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All Journal JEPA (Jurnal Ekonomi Pertanian dan Agribisnis) SENI Coopetition : Jurnal Ilmiah Manajemen Jurnal Relevansi : Ekonomi, Manajemen dan Bisnis Bhakti Nagori (Jurnal Pengabdian kepada Masyarakat) Dedikasi Nusantara: Jurnal Pengabdian Masyarakat Pendidikan Dasar Jurnal Teknik Sipil Macca Cipasung Techno Pesantren: Scientific Journal BroadComm Amal Ilmiah: Jurnal Pengabdian Kepada Masyarakat Jurnal Amal Pendidikan Jurnal Pendidikan Matematika Jurnal Edukasi Pengabdian Masyarakat: EDUABDIMAS Jurnal Pengabdian Masyarakat dan Riset Pendidikan Jurnal Penelitian Sains dan Kesehatan Avicenna JMTSS Fatih: Journal of Contemporary Research Jurnal Pustaka Cendekia Hukum dan Ilmu Sosial Jurnal Pendidikan Edukasi Kusuma Bangsa Jurnal Bangunan Konstruksi Outline Journal of Community Development JILMATEKS Jurnal Ilmiah Mahasiswa Teknik Sipil International Journal for Advanced Research
Salim
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Religion Aerospace Engineering Agriculture, Biological Sciences & Forestry Arts Humanities Biochemistry, Genetics & Molecular Biology Chemical Engineering, Chemistry & Bioengineering Civil Engineering, Building, Construction & Architecture Computer Science & IT Control & Systems Engineering Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Engineering Environmental Science Health Professions Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Materials Science & Nanotechnology Mathematics Nursing Public Health Social Sciences Transportation Other

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HARAJUKU STREET OF THE MURAL Asri Puspitasari; Amin Sulistiyowati; Salim
Canthing Vol. 7 No. 2 (2021)
Publisher : Akademi Seni dan Desain Indonesia Surakarta

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Abstract

Clothing is everything we wear from head to toe, the clothes we wear also reflect our personality and social status, and can convey a message to someone who sees it. The author raised the theme of harajuku street of the mural which was inspired by the street style of Harajuku combined with mural art by street artists. Because it shows that the merging of two different elements is able to create something newer and contemporary.Keywords: Harajuku street of the mural
TATO DAYAK DENGAN APLIKASI BORDIR PADA BAHAN KULIT Iqbal Lina Rimawati; Salim; Amin Sulistiyowati
Canthing Vol. 7 No. 2 (2021)
Publisher : Akademi Seni dan Desain Indonesia Surakarta

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Abstract

Indonesia is a country that is famous for its many diverse cultures and from various regions, so there are many Indonesian cultures that are rarely known by many people, even the Indonesian people themselves. The many cultures and languages that exist in Indonesia give this country its own color and also become one of the icons and special attractions for foreigners, the many cultural differences in Indonesia have a positive impact on society.One of Indonesian culture that is not well known is traditional Indonesian tattoos, where tattoos are one of the cultural customs of several tribes in Indonesia, namely the Mentawai, Dayak, and Moi tribes. Tattoos on each tribe are symbols or traditional traditions for them, which have their own meaning. Of the three tribes, the most familiar are Dayak tattoos and Moi tattoos, but the ones that are more widely used by the general public are Dayak tattoo motifs.Keywords: Tattoos are symbols of the Mentawai, Dayak, and Moi traditional traditions
CORAK ESTETIKA PERTUNJUKAN WAYANG GAGRAG BANYUMAS SAJIAN PANDU NUR PRASTIYO LAKON SEMAR BANGUN KAYANGAN salim
Canthing Vol. 11 No. 1 (2025): CANTHING VOL. 11 NO. 1 Tahun 2025
Publisher : Akademi Seni dan Desain Indonesia Surakarta

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Abstract

This research focuses on the study of popular aesthetics in the Banyumasan style shadow puppet performance presented by Pandu Nur Prastiyo through the play Semar Bangun Khayangan. The formulation of the problems raised in this research include: (1) What is the structure of the Banyumasan style shadow puppet performance presented by Pandu Nur Prastiyo in the play Semar Bangun Kayangan? (2) What is the form or aesthetic pattern displayed in the 1 Vol. 11 | No. 1 | Tahun 2025 performance?" The analysis of the two problems was carried out using an aesthetic approach in the world of puppetry, especially through an understanding of the concepts of Nuksma and Mungguh. In addition, the analysis of the performance structure refers to the Banyumasan Gagrag Puppetry Path as a reference. The research findings show that the achievement of the Nuksma value can be observed through the puppeteer's ability to present a musical atmosphere such as gending beregu, trenyuh, greget, sereng, gandrung, to prenes. This nuance is built through a harmonious combination of catur (speech), sabet (movement), and karawitan (accompanying music) elements in each scene. Based on the analysis of these pakeliran elements, it can be concluded that the aesthetic pattern in the Banyumasan gagrag shadow puppet performance is known as nyopak. Keywords: Aesthetics, Shadow Puppet, Pandu Nur Prastiyo, Semar Bangun Khayangan, Banyumasan Styl
SOSOK MUDA KI PANDU NUR PRASTIYO Salim
Canthing Vol. 10 No. 2 (2024): V10N2
Publisher : Akademi Seni dan Desain Indonesia Surakarta

