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All Journal Humaniora DIKSI Natural Science: Journal of Science and Technology Nusa: Jurnal Ilmu Bahasa dan Sastra Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK) BASASTRA Jurnal Teknik Mesin FRANCISOLA AL KAUNIYAH BAHASA DAN SASTRA Jurnal Ilmiah Mahasiswa FEB Jurnal Keteknikan Pertanian Tropis dan Biosistem Mozaik Humaniora JURNAL SOSIAL HUMANIORA (JSH) KEMBARA ATAVISME JURNAL ILMIAH KAJIAN SASTRA Kajian Linguistik dan Sastra Khazanah Informatika: Jurnal Ilmu Komputer dan Informatika KARSA: Jurnal Sosial dan Budaya Keislaman (Journal of Social and Islamic Culture) International Journal of Science and Applied Science: Conference Series MUDRA Jurnal Seni Budaya Panggung BIOPROSPEK Proceeding of International Conference on Art, Language, and Culture Haluan Sastra Budaya Jurnal SOLMA Pendas : Jurnah Ilmiah Pendidikan Dasar Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Early Childhood Research Journal (ECRJ) Kandai Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Jurnal Rekayasa Sipil Adabiyyat: Jurnal Bahasa dan Sastra J-SAKTI (Jurnal Sains Komputer dan Informatika) Humaniora Aksis : Jurnal Pendidikan Bahasa dan Sastra Indonesia Literasi : Jurnal Bahasa dan Sastra Indonesia serta Pembelajarannya BAHTERA : Jurnal Pendidikan Bahasa dan Sastra Suar Betang Bahasa: Jurnal Keilmuan Pendidikan Bahasa dan Sastra Indonesia Sutasoma : Jurnal Sastra Jawa Jurnal Abdi: Media Pengabdian Kepada Masyarakat Abdi Laksana : Jurnal Pengabdian Kepada Masyarakat Masyarakat Berdaya dan Inovasi JIKA (Jurnal Informatika) Jurnal Sains Agro Jurnal Restikom : Riset Teknik Informatika dan Komputer Jurnal Ekonomi Efektif International Journal of Engagement and Empowerment (IJE2) J-SAKTI (Jurnal Sains Komputer dan Informatika) Rengganis Jurnal Pengabdian Masyarakat RUANG KATA: Journal of Language and Literature Studies Jurnal Pengabdian Masyarakat Akademika : Jurnal Pemikiran Islam Jurnal Pengabdian Masyarakat Bhinneka Jurnal Lektur Keagamaan Widyaparwa Jurnal PENEROKA: Kajian Ilmu Pendidikan Bahasa dan Sastra Indonesia Sewagati Paradigma: Jurnal Kajian Budaya Wacana: Journal of the Humanities of Indonesia Cilpa : Jurnal Ilmiah Pendidikan Seni Rupa SmartComp Qurthuba: The Journal of History and Islamic Civilization Journal of Infrastructure Policy and Management (JIPM) Dharma: Jurnal Pengabdian Masyarakat Belajar Bahasa : Jurnal Ilmiah Program Studi Pendidikan Bahasa dan Sastra Indonesia Sawerigading Jurnal bahasa, sastra, seni, dan pengajarannya Jurnal Panalungtik JENTERA: Jurnal Kajian Sastra ABDINE :Jurnal Pengabdian Masyarakat
Dwi Susanto
Universitas Sebelas Maret
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Gouw Peng Liang's Lo Fen Koei text (1903) as a cultural practice of the Chinese peranakan community: A new historicism study Susanto, Dwi
Bahasa dan Seni: Jurnal Bahasa, Sastra, Seni, dan Pengajarannya Vol. 51, No. 1
Publisher : citeus

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Abstract

Lo Fen Koei text (1903) by Gouw Peng Liang has been neglected in the history of Indonesian literature due to the numerous discourses on power and social, political, and ideological issues that flourished at the time. The objective of this study is to discover about the text's active response to social, political, and other discourses that exist outside of its existence. The issues addressed in this study are (1) the historical context and author's stance, (2) the meaning of Lo Fen Koei's (1903) text, and (3) the texts and discourse around Lo Fen Koei's (1903) text. The study uses a New Historicism persfective. The Loe Fen Koei text (1903) as a material object and the text's cultural practices as a formal object are the objects of this study. The study data include contents and ideas of Lo Fen Koei text (1903), the social setting in which the text is situated, non-literary texts that are present at the same time, and diverse information related to the topic. Data interpretation techniques were used to prove the paratext corresponding to the Lo Fen Koei text (1903) by following procedures presented in New Historicism studies such as reading the meaning of the text, linking the meaning of the text or the presence of the text with the social situation and discourse that developed at the time. The results of this paper reveal that Lo Fen Koei text (1903) by Gouw Peng Liang has relevance to cultural practices within Chinese society in responding to diverse prevalent discourses. Meanwhile, the vision and objective of the Tiong Hua Hwee Kuan (THHK) cultural organization, the recinanization movement or Khong Hucu, and opposing to colonial policies exist as evidence of cultural practice. This text was a proponent of cultural nationalism and the restoration of noble teachings. Through the concepts of liberalism and westernization, the work also addressed on the practice of colonialism in the colonial time.
Dunia Arab Saudi dan Islam dalam pandangan orang Indonesia: Narasi pekerja migran dalam novel Pelukis Gurun Pasir (2018) karya Fuad Abdurahman Susanto, Dwi; Nugroho, Miftah; Wati, Rianna
Bahasa dan Seni: Jurnal Bahasa, Sastra, Seni, dan Pengajarannya Vol. 49, No. 1
Publisher : citeus

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The world of Saudi Arabia in the diaspora experiences of Fuad Abdurahman is written in a novel entitled Pelukis Gurun Pasir (2018). The problems discussed in this study are: (1) the position of subject or author in the narrative structure of the text, (2) the author's relationship with the country of origin, and (3) the voices that appear within the migrant subject in dealing with Saudi Arabian tradition. The theory used is diaspora poetics, which emphasizes the concept of language expression as part of the subject's identity. The object of the research is Pelukis Gurun Pasir (2018) and the author's response to traditions in Saudi Arabia. The data include the narrative structure of the novel’s text, the ideas in the text, the author's biography, and diaspora discourse or social situations. The results show that the image of Saudi Arabian society tends to be evaluated negatively by emphasizing on the chaotic sexuality description of Arabic men, making Saudi Arabia a masculine country. In addition, the author finds tolerant Islamic values in Indonesia, which causes his longing to return to Indonesia. Dunia Arab Saudi dalam pengalaman diaspora Fuad Abdurahman dituliskan dalam Pelukis Gurun Pasir (2018). Masalah yang dikaji dalam penelitian ini adalah (1) posisi subjek atau pengarang dalam tata naratif teks (2) hubungan pengarang dengan negeri asal, dan (3) suara-suara yang muncul dalam diri subjek migran dalam menghadapi tradisi Arab Saudi. Teori yang digunakan adalah puitika diaspora yang menekan pada konsep ekpresi bahasa sebagai bagian dari identitas subjek. Objek kajian penelitian adalah novel Pelukis Gurun Pasir (2018) dan tanggapan pengarang terhadap tradisi di Arab Saudi. Data yang digunakan adalah tata naratif teks novel, gagasan yang muncul dalam teks, riwayat pengarang, dan wacana diaspora atau situasi sosial. Hasil penelitian ini adalah bahwa citra masyarakat Arab Saudi cenderung dinilai secara negatif dengan menekankan pada deskripsi seksualitas yang kacau dari laki-laki Arab sehingga Arab Saudi adalah negeri maskulin. Selain itu, pengarang justru menemukan nilai-nilai keislaman yang toleran berada di Indonesia sehingga pengarang merindukan pulang ke Indonesia.
Eksotisme dan pencitraan perempuan pribumi dalam novel Tjerita Njai Dasima Esaliana, Dias; Cinthya, Nathasha; Susanto, Dwi
Bahasa dan Seni: Jurnal Bahasa, Sastra, Seni, dan Pengajarannya Vol. 49, No. 2
Publisher : citeus

