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All Journal Indonesian Journal of Geography Humaniora Lensa: Kajian Kebahasaan, Kesusastraan, dan Budaya Jurnal Civics: Media Kajian Kewarganegaraan INFORMASI Litera Jurnal Komunikasi Sosiohumaniora Jurnal YIN YANG Indonesian Journal of Applied Linguistics (IJAL) FRANCISOLA LiNGUA: Jurnal Ilmu Bahasa dan Sastra El-HARAKAH : Jurnal Budaya Islam Lingua Jurnal Bahasa dan Sastra Jurnal Kawistara : Jurnal Ilmiah Sosial dan Humaniora Teosofi: Jurnal Tasawuf dan Pemikiran Islam Lingua Cultura Al-Ulum Indonesian Journal of Islam and Muslim Societies Rubikon: Journal of Transnational American Studies Poetika: Jurnal Ilmu Sastra Jurnal Ilmu Komunikasi Jurnal Ilmu Sosial dan Ilmu Politik Journal of Urban Society´s Arts Al-Jami'ah: Journal of Islamic Studies Mozaik Humaniora ATAVISME JURNAL ILMIAH KAJIAN SASTRA ANDHARUPA Empirisma; Jurnal Pemikiran dan Kebudayaan Islam Musawa : Jurnal Studi Gender dan Islam Jurnal Ilmu Sosial dan Ilmu Politik Religious: Jurnal Studi Agama-Agama dan Lintas Budaya Masyarakat, Kebudayaan dan Politik Journal of Language and Literature Jurnal Orientasi Baru Eralingua : Jurnal Pendidikan Bahasa Asing dan Sastra Al-Albab Indonesian Journal of Islamic Literature and Muslim Society Bakti Budaya: Jurnal Pengabdian kepada Masyarakat Jurnal Pemikiran Sosiologi LEKSIKA k@ta Lire journal (journal of linguistics and literature Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Kandai English Language and Literature International Conference (ELLiC) Proceedings International Journal of Interreligious and Intercultural Studies Adabiyyat: Jurnal Bahasa dan Sastra Jurnal Pariwisata Terapan IJISH (International Journal of Islamic Studies and Humanities) Khazanah Sosial Jantra Journal of Social Studies (JSS) JURNAL KOMUNIKASI DAN BISNIS Jurnal Kajian Seni Bahasa dan Seni: Jurnal Bahasa, Sastra, Seni, dan Pengajarannya Jurnal Wanita dan Keluarga Bakti Budaya: Jurnal Pengabdian kepada Masyarakat AKSARA: Jurnal Bahasa dan Sastra Alinea: Jurnal Bahasa, Sastra, dan Pengajaran Widyaparwa SASDAYA: Gadjah Mada Journal of Humanities Libraria: Ilmu Perpustakaan dan Informasi The Indonesian Journal of Socio-Legal Studies BAHASTRA Lire Journal (Journal of Linguistics and Literature) Jurnal Kawistara Indonesian Journal of Islamic Literature and Muslim Society LINGUISTS : JOURNAL OF LINGUISTICS AND LANGUAGE TEACHING
Wening Udasmoro
Fakultas Ilmu Budaya Universitas Gadjah Mada
Religion Arts Humanities Decision Sciences, Operations Research & Management Earth & Planetary Sciences Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Public Health Social Sciences Other

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Motherhood dalam Novel Chanson Douce Karya Leila Slimani: Analisis Dekonstruksi Derrida Anjani, Albertine Darasita; Udasmoro, Wening; Firmonasari, Aprillia
Sasdaya: Gadjah Mada Journal of Humanities Vol 6 No 2 (2022): 2022 Nomor 2
Publisher : Humanities Studies, Post-Graduate Program, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (350.328 KB) | DOI: 10.22146/sasdaya.5322