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Abstract

Shadow puppets are one of the identities of Javanese people in the life of Javanese society itself. Until now, shadow puppets remain an important characteristic of Javanese culture. In this case, shadow puppets are often also called wayang purwa. In the shadow puppet (purwa) performance, the puppeteer plays a very important role in the performance. The puppeteer is required to have expertise and skills in suluk, sabet, and understanding or knowledge of the Javanese Kawi language (ancient). Pandu Nur Prastiyo, at his young age, is classified as a teenager, has the expertise of a puppeteer in the traditional Javanese art of shadow puppetry, which is something rare in today's era. Usually young people his age are very familiar with rock music, pop music or other music that is more popular with modern art. Pandu Nur Prastiyo, a 4th semester student at ISI Surakarta, prefers to study the traditional Javanese art of Shadow Puppetry, an art that has been around for hundreds of years and is a favorite of the Javanese people. Keywords: biography, Pandu Nur Prasetyo,
Co-Authors Abdin Achmad, Taufik Adil, Alif Setyawan Ahmad Syukri Sitorus Ahyari, Mohammad Alawiah, Armadianti Ananda Aldi Sallam, Dimas Amin Sulistiyowati Amin Sulistiyowati Andi Alifuddin Andriani, Mita AR, Muh. Aditya Akbar arif Arifin , Winarno Arifin, Winarno ARIFUDDIN Ashar, Nadila Asis, Ryan Rifaldi Saputra Asran Asri Puspitasari Awaludin Badaron, St Fauziah Badaron, St. Fauziah Bambang Sutejo, Bambang Basiruddin Bulgis Bulqis Chairus Suriyati Chairus Suryati Damopolii, Andi Tamlicha Ali Deden Dian Eka Kusuma Wardani Dinda Adila Dwi Viora Fahriansah , Fadli Faisal Faiz Isma Faransyah, Fariz Firdani, Resky Firdausi, Rofiqoh Gesit F., Muhammad Ghozaly, Rija Muhamad H, ST Maryam Hadi, Abd Karim Hasan Bisri Hasan, Nur Jihan F Hasmin, Indra Hasnawati Hasrianti Hermansa, Andi Saputra Iis Aprinawati Indrawati, Wa Ode Iqbal Lina Rimawati Irma Herliza Rizki Ismail, Muh. Sumartono Jazuli, La Ode Ahamd Jazuli, Laode Ahmad Jian Fauzi Raisa Eliah Jufri, Muh. Luthfi Juliya Maria Junaidi Lubis Kadir Karmila Kasman Kholifah , Nurul Lambang Basri Said Leni Indrayani M. Fuadi, Mamik Maer, Andi Anjali Novira Lumria Magfirah, Putri Wirautami Masi, La Massara , Asma Massara, Asma Meditama, Ratna Fajarwati Meilandy Purwandito Mela Novita Rizki Merduani, Bisri Misu, La Mohamad Salam Muhammad Adam, Muhammad Muhammad Anwar Muhammad Iqbal Muliana , Andi Munawwarah, Wa Ode Shofiatul Muslimah, Ajeng Sabarini Muspayani Musran, Mutmainna Nabila Amalia Nasution Nada, Alya Qotrun Nanik Ulfa Nanik Ulfa, Nanik Nirmalasari, Zycinta Aradhea Nirwana Nur Aisyah NUR CHOLIFAH Nur, Siska Utami Nurhayati Nuriah, Neni Nurul Inayati, Isna Paneo, Sri Oktaviani Rahman, Samarkandy Rahmawati Ramadhani, Putri Sari Rasma Riska Rizqina Katsirah Hasibuan Rosita RR. Ella Evrita Hestiandari S, Andi Asrianto Saleh Salim, Abd. Kadir Shabrina, Salma Dastia Siti Holijah Siregar Siti Rahmadani Hasibuan Sukandi, Andi sukmawati Sumarno Aziz Supardi, Sudarman Sutanto, Vinnawaty Sutriyono Suyadi Syafar, Muh. Ismail Syarkawi , Mukhtar Thahir Syukri, Nurfadillah Ramadhany Taufik, Shahrizal Awali M. Wijaya Wijaya Winda Khairiah Wiranata Yan Rahmawati Yanu Madawanto Yayat Rahmat Hidayat Yusuf, Andi Ainul Muftiyah Zaifuddin