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All Journal Indonesian Journal of Geography Humaniora Lensa: Kajian Kebahasaan, Kesusastraan, dan Budaya Jurnal Civics: Media Kajian Kewarganegaraan INFORMASI Litera Jurnal Komunikasi Sosiohumaniora Jurnal YIN YANG Indonesian Journal of Applied Linguistics (IJAL) FRANCISOLA LiNGUA: Jurnal Ilmu Bahasa dan Sastra El-HARAKAH : Jurnal Budaya Islam Lingua Jurnal Bahasa dan Sastra Jurnal Kawistara : Jurnal Ilmiah Sosial dan Humaniora Teosofi: Jurnal Tasawuf dan Pemikiran Islam Lingua Cultura Al-Ulum Indonesian Journal of Islam and Muslim Societies Rubikon: Journal of Transnational American Studies Poetika: Jurnal Ilmu Sastra Jurnal Ilmu Komunikasi Jurnal Ilmu Sosial dan Ilmu Politik Journal of Urban SocietyÂ´s Arts Al-Jami'ah: Journal of Islamic Studies Mozaik Humaniora ATAVISME JURNAL ILMIAH KAJIAN SASTRA ANDHARUPA Empirisma; Jurnal Pemikiran dan Kebudayaan Islam Musawa : Jurnal Studi Gender dan Islam Jurnal Ilmu Sosial dan Ilmu Politik Religious: Jurnal Studi Agama-Agama dan Lintas Budaya Masyarakat, Kebudayaan dan Politik Journal of Language and Literature Jurnal Orientasi Baru Eralingua : Jurnal Pendidikan Bahasa Asing dan Sastra Al-Albab Indonesian Journal of Islamic Literature and Muslim Society Bakti Budaya: Jurnal Pengabdian kepada Masyarakat Jurnal Pemikiran Sosiologi LEKSIKA k@ta Lire journal (journal of linguistics and literature Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Kandai English Language and Literature International Conference (ELLiC) Proceedings International Journal of Interreligious and Intercultural Studies Adabiyyat: Jurnal Bahasa dan Sastra Jurnal Pariwisata Terapan IJISH (International Journal of Islamic Studies and Humanities) Jantra Journal of Social Studies (JSS) JURNAL KOMUNIKASI DAN BISNIS Jurnal Kajian Seni AS-SIYASI JOURNAL OF CONSTITUTIONAL LAW Jurnal bahasa, sastra, seni, dan pengajarannya Jurnal Wanita dan Keluarga Bakti Budaya: Jurnal Pengabdian kepada Masyarakat AKSARA: Jurnal Bahasa dan Sastra Alinea: Jurnal Bahasa, Sastra, dan Pengajaran Widyaparwa SASDAYA: Gadjah Mada Journal of Humanities Libraria: Jurnal Ilmu Perpustakaan dan Informasi The Indonesian Journal of Socio-Legal Studies BAHASTRA Lire Journal (Journal of Linguistics and Literature) Jurnal Kawistara Indonesian Journal of Islamic Literature and Muslim Society LINGUISTS : JOURNAL OF LINGUISTICS AND LANGUAGE TEACHING Jurnal bahasa, sastra, seni, dan pengajarannya Khazanah Sosial

Wening Udasmoro

Fakultas Ilmu Budaya Universitas Gadjah Mada

Author-ID : 2385170

Religion Arts Humanities Decision Sciences, Operations Research & Management Earth & Planetary Sciences Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Public Health Social Sciences Other

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REPRODUKSI WOMANHOOD DALAM NOVEL BUNDA: KISAH CINTA 2 KODI KARYA ASMA NADIA Udasmoro, Wening
Adabiyyāt: Jurnal Bahasa dan Sastra Vol 1 No 2 (2017)
Publisher : Sunan Kalijaga State Islamic University Yogyakarta

Positioning women in literary works by women’s writers almost always has a dynamic turn. Asma Nadia, as a women’s writer is a representation of Forum Lingkar Pena which tends to flip the early women’s narrative model in Reformation era. This narrative model positions women, who are as if in a autonomus and auto-regulative narrative, into their subordinative position. The reversal of women’s narration by women’s writer with the religious perspectives brings up questions like: how is the positioning represented? How are the construction and the position of women in the turning point of the Reformation? What kind of reproduction of womanhood is formed in the novel? This paper aims at investigating the construction of womanhood in the novel with the religious perspectives by Asma Nadia, Bunda Kisah Cinta 2 Kodi. The alternatives in facing the religious structures are negotiated by the writers in various ways. Pardoxes emerge as the consequences of those alternatives.

