Article Per Year (5 Year)
p-Index From 2021 - 2026
13.405
P-Index
This Author published in this journals
All Journal Litera Jurnal Bahasa, Sastra, dan Budaya Jurnal Inovasi BAHASA DAN SASTRA Wahana Didaktika IDEAS: Journal on English Language Teaching and Learning, Linguistics and Literature PROSIDING SEMINAR NASIONAL PROGRAM PASCASARJANA Jambura Journal of Linguistics and Literature Abdimas Umtas : Jurnal Pengabdian kepada Masyarakat Ideas: Jurnal Pendidikan, Sosial dan Budaya Jurnal Pengabdian Masyarakat Multidisiplin KLITIKA Jurnal Ilmiah Pendidikan Bahasa dan Sastra Indonesia Education Achievement: Journal of Science and Research Innovative: Journal Of Social Science Research Kopula: Jurnal Bahasa, Sastra, dan Pendidikan Jurnal Pengabdian Masyarakat dan Riset Pendidikan Journal of Innovative and Creativity Jurnal Pembelajaran Bahasa dan Sastra Jurnal Ikadbudi : Jurnal Ilmiah Bahasa, Sastra, dan Budaya Daerah Journal of Community Services on Multidisciplinary Sciences Joong-Ki
Herson Kadir
Universitas Negeri Gorontalo
Religion Aerospace Engineering Agriculture, Biological Sciences & Forestry Arts Humanities Astronomy Automotive Engineering Biochemistry, Genetics & Molecular Biology Chemistry Civil Engineering, Building, Construction & Architecture Computer Science & IT Control & Systems Engineering Earth & Planetary Sciences Education Electrical & Electronics Engineering Energy Environmental Science Immunology & microbiology Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Materials Science & Nanotechnology Mathematics Medicine & Pharmacology Nursing Public Health Social Sciences Other

Published : 121 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 121 Documents
Search

 9   10   11   12   13 
A Study of Power Relations Identification in the Drama Script Panembahan Reso by W.S. Rendra: An Analysis Based on Michel Foucault's Theory of Power Herson Kadir; Rahmatia Arjoyo; Israhayu Djafar; Aviva Dinanti; Fendra Amelia Abdullah; Ikbal Muliyadi Syafii; Tasya Abd. Latif
Jurnal Pembelajaran Bahasa dan Sastra Vol. 5 No. 4 (2026): Juli 2026
Publisher : Raja Zulkarnain Education Foundation

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55909/jpbs.v5i5.1592

Abstract

Power relations in literary works are a key area of study for understanding how power operates through characters’ actions and ways of thinking. However, an in-depth examination of power relations over the body and mind in W.S. Rendra’s drama script Panembahan Reso from the perspective of Michel Foucault remains rare. This study aims to describe the representation of power relations over the body and mind in the play. The method employed is a qualitative descriptive approach using Michel Foucault’s theory of power relations. Data collection techniques involved reading, note-taking, and analyzing dialogues that reveal power practices within the play. The findings indicate that power relations over the body are represented through surveillance, control, compliance, and the subjugation of individuals to maintain royal power. Furthermore, power relations over the mind are represented through influence, doctrine, ideological hegemony, the suppression of critical reasoning, and the manipulation of characters’ perceptions to keep them submissive and loyal to the ruler. Thus, power in the drama script Panembahan Reso operates not only through physical force but also through the control of individuals’ consciousness and ways of thinking.
Social and Cultural Issues in the Novels Laut Bercerita and Namiya Zakkaten No Kiseki: A Sociological of Literature Herson Kadir; Aviva Dinanti Lambalano; Ismail Rajak; Sastia Minasi Asuke; Lika Andariska; Tasya Abd. Latif
Jurnal Pembelajaran Bahasa dan Sastra Vol. 5 No. 4 (2026): Juli 2026
Publisher : Raja Zulkarnain Education Foundation