Abstract

Motherhood ideology is commonly found in literary works, including narratives depicting the figure of a mother. In literature, especially in Europe, the figure of a mother is mystified and is often associated with the figure of the Virgin Mary. This is closely related to the oppression experienced by women due to the inequality of gender construction produced by society. The novel Chanson Douce by Leila Slimani narrates two mothers with different backgrounds. This study aims to carry out a deconstruction reading, especially on the discourse of motherhood. In interpreting something we are always dominated by dominant hierarchies and superior poles which are considered as "single truth". This single truth can lead to vulnerability to discrimination or service. The deconstruction method used in this study uses the concepts of trace and difference, in readings that lead to the meaning of texts that are "friendly" to the others. The results of this study lead us to new questions regarding the challenges of motherhood in this post-industrial era.
ENABLER FACTORS IN THE SURVIVAL OF “NGOKO” JAVANESE IN THE SPECIAL REGION OF YOGYAKARTA (Enabler Factors Survival Bahasa Jawa “Ngoko” di Daerah Istimewa Yogyakarta) Udasmoro, Wening; Sulistyowati, NFN; Susetyo, Jarwo; Firmonasari, Aprillia
Kandai Vol 19, No 2 (2023): KANDAI
Publisher : Kantor Bahasa Provinsi Sulawesi Tenggara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/jk.v19i2.4158

Abstract

 Penelitian ini bertujuan untuk mengeksplorasi lebih jauh alasan di balik preferensi pemilihan salah satu ragam bahasa Jawa, yakni bahasa Jawa Ngoko di kalangan siswa Sekolah Dasar, Sekolah Menengah Pertama, dan Sekolah Menengah Atas di lima wilayah kabupaten/kota di Daerah Istimewa Yogyakarta (DIY). Alasan pemilihan bahasa ini dipandang memiliki kaitan erat dengan sosialisasi bahasa yang dilakukan di lingkup keluarga, peer groups dan media, baik media sosial maupun media konvensional. Teori mengenai kerentanan bahasa dipakai untuk menganalisis sumber data. Penelitian ini menggunakan mix method, yakni dengan penelitian survei menggunakan analisis kuantitatif terhadap aspek-aspek terkait dengan alasan pemilihan bahasa dan peran subjek-subjek yang berpotensi menjadi enabler factor pemilihan bahasa Jawa Ngoko tersebut. Metode kedua adalah dengan Geographic Information system yang merupakan metode dengan fokus pada spasialitas untuk menengarai sebaran pemilihan-pemilihan bahasa Jawa di lima wilayah yang dianalisis. Penelitian ini menemukan bahwa practical reason menjadi alasan utama dari para siswa untuk menggunakan bahasa dalam kehidupan sehari-hari. Habitus DIY merupakan enabler factor alasan pemilihan ragam bahasa ini secara umum di jenjang sekolah yang berbeda. Selain itu, keluarga, peer groups serta sosial media memiliki potensi sebagai enabler factor yang lain meskipun membutuhkan cara dan mekanisme yang berbeda di dalam pengelolaanya. Conducted in one city and five regencies in DIY (the Special Region of Yogyakarta), this study aimed to identify the reason as to why the elementary, junior high, and high school students in these regions prefer using one Javanese register, namely ngoko, over the other registers. It is believed that this preference pertains to language socialization within the family, peer groups, and the media, both social and conventional. The theory of language vulnerability was used to analyze the data. The study employed two relevant quantitative methods. The first one includes a quantitative analysis of survey data on the background of language selection and the roles of subjects believed to be the enabler factors in the selection of ngoko. The second one is GIS (Geographic Information System) mapping to display spatial information on the distribution of Javanese register usage in the five regions. This study found that practicality is the main reason for students to use ngoko in everyday life. The habitus of DIY is an enabler factor in choosing this language variety at different school levels. Additionally, family, peer groups, and social media have the potential to be enabler factors, although it requires different ways and mechanisms to manage them.
DINAMIKA SHARING ECONOMY: APROPRIASI KARYA DESAIN GRAFIS MELALUI CROWDSOURCING Bangsa, Gogor; Udasmoro, Wening; Noviani, Ratna
ANDHARUPA: Jurnal Desain Komunikasi Visual & Multimedia Vol. 10 No. 03 (2024): September 2024
Publisher : Dian Nuswantoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33633/andharupa.v10i03.11441

