Articles
The Effect of Pornography Discourse on the Reception of Stencil Novels by Enny Arrow
Anggraini, Ariska Puspita;
Susanto, Dwi;
Rais, Wakit Abdullah
Humaniora: Journal of Indonesia Culture and Society Vol. 12 No. 2 (2021): Humaniora
Publisher : Bina Nusantara University
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DOI: 10.21512/humaniora.v12i2.6905
The research aimed to analyze pornography discourse in the reception of Enny Arrow’s stencil novels between two millennial men. This was a qualitative research. The research sample focused on two millennial men in Surakarta who read the stencil novels intensively. Data were obtained by interview, and observations were conducted over six months. The research observed two newly recognized millennial men to read and interpret the stencil novels. After that, the research looked at the effect on the social relationships of the participants. The theory used to analyze the data was Normand Holland’s psychoanalytic literary reception. After data analysis process, it is revealed that pornography discourse makes the participants think that the stencil novels are entertaining but can be a taboo subject to discuss with others. Because of the pornography discourse, participants also think that story on the stencil novels should not be used as a general topic conversation.Â
Social Control of Women’s Body as Cultural-Political Legitimation in “Putri Cina†Novel
Sartika, Resa;
Susanto, Dwi;
Wibowo, Prasetyo
Humaniora: Journal of Indonesia Culture and Society Vol. 12 No. 2 (2021): Humaniora
Publisher : Bina Nusantara University
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DOI: 10.21512/humaniora.v12i2.6972
The research aimed to describe the depiction of the female body’s domination as a form of political-cultural legitimacy raised in Sindhunata’s work entitled Putri Cina. Michel Foucault’s theory of discourse was applied as the approach to reveal how sexuality was closely related to power practices. The discourse presented in the novel was dissected by qualitative methods, descriptive qualitative, and interpretative data analysis techniques. The results show that the two main characters of this novel are Chinese women who experienced oppression in Java. The existence of a cultural identity crisis, abjection, passivity, and not subversion represents the figure of alienated women. This perspective is intertwined with how indigenous men perceive Chinese women figures. Sindhunata describes the unequal construction of sexuality between men and women and the discrimination of the Chinese race as repeated during the kingdom era, pre-independence, to the New Order era.Â
MAKNA SIMBOL KESUBURAN DALAM MITOS DEWI SRI DAN DEWI LAKSMI: KAJIAN SASTRA BANDINGAN
Ardhani, Orinta;
Rusman, Wafa Nabila;
Susanto, Dwi
Basastra: Jurnal Bahasa, Sastra, dan Pengajarannya Vol 10, No 2 (2022): Basastra: Jurnal Bahasa, Sastra, dan Pengajarannya
Publisher : Universitas Sebelas Maret
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DOI: 10.20961/basastra.v10i2.57599
Penelitian ini dilakukan untuk mengetahui makna simbol kesuburan yang melekat pada sosok Dewi Sri dari Jawa dan Dewi Lakshmi dari India. Penelitian ini bersifat kualitatif dengan mengedepankan kualitas data. Objek kajian dalam penelitian ini adalah cerita rakyat Dewi Sri dan Dewi Lakshmi beserta struktur pembangunnya. Data yang digunakan berupa tata naratif dan gagasan yang muncul dalam teks. Teknik interpretasi data dilakukan dengan langkah-langkah. Pertama, pembacaan atas tata teks naratif untuk menemukan unsur-unsur intrinsik maupun ekstrinsik pada cerita rakyat. Kedua, menganalisis unsur-unsur intrinsik dan ekstrinsik berdasarkan teori struktural genetik Lucien Goldmann. Ketiga, menelusuri makna dari simbol kesuburan yang melekat pada sosok Dewi Sri dan Dewi Lakshmi melalui hasil pembacaan tata teks naratif. Hasil penelitian menunjukkan bahwa Dewi Sri merupakan lambang kesuburan dalam sektor pertanian, karena dari jasadnya tumbuh beragam tanaman pertanian. Sedangkan kesuburan yang melekat pada Dewi Lakshmi dikaitkan dengan perannya sebagai ibu alam semesta yang memberi kehidupan dan memeliharanya termasuk dalam pangan dan reproduksi.
