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All Journal Indonesian Journal of Geography Humaniora Lensa: Kajian Kebahasaan, Kesusastraan, dan Budaya Jurnal Civics: Media Kajian Kewarganegaraan INFORMASI Litera Jurnal Komunikasi Sosiohumaniora Indonesian Journal of Applied Linguistics (IJAL) FRANCISOLA LiNGUA: Jurnal Ilmu Bahasa dan Sastra El-HARAKAH : Jurnal Budaya Islam Lingua Jurnal Bahasa dan Sastra Jurnal Kawistara : Jurnal Ilmiah Sosial dan Humaniora Teosofi: Jurnal Tasawuf dan Pemikiran Islam Lingua Cultura Al-Ulum Indonesian Journal of Islam and Muslim Societies Rubikon: Journal of Transnational American Studies Poetika: Jurnal Ilmu Sastra Jurnal Ilmu Komunikasi Jurnal Ilmu Sosial dan Ilmu Politik Journal of Urban SocietyÂ´s Arts Al-Jami'ah: Journal of Islamic Studies Mozaik Humaniora ATAVISME JURNAL ILMIAH KAJIAN SASTRA ANDHARUPA Empirisma; Jurnal Pemikiran dan Kebudayaan Islam Musawa : Jurnal Studi Gender dan Islam Jurnal Ilmu Sosial dan Ilmu Politik Religious: Jurnal Studi Agama-Agama dan Lintas Budaya Masyarakat, Kebudayaan dan Politik Journal of Language and Literature Jurnal Orientasi Baru Eralingua : Jurnal Pendidikan Bahasa Asing dan Sastra Al-Albab Bakti Budaya: Jurnal Pengabdian kepada Masyarakat Jurnal Pemikiran Sosiologi LEKSIKA k@ta Lire journal (journal of linguistics and literature Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Kandai English Language and Literature International Conference (ELLiC) Proceedings International Journal of Interreligious and Intercultural Studies Adabiyyat: Jurnal Bahasa dan Sastra Jurnal Pariwisata Terapan IJISH (International Journal of Islamic Studies and Humanities) Jantra Journal of Social Studies (JSS) JURNAL KOMUNIKASI DAN BISNIS Jurnal Kajian Seni AS-SIYASI JOURNAL OF CONSTITUTIONAL LAW Jurnal bahasa, sastra, seni, dan pengajarannya Jurnal Wanita dan Keluarga Bakti Budaya: Jurnal Pengabdian kepada Masyarakat AKSARA: Jurnal Bahasa dan Sastra Alinea: Jurnal Bahasa, Sastra, dan Pengajaran Widyaparwa SASDAYA: Gadjah Mada Journal of Humanities Libraria: Jurnal Ilmu Perpustakaan dan Informasi The Indonesian Journal of Socio-Legal Studies BAHASTRA Lire Journal (Journal of Linguistics and Literature) Jurnal Kawistara Indonesian Journal of Islamic Literature and Muslim Society Tabasa: Jurnal Bahasa, Sastra Indonesia, dan Pengajarannya LINGUISTS : JOURNAL OF LINGUISTICS AND LANGUAGE TEACHING Jurnal bahasa, sastra, seni, dan pengajarannya Khazanah Sosial

Wening Udasmoro

Fakultas Ilmu Budaya Universitas Gadjah Mada

Author-ID : 2385170

Religion Arts Humanities Decision Sciences, Operations Research & Management Earth & Planetary Sciences Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Public Health Social Sciences Other

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Articles

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Writing the Self: Interior Voyage in 19th Century French Travel Writing Andi Mustofa; Wening Udasmoro; Sri Ratna Saktimulya
Journal of Language and Literature Vol 23, No 1 (2023): April
Publisher : Universitas Sanata Dharma

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24071/joll.v23i1.4844

Travel is a momentum to look inside that influences the travelers' existence, along with meeting and interacting with others. The self as a traveler experiences internal dynamics reflected in the travel writings. This paper analyzes five French travel writings to reveal the self-construction of travelers who explored the East in the 19th century. The analysis results show that travelers’ self-construction is divided into Enlightenment or Romantic subjects and true travelers or travelers as tourists. The Enlightenment subject prioritizes facts and empirical knowledge outside of the self for the broader interest. In contrast, the Romantic subject puts forward subjective and emotional attitudes in dealing with and narrating others used for personal gain. True travelers look for difficulties in other places to prove themselves in conquering the challenges. Travelers as tourists try to avoid the obstacles by seeking safety and comfort during the trip. The East as a travel destination is a space that offers difficulties in constructing and legitimizing the traveler's self-image with the attributes that society expects, such as courage and persistence. The five French travelers, both Enlightenment or Romantic subjects and true travelers or tourists, had various knowledge of the others due to factors such as the purpose of the trip, profession, social status, and duration of the trip. Knowledge of the others and self-disclosure narrated in travel writings manifest the French travelers’ power to control and manage themselves and represent the Other.

Gender and Islam: On the Politics of Sexuality of Muslim Male Authors In Indonesia and France Wening Udasmoro
Musãwa Jurnal Studi Gender dan Islam Vol. 21 No. 1 (2022)
Publisher : Sunan Kalijaga State Islamic University & The Asia Foundation

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/musawa.2022.211.1-11

Tujuan penelitian ini adalah untuk mengeksplorasi hubungan antara karya sastra dan perubahan social terkait dengan politik seksualitas. Secara umum, karya-karya sastra di dunia yang ditulis oleh pengarang laki-laki, secara historis memiliki muatan yang banyak memosisikan perempuan sebagai objek terutama terkait dengan tubuh dan seksualitasnya. Setelah peristiwa 11 September 2001 yang secara koinsidental hampir bersamaan dengan munculnya era Reformasi di Indonesia, baik di Indonesia maupun Prancis semakin banyak karya-karya bertemakan Islam yang ditulis. Dengan menganalisis karya-karya bertemakan Islam yang ditulis oleh pengarang laki-laki, yakni Syngué Sabour Pierrede Patience, karya Atiq Rahimi and Ayat-Ayat Cinta karya Habiburrahman El Shirazy, artikel ini menggunakan lensa teori dengan mengetengahakn konsep mengenai politik seksualitas. Sebagai metode, digunakan analisis wacana kritis sebagai usaha untuk memahami beroperasinya kekuasaa bahasa di dalam karya-karya tersebut. Fokus dari penelitian ini adalah pada aspek fundamental yang dipandang oleh penulis novel untuk menjustifikan kontrol terhadap seksualitas perempuan. Penelitian ini menemukan bahwa tubuh dan seksualitas perempuan dikendalikan baik secara fisik maupun simbolis, tidak hanya oleh laki-laki tetapi juga oleh keluarga dan masyarakat. Tujuannya adalah untuk mengontrol moralitas publik dan untuk melanggengkan rejim kekuasaan laki-laki yang dilembagakan secara agama, budaya dan politik. [The article aims to explore the relation between the work of literature and the social changes on the politics of sexuality. In general, literary works written by male authors, historically have a lot of content that positions women as objects, especially related to their body and sexuality. After the incident of September, 11, 2001, which coincidentally almost in the same time with the emergence of the Refromasi era in Indonesia, both in Indonesia and France, more Islamic-themed work were written. By analyzing Islamic-themed works written by male authors, namely, Syngué Sabour Pierre de Patience by Atiq Rahimi and Ayat-Ayat Cinta, by Habiburrahman ElShirazy, this article uses a theoretical lens by highliting the concept of the politics of sexuality. Critical discourse analysis method is used as an attempt to understand the operation of the power of language in these works. This article focused on the fundamental aspects considered by the authors to justify the control over women’s body and sexuality. This research finds that women’s body and sexuality are controlled both physically and symbolically, not only by men but also by their families and society. The objective is to control the public morality and to perpetuate the religiously, culturally, and politically institutionalized male dominant regime.]

Portraying Women’s Agential Practices of Ideological Muslimah Community: A Passionate Approach to Islamist Politics Maurisa Zinira; Wening Udasmoro; Muhammad Najib Azca
IJISH (International Journal of Islamic Studies and Humanities) Vol. 6 No. 1 (2023): April
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar

The issue of women and Islamism has been an increasing area of study to explore considering the number of women subscribing to the ideology continues to rise. Plenty of research has been conducted on this subject, but those available suggest that women were fragile victims of the ideology and were portrayed as passive actors who enact no agency. As we shall see, this research finds the opposite. Exploring the motivation and activism of the Ideological Muslimah community in Yogyakarta through a passionate politics approach, it discovers the agential practices of women in Islamist movement. Their motivation and engagement in Islamist politics demonstrate pluralities of women’s experiences and affirm the strong nexus of agency, emotion, and identity. By focusing on the agency and the play of emotion, this article aims to provide an alternate perspective to the burgeoning study of feminism and social movement, which has thus far been dominated by rational calculation of the action.

Woman in niqab and contestation of piety show-off in the media Awanis Akalili; Wening Udasmoro; Ratna Noviani
Informasi Vol 53, No 1 (2023): Informasi
Publisher : Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/informasi.v53i1.59261

HIjrah is not only limited on human relation with God, but also how hijrah discourse existence is delivered in the media as discourse battle arena. Niqab is a characteristic of a woman going through hijrah. By using multimodality of Gunther Kress and Theo van Leuween, this critical discourse digs deeper on phenomena of woman in niqab and contestation of piety show-off in the media. Based on analysis performed on four accounts of woman with niqab in Instagram, narration found that the most massive show-off action of piety are performed by niqabis, that is in the act of religious activities, such as reading Al-Qur'an, praying, suggestion on sadaqa and five-times prayer. Moreover, piety representation is also performed by using quotes in Arabian language and Arabian woman figure as illustration to legitimate the hijrah journey of a woman in niqab. Piety, not only it displays woman in covering clothes, but also intersection with popular culture. It’s existence is put together with the incidentally profane Korean wave love romance This phenomena shows a paradox where there is incorporation of religious sacredness with the often considered profane Korean wave.

Internalized Misogyny: Oppression Among Women In Lady J Movie By Emmanuel Moret Resha Naura Safa Amelia; Wening Udasmoro
English Language and Literature International Conference (ELLiC) Proceedings Vol 6 (2023): Transforming Paradigm, Diversity, and Challenges in English Language Learning, Linguis
Publisher : Universitas Muhammadiyah Semarang

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The endless oppression of patriarchy creates competition in women's relationships. Women observe, defeat, insult, belittle, and overthrow each other, which is included in the acts of internalized misogyny. Internalized misogyny is a tool used by patriarchy to keep women as subordinate by diverting women's attention from opposing patriarchy to fighting among themselves. Internalized misogyny strengthens the oppression of women in society. Women evaluate other women from their behavior, physical appearance, and even their private lives. Discriminatory acts such as mockery, bullying, labeling, decreasing women's value, and exploitation of women's rights unknowingly also have been committed by women. Thus, the main focus of this paper is to reveal how internalized misogyny occurs in the process of women’s opposition to patriarchy that is included in a movie entitled Lady J. This movie shows that unknowingly for women, in an attempt to defeat patriarchy, women sacrificed other women. The movie narrates a story of a Marquise who is a female aristocrat in France who intends to take revenge on her ex-husband by working with a family of prostitutes. The aim of this paper is to examine internalized misogyny depicted in Lady J movie and to criticize the movies containing internalized misogyny acts that tend to be unrealized or even normalized. This research uses theories of misogyny, bad women, and silencing by Kate Manne and the relations of the patriarchal system and the internalization of discrimination by Sheryl Sandberg. This research uses data collection and analysis methods that reveal the action of internalized misogyny that occurs in the relationship between female figures and their resistances.

MALE GAZE DALAM SASTRA FEMINIS: STUDI ATAS KARYA ABIDAH EL KHALIEQY DAN RATIH KUMALA Febrianto, Anggit; Udasmoro, Wening
Widyaparwa Vol 51, No 2 (2023)
Publisher : Balai Bahasa Provinsi Daerah Istimewa Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/wdprw.v51i2.1244

Since the fall of Suharto in May 1998, women's involvement in literature has increased rapidly, causing a rush of feminist themes and content in literary works in this period. However, the literary works of women writers, even female feminists, are still unable to escape the tendency to objectify women. This study will show how women are positioned as objects of the voyeuristic scopophilia and fetishistic scopophilia of men in the Abidah El Khalieqy’s Perempuan Berkalung Sorban and Geni Jora and Ratih Kumala’s Tabula Rasa and Gadis Kretek. This study is descriptive qualitative. Data collection techniques were carried out using the literature study method, namely by reading carefully and thoroughly the four material object novels. Collected data will be analyzed using Male Gaze Theory by Laura Mulvey. The results of this study show that in the four novels, women consistently manifest as objects of the voyeuristic scopophilia and fetishistic scopophilia of men. This finding can be seen in the voyeuristic relationship between Samsudin-Annisa in Perempuan Berkalung Sorban, Zakky-Lola in Geni Jora, Idroes-Roemaisa in Gadis Kretek; as well as in the Galih-Krasnaya fetishistic relationship in Tabula Rasa. As voyeuristic objects, women bodies are degraded as appropriate territory to be conquered by men; while as a fetishistic object, women are constructed as a "perfect product" that functions to satisfy men's visual desires. Sejak kejatuhan Soeharto pada Mei 1998, keterlibatan perempuan di ranah sastra meningkat dengan pesat sehingga menyebabkan derasnya tema dan muatan feminisme dalam karya sastra pada pe-riode ini. Akan tetapi karya sastra dari penulis perempuan, bahkan dari feminis perempuan sekalipun, masih belum mampu keluar dari kecenderungan untuk mengobjektifikasi perempuan. Penelitian ini akan menunjukkan bagaimana perempuan didudukkan sebagai objek voyeuristic scopophilia dan fetishistic scopophilia laki-laki di dalam novel Perempuan Berkalung Sorban dan Geni Jora karya Abidah El Khalieqy serta Tabula Rasa dan Gadis Kretek karya Ratih Kumala. Penelitian ini menggunakan metode kualitatif. Teknik pengumpulan data dilakukan dengan metode studi pustaka, yaitu dengan pembacaan yang cermat dan menyeluruh terhadap empat novel objek material. Data yang sudah terkumpul kemudian akan dianalisis menggunakan Teori Male Gaze Laura Mulvey. Hasil dari penelitian ini menunjukkan bahwa dalam keempat novel objek material, pe-rempuan secara konsisten diposisikan sebagai objek voyeuristic scopophilia dan fetishistic scopophilia laki-laki. Temuan ini dapat dilihat dalam relasi voyeuristic Samsudin-Annisa di Perempuan Berkalung Sorban, Zakky-Lola di Geni Jora, Idroes-Roemaisa di Gadis Kretek; serta dalam relasi fetishistic Galih-Krasnaya di Tabula Rasa. Sebagai objek voyeuristic, tubuh perempuan didegradasi menjadi sebuah teritori yang pantas ditaklukkan laki-laki; sementara sebagai objek fetishistic, perempuan dikonstruksi sebagai sebuah “produk sempurna” yang berfungsi memuaskan hasrat visual laki-laki.

PEREMPUAN SEBAGAI OBJEK MALE GAZE PEMBACA: TELAAH KRITIS KARYA SASTRA FEMINIS PEREMPUAN INDONESIA Febrianto, Anggit; Udasmoro, Wening
Adabiyyāt: Jurnal Bahasa dan Sastra Vol 8 No 1 (2024)
Publisher : Sunan Kalijaga State Islamic University Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/ajbs.2024.080101

Motherhood dalam Novel Chanson Douce Karya Leila Slimani: Analisis Dekonstruksi Derrida Anjani, Albertine Darasita; Udasmoro, Wening; Firmonasari, Aprillia
Sasdaya: Gadjah Mada Journal of Humanities Vol 6 No 2 (2022): 2022 Nomor 2
Publisher : Humanities Studies, Post-Graduate Program, Faculty of Cultural Sciences, Universitas Gadjah Mada

Motherhood ideology is commonly found in literary works, including narratives depicting the figure of a mother. In literature, especially in Europe, the figure of a mother is mystified and is often associated with the figure of the Virgin Mary. This is closely related to the oppression experienced by women due to the inequality of gender construction produced by society. The novel Chanson Douce by Leila Slimani narrates two mothers with different backgrounds. This study aims to carry out a deconstruction reading, especially on the discourse of motherhood. In interpreting something we are always dominated by dominant hierarchies and superior poles which are considered as "single truth". This single truth can lead to vulnerability to discrimination or service. The deconstruction method used in this study uses the concepts of trace and difference, in readings that lead to the meaning of texts that are "friendly" to the others. The results of this study lead us to new questions regarding the challenges of motherhood in this post-industrial era.