Abstract

Penelitian ini mengkaji bagaimana praktik crowdsourcing dalam kontes desain grafis di platform digital memunculkan bentuk baru dari eksploitasi di era kapitalisme digital. Penelitian ini berfokus pada dua kelompok utama: komunitas desainer grafis online otodidak di desa Kaliabu, Kecamatan Salaman, Kabupaten Magelang, Jawa Tengah, dan para desainer grafis online akademis di Yogyakarta. Dengan menggunakan teori Christian Fuchs mengenai tenaga kerja digital (digital labour), penelitian ini menggambarkan bagaimana desainer terlibat dalam kontes desain tanpa adanya jaminan kompensasi, yang pada akhirnya menciptakan nilai lebih (surplus value) yang dieksploitasi oleh kapitalis digital. Melalui studi kasus dan wawancara mendalam dengan desainer dari kedua kelompok, penelitian ini mengungkapkan bahwa digitalisasi kerja memberikan keuntungan ganda bagi pemilik platform digital. Mereka dapat memanfaatkan tenaga kerja gratis yang disumbangkan oleh desainer, serta mendapatkan keuntungan dari apropriasi data dan karya yang dihasilkan desainer tanpa kompensasi yang layak. Dalam proses ini, apropriasi terjadi ketika karya-karya yang tidak memenangkan kontes dan data pribadi desainer digunakan oleh pihak ketiga tanpa sepengetahuan atau izin mereka, menjadikan desainer sebagai subjek eksploitasi yang tidak hanya merugikan secara finansial tetapi juga dalam aspek data pribadi mereka. Penelitian ini menunjukkan bahwa praktik-praktik crowdsourcing dalam industri desain grafis digital perlu ditinjau kembali.
Nationality, Locality, and Religiosity: Works and Thoughts of Maria Theresia Geme of the Forum for Religious Harmony of East Nusa Tenggara Rohmawati, Wiwin Siti Aminah; Cholil, Suhadi; Udasmoro, Wening
Religious: Jurnal Studi Agama-Agama dan Lintas Budaya Vol 6, No 3 (2022)
Publisher : UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/rjsalb.v6i3.22151

Abstract

This article examines Maria Theresia Geme's thoughts and works on the issue of religious harmony through Forum for Religious Harmony (FKUB) of East Nusa Tenggara (NTT). This is a qualitative study which gathers data through observation, in-depth interviews, and document analysis. This research aims to address three primary questions: (1) How the agency of "women's leadership" of Maria T. Geme within FKUB NTT?; (2) What is her perspective on women's involvement in issues of  religious harmony and peace building?; (3) What are Maria  thoughts and works while leading FKUB NTT, and what it's implications for interfaith dialogue and religious harmony? This study concluded that Geme is the first and only woman in the history of Indonesia to lead FKUB at the provincial level. Her leadership strategy is to integrate women's leadership and her agency in the development of FKUB initiatives, in order to emphasizes women's involvement on the issue of religious harmony with mubadalah paradigm (mutuality). For Geme, the Indonesian identity will be strengthened through a balanced relationship between religious values and local wisdom. Therefore, preserving and strengthening local wisdom is one of important things in developing and fostering interfaith dialogue and religious harmony.
PARADOKSALITAS PEMOSISIAN PEREMPUAN NOVEL COLOMBA KARYA PROSPER MERIMEE Wening Udasmoro
Jurnal Kawistara Vol 5, No 1 (2015)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/kawistara.6399