MASKULINITAS DAN KESALEHAN DALAM NOVEL PEREMPUAN BERKALUNG SORBAN KARYA ABIDAH EL-KHALIEQY Hidayatullah, Danial; Udasmoro, Wening
Adabiyyāt: Jurnal Bahasa dan Sastra Vol 3 No 2 (2019)
Publisher : Sunan Kalijaga State Islamic University Yogyakarta

Identifying the correlation between masculinities and piety in Abidah El-Khalieqy’s Perempuan Berkalung Sorban [A Woman in a Turban] is a way to understand how gender works within a particular culture. As masculinity is not a monolithic concept, the mode of its correlation with piety varies. Based on the analysis of the characters and their characterizations in the novel, it is found that, from the perspective of the female narrator, the practice of piety leads to victimization and oppression of women when it is inscribed with hegemonic masculinity and vice versa. By applying narratology, this research is able to reveal the discursive practices from the combination of masculinities and piety. Khudori is a new kind of character which shares a positive masculinity dreamt by moslem women although his maculinity resembles the non-hegemonic ones. The other kinds of masculinity in this novel that function as a contrast show that the combination of piety and hegemonic masculinity is not desirable. On a structural side, Khudori is created as a part of the structural aspects which serves as a dramatic functionality that fits him best to be a flat character.

The Transformation of Online Academic Graphic Designers into Petite Bourgeoisie within the Digital Capitalism Ecosystem Bangsa, Petrus Gogor; Udasmoro, Wening; Noviani, Ratna
Journal of Urban Society's Arts Vol 12, No 1 (2025): April 2025
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/jousa.v12i1.13471

Academic graphic designers possess strong cultural capital from higher education and deep knowledge of design. This capital includes academic qualifications, high technical skills, and extensive social networks. Internet technology opens global opportunities for them to leverage these skills. Through various digital platforms, they can showcase their work, obtain international projects, and join global communities. These platforms provide them with wide market access, enabling independent work and significant income. However, behind this freedom, they must follow platform rules that reduce their autonomy. Many academic designers then employ junior designers to expand their business, transforming into petite bourgeoisie within the digital economy, controlling junior labour while still subjected to the control of large digital capitalists. This practice creates a tiered exploitation, where senior designers extract more value from less experienced junior designers. This transformation shows that although internet technology and digital platforms open up significant opportunities, they also bring new challenges in the form of injustice and exploitation in the workforce, placing academic graphic designers at the intersection of economic freedom and structural dependency. Transformasi Desainer Grafis Akademis Online Menjadi Borjuasi Mungil dalam Ekosistem Kapitalisme Digital. Desainer grafis akademis memiliki modal kultural kuat dari pendidikan tinggi dan pengetahuan desain yang mendalam. Modal ini termasuk kualifikasi akademik, kemampuan teknis tinggi, dan jaringan sosial luas. Teknologi internet membuka peluang global bagi mereka untuk memanfaatkan keterampilan ini. Melalui berbagai platform digital, mereka bisa memamerkan karya, mendapatkan proyek internasional, dan bergabung dengan komunitas global. Platform ini memberi mereka akses pasar luas, memungkinkan kerja independen dan penghasilan signifikan. Namun, di balik kebebasan ini, mereka harus mengikuti aturan platform yang mengurangi otonomi mereka. Banyak desainer akademis kemudian mempekerjakan desainer junior untuk memperbesar usaha, berubah menjadi borjuis kecil dalam ekonomi digital, mengendalikan tenaga kerja junior namun tetap tunduk pada kontrol kapitalis digital besar. Praktik ini menciptakan eksploitasi berjenjang karena desainer senior mendapatkan nilai lebih dari desainer yunior yang kurang berpengalaman. Transformasi ini menunjukkan bahwa meskipun teknologi internet dan platform digital membuka peluang besar, mereka juga membawa tantangan baru berupa ketidakadilan dan eksploitasi dalam tenaga kerja, menempatkan desainer grafis akademis di antara kebebasan ekonomi dan ketergantungan struktural.

