nurwendah, Yusti Dwi Pujiharto Pujiharto Rabiatul Madawat Madawat M Rahmatika Luthfiana Sholikhah Ratna Noviani Ratna Noviani Resha Naura Safa Amelia Risma Nur Rahmawati Rizqia Nuur Maziyya Roberta Salsano Roberta Salzano Rohmawati, Wiwin Siti Aminah Roza Muliati Rr. Paramitha Dyah Fitriasari Rudi Ekasiswanto Ruhaida, Nana Saeful Anwar Saktiningrum, Nur Sal Murgiyanto Sal Murgiyanto, Sal Sandya Rani Yunita Setiadi Setiadi Setiadi Setiadi Siti Aisyah Yasmin Siti Machmiyah, Siti Sri Margana Sri Ratna Saktimulya Sri Roviana Subiyantoro Subiyantoro Subiyantoro Suhandano Suhandano Sulistyowati Sulistyowati Sulistyowati Sulistyowati Sulistyowati, NFN Supriyadi Susetyo, Jarwo Susiati Susiati Susiati SYABANA, Rosidin ALI Syamsul Hadi Tangguh Okta Wibowo Tesya Imanisa Setiadi Tri Astuti, Wulan Tri Indri Hardini Tri Mastoyo Jati Kesuma Uki Sukiman Uki Sukiman, Uki Utomo, Samuel Rihi Hadi Veithzal Rivai Zainal Wahyu Wiji Astuti Wisma Nugraha Christianto Richardus Wiwid Nurwidyohening Wulan Nurrahma Azhari Wulan Tri Astuti Wulan Tri Astuti Yoachim Agus Tridiatno Yulia Nasrul Latifi Yulia Nasrul Latifi, Yulia Nasrul Yuniarti Sibuea