Abstract

Women have been narrated by men authors since classical literature; this has continued into contemporaryliterature. In the 19th century, many authors were interested in narrating and positioning women intheir novels. This period can be considered one of transition, in which traditionality and modernity werecontested because of influences from the industrial revolution and many other social movements inEurope. This period was also one of challenge, with the appearance of Gustave Flaubert’s novel MadameBovary, which was questioned because of moralistic issues. If in the early 19th century traditionalitywas represented by Eugénie Grandet and Balzac’s figures of woman, but in the middle of the centuryFlaubert dealt with freedom of sexuality, what discourses were presented in between these two differentperiods? This article aims at explaining the bridging of the gap between the symbols of traditionalityand modernity, especially through the representation of women. Mérimée’s novel, Colomba, depicts theagency of a woman named Colomba. In this novel, Mérimée not only showed the position of women visà vis men in parental or conjugal relation, like in the novels Eugénie Grandet or Madame Bovary. Rather,the author attempted to look at the relationship between masculinities and femininities in a Corsicancontext, in which the intersection of gender and social class (as well as traditions) was different than inthe Parisian context. The relation between the novel and the social structure in the 19th century Europeplays an important part in the discussion and explanation of the relationship between the literature andsocial narration of that period
RESISTENSI PEREMPUAN TERHADAP TRADISI-TRADISI DI PESANTREN ANALISIS WACANA KRITIS TERHADAP NOVEL PEREMPUAN BERKALUNG SORBAN Kamila Adnani; Wening Udasmoro; Ratna Noviani
Jurnal Kawistara Vol 6, No 2 (2016)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/kawistara.15520

Abstract

Gender issue in a pesantren (Islamic Boarding House) is a part of larger gender issues in Indonesia,either in education or religion. The main indicator of gender issue in pesantren is a striking gap betweenmen and women. Themes related to this issue actually are not new for novels in Indonesia. Some novelsrelated to pesantren usually portray women as helplessness, subordinate, inferior, and marginalized.However, in Perempuan Berkalung Sorban (PBS) novel, the author tried to empower women throughhis writings. Women in PBS novel was portrayed as smart, brave, and critical towards pesantren’shegemony such as power relation between santri (students) and kiai (teachers), the understanding ofclassical books (Kitab Kuning), social relations between men and women in pesantren, and so forth
RESISTENSI DAN NEGOSIASI INDIVIDU SEBUAH KAJIAN IDENTITAS TERHADAP NOVEL GRAFIS PERSEPOLIS KARYA MARJANE SATRAPI Sandya Rani Yunita; Wening Udasmoro
Jurnal Kawistara Vol 6, No 3 (2016)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/kawistara.22942

Abstract

Penelitian ini bertujuan untuk mengungkapkan bentuk resistensi dan strategi bertahan serta bentuknegosiasi seorang individu dalam menghadapi persoalan identitas sebagai dampak dari revolusi Islamdi Iran dan kemelut perang yang tercermin dalam novel grafis berbahasa Prancis Persepolis karyaMarjane Satrapi. Kajian dilakukan dengan menggunakan teori identitas dan agensi Giddens untukmengungkapkan agen-agen yang berpengaruh dalam konstruksi identitas seorang individu dan dalambertindak. Hasil penelitian menunjukkan bahwa (1) Persepolis merupakan karya novel grafis yangmengungkapkan pandangan kritis terhadap perubahan masyarakat Iran dan berkorelasi dengan sejarahrevolusi Iran serta perang Iran-Irak, (2) Persepolis merepresentasikan bentuk resistensi dan strategibertahan masyarakat Iran pada masa revolusi terjadi dan pada saat perang berkecamuk. Identitas padamasa tersebut merupakan simbol perlawanan dari individu yang terdominasi oleh tradisi, agama,perubahan radikal dalam masyarakat, nilai-nilai Barat, dan rezim pemerintah. (3) representasi identitasindividu yang mewakili budaya timur akan bernegosiasi dengan budaya barat sebagai budaya asingyang ditemuinya. Identitas tersebut akan selalu berproses dan dapat berubah terkait konteks sosial dankultural. Negosiasi individu dalam hal ini berkaitan dengan memori yang ingin ‘melupakan’ untukmemulai hidup baru namun juga ‘mengingat’ yang berkaitan dengan konteks historisnya.
Konstruksi Identitas Niqabis melalui Selfie Instagram Diana Safinda Asran; Wening Udasmoro
Jurnal Kawistara Vol 10, No 2 (2020)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/kawistara.57865