Novel Metaphors in Indonesian Political Discourse on Covid-19 Pandemic Handling Maharsi, Eni; Suhandano, Suhandano; Udasmoro, Wening
Linguists : Journal of Linguistics and Language Teaching Vol 10, No 1 (2024): July
Publisher : Universitas Islam Negeri (UIN) Fatmawati Sukarno Bengkulu

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29300/ling.v10i1.4651

Metaphor is a part of human cognition that plays an important role in human knowledge and experience. This study aims at examining novel metaphors based on the metaphorical language used by Indonesia’s state leader, President Joko Widodo, in his speeches on COVID-19 and their functions for pandemic handling and post-pandemic preparednessin Indonesia. Data were speeches produced during the first and second waves of the pandemic and taken from official website of Cabinet Secretariat of the Republic of Indonesia. The metaphors identified in the speeches were analysed using Critical Metaphor Analysis proposed by Charteris-Black (2004, 2011, 2021). The identified novel metaphors were categorized under the following seven source domains: breakfast, computer, crater, test, teacher, momentum, wheel, and fire. The identified metaphors could be classified into three types of novel metaphor: linguistic structural metaphors, metaphors with new target domains, and new mapping metaphors. Results of analysis revealed that the metaphors of examination/test, teacher, and fire were high in frequency. As for the function, those novel metaphors could be interpreted as Jokowi's way to reflect changing realities and motivate actions. Overall, the use of metaphors implied Jokowi's priority responses toward pandemic, i.e. to persuade the importance of solidarity and collectivity, strong sense of perseverance and resilience, as well as mutual cooperation. This study is expected to give insight that government leadersemploy metaphors as appropriate to situational context as the metaphors they can be effective in shaping public opinion and winning public support for health measures and policymaking in time of crises.

Tipologi Wisata Gastronomi di Kabupaten Gianyar: Implementasi Triangle Gastronomi Indonesia Aryanti, Ni Nyoman Sri; Harmayani, Eni; Udasmoro, Wening; Mutiarin, Dyah
Jurnal Pariwisata Terapan Vol 9, No 2 (2025)
Publisher : Sekolah Vokasi, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jpt.110479

This study examines the typology of gastronomic tourism in Gianyar Regency, Bali, within the framework of the Triangle Concept of Indonesian Gastronomy (food, culture, and history). A qualitative approach was employed through semi-structured interviews, participatory observation, and documentation of gastronomic practices in Ubud and its surroundings. The findings identify four main typologies: observational culinary tourism, emphasizing aesthetic and sensory experiences; participatory culinary tourism, particularly cooking classes that transform domestic space into cultural learning arenas; agro-gastronomy, which integrates farming, local food production, and eco-tourism; and food festivals, functioning as platforms for cultural representation, entrepreneurship, and international collaboration. These typologies demonstrate how gastronomy in Gianyar is not merely a culinary attraction but also a vehicle for cultural preservation, social transformation, and sustainable community-based tourism. By highlighting the synergy of food, culture, and history, this study contributes to a deeper understanding of gastronomic tourism as both a symbolic and economic driver in Bali’s destination development.

Nation and the construction of masculinities in the Film Seperti Dendam Rindu Harus Dibayar Tuntas Sari, Genny Gustina; Udasmoro, Wening; Noviani, Ratna
Jurnal Civics: Media Kajian Kewarganegaraan Vol. 22 No. 2 (2025)
Publisher : Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/jc.v22i2.87209

Films often represent masculinities influenced by social constructions produced and legitimised by the state. This research examines how the state shapes multiple forms of masculinity through the film Seperti Dendam Rindu Harus Dibayar Tuntas. The film critiques the hegemonic masculinity constructed by the state, while also illustrating that masculinity is not monolithic. Instead, it consists of diverse and sometimes conflicting contextually negotiated constructions. This study uses multimodal discourse analysis to explore the interrelationship between the state, masculinities, and gender representation within the film. The findings reveal that the state plays a significant role in maintaining hegemonic masculinity through policies and regulations that reinforce patriarchal norms. However, the film also opens up spaces for renegotiation, particularly for heterosexual men who fail to conform to dominant standards, allowing them to reclaim recognition within the masculine hierarchy. Furthermore, the film, produced in the Reformation era, set in the Orde Baru era, reflects a transitional moment where representations of masculinity become more fluid and contested. In a patriarchal system, while masculinity is still maintained through social control mechanisms, its boundaries are increasingly permeable, enabling cultural shifts and new gender negotiations. This research contributes to gender and media studies by showing how films, particularly Seperti Dendam Rindu Harus Dibayar Tuntas, can challenge and disrupt patriarchal constructions of masculinity shaped by the state, thereby opening up new avenues for understanding and redefining masculinity.

The politics of masculinity: male virility and social coercion in indonesian cinema Sari, Genny Gustina; Udasmoro, Wening; Noviani, Ratna
Jurnal Komunikasi Vol. 19 No. 3 (2025): VOLUME 19 NO 3 OKTOBER 2025
Publisher : Program Studi Ilmu Komunikasi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20885/komunikasi.vol19.iss3.art7

This article analyzes the representation of male virility as a form of social coercion in two Indonesian films: Test Pack (2012) and Seperti Dendam Rindu Harus Dibayar Tuntas (Vengeance Is Mine, All Others Pay Cash,2021). Drawing on Gunther Kress and Theo van Leeuwen's multimodal discourse analysis, the study explores how the two films construct and critique the pressure on men to prove their masculinity through sexual performance. Although set in different political eras, the Orde Baru and the Reformation, both films depict the penis as a symbolic measure of virility. Characters like Rahmat and Ajo Kawir demonstrate that heterosexual men can also experience subordination due to infertility or impotence, challenging dominant ideals of masculinity. Despite their distinct visual and narrative strategies, the two films reveal how virility operates as a persistent mechanism of social control, shaping male identity across time. These findings underscore the role of cinema in reflecting on and questioning gender norms, particularly ideals surrounding male sexual performance.

Postcolonial encounters between the west, the east, and Islam in Hanum Salsabiela’s travel writing Rahmawati, Risma Nur; Faruk, Faruk; Udasmoro, Wening
BAHASTRA Vol. 45 No. 2 (2025): BAHASTRA
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26555/bs.v45i2.1658

Travel writing serves as a crucial medium through which narrators document and interpret their encounters with foreign cultures. This study examines Hanum Salsabiela’s Bulan Terbelah di Langit Amerika (BTLA) to explore how the narrator reports on the United States, expresses her self-identity during her journey in the United States, and represents the people of the United States through the lens of postcolonial travel writing. This research is significant because the narrator not only depicts the United States as a geographical and cultural space but also highlights the presence of Islam within it. As the country with the largest Muslim population in the world, it is not surprising that many Indonesian travel writers are drawn to Islamic regions such as the Middle East. However, in recent years, some have begun to explore Western countries, which differ significantly in culture and religion. The data collection methods used in this research are textual observation and note-taking. In addition, the data analysis employs discourse analysis grounded in the postcolonial travel writing paradigms of Carl Thompson. In conclusion, the study indicates that the United States is portrayed as a metropolitan country, yet it continues to face overlapping social issues, including homelessness, Islamophobia, and discrimination. BTLA functions as self-reflective travel writing, using the United States as a space for the narrator to explore and reflect on her identity as a Muslim. Furthermore, in representing the Other, the narrator still exhibits traces of a neo-colonial attitude, even though she strives to present a cosmopolitan perspective.

Narrative Imagination of Islam in Nusantara: A Study on Islam in Babad Tanah Jawi and Babad Giyanti Achmad Fawaid; Wening Udasmoro; Sri Margana; Miftahul Huda
Indonesian Journal of Islamic Literature and Muslim Society Vol. 8 No. 1 (2023): June 2023
Publisher : UIN Raden Mas Said Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22515/islimus.v8i1.5030

The lack of research on literary elements in "babad" is in line with the limited study of Islamic elements within this genre. This research aims to analyze the Javanese poets' depictions of Islam in "Babad Tanah Jawi" and "Babad Giyanti." The study operates under the assumption that "babad" as literary works can allegorically create a contested space where Islam interacts with other traditions. A qualitative paradigm with a comparative structural approach is employed in this study, focusing on the narratives that shape the author's understanding of Islam in the 18th century. The findings of this research reveal that the court poet's portrayal of Islam in "Babad Tanah Jawi" shares similarities with another work in the same genre, "Babad Giyanti." These commonalities encompass the utilization of Islamic verses in the "bhabuka" text and "asmaul husna," the depiction of "walisongo's" role, the practice of "tawajjuh," moral Islamic teachings, and the political positioning characterized by ambivalence and negotiation among different traditions.