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55909/jpbs.v5i4.1596

Abstract

Laut Bercerita is one of the many acclaimed novels by Leila S. Chudori. It was published in 2017 by Kepustakaan Populer Gramedia in Jakarta, Indonesia, and spans 379 pages. The novel Namiya Zakkaten No Kiseki (The Miracles of the Namiya General Store) is a work by Keigo Higashino; it was published in 2017 by Kadokawa Shoten in Japan.This study aims to describe the social and cultural issues in the novel Laut Bercerita by Leila S. Chudori and Namiya Zakkaten No Kiseki by Keigo Higashino through Alan Swingewood’s sociology of literature approach. This research employed a descriptive qualitative method with a comparative literature approach. The data consisted of quotations, sentences, and dialogues that reflect social and cultural life in both novels. The results show that Laut Bercerita portrays political injustice, authoritarian repression, social trauma, and the culture of solidarity in Indonesian society during the New Order era. Meanwhile, Namiya Zakkaten No Kiseki portrays loneliness, social alienation, and the values of empathy in modern Japanese society. The similarity between the two novels lies in their depiction of humanity and social relationships in society. The differences are found in the social and cultural backgrounds that influence the conflicts in the stories. Through Alan Swingewood’s sociology of literature approach, both novels can be understood as reflections of the social and cultural life of their respective societies and eras.
Social Criticism in the Drama Script Orang-Orang di Tikungan Jalan by WS Rendra: A Sociology of Literature Study Herson Kadir; Anwar Lahay; Alya Aprilia Pulukadang; Juniarti Nurul Ilmi; Vidyawati Utina; Azalia Albakia; Ernawati
Jurnal Pembelajaran Bahasa dan Sastra Vol. 5 No. 4 (2026): Juli 2026
Publisher : Raja Zulkarnain Education Foundation

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55909/jpbs.v5i4.1598

Abstract

This research focuses on social criticism from the perspective of poverty, social injustice, exploitation of women, and social alienation in the drama script Orang-Orang di Tikungan Jalan by WS. Rendra through the perspective of Alan Swingewood’s sociology of literature. This drama script is considered to contain the reality of community life depicted through characters such as Sri, Djoko, Botak, Surati, and Surya who represent the lower social group. These communities face economic pressure, social injustice, and marginalization. This study uses a descriptive analysis method. The data collection technique is carried out through the read-note technique, namely reading the manuscript carefully and repeatedly, then recording the relevant parts to the focus of the research. Data analysis techniques refer to the content analysis model in the sociology of literature approach. The stages of analysis are: (1) reading the entire script to understand the plot, characters, and conflicts; (2) identifying parts of the text that contain elements of social criticism; (3) classifying data based on three Swingewood perspectives; (4) describing and interpreting the social meaning of the data; and (5) concluding the research findings. The results show that there are problems of poverty, social injustice, exploitation of women, and social alienation that are part of social criticism. This drama script not only functions as an aesthetic work, but also as a medium of social awareness of the condition of Indonesian society at that time.
The Superiority of the Tara Character in the Novel Katarsis by Anastasia Aemilia Azra Azhari; Herson Kadir; Ayu Hidayanti Ali; Sitti Rachmi Masie; Herman Didipu
Jurnal Pembelajaran Bahasa dan Sastra Vol. 5 No. 4 (2026): Juli 2026
Publisher : Raja Zulkarnain Education Foundation

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55909/jpbs.v5i4.1609

Abstract

The urgency of this research lies in the need to dissect the psychic mechanism of the character Tara through Alfred Adler’s individual psychology theory to understand how feelings of inferiority transform into an ambition for superiority. This study is crucial for providing a new perspective in literary studies regarding how individuals compensate for past wounds or trauma through efforts to achieve superiority. The purpose of this study is to describe the superiority of Tara’s character viewed from the principles of Alfred Adler’s individual psychology in the novel Katarsis by Anastasia Aemilia. The method used is a descriptive qualitative approach utilizing psychology of literature. Data were collected through reading, identifying, coding, and note-taking techniques related to the research. The data source for this study is the novel Katarsis by Anastasia Aemilia. The results showed that there are 22 data points regarding the superiority of Tara’s character in accordance with the principles of Alfred Adler’s individual psychology, including: (1) striving for superiority, seen from Tara’s willingness to visit a psychiatrist and her efforts toward independent learning by reading books; (2) subjective perception, seen from Tara’s efforts to alter the perception of her trauma; (3) unity of personality, seen from her self-controlling attitude; (4) social interest, seen from her expressive attitude, interaction with new people, and helping behavior; (5) style of life, seen from her healthy routines of exercising and taking medication; and (6) creative power of the self, seen from Tara’s ability to analyze other people’s personalities. Based on these results, it can be concluded that Tara is able to achieve superiority by utilizing her weaknesses (inferiority) as fuel or motivation when viewed from the principles of striving for superiority, subjective perception, unity of personality, social interest, style of life, and the creative power of the self.
Icons, Indices, and Symbols of the Film Perayaan Mati Rasa by Umay Shahab: A Charles Sanders Peirce Semiotic Study Sarifudin Ayuba; Herson Kadir; Ayu Hidayanti Ali
Jurnal Pembelajaran Bahasa dan Sastra Vol. 5 No. 4 (2026): Juli 2026
Publisher : Raja Zulkarnain Education Foundation

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55909/jpbs.v5i4.1623

Abstract

This study aims to describe the meaning of icons, indices, and symbols in Umay Shahab’s film “Perayaan Mati Rasa” through Charles Sanders Peirce’s semiotics. The study was conducted by analyzing the film, which premiered in theaters on January 29, 2025, and on Netflix on June 12, 2025. The primary data source for this study was the film itself, while secondary data were obtained from semiotic theory books, scientific journals, and other relevant literature. The research instruments used included observation through repeated viewings of the film, documentation through screenshots of scenes, and literature review. Data analysis was conducted using Charles Sanders Peirce’s semiotic approach with a qualitative descriptive method. The results show that: first, eight icon data were found in the form of visual representations of the main characters: Ian Antono, Uta Antono, Satya Antono, Dini Antono, Ray Alvero, Saka Wijaya, Dika Ardana, and Dinda Juwita, which depict character, relationships between characters, and emotional conflicts based on direct similarities between the signs and the objects they represent; Second, eleven index data were found which were displayed through facial expressions, body gestures, lighting, and character actions as signs that have a causal relationship with psychological conditions such as loneliness, mental stress, family conflict, and loss; Third, five symbol data were found in the form of a handycam and family photos, a father’s heirloom, a flower arrangement, a Yasin book, and a ship and the sea, whose meanings were formed through social and cultural conventions to represent longing, loss, affection, sacrifice, and hope in Antono’s family.
Actantial Schemes in the Novel Sampar by Albert Camus: A Collective and Dynamic Representation of Actantial Relations Julianti Anamira Pobela; Sitti Rachmi Masie; Herson Kadir
Jurnal Pembelajaran Bahasa dan Sastra Vol. 5 No. 4 (2026): Juli 2026
Publisher : Raja Zulkarnain Education Foundation

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This research aims to describe the actantial schema in Albert Camus’s novel “Sampar” based on A.J. Greimas’s narratological study, focusing on the relations between actants and narrative roles that construct the story’s structure. The approach used is descriptive qualitative, with data consisting of quotes, sentences, and paragraphs from the novel Sampar, translated by N.H. Dini. Data collection techniques included reading, note-taking, and data classification, while data analysis used the interactive model of Miles and Huberman. The research results show that the actantial schema in the novel “Sampar” is collective and dynamic. The function of the subject is not centered on a single character, but is instead carried out alternately by Dr. Bernard Rieux, Jean Tarrou, Rambert, the group of volunteers, and the people of the city of Oran in accordance with the development of Sampar conflict. The object actant gradually evolves from the effort to understand the disease to the struggle to maintain human solidarity. The sender act is evident in situational pressures such as the appearance of dead rats and the increasing number of victims of the epidemic, while the receiver act is dominated by the community experiencing the epidemic’s social and psychological impacts. The helper actant is manifested through knowledge, social solidarity, and collective work, while the opposing actant is not only the epidemic but also social denial and bureaucratic response delays. The most significant finding of this research is that the boundaries between actants are fluid and dynamic, allowing a character to perform more than one actant function within the narrative. This research demonstrates that A.J. Greimas’s narratology is relevant to analyzing novels with collective conflicts and complex narrative structures.
Implementation of Quick Response Code Media in Teaching Poetry Writing to Grade VIII Students at SMP Negeri 1 Tilango Raina I. Tuna; Supriyadi; Herson Kadir; Muslimin; Eka Sartika
Jurnal Pembelajaran Bahasa dan Sastra Vol. 5 No. 4 (2026): Juli 2026
Publisher : Raja Zulkarnain Education Foundation

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55909/jpbs.v5i4.1636

Abstract

later2
A Semiotic Analysis of Gus Mus’s Poems Kaum Beragama Negeri Ini and Selama Ini di Negerimu: A Roland Barthes Perspective Fitri Diva Saskia MR. Binol; Herson Kadir; Zilfa Achmad Bagtayan
Jurnal Pembelajaran Bahasa dan Sastra Vol. 5 No. 5 (2026): September 2026 | inprogress
Publisher : Raja Zulkarnain Education Foundation

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55909/jpbs.v5i5.1642

Abstract

This study aims to describe the denotative, connotative, and mythic meanings in the poems Kaum Beragama Negeri Ini and Selama Ini di Negerimu by Ahmad Mustofa Bisri, utilizing Roland Barthes' semiotic framework. The research data consist of words, phrases, and sentences from both poems that embody denotative, connotative, and mythic meanings. A qualitative descriptive method was employed, with data collection involving the reading, comprehension, and recording of poem segments containing semiotic signs. Data analysis was conducted by identifying signs, classifying the data, and subsequently analyzing meanings based on Roland Barthes' semiotic theory. The results indicate that both poems by Gus Mus contain denotative, connotative, and mythic meanings related to social criticism and humanity. The denotative meaning reflects the literal sense of the words used, while the connotative meaning reveals criticisms regarding religious fanaticism, poverty, social injustice, and the erosion of human values within society. Furthermore, the mythic meaning in both poems highlights social perspectives accepted as natural by the public—such as the notion that religious symbols outweigh human values, or the view of poverty as a commonplace aspect of social life. Through the use of simple symbols, Gus Mus successfully conveys profound moral messages and social critiques regarding the reality of life in Indonesian society.
Extralinguistic Context Analysis in the Novel Laut Bercerita His Name by Leila S. Chudori: Pragmatics Study Sutiantira Rezky Kobandaha; Sayama Malabar; Herson Kadir
Jurnal Pembelajaran Bahasa dan Sastra Vol. 5 No. 4 (2026): Juli 2026
Publisher : Raja Zulkarnain Education Foundation

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55909/jpbs.v5i4.1848

Abstract

This study aims to describe: 1) the extralinguistic context in the novel Laut Bercerita by Leila S. Chudori viewed from the social context; 2) the extralinguistic context in the novel Laut Bercerita by Leila S. Chudori viewed from the societal context; 3) the extralinguistic context in the novel Laut Bercerita by Leila S. Chudori viewed from the cultural context; 4) the extralinguistic context in the novel Laut Bercerita by Leila S. Chudori viewed from the situational context. This study employs a pragmatic approach. The aspects examined include the extralinguistic context of the novel Laut Bercerita by Leila S. Chudori, analyzed through social, societal, cultural, and situational lenses. A descriptive-qualitative method is used. Data sources consist of conversational excerpts from the novel, collected using a non-test instrument—specifically, a structured observation guide. Data collection was carried out through reading and note-taking techniques. The research data were analyzed by identifying, classifying, and describing data related to extralinguistic contexts—specifically social, societal, cultural, and situational contexts. This article, which examines the pragmatic aspects of literature, presents three research findings. First, regarding the extralinguistic context in the novel Laut Bercerita by Leila S. Chudori, the social context comprises eleven data excerpts. Secondly, regarding the extralinguistic context of the novel Laut Bercerita by Leila S. Chudori, the societal context yields ten data excerpts. Thirdly, regarding the extralinguistic context of the novel Laut Bercerita by Leila S. Chudori, the cultural context yields eleven data excerpts.. Fourth, regarding the extralinguistic context in the novel Laut Bercerita by Leila S. Chudori, an analysis of the situational context yields twelve data excerpts.
Social Reality in Heru Kersawa Murti’s Play Dhemit: A Perspective by Ian Watt Herson Kadir; Winangsih Sumba; Nurawalia Karim; Laila Mokodompit; Agista Palaji; Sabria Fibriani; Marlona
IDEAS: Journal on English Language Teaching and Learning, Linguistics and Literature Vol. 14 No. 2 (2026): IDEAS: Journal on English Language Teaching and Learning, Linguistics and Lite
Publisher : Universitas Islam Negeri Palopo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24256/ideas.v14i2.11082

Abstract

Drama, as a literary work, serves not only as a form of entertainment but also as a representation of various social realities within society. While the sociology of literature has been widely studied, research specifically examining the representation of social injustice and marginalization in Heru Kersawa Murti’s play Dhemit through the lens of Ian Watt’s sociology of literature remains limited. Therefore, this study aims to analyze the representation of social realities in the play using Ian Watt’s approach. The research focuses on various forms of social injustice and marginalization depicted through characters, dialogue, conflict, and the narrative setting. A qualitative approach with a descriptive method is employed. Data were gathered through an intensive reading of the script, the recording of relevant excerpts, and the categorization of data based on forms of social reality. Subsequently, the data were analyzed with reference to Ian Watt’s concepts of the sociology of literature. The results indicate that Dhemit represents various social issues, such as worker exploitation, power imbalances, the disregard for the rights of rural communities, and environmental degradation caused by development. Furthermore, the characters Dhemit and Lelembut represent marginalized groups resulting from unequal power relations. These findings confirm that Dhemit functions not merely as a literary work but also as a medium for social criticism regarding injustices in society. This study contributes to the development of the sociology of literature, particularly by enriching the understanding of how social realities are represented in drama through Ian Watt’s perspective.
Co-Authors Abas, Dwi Anggriani Abdul Rasyid Abdulharis Kune Abdullah, Ainun Achmad Bagtayan, Zilfa Adeliya Ibrahim Adinda Lindiska Lahay Agista Palaji Agista Palaji Agnes Novianti Agustin, Puspita Dian Ahmad Badu Akbar Ntango Ali, Ayu Hidayanti Ali, Magvira Alya Aprilia Pulukadang Alya Fitria Naki Amelia Anastasya Lanti Amelia Anastasya Lanti Amu, Aldiyanto Andi Hersya Nur Azizah Andi Hersya Nur Azizah Anesa Dwinarti Tute Annisa Rumpabulu Annisa Rumpabulu Anwar Lahay Apriliani Mamu Apriliani S. Mamu Ariyanti Daud, Olvi Dwi Arni Nuruji Arsih Septianingsih Lapadang Asdia Tonuo Asna Ntelu Aviva Dinanti Aviva Dinanti Lambalano Ayu Hidayanti Ali Ayu Ismail Ayu Ismail Ayu Nahumpang Azalia Albakia Azra Azhari Bambang, Sarmila Bayu Adi Wiyono Blongkod, Sri Winanda Chairunnisa Mantu Chairunnisa Mantu Cindra Datau Cindra Datau Cindriawati Pomolango D. Hulopi, Nursella Dakia N. Djou Dakia N. Djou Darliani Darliani Datau, Maryam Daud Yefkanius Nassa Daud, Erik Daud, Rolan K. Destilawati Noho Destira Abd Rahman, Tria Deviana Rasyid Dewi Malik Dian Vidiawati Ibrahim Dinda Nuriah Kinga Djeijun, Wanda Djua, Nurain Dunggio, Sri Juliana Mul’afaida Duslan, Nur Halizah Egam, Ahmad Syahdan Eka Sartika Eka Sartika, Eka Eka Wahyuni Mohamad, Inayah Ellayana Hinta Ellyana Hinta Elya Nusantari Erina Putriani Paputungan Erina Putriani Paputungan Erlinda A. Suleman Ernawati Eva Putri Magfirah Fairuzia Fairuzia Faisal Puluhuluwa Fani Septiani Rauf Fatmah AR Umar Fatmawati Mobiliu Fatmawati Mobiliu Febriana, Cindy Fendra Amelia Abdullah Fendra Amelia Abdullah Fendra Amelia Abdullah Fikrin Ilolu Firanti R. Unusa Fitri Diva Saskia MR. Binol Fitri Hudengo Fitri Lamusu Fitri Yanuar Misilu Fitriya Ningsi Hadiu Frediyanto Monarfa Frediyanto Monoarfa Guzali, Yurnaningsih H. Saledaa, Sri Mulyani Habibie, Nur Ainsyah Hadji, Delvina Halaa, Siti Salsadila Hanapi, Serliyani Harun, Alan Harun, Witrian Hasni Asis Herman Didipu Herman Didipu Hidayanti Ali, Ayu Hulantu, Nurain Humokor, Hikma Nurcahyani I. Sahur, Syamsurizal Ibrahim Dj. Kama Ikbal Muliyadi Syafii Ikbal Mulyadi Syafi’i Ikbal Syafii Ikha Hardiyanti Puspita Mahading Inayah Nuraulia Mokodongan Indah Zain Indah Zain Iskar Abas Iskar Abas Ismail Rajak Ismail Rajak Ismit Badaru Israhayu Djafar Israhayu Djafar Ita Ahyani Jafar Lantowa Jannah, Firdha Fadhilatul Jein Latif Jein Palilati Jein Palilati Julianti Anamira Pobela juni triantoko Juniarti Nurul Ilmi Juriyati Rajak Juriyati Rajak Justevani, Sri Kadir, Wahyuni Karmila Hino Karmila Husain Karsum K. Talib Karsum K.Talib Kartika Dwi Yanti Kaune, Yulistiani Kirana Gaga, Diva Kuga, Mersiranda La Ode Gusman Nasiru Laila Mokodompit Laila Mokodompit Lalu, Sri Sulistiawati Lasmin Lamusu Lifka Ismail Lika Andariska Lika Andarista Liputo, Moh. Giat Lisnawati Palongo M. Mulusi, Mirna Maele, Helmin Mangilo, Nurhalima Marlona Marlona Marwah Ali Masyhur, Putri Syahra Mawar H. T. Datunsolang Meiska Van Gobel Meiska Van Gobel Meriyanti Lakoro Miranda I. Zain Miranda I. Zain Moh Fhainal Lamaliu Moh. Karmin Baruadi Moh. Yusuf H. Ibrahim Mohamad, Hawaria Mokodompit, Rahmawati Mokodompit, Sarapina Mongilong, Melani Muhammad Arfan MUSLIMIN Muslimin Muslimin Mutmainnah Huntala N. Djou, Dakia Nadia Tri Jayantika Yunus Narsi Yani Natasya Cut Fadilah Salfa Djua Neno, Kartika Amalia Nenta Mamonto Nihali, Sri Ririn Nikomang Mahatmadevisy Niranda Oki Niranda Oki Noho, Destilawati Nonny Basalama Novandawati Masi Novita Abas Nur Alin Benta Nur Alin Benta Nur Anisa Maku Nur Anisa Maku Nur Awalia Karim Nur Awalia Karim Nur Fadila Kueno Nur Fadila Kueno Nur Stevi Amir Nur'ain Lakoro Nurafni Amuda Nuraini, Lian Nurawalia Karim Nurdin, Nuryana Nurfatmi J. Anwar Nurfirawati Ntelu Nurjuliati Salsabila Y. Rahman Nurjuliati Salsabila Y. Rahman Nurlena Arsadi Nuruji, Arni Nur’ain Lakoro Oktafiyani Mooduto Oky Octaviani Pakaya Paputungan, Erina Putriani Paputungan, Leoni Patrian Pakaya Pobela, Julianti Anamira Pobela, Siti Nurhalisa Pontoh, Sri Wahyuni Potabuga, Nur Atika Prasetia, Udin Putri Salsabila Murad Putri Salsabilah Murad Putri Salsabilah Murad Rahma Yuni Djafar Rahman Apadu Rahman Apadu Rahman D. Daad Rahman D. Daad Rahmat Abdullah Rahmatia Arjoyo Rahmatia Arjoyo Rahmatia Suleman Rahmawati Mokodompit Rahmawati Mokodompit Rahmiyati Subula Rahmiyati Subula Rahmiyati Sumba Raina I. Tuna Ratna Hanapi Regina Sri Natalia Ningsi Babay Renaldi Harun, Alit Renita Guamo Reyis Buhay Reynol Moha Ricky Daliuwa Rusdi, Safna S. Daud, Yuniarti S. Nani, Sandi Sabria Febriani Sabria Fibriani Sadapu, Nurain Sahari, Sella Saipul H. M. Lasupu Sakina Anton Salam Salam Tolaki Sarifudin Ayuba Sartika Djelema Sartika Djelema Sastia Minasi Asuke Sayama Malabar Setyanegara, Agus Shelvira Mokodongan Shelvira Mokodongan Siti Fatima Tuzahrah Bachri Sitti Fatimah Tuzahra Sitti Rachmi Masie Sri Abelia Noho Sri Abelia Noho Sri Indriyani Kadir Sri Rahayu Ibrahim Sri Regina Gaib Sri Susanti A. Kunuti Sri Vingki Binti Yudin Sri Wahyuni K. Rahim Srisusanti A. Kunuti Sudarno, Tri Wahyuni Suge, Firnawati Sukma Wati, Ni Gusti Ayu Suleman, Erlinda A. Suleman, Fatma Supriyadi Supriyadi Supriyadi Supriyadi Supriyadi Supriyadi Sutiantira Rezky Kobandaha Sutrin R. Moha Tasya Abd. Latif Taumbung, Nuwafiqah S. Tayeb, Nuriyanci S. Tiara Sinto Trivia Wahyu Amanda Djailani Trywidarti S Magu Udin Prasetia Umar, Asni Ummul Khair Ummul Khairu Usman, Meylan Utina, Siti Nurgian Uyan Saipi Vanni Ashari Vanni Asharit Vidyawati Utina Wa Ode Irawati Wardatul Magfirah Dehiyo Wardatul Magfirah Dehiyo Widyawati Bagoe Widyawati Bagoe Winangsih Sumba Winangsih Sumba Yulianti Pongaliu Yulianti Pongoliu Yulinda Otoluwa Yulinda Otoluwa Yunima Hasan Yunima Hasan Yunima I. Hasan Yunita Iklima Kasim Yunitasari A. Umar Yunus Dama Yusrin Djalilu Yusrin Djalilu Zahabi, Ayu Zaqia Debila P. Deu Zilfa Achmad Bagtayan Zulkifli Tanipu Zulkifli Wolionelo Zulkipli Taliki Zulkipli Zulkipli