Abstract

The media has long been used by certain religious communities to introduce their culture in society. Like the veiled Muslim group on Instagram which is called the niqabis. Automatically the existence of the niqabis is getting closer to society and is reaping significant popularity. Now the niqab is not only an attribute of religion, but also as part of an identity to a commodity of political economy. In this research, we will study further how niqabis use posts, especially selfies to construct their identity through Instagram, as done by @diananurliana and @wardahmaulina_. Diana Nurliana and Wardah Maulina are influencers and have consistently built their identity as niqabis. The analysis carried out on the two accounts shows that identity is formed through selfies with information. Both Diana and Wardah take advantage of eye gaze, frame size to corner to be prepared with the viewer. While the caption is used to provide information on photos and also as a space for expression and opinion. On the other hand, what is uploaded also aims to form subjectivity to create branding. Keywords: Identity; Instagram; Niqab; Niqabis; Selfie. 
Dari Kuasa Kapitalisme Tradisional Menuju Kendali Kapitalisme Digital: Studi Kasus Desainer Grafis Online Otodidak di Dusun Kaliabu Bangsa, Petrus Gogor; Udasmoro, Wening; Noviani, Ratna
Sasdaya: Gadjah Mada Journal of Humanities Vol 8 No 2 (2024): 2024 Nomor 2
Publisher : Humanities Studies, Post-Graduate Program, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/sasdaya.14256

Abstract

This study examines how self-taught online graphic designers in Kaliabu Village, Salaman District, Magelang Regency, Central Java, navigate the challenges and dependencies arising from digital platforms, particularly 99designs. Using a case study and in-depth interviews, the research reveals that, while digital technology appears to open new opportunities and empower individuals, it often reinforces control and exploitation within the digital economy. Most Kaliabu designers, lacking formal technical or creative education, leverage 99designs to access the global market, relying on self-developed skills to compete. Despite utilizing their informal capital, they are constrained by the platform's stringent rules. Although 99designs offers broad economic access, it imposes terms that limit designers' autonomy and innovation. Dependence on the platform forces designers to constantly adapt to its policies and face intense competition. The crowdsourcing system of 99designs, where projects are awarded through open competitions, exacerbates these dynamics, pushing designers to compete for every job. In the digital capitalist context, their informal capital often fails to overcome the platform's control and exploitation. This study highlights that while Kaliabu's self-taught designers can compete globally, they must navigate the balance between the freedom and control offered by digital technology. Digital technology enables participation in the digital industry but also presents challenges of control and exploitation that need addressing.
Peliyanan terhadap Difabel dalam Novel Des Aveugles, Karya Hervé Guibert (1985) Azmie, Alvia Marata; Udasmoro, Wening; Firmonasari, Aprillia
Jurnal Wanita dan Keluarga Vol 5 No 2 (2024): Desember 2024
Publisher : Pusat Studi Wanita dan Keluarga UGM