Pelatihan Bahasa Prancis Berbasis Media Audiovisual untuk Guru SMA dari 21 Kota di Indonesia Baskoro, B. R. Suryo; Udasmoro, Wening; Andriani, Merry
Bakti Budaya: Jurnal Pengabdian kepada masyarakat Vol 5 No 1 (2022): 2022: Edisi 1
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/bakti.4078

Audiovisual media-based French language training for high school teachers in Sumatra, Java and Eastern Indonesia aims to improve teachers’ abilities and provide access to audiovisual learning media especially for those serving in remote areas. French Literature Program FIB-UGM conducted it in collaboration with the French Embassy in Indonesia, Institut Français d’Indonésie, and TV5Monde. The success of socialization makes this program not only atrract high school teachers, but also by French lecturers from various universities and French teachers from five Institut Français d’Indonésie and Alliance Française. The program was conducted online and took place from 5 to 16 July 2021, followed by a total of 105 people. Participants were divided into 8 groups with a learning length of 27 hours / group. The training materials are divided into Modules A and B. Module A contains training on ‘exploring tv5monde.com sites for teachers’, ‘Accessing learning resources’, ‘using apprendre.tv5monde.com in the classroom’, and ‘understanding and using pedagogical tools on enseigner. tv5monde.com’. Module B contains everything in module A, ‘creating activities out of videos’, and ‘designing teaching sheets from audiovisual media’. This program provides access to teaching materials in the form of audio-visual documents that can be downloaded and used in classrooms that do not yet have adequate network infrastructure. This is an important contribution for teachers in the regions who often have difficulty accessing audio document teaching materials that suit the needs of their class. This training has been successfully improve the ability and confidence of high school and vocational teachers and produce output in the form of sitography (resources pages) databases easily accessible to teachers. ==== Pelatihan bahasa Prancis berbasis media audiovisual untuk guru SMA di Sumatra, Jawa, dan Indonesia Timur bertujuan untuk meningkatkan kemampuan guru dan memberikan akses media pembelajaran audiovisual, khususnya bagi mereka yang bertugas di daerah-daerah terpencil. Prodi Sastra Prancis FIB UGM melaksanakannya dengan bekerja sama dengan Kedubes Prancis di Indonesia, Institut Français d’Indonésie, dan TV5Monde. Keberhasilan sosialisasi membuat program ini tidak hanya diikuti oleh para guru SMA, tetapi juga oleh para dosen prodi Sastra Prancis dari berbagai perguruan tinggi dan para pengajar bahasa Prancis dari lima Institut Français d’Indonésie dan Alliance Française. Program dilaksanakan secara daring dan berlangsung pada 5—16 Juli 2021 dengan diikuti oleh total 105 orang. Peserta dibagi menjadi 8 kelompok dengan lama pembelajaran 27 jam/kelompok. Materi pelatihan dibagi ke dalam Modul A dan B. Modul A berisi pelatihan tentang ‘menjelajah situs tv5mode.com’, ‘mengakses sumber-sumber pembelajaran’, ‘menggunakan apprendre.tv5monde.com di kelas’, serta ‘memahami dan menggunakan lembar-lembar pedagogik pada enseigner.tv5monde.com’. Modul B berisi semua yang ada di modul A, ‘membuat kegiatan dari video’ dan ‘merancang lembar pengajaran dari media audiovisual’. Program ini memberikan akses bahan ajar berupa dokumen audiovisual yang dapat diunduh dan digunakan di kelas yang belum memiliki prasarana jaringan yang memadai. Hal ini menjadi kontribusi penting bagi guru-guru di daerah yang sering kali kesulitan mengakses bahan ajar dokumen audio yang sesuai dengan kebutuhan kelasnya. Pelatihan ini terpantau berhasil meningkatkan kemampuan dan kepercayaan diri para guru SMA dan SMK serta menghasilkan output berupa basis data sitografi yang mudah diakses oleh para guru.