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This study intends to show the self-image of Indonesian women who are considered ‘exotic’ in Gijsbert Francis’ novel Tjerita Njai Dasima. The term exotic refers to alienation and othering Europeans raised towards the eastern world, especially Indonesia. The author discusses the image of Indonesian women featured in the novel Tjerita Njai Dasima through the point of view of postcolonial feminists using a qualitative descriptive method by displaying the result based on subject relations and imagery built in the novel. The data in the discussion focuses on the contents of literary works dealing with postcolonial discourse, which brings out the construction of identity towards women based on the reality that women are often seen as symbolic images and objects of male invaders. Penelitian ini bertujuan untuk menunjukkan citra diri perempuan Indonesia yang digambarkan sebagai sesuatu yang dianggap ‘eksotik’ dalam novel Tjerita Njai Dasima karya Gijsbert Francis. Eksotik yang dimaksudkan merupakan suatu keasingan dan keliyanan yang dimunculkan oleh bangsa Barat terhadap dunia Timur, khususnya Indonesia. Penulis membahas citra perempuan Indonesia yang ditampilkan dalam novel Tjerita Njai Dasima melalui sudut pandang feminis pascakolonial menggunakan metode deskriptif kualitatif yakni dengan menampilkan hasil berdasarkan relasi-relasi subjek dan pencitraan yang dibangun dalam novel Tjerita Njai Dasima versi Gijsbert Francis. Data pada pembahasan difokuskan pada isi karya sastra yang mengandung wacana pascakolonial yang memuncul­kan konstruksi identitas terhadap perempuan. Perempuan sering dianggap sebagai gambaran simbolis dan objek dari pria yang menjajah.
EFEKTIVITAS METODE FORWARD CHAINING PADA SISTEM PAKAR PENDETEKSI PENYAKIT KAMBING Susanto, Dwi; Fadil, Abdul; Yudhana, Anton
Smart Comp :Jurnalnya Orang Pintar Komputer Vol 9, No 2 (2020): Smart Comp :Jurnalnya Orang Pintar Komputer
Publisher : Politeknik Harapan Bersama

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30591/smartcomp.v9i2.1923

Abstract

Negara Indonesia merupakan negara yang beriklim tropis masyarakatnya sebagian besar adalah petani dan peternak. Ternak kambing merupakan ternak paling diminati masyarakat Indonesia mengingat modalnya relatif lebih kecil dibandingkan dengan ternak sapi. Mudahnya proses pemeliharaan ternak kambing tersebut, bisa dilakukan oleh siapa saja termasuk anggota keluarga sendiri. Penanganan penyakit pada ternak yang kurang cepat dan tepat mengakibatkan kerugian ekonomi yang cukup besar. Dalam hal bididaya dan ternak kambing sebagian besar peternak kurang mengetahui tentang pemeliharaan dan penanggulangan penyakit pada kambing. Biasanya para peternak kambing akan menyembelih hewan ternaknya ketika kambing terjangkit penyakit dan tidak tau bagaimana menanggulangi penyakitnya tersebut. Dengan adanya sistem pakar ini diharapkan dapat membantu para pemilik maupun peternak kambing menangani dan menanggulangi penyakit kambing dengan cepat berdasarkan gejala yang ditimbulkan. Dalam sistem pakar ini menggunakan metode Forward Chaining (pelacakan kedepan). Metode ini digunakan sebagai teknik mencari kesimpulan atau solusi dengan cara menguji aturan satu  demi satu dalam urutan tertentu.
Pengaruh Model Project Based Learning Terhadap Kreativitas Dan Hasil Belajar Seni Lukis Siswa aliagaffi, Candara; susanto, Dwi; Desiana Muryasari
CILPA Vol 11 No 1 (2026): January
Publisher : Universitas Sarjanawiyata Tamansiswa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30738/cilpa.v11i1.19980

Abstract

Abstrak Metode konvensional seringkali tidak melibatkan siswa dalam pembelajaran seni lukis secara aktif. Hasilnya, siswa memiliki hasil belajar yang buruk dan kreativitas yang rendah. Studi ini menunjukkan bahwa kreativitas dan hasil belajar siswa meningkat dengan model belajar berbasis proyek (PjBL). Tujuan dari penelitian ini adalah untuk mengetahui bagaimana pengaruh model PjBL terhadap kreativitas dan hasil belajar siswa dalam pembelajaran seni lukis di SMPN 2 Tempel Yogyakarta. Metode penelitian dilakukan menggunakan pendekatan kuantitatif ex-post facto. Kelas eksperimen dan kontrol terdiri dari siswa kelas VIII. Data dikumpulkan melalui dokumentasi, wawancara, observasi, dan analisis portofolio karya seni. Hasil penelitian menunjukkan bahwa menggunakan PjBL tidak hanya membantu siswa mencapai nilai akademik, tetapi juga membantu mereka menjadi lebih kreatif, melihat dunia melalui lensa visual, dan menjadi lebih aktif dalam proses berkarya seni. Hasil ini menunjukkan bahwa model pembelajaran berbasis proyek dapat dianggap sebagai metode pembelajaran yang mendukung tujuan Kurikulum Merdeka. Ini terutama berlaku untuk meningkatkan pemahaman siswa tentang seni budaya yang relevan dan kontekstual. Abstract Conventional methods often fail to actively engage students in painting lessons. As a result, students tend to have poor academic performance and low creativity. This study demonstrates that students' creativity and learning outcomes can be improved through the use of the Project-Based Learning (PjBL) model. The purpose of this research is to examine the effect of the PjBL model on students’ creativity and learning achievement in painting lessons at SMPN 2 Tempel, Yogyakarta. Research methodology was conducted using a quantitative approach with an ex-post facto design. The experimental and control groups consisted of eighth-grade students. Data were collected through documentation, interviews, observation, and analysis of students' art portfolios.The results indicate that the use of PjBL not only helps students achieve better academic performance but also encourages them to be more creative, to perceive the world through a visual lens, and to actively participate in the artistic process. These findings suggest that the project-based learning model can be considered an effective instructional approach that supports the objectives of the Kurikulum Merdeka, particularly in enhancing students' understanding of cultural arts in a meaningful and contextual way.
Objektifikasi Dan Perlawanan Perempuan Dalam Novel Rara Mendut Karya Y.B. Mangunwujaya: Analisis Wacana Kritis Sara Mills OCTAMA DWITANINGSIH; Dwi Susanto; Supana
PANALUNGTIK Vol. 7 No. 1 (2024): Vol 7 (1) Juli 2024
Publisher : Badan Riset dan Inovasi Nasional (BRIN)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55981/panalungtik.2024.5170

Abstract

This research examines the power built through the language of objectification and women's resistance in the novel Rara Mendut by Y.B. Mangunwijaya. The author wass not only known as a writer, but also a social fighter who devotes much of his attention to the little people. The story of Rara Mendut is based on historical background that talks about a looted slave who refused to be the concubine of Tumenggung Wiraguna, a Mataram commander. He was described as a brave figure and is not afraid to voice his thoughts and opinions. By using the Sara Mills model of critical discourse analysis approach, the researcher reveals the position and role of women in the text as well as the author's efforts to convey a message through female characters. Even though in the text, women are used as objects to be controlled and exploited, women are shown as subjects who show control within themselves to fight injustice.
The Effect of Pornography Discourse on the Reception of Stencil Novels by Enny Arrow Anggraini, Ariska Puspita; Susanto, Dwi; Rais, Wakit Abdullah
Humaniora: Journal of Indonesia Culture and Society Vol. 12 No. 2 (2021): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v12i2.6905

Abstract

The research aimed to analyze pornography discourse in the reception of Enny Arrow’s stencil novels between two millennial men. This was a qualitative research. The research sample focused on two millennial men in Surakarta who read the stencil novels intensively. Data were obtained by interview, and observations were conducted over six months. The research observed two newly recognized millennial men to read and interpret the stencil novels. After that, the research looked at the effect on the social relationships of the participants. The theory used to analyze the data was Normand Holland’s psychoanalytic literary reception. After data analysis process, it is revealed that pornography discourse makes the participants think that the stencil novels are entertaining but can be a taboo subject to discuss with others. Because of the pornography discourse, participants also think that story on the stencil novels should not be used as a general topic conversation. 
Social Control of Women’s Body as Cultural-Political Legitimation in “Putri Cina” Novel Sartika, Resa; Susanto, Dwi; Wibowo, Prasetyo
Humaniora: Journal of Indonesia Culture and Society Vol. 12 No. 2 (2021): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v12i2.6972

Abstract

The research aimed to describe the depiction of the female body’s domination as a form of political-cultural legitimacy raised in Sindhunata’s work entitled Putri Cina. Michel Foucault’s theory of discourse was applied as the approach to reveal how sexuality was closely related to power practices. The discourse presented in the novel was dissected by qualitative methods, descriptive qualitative, and interpretative data analysis techniques. The results show that the two main characters of this novel are Chinese women who experienced oppression in Java. The existence of a cultural identity crisis, abjection, passivity, and not subversion represents the figure of alienated women. This perspective is intertwined with how indigenous men perceive Chinese women figures. Sindhunata describes the unequal construction of sexuality between men and women and the discrimination of the Chinese race as repeated during the kingdom era, pre-independence, to the New Order era. 
MAKNA SIMBOL KESUBURAN DALAM MITOS DEWI SRI DAN DEWI LAKSMI: KAJIAN SASTRA BANDINGAN Ardhani, Orinta; Rusman, Wafa Nabila; Susanto, Dwi
Basastra: Jurnal Bahasa, Sastra, dan Pengajarannya Vol 10, No 2 (2022): Basastra: Jurnal Bahasa, Sastra, dan Pengajarannya
Publisher : Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/basastra.v10i2.57599

Abstract

Penelitian ini dilakukan untuk mengetahui makna simbol kesuburan yang melekat pada sosok Dewi Sri dari Jawa dan Dewi Lakshmi dari India. Penelitian ini bersifat kualitatif dengan mengedepankan kualitas data. Objek kajian dalam penelitian ini adalah cerita rakyat Dewi Sri dan Dewi Lakshmi beserta struktur pembangunnya. Data yang digunakan berupa tata naratif dan gagasan yang  muncul dalam teks. Teknik interpretasi data dilakukan dengan langkah-langkah. Pertama, pembacaan atas tata teks naratif untuk menemukan unsur-unsur intrinsik maupun ekstrinsik pada cerita rakyat. Kedua, menganalisis unsur-unsur intrinsik dan ekstrinsik berdasarkan teori struktural genetik Lucien Goldmann. Ketiga, menelusuri makna dari simbol kesuburan yang melekat pada sosok Dewi Sri dan Dewi Lakshmi melalui hasil pembacaan tata teks naratif. Hasil penelitian menunjukkan bahwa Dewi Sri merupakan lambang kesuburan dalam sektor pertanian, karena dari jasadnya tumbuh beragam tanaman pertanian. Sedangkan kesuburan yang melekat pada Dewi Lakshmi dikaitkan dengan perannya sebagai ibu alam semesta yang memberi kehidupan dan memeliharanya termasuk dalam pangan dan reproduksi. 
Orientalisme Edward Said dalam Novel Kereta Semar Lembu Karya Zaky Yamani Kisma Pradahati; Dwi Susanto
Bahtera: Jurnal Pendidikan Bahasa dan Sastra Vol. 25 No. 1 (2026): BAHTERA: Jurnal Pendidikan Bahasa dan Sastra, Volume 25 Nomor 1 Januari 2026
Publisher : Program Studi Pendidikan Bahasa Program Pascasarjana Universitas Negeri Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/bahtera.251.08

Abstract

The aim of this study is to analyze the representation of orientalism in the novel Kereta Semar Lembu by Zaki Yamani (2022), using Edward Said's theory. Orientalism is understood as a discourse created by the West to establish and maintain its superiority over the East. This study employs a qualitative-descriptive method using observe and note technique. The study focuses on three main aspects: (1) discrimination against the local (pribumi) people, (2) the construction of superiority and inferiority between the West and the East, and (3) the practice of domination by Western (Dutch) powers over the Eastern (Indonesian) people. Data were obtained from narrative excerpts in the novel that portray colonial power relations and representational strategies of the East. The analysis shows that colonial domination occurred not only physically, such as through the exploitation of labor and agrarian resources, but also symbolically through language, social systems, education, and cultural values. Indigenous characters are reduced to backward, irrational, and passive figures, while European characters are depicted as symbols of rationality and progress. Thus, the novel can be interpreted as a critique of colonialism and the hegemonic discourse of the West over the East.  Keywords: Orientalism; Colonialism; Discrimination
Co-Authors Abdul Fadlil Abdullah, Agni Pusparina Putri Achmad Basuki Achmad Nugrahantoro Ade Candra, Ade Aditya, Anggie Yudistira Afida, Nurul Lailia Afnan Arummi Aini, Fadhilah Dhinur Aji Nugroho Aji, Rendra Suprobo Alayya, Syamila Isyqi Albar, Dini Salima Albertus Prasojo Alfirman, Diva Muhammad aliagaffi, Candara Alisa, Deva Putri aloysius mering Alqoronie, Uwais Amalia Nur Rochmah Amanda Huda Anggraeni, Martianda Erste Anggraini , Martianda Erste Anggraini, Ariska Puspita Annisa Nur Fauziah Anton Yudhana Aprilia Ciptaning Maharani Apsari, Lela Ardhani, Orinta Ardiansyah, DT Ardianto, Deny Tri Aries Adenata Arifin, Ahmad Zaki Ariska Puspita Anggraini Arofani, Nilam Yuhanisa Ashafidz Fauzan Dianta, Ashafidz Fauzan Ashafidz Fauzan, Ashafidz Bagus Kurniawan Barriyah, Insanul Qisti Baskoro Baskoro, Baskoro Betrand Erlangga Candra, Rizal Naufal Chairunisak, Uum Helmina Chandra, Dio Pamola Cinthya, Nathasha Darmawan, Zakha Maisat Eka Deny Tri Ardianto Desiana Muryasari Desta Nurrachmawati Said Dewi Pamungkasari Dewi Puspita Sari Diah Pramudita Dias Esaliana Dolly Nofer Duanda, Prada Eka Puspita Sari Elisa Nur Apriliana Esaliana, Dias Eva Agustriani Hutauruk, Eva Agustriani Fadhilah Ayu Wijayanti Fadil, Abdul Faradisa, Rosiyah Fathoni, Kholid Fauzi Arif, Muhammad Finanda, Septy Asri Fitzgelard, Arsyita Rahma Flora Grace Putrianti Gunawan Gunawan Hane, Thomas Didimus Harahap, Aqiilah Bilqiis Salsabiil Hartina, Hartina Hasbi, Bening Zarah Hetty Manurung, Hetty Huda, Lailatul Ika Naviri Anitasari Ikhsani, Mifta Kurnia Indary, Melati Deshy Indri Astuti Inge Hilya Lentera Pradani Islam, Mohamad Fajarudin Istadiyantha Istadiyantha Izzah, Fadhilah Rifhayu Joko Sujarwo Kharismajati, Gema Khilian, Abdul Mutalib Kisma Pradahati Kuncoro, Nayla Amara Kusuma, Andri Kusumawati, Eko Kusumawati, Eko Lastunna Umi Kulsum Lukmanul Hakim Lupiyanto Malawi, Ibadullah Marimin Marimin Mayasari, Fony Medi Hendra Mibtadin Miftah Nugroho Moh. Zikky, Moh. Monita Olivia Muhammad Fauzi Arif Muhammad Irfan MUHAMMAD REZA FAHLEVI Muhammadiyah, Muhammadiyah munasirah, Munasirah Mustariani, Erry Muthmainnah, Atikah Mutia Hesti Istiqomah Nathasha Cinthya Nofer, Dolly Nugroho Heri Cahyono Nugroho, Ahmad Nugroho, Miftah Nur Fatul Aini Nurhikmah, Putri Indah Nuriyadin, Nuriyadin OCTAMA DWITANINGSIH Pandhito, Bagus Wahyu Panji Satrio Binangun Periyanto, Ari Peryanto, Ari Prihatini Prihatini, Prihatini Priyani, Diah Indah Purnama, Miryan Sucianti Putri Amalia Dwi Pitasari Putri Permatasari, Putri Putri, Dheya Kusuma Arianing Putri, Fiorhentina Rahmaningtyas, Ika Rizky Ramdani, Nurrahmad Rante, Hestiasari Ratna Kusuma, Ratna Rianna Wati Rianna Wati Ririn Wahyu Eka Sari Rusman, Wafa Nabila Rustam, Fradilah Rusydi Umar Sabila, Nabila Dienna Salma Arezha Samsurianto Saptaningsih, Nur Saputri, Hafizah Rahma Sari, Mustika Wulan Sartika, Resa Sasanti Silvya Putri Sasmi, Dwi Andini Arditya Sayid Mataram Shabrina, Almira Wynne Sidik, Muhamad Fajar Siti Muslifah, Siti Siti Patimah, Isad Suhaeb Stafrizal, Syafrizal Sudrajat Sudrajat Suhendar, Satrian Supana Supana Supriyanto, Rahmat Susanto Susanto Susanto Susanto, Moh. Rusnoto Susanto, Susanto Syafrizal Syafrizal Syamila Isyqi Alayya Syamsiar, Syamsiar Syarief Fajaruddin Titi Lestari, Titi Titis Srimuda Pitana, Titis Srimuda Tri Budi Santoso Wakit Abdullah Rais Wati, Ilma Wiwit Rahina Wati, Rianna Wati, Rianna Wibowo, Eko Putra Wibowo, Prasetyo Widananda, Charisma Wulan Widi Sarinastiti Widiyanto, Imam Juni Widowati Pusporini, Widowati Winarno, Nadya Yanti Puspita Sari Yuliatin, Ervinda Yuwono Fitri Widodo Zahra'ni, Izzahtu Nuha Zainuddin, Muhammad Agus Zikky, Moh Zulfikar Djauhari