ENABLER FACTORS IN THE SURVIVAL OF “NGOKO” JAVANESE IN THE SPECIAL REGION OF YOGYAKARTA (Enabler Factors Survival Bahasa Jawa “Ngoko” di Daerah Istimewa Yogyakarta) Udasmoro, Wening; Sulistyowati, NFN; Susetyo, Jarwo; Firmonasari, Aprillia
Kandai Vol 19, No 2 (2023): KANDAI
Publisher : Kantor Bahasa Provinsi Sulawesi Tenggara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/jk.v19i2.4158

Penelitian ini bertujuan untuk mengeksplorasi lebih jauh alasan di balik preferensi pemilihan salah satu ragam bahasa Jawa, yakni bahasa Jawa Ngoko di kalangan siswa Sekolah Dasar, Sekolah Menengah Pertama, dan Sekolah Menengah Atas di lima wilayah kabupaten/kota di Daerah Istimewa Yogyakarta (DIY). Alasan pemilihan bahasa ini dipandang memiliki kaitan erat dengan sosialisasi bahasa yang dilakukan di lingkup keluarga, peer groups dan media, baik media sosial maupun media konvensional. Teori mengenai kerentanan bahasa dipakai untuk menganalisis sumber data. Penelitian ini menggunakan mix method, yakni dengan penelitian survei menggunakan analisis kuantitatif terhadap aspek-aspek terkait dengan alasan pemilihan bahasa dan peran subjek-subjek yang berpotensi menjadi enabler factor pemilihan bahasa Jawa Ngoko tersebut. Metode kedua adalah dengan Geographic Information system yang merupakan metode dengan fokus pada spasialitas untuk menengarai sebaran pemilihan-pemilihan bahasa Jawa di lima wilayah yang dianalisis. Penelitian ini menemukan bahwa practical reason menjadi alasan utama dari para siswa untuk menggunakan bahasa dalam kehidupan sehari-hari. Habitus DIY merupakan enabler factor alasan pemilihan ragam bahasa ini secara umum di jenjang sekolah yang berbeda. Selain itu, keluarga, peer groups serta sosial media memiliki potensi sebagai enabler factor yang lain meskipun membutuhkan cara dan mekanisme yang berbeda di dalam pengelolaanya. Conducted in one city and five regencies in DIY (the Special Region of Yogyakarta), this study aimed to identify the reason as to why the elementary, junior high, and high school students in these regions prefer using one Javanese register, namely ngoko, over the other registers. It is believed that this preference pertains to language socialization within the family, peer groups, and the media, both social and conventional. The theory of language vulnerability was used to analyze the data. The study employed two relevant quantitative methods. The first one includes a quantitative analysis of survey data on the background of language selection and the roles of subjects believed to be the enabler factors in the selection of ngoko. The second one is GIS (Geographic Information System) mapping to display spatial information on the distribution of Javanese register usage in the five regions. This study found that practicality is the main reason for students to use ngoko in everyday life. The habitus of DIY is an enabler factor in choosing this language variety at different school levels. Additionally, family, peer groups, and social media have the potential to be enabler factors, although it requires different ways and mechanisms to manage them.

DINAMIKA SHARING ECONOMY: APROPRIASI KARYA DESAIN GRAFIS MELALUI CROWDSOURCING Bangsa, Gogor; Udasmoro, Wening; Noviani, Ratna
ANDHARUPA: Jurnal Desain Komunikasi Visual & Multimedia Vol. 10 No. 03 (2024): September 2024
Publisher : Dian Nuswantoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33633/andharupa.v10i03.11441

Penelitian ini mengkaji bagaimana praktik crowdsourcing dalam kontes desain grafis di platform digital memunculkan bentuk baru dari eksploitasi di era kapitalisme digital. Penelitian ini berfokus pada dua kelompok utama: komunitas desainer grafis online otodidak di desa Kaliabu, Kecamatan Salaman, Kabupaten Magelang, Jawa Tengah, dan para desainer grafis online akademis di Yogyakarta. Dengan menggunakan teori Christian Fuchs mengenai tenaga kerja digital (digital labour), penelitian ini menggambarkan bagaimana desainer terlibat dalam kontes desain tanpa adanya jaminan kompensasi, yang pada akhirnya menciptakan nilai lebih (surplus value) yang dieksploitasi oleh kapitalis digital. Melalui studi kasus dan wawancara mendalam dengan desainer dari kedua kelompok, penelitian ini mengungkapkan bahwa digitalisasi kerja memberikan keuntungan ganda bagi pemilik platform digital. Mereka dapat memanfaatkan tenaga kerja gratis yang disumbangkan oleh desainer, serta mendapatkan keuntungan dari apropriasi data dan karya yang dihasilkan desainer tanpa kompensasi yang layak. Dalam proses ini, apropriasi terjadi ketika karya-karya yang tidak memenangkan kontes dan data pribadi desainer digunakan oleh pihak ketiga tanpa sepengetahuan atau izin mereka, menjadikan desainer sebagai subjek eksploitasi yang tidak hanya merugikan secara finansial tetapi juga dalam aspek data pribadi mereka. Penelitian ini menunjukkan bahwa praktik-praktik crowdsourcing dalam industri desain grafis digital perlu ditinjau kembali.