Co-Authors Achmad Fawaid Agustin, Eva Anak Agung Gede Sugianthara Andi Mustofa andriani, merry Andriani, Merry Anjani, Albertine Darasita Aprilia Firmonasari Aprillia Firmonasari Arifah Arum Candra Hayuningsih Aryanti, Ni Nyoman Sri Awanis Akalili Azmie, Alvia Marata B.R. Suryo Baskoro B.R. Suryo Baskoro Banawiratma, JB. Bannaga Taha Al-Zubair Hussen Cholil, Suhadi Danial Hidayatullah, Danial Dian Pratiwi Diana Safinda Asran Dicky Sofjan Dyah Mutiarin, Dyah Elly Prihasti W Endang Fatmawati Endang Fatmawati Eni Harmayani Eni Maharsi, Eni Euis Nurlaelawati Eva Agustin F.X Nadar faruk faruk Fauzan Hanif Febrianto, Anggit Fikha Nada Naililhaq FIRMONASARI, Aprillia Gayatri, Satya Genny Gustina Sari Gogor Bangsa Hadiati E Hadiati E Hadiati Erry Hanif, Fauzan Hayatul Cholsy Hussen, Bannaga Taha Al-Zubair I Dewa Putu Wijana I Gusti Ngurah Antaryama Ida Bagus Gede Aric Surya Lesmana Ida Purnama Sari Ida Rochani Adi Irwan Abdullah Irwan Irwan J. Susetyo Edy Yuwono JB Banawiratma JB. Banawiratma Jemali, Maksimilianus Juliasih J. July Wiarti, July June Cahyaningtyas Kafana Fityah Kayla Taqiyya Kamila Adnani Leo Marai Lono L. Simatupang Madawat Madawat M, Rabiatul Margaretha Finna Calista Marsono Marsono Maurisa Zinira Merry Andriani Miftahul Huda Miftahul Huda Mite Setiansah Muhammad Agus Muljanto MUHAMMAD FAHMI Muhammad Najib Azca Mundi Rahayu Mutiah Amini Nadya Annisa Noer Naila Fauziah Najib Kailani NFN Mustika Noer, Nadya Annisa Nur Saktiningrum Nurwendah, Yusti Dwi Pujiharto Pujiharto Rahmatika Luthfiana Sholikhah Rahmawati, Risma Nur Ratna Noviani Ratna Noviani Resha Naura Safa Amelia Rizqia Nuur Maziyya Roberta Salsano Roberta Salzano Rohmawati, Wiwin Siti Aminah Roza Muliati Rr. Paramitha Dyah Fitriasari Rudi Ekasiswanto Ruhaida, Nana Saeful Anwar Saktiningrum, Nur Sal Murgiyanto Sal Murgiyanto, Sal Sandya Rani Yunita Setiadi Setiadi Setiadi Setiadi Siti Aisyah Yasmin Siti Machmiyah, Siti Sri Margana Sri Margana Sri Ratna Saktimulya Sri Roviana Subiyantoro Subiyantoro Subiyantoro Suhandano Suhandano Sulistyowati Sulistyowati Sulistyowati Sulistyowati Sulistyowati, NFN Supriyadi Susetyo, Jarwo Susiati Susiati Susiati, Susiati SYABANA, Rosidin ALI Tangguh Okta Wibowo Tesya Imanisa Setiadi Tri Astuti, Wulan Tri Indri Hardini Tri Mastoyo Jati Kesuma Uki Sukiman, Uki Utomo, Samuel Rihi Hadi Veithzal Rivai Zainal Wisma Nugraha Christianto Richardus Wiwid Nurwidyohening Wulan Nurrahma Azhari Wulan Tri Astuti Wulan Tri Astuti Yoachim Agus Tridiatno Yulia Nasrul Latifi Yulia Nasrul Latifi, Yulia Nasrul Yuniarti Sibuea

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