Orientalisme Edward Said dalam Novel Kereta Semar Lembu Karya Zaky Yamani
Kisma Pradahati;
Dwi Susanto
Bahtera: Jurnal Pendidikan Bahasa dan Sastra Vol. 25 No. 1 (2026): BAHTERA: Jurnal Pendidikan Bahasa dan Sastra, Volume 25 Nomor 1 Januari 2026
Publisher : Program Studi Pendidikan Bahasa Program Pascasarjana Universitas Negeri Jakarta
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DOI: 10.21009/bahtera.251.08
The aim of this study is to analyze the representation of orientalism in the novel Kereta Semar Lembu by Zaki Yamani (2022), using Edward Said's theory. Orientalism is understood as a discourse created by the West to establish and maintain its superiority over the East. This study employs a qualitative-descriptive method using observe and note technique. The study focuses on three main aspects: (1) discrimination against the local (pribumi) people, (2) the construction of superiority and inferiority between the West and the East, and (3) the practice of domination by Western (Dutch) powers over the Eastern (Indonesian) people. Data were obtained from narrative excerpts in the novel that portray colonial power relations and representational strategies of the East. The analysis shows that colonial domination occurred not only physically, such as through the exploitation of labor and agrarian resources, but also symbolically through language, social systems, education, and cultural values. Indigenous characters are reduced to backward, irrational, and passive figures, while European characters are depicted as symbols of rationality and progress. Thus, the novel can be interpreted as a critique of colonialism and the hegemonic discourse of the West over the East. Keywords: Orientalism; Colonialism; Discrimination
BIOREMEDIASI TANAH MASAM PASCATAMBANG BATUBARA DENGAN TEKNIK BIOSTIMULASI MENGGUNAKAN PUPUK NPK DAN EM4
Kusumawati, Eko;
Susanto, Dwi;
Nugroho, Ahmad;
Hasbi, Bening Zarah;
Izzah, Fadhilah Rifhayu;
Gunawan, Gunawan
BIOPROSPEK: Jurnal Ilmiah Biologi Vol 18 No 1 (2026): BIOPROSPEK: Jurnal Ilmiah Biologi
Publisher : Jurusan Biologi, Fakultas Matematika dan Ilmu Pengetahuan Alam
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DOI: 10.30872/zj9zh388
Penambangan batubara dengan metode tambang terbuka sering menyebabkan degradasi lingkungan, khususnya pembentukan tanah masam dengan pH rendah dan ketersediaan unsur hara yang terbatas. Kondisi tersebut menjadi kendala utama dalam upaya revegetasi dan rehabilitasi lahan pascatambang. Penelitian ini bertujuan untuk menganalisis efektivitas bioremediasi tanah masam pascatambang batubara melalui teknik biostimulasi menggunakan pupuk NPK dan EM4 (Effective Microorganisms 4). Penelitian dilakukan menggunakan Rancangan Acak Lengkap (RAL) dengan empat perlakuan, yaitu kontrol tanpa perlakuan (P0), penambahan pupuk NPK 100 kg/ha (P1), penambahan EM4 5% (v/v) (P2), serta kombinasi pupuk NPK 100 kg/ha dan EM4 5% (v/v) (P3). Parameter yang diamati meliputi pH tanah serta kandungan N-total. Hasil penelitian menunjukkan bahwa perlakuan biostimulasi memberikan pengaruh nyata terhadap perbaikan sifat kimia tanah setelah 20 hari inkubasi. Perlakuan EM4 tunggal (P2) menghasilkan peningkatan pH tanah tertinggi dari 2,74 menjadi 3,85, sedangkan perlakuan kombinasi NPK dan EM4 (P3) memberikan peningkatan kandungan N-total tertinggi sebesar 0,14%. Hasil ini menunjukkan bahwa teknik biostimulasi menggunakan NPK dan EM4 berpotensi sebagai pendekatan bioteknologi yang ramah lingkungan dalam rehabilitasi tanah masam pascatambang batubara.
Cermin Eksploitasi Ekososial Pertambangan dalam Novel Teruslah Bodoh Jangan Pintar Karya Tere Liye: Kajian Sosiologi Sastra Ian Watt
Salma Arezha;
Amanda Huda;
Dwi Susanto
JENTERA: Jurnal Kajian Sastra Vol 13, No 2 (2024): Jentera: Jurnal Kajian Sastra
Publisher : Badan Pengembangan dan Pembinaan Bahasa
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DOI: 10.26499/jentera.v13i2.7758
Teruslah Bodoh Jangan Pintar is a reflection of the government's policy discourse on mining downstreaming, which is busy in 2024. This research aims to reveal the ecosocial mirror in Tere Liye's latest work using Ian Watt's Sociology of Literature approach. The research data is taken from the text of the novel Teruslah Bodoh Jangan Pintar. The research technique uses reading and note-taking techniques with the method of connecting the relationship between the author's sociology, the content of literary works, and social functions. The results found a mirror of ecosocial exploitation in mining so that this work can be classified as being born from civil society groups representing the voices of marginalised local residents. This work is present because of the protest of mining passivation, the spirit of intelligence on the impact of mining, and efforts to make people critical of mining issues. Ecosocial exploitation mirrors were found in the form of (1) No post-mining activities; (2) Media blackout; (3) Lawyers willing to lie; (4) Officials unwilling to listen to the people; (5) The impact of mining on public health; (6) Mining seizes people's land; (7) Exploitation of workers; and (8) Corruption of mining projects. AbstrakTeruslah Bodoh Jangan Pintar merupakan cerminan dari wacana kebijakan pemerintah tentang hilirisasi pertambangan yang ramai di 2024. Penelitian ini bertujuan mengungkap cermin ekososial dalam karya terbaru Tere Liye menggunakan pendekatan Sosiologi Sastra Ian Watt. Data penelitian diambil dari teks novel Teruslah Bodoh Jangan Pintar. Teknik penelitian menggunakan teknik membaca dan mencatat dengan metode menghubungkan keterkaitan antara sosiologi pengarang, isi karya sastra, dan fungsi sosial. Hasilnya ditemukan cermin eksploitasi ekososial dalam pertambangan sehingga karya ini dapat digolongkan lahir dari kelompok masyarakat sipil yang mewakili suara warga setempat yang termarjinalkan. Karya ini hadir karena protes pemasifan pertambangan, semangat pencerdasan dampak tambang, dan upaya membuat masyarakat kritis terhadap isu pertambangan. Ditemukan cermin eksploitasi ekososial berupa (1) Tidak ada aktivitas paska tambang; (2) Pemberedelan media; (3) Pengacara rela berbohong; (4) Pejabat tidak mau mendengarkan rakyat; (5) Dampak pertambangan bagi kesehatan masyarakat; (6) Pertambangan merampas tanah rakyat; (7) Eksploitasi pekerja; dan (8) Korupsi proyek tambang.
Cultural Production of Adonis as Modern Writer in Arabic Literature Arena
Diah Pramudita;
Istadiyantha Istadiyantha;
Dwi Susanto
International Journal of Science and Applied Science: Conference Series Vol 6, No 2 (2022): International Journal of Science and Applied Science: Conference Series
Publisher : Universitas Sebelas Maret
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DOI: 10.20961/ijsascs.v6i2.74067
This study reveal the cultural production of Adonis as a modern writer in Arabic literature arena. Pierre Bourdieu’s theory of cultural production becomes an analytical tool on study. Bourdieu’s theoretical concepts are habitus, capital, practice, trajectories, relations, between objects that support Adonis position as a modern witter. Cultural production of Adonis includes cultural capital in the form of education so that he produces education through literary works, academics, and also Arab cultural scholars. In addition, Adonis is also active in political activities in the Syrian National Socialist Party wich gives him the legitimacy of modern writer in Arena of Arabic Litterature.
“Memories of My Body” Movie Ban as An Effect of Dominant Anti-LGBT Discourse in Depok City
Panji Satrio Binangun;
Susanto Susanto;
Dwi Susanto
International Journal of Science and Applied Science: Conference Series Vol 6, No 2 (2022): International Journal of Science and Applied Science: Conference Series
Publisher : Universitas Sebelas Maret
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DOI: 10.20961/ijsascs.v6i2.74040
"Memories of My Body" screening ban in 2019 by Depok local government is deemed problematic since it has already passed Film Censor Board (LSF). This paper aimed to better understand the decision made by the Depok local government in banning the movie through critical discourse analysis. This paper is a discourse analysis understand the discourse surrounding the movie ban in Depok.. This paper's primary data is literature studies from numerous electronic news sources. Norman Fairclough’s critical discourse analysis is used as a theory and methodology. The result from this research shows that there are two main discourses: protecting younger generation and incompatibility toward Islamic values. After further analysis, it is found that these discourses also exist in another events. This fact shows that the movie ban is an effect from a dominant discourse against LGBTQ community.
Aspek Kehidupan Sosial dalam Drama Korupsi Karya Norbertus Riantiarno: Kajian Sosiologi Sastra
Lastunna Umi Kulsum;
Putri Amalia Dwi Pitasari;
Dwi Susanto
Haluan Sastra Budaya Vol 8, No 2 (2024)
Publisher : Universitas Sebelas Maret
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DOI: 10.20961/hsb.v8i2.77453
The purpose of this research is to find the influence of the author's social background and identify the aspects of social life reflected in the drama Korupsi by Norbertus Riantiarno. Descriptive qualitative is the type of research used in this study. The data source used in this research is the drama Korupsi by Norbertus Riantiarno which was uploaded through the YouTube channel of Teater Koma in 2021. The drama Korupsi has a duration of 39 minutes 54 seconds. The data in this study is information (words, phrases, clauses or sentences) related to aspects of social life in the drama Korupsi by Norbertus Riantiarno which is the source of research data. The results of the research can be concluded that the content of N. Riantiarno's works, especially plays, has political reflections in it that represent various political interests. N. Riantiarno said that he wanted to create a political-social mirror. In addition, there are seven social aspects reflected in the drama Korupsi, namely: 1) concern about the persistence of corruption, 2) corruption is the cause of the country's destruction, 3) officials corrupt to live in luxury, 4) regional leaders with poor performance, 5) religion used as political material, 6) special taxes for the rich, and 7) human lifestyle that causes disease to come.
Reproduksi Kultural Komunitas Sastra “Pawon Sastra” Di Surakarta, Jawa Tengah
Dwi Susanto;
Susanto;
Bagus Kurniawan
Jurnal Sosial Humaniora Vol 12 No 2 (2019)
Publisher : Institut Teknologi Sepuluh Nopember
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DOI: 10.12962/j24433527.v12i2.4467
Pawon Sastra's literary community in Surakarta in contexts of Surakartaurban culture has conducted cultural and social practices. It brings impactsand responses from society. The main topic of this research is social andcultural practices carried out by the Pawon Sastra community as a form ofreciprocal relations with the structure surrounding it which similar to theinteraction between the structure and agent. This research used thesociological point of view especially using the agents, construction, andactions. The problems of this research are (1) how the agent responds to thesocial structure and (2) what kind of cultural practices are manifested by theagent, and (3) what impact arises as to the result of the cultural practices bythe agent. The research was carried out using a qualitative method. The dataused were the activities of the literary community, the results of their work,and the subjects involved in the community. The results of this studyindicated that social practices were carried out in various ways such aspublishing, the reinterpretation of traditions, or publications as a form ofinteraction among similar communities. Moreover, the impact on socialstructures was the increase in the formation of the same communities and theemergence of new individuals who follow the footsteps of Pawon Sastra. Thisis also enhanced by various interactions occurring in the social environmentof the newly established community.