Co-Authors Achmad Fawaid Agustin, Eva Anak Agung Gede Sugianthara Andi Mustofa Andriani, Merry andriani, merry Anjani, Albertine Darasita Aprilia Firmonasari Aprillia Firmonasari Aprinus Salam Arifah Arum Candra Hayuningsih Aryanti, Ni Nyoman Sri Awanis Akalili Azmie, Alvia Marata B.R. Suryo Baskoro B.R. Suryo Baskoro Banawiratma, JB. Bannaga Taha Al-Zubair Hussen Cholil, Suhadi Danial Hidayatullah, Danial Deswandito Dwi Saptanto Dian Pratiwi Diana Safinda Asran Dicky Sofjan Dyah Mutiarin, Dyah Elly Prihasti W Endang Fatmawati Endang Fatmawati Eni Harmayani Eni Maharsi, Eni Euis Nurlaelawati Eva Agustin F.X Nadar faruk faruk Fauzan Hanif Febrianto, Anggit Fikha Nada Naililhaq FIRMONASARI, Aprillia Gayatri, Satya Genny Gustina Sari Gogor Bangsa Hadiati E Hadiati E Hadiati Erry Hamdan Hamdan Hanif, Fauzan Hayatul Cholsy Hussen, Bannaga Taha Al-Zubair I Dewa Putu Wijana I Gusti Ngurah Antaryama Ida Bagus Gede Aric Surya Lesmana Ida Purnama Sari Ida Rochani Adi Irwan Abdullah Irwan Irwan J. Susetyo Edy Yuwono JB Banawiratma JB. Banawiratma Jemali, Maksimilianus Juliasih J. July Wiarti, July June Cahyaningtyas Kafana Fityah Kayla Taqiyya Kamila Adnani Leo Marai Lono L. Simatupang Madawat Madawat M, Rabiatul Margaretha Finna Calista Marsono Marsono Maurisa Zinira Merry Andriani Miftahul Huda Miftahul Huda Mite Setiansah Muhammad Agus Muljanto MUHAMMAD FAHMI Muhammad Hafidz Assalam Muhammad Najib Azca Mundi Rahayu Mutiah Amini Nadya Annisa Noer Naila Fauziah Najib Kailani NFN Mustika Noer, Nadya Annisa Nur Saktiningrum Nurwendah, Yusti Dwi Pujiharto Pujiharto Rahmatika Luthfiana Sholikhah Rahmawati, Risma Nur Ratna Noviani Ratna Noviani Resha Naura Safa Amelia Rizqia Nuur Maziyya Roberta Salsano Roberta Salzano Rohmawati, Wiwin Siti Aminah Roza Muliati Rr. Paramitha Dyah Fitriasari Rudi Ekasiswanto Ruhaida, Nana Saeful Anwar Saktiningrum, Nur Sal Murgiyanto Sal Murgiyanto, Sal Sandya Rani Yunita Setiadi Setiadi Setiadi Setiadi Siti Aisyah Yasmin Siti Machmiyah, Siti Sri Margana Sri Margana Sri Ratna Saktimulya Sri Roviana Subiyantoro Subiyantoro Subiyantoro Suhandano Suhandano Sulistyowati Sulistyowati Sulistyowati Sulistyowati Sulistyowati, NFN Supriyadi Susetyo, Jarwo Susiati Susiati Susiati SYABANA, Rosidin ALI Syamsul Hadi Tangguh Okta Wibowo Tesya Imanisa Setiadi Tri Astuti, Wulan Tri Indri Hardini Tri Mastoyo Jati Kesuma Uki Sukiman, Uki Utomo, Samuel Rihi Hadi Veithzal Rivai Zainal Wahyu Wiji Astuti Wisma Nugraha Christianto Richardus Wiwid Nurwidyohening Wulan Nurrahma Azhari Wulan Tri Astuti Wulan Tri Astuti Yoachim Agus Tridiatno Yulia Nasrul Latifi Yulia Nasrul Latifi, Yulia Nasrul Yuniarti Sibuea

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