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jwk.18572

Abstract

The process of “othering” in literary works has been widely researched. However, most the research on othering in literary works have focused more on group identities, such as race or religion. Othering process for people with disabilities are rarely discussed. The article written by Hervé Guibert entitled Des Aveugles (The Blind People) published in 1985, contains aspects about the life of people with visual disabilities. However, these people are positioned as actors who behave evilly in the novel. The author describes the characters with visual disabilities as people who are passionate and like to kill and finally they die at the end of the story. Female character also experiences a more tragic death than the male characters. This clarifies gender positions and hierarchies in the story. Therefore, this article attempts to examine the process of othering for people with disabilities related to gender hierarchies in the novel. The theory of subalternity is used as a lens to read the othering process. Meanwhile, the content analysis of the story is used as method of analysis.
Co-Authors Achmad Fawaid, Achmad Agustin, Eva Akalili, Awanis Anak Agung Gede Sugianthara Andi Mustofa andriani, merry Andriani, Merry Anjani, Albertine Darasita Aprilia Firmonasari Aprillia Firmonasari Arifah Arum Candra Hayuningsih Aryanti, Ni Nyoman Sri Azmie, Alvia Marata B.R. Suryo Baskoro B.R. Suryo Baskoro Banawiratma, JB. Bannaga Taha Al-Zubair Hussen Cholil, Suhadi Danial Hidayatullah, Danial Dian Pratiwi Diana Safinda Asran Dicky Sofjan Dyah Mutiarin, Dyah Elly Prihasti W Endang Fatmawati Endang Fatmawati Eni Harmayani Eni Maharsi, Eni Euis Nurlaelawati Eva Agustin F.X Nadar faruk faruk Fauzan Hanif Febrianto, Anggit Fikha Nada Naililhaq FIRMONASARI, Aprillia Gayatri, Satya Genny Gustina Sari Gogor Bangsa Hadiati E Hadiati E Hadiati Erry Hanif, Fauzan Hayatul Cholsy Hussen, Bannaga Taha Al-Zubair I Dewa Putu Wijana I Gusti Ngurah Antaryama Ida Bagus Gede Aric Surya Lesmana Ida Purnama Sari Ida Rochani Adi Irwan Abdullah Irwan Irwan J. Susetyo Edy Yuwono JB Banawiratma JB. Banawiratma Jemali, Maksimilianus Juliasih J. June Cahyaningtyas Kafana Fityah Kayla Taqiyya Kamila Adnani Leo Marai Lono L. Simatupang Madawat Madawat M, Rabiatul Margaretha Finna Calista Marsono Marsono Maurisa Zinira Merry Andriani Miftahul Huda Miftahul Huda Mite Setiansah Muhammad Agus Muljanto MUHAMMAD FAHMI Muhammad Najib Azca Mundi Rahayu Mutiah Amini Nadya Annisa Noer Naila Fauziah Najib Kailani NFN Mustika Noer, Nadya Annisa Nur Saktiningrum Nurwendah, Yusti Dwi Pujiharto Pujiharto Rahmatika Luthfiana Sholikhah Rahmawati, Risma Nur Ratna Noviani Ratna Noviani Resha Naura Safa Amelia Rizqia Nuur Maziyya Roberta Salsano Roberta Salzano Rohmawati, Wiwin Siti Aminah Roza Muliati Rr. Paramitha Dyah Fitriasari Rudi Ekasiswanto Ruhaida, Nana Saeful Anwar Saktiningrum, Nur Sal Murgiyanto Sal Murgiyanto, Sal Sandya Rani Yunita Setiadi Setiadi Setiadi Setiadi Siti Aisyah Yasmin Siti Machmiyah, Siti Sri Margana Sri Margana Sri Ratna Saktimulya Sri Roviana Subiyantoro Subiyantoro Subiyantoro Suhandano Suhandano Sulistyowati Sulistyowati Sulistyowati Sulistyowati Sulistyowati, NFN Susetyo, Jarwo Susiati Susiati Susiati, Susiati SYABANA, Rosidin ALI Tangguh Okta Wibowo Tesya Imanisa Setiadi Tri Astuti, Wulan Tri Indri Hardini Tri Mastoyo Jati Kesuma Uki Sukiman, Uki Utomo, Samuel Rihi Hadi Veithzal Rivai Zainal Wisma Nugraha Christianto Richardus Wiwid Nurwidyohening Wulan Nurrahma Azhari Wulan Tri Astuti Wulan Tri Astuti Yoachim Agus Tridiatno Yulia Nasrul Latifi Yulia Nasrul Latifi, Yulia Nasrul Yuniarti Sibuea