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Journal : Catharsis

Creativity to Draw Illustration Using Montage Techniques in Grade VIII Students in SMP Muhammadyah 1 Kudus Surya Adi, Adinda; Syakir, Syakir; Sugiarto, Eko
Catharsis Vol 8 No 3 (2019)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v8i3.33117

Abstract

Learning art at the high school level is an important part of the formal school learning process. Art education and creativity through the art of illustration in the process of learning in SMP Muhammadiyah 1 Kudus is an aesthetic educational institution for learners. An introduction to the values ​​of working with illustrative art, the sensitivity of elements and principles of evaluation of illustrative artwork and the importance of creativity education to students through the techniques of montage in illustrative artwork. This research used qualitative descriptive methods. With the study setting in the SMP Muhammadiyah 1 Kudus in Class VIII-H. Data collection techniques are interviews, observations and documentation. Data analysis using qualitative research stages and validity of data using Triangulation data. The results of the research are revealing; (1) the process of implementing illustrative art learning with the application of montage techniques to the grade VIII students of SMP Muhammadiyah 1 Kudus, (2) the analysis of art elements and design principles in the aesthetic assessment of 12 illustrated works of art, and (3) the analysis of creative creativity art works of 12 illustrated works using montage techniques. The conclusion from the analysis of the 12 paintings, shows that the art of illustration with the montage technique is a form of aesthetic expression and artistic creativity from the expression of the ideas and ideas of each student in the art of assessment of elements and principles of art.
Imaginative Expression of Autistic Children's Painting as a Form of Response to The Environment at Fredofios School Yogyakarta Yulaida, Ita; Triyanto, Triyanto; Sugiarto, Eko
Catharsis Vol 8 No 4 (2019)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v8i4.35582

Abstract

Autistic children are children who experience impaired brain function development which is characterized by difficulties in the ability of social interaction, communication with the environment, behavior and a delay in the academic field. Imaginative expressions in children with autism can be done through the media of painting. The media of painting can help as a therapy and to develop the painting skills of autistic children. This study aims to review and analyze (1) The form of autistic children's painting in the Autistic Advanced School (SLA) Fredofios. (2) Environmental elements visualized in paintings as a result of the imagination of children with autism. The method used in this research is qualitative. Data is collected through controlled observations, interviews, and document studies. The data validity technique uses triangulation and interactive data analysis techniques. The results of this study First, the form of autistic children's painting shows artistic painting in terms of subjects, color elements and shapes. Second, visualized environmental elements describe the school environment and family environment. Expressions of imagination of autistic children are always inspired by the environment every day.
Creativity to Draw Illustration Using Montage Techniques in Grade VIII Students in SMP Muhammadyah 1 Kudus Surya Adi, Adinda; Syakir, Syakir; Sugiarto, Eko
Catharsis Vol 8 No 3 (2019)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v8i3.33117

Abstract

Learning art at the high school level is an important part of the formal school learning process. Art education and creativity through the art of illustration in the process of learning in SMP Muhammadiyah 1 Kudus is an aesthetic educational institution for learners. An introduction to the values ​​of working with illustrative art, the sensitivity of elements and principles of evaluation of illustrative artwork and the importance of creativity education to students through the techniques of montage in illustrative artwork. This research used qualitative descriptive methods. With the study setting in the SMP Muhammadiyah 1 Kudus in Class VIII-H. Data collection techniques are interviews, observations and documentation. Data analysis using qualitative research stages and validity of data using Triangulation data. The results of the research are revealing; (1) the process of implementing illustrative art learning with the application of montage techniques to the grade VIII students of SMP Muhammadiyah 1 Kudus, (2) the analysis of art elements and design principles in the aesthetic assessment of 12 illustrated works of art, and (3) the analysis of creative creativity art works of 12 illustrated works using montage techniques. The conclusion from the analysis of the 12 paintings, shows that the art of illustration with the montage technique is a form of aesthetic expression and artistic creativity from the expression of the ideas and ideas of each student in the art of assessment of elements and principles of art.
Imaginative Expression of Autistic Children's Painting as a Form of Response to The Environment at Fredofios School Yogyakarta Yulaida, Ita; Triyanto, Triyanto; Sugiarto, Eko
Catharsis Vol 8 No 4 (2019)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v8i4.35582

Abstract

Autistic children are children who experience impaired brain function development which is characterized by difficulties in the ability of social interaction, communication with the environment, behavior and a delay in the academic field. Imaginative expressions in children with autism can be done through the media of painting. The media of painting can help as a therapy and to develop the painting skills of autistic children. This study aims to review and analyze (1) The form of autistic children's painting in the Autistic Advanced School (SLA) Fredofios. (2) Environmental elements visualized in paintings as a result of the imagination of children with autism. The method used in this research is qualitative. Data is collected through controlled observations, interviews, and document studies. The data validity technique uses triangulation and interactive data analysis techniques. The results of this study First, the form of autistic children's painting shows artistic painting in terms of subjects, color elements and shapes. Second, visualized environmental elements describe the school environment and family environment. Expressions of imagination of autistic children are always inspired by the environment every day.
Traditional Art in Building Cultural Identity: A Case Study on a Cultural Degree Event Astuti, Yuli Tri; Cahyono, Agus; Sugiarto, Eko
Catharsis Vol 10 No 2 (2021)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v10i2.51638

Abstract

Brebes Regency is located at the west end of Central Java, directly adjacent to Cirebon Regency, West Java Province. In general, the people in Brebes, which is known as the city of Bawang, besides being famous for its agricultural products and also very famous for its salted eggs. Brebes Regency besides being famous for its agricultural and livestock products, Brebes Regency also has various kinds of culture that developed in the Brebes people, including the arts that still exist and are still being preserved by the people of Brebes Regency namely, Burok art, Kuntulan art, Sintren art, mask art dance and lumping horses art and digul art. The art is strived for a conservation to make it easier to build a cultural identity. This study aims to determine the cultural identity built in the conservation of traditional arts in Brebes Regency through cultural degrees. The approach used to examine and explore the problem in this research is using anthropological and sociological approaches. Because they can be used to determine the process of Cultural Degree held by Brebes Regency based on the reflection of cultural values ​​for people who have human creations or historical events that have functions and people needs.
Analysis of Broken Home Children Pictures at Salib Putih Orphanage Salatiga Arindy Sabilla Dewi; Syakir Syakir; Eko sugiarto
Catharsis Vol 12 No 1 (2023)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v12i1.71555

Abstract

This study discusses the visual expression of Broken Home children in the image of the pictures. For every individual, the family is referred to as a house that is always there in each of the individual conditions. However, it is not uncommon for the family to be a place to go home because of certain conditions experienced by an individual. This can be in the form of disharmony in the tang or broken home. The purpose of this study is to reveal whether the background factor of an individual can affect the work of the picture or not. This study uses a qualitative approach by applying the discipline of psychology and aesthetics. The research design is a case study, where data collection techniques use observations, interviews and document studies. For the validity of the data using the triangulation technique where this method is carried out by interview then followed by observation to obtain the same information. The study will be conducted at the Salib Putih Orphanage in Salatiga, with the research subject, the orphans who have a broken home background. The results revealed that a child's family background can affect the work of family -themed images. The child does not describe the state of his family in a bright manner. However, children tend to show their emotions and feelings honestly through the signs he made in his picture.
Mempertahankan Tradisi Membatik sembari Bersyair: Manajemen Konservasi Budaya Komunitas Pembatik Rifa’iyah Desa Kalipucang Wetan Gallah Akbar Mahardhika; Eko Sugiarto; Wandah Wibawanto
Catharsis Vol 12 No 1 (2023)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v12i1.71561

Abstract

Batik Rifa’iyah menjadi salah satu batik yang mempertahankan nilai-nilai tradisi dan budaya, salah satunya dengan melantunkan syair dalam proses membatik. Nilai-nilai dalam budaya batik Rifa’iyah membuatnya bertahan di tengah persaingan industri tekstil. Tujuan penelitian untuk mengungkap manajemen konservasi budaya, oleh Komunitas Pembatik Rifa’iyah di Desa Kalipucang Wetan Kabupaten Batang. Penelitian menggunakan pendekatan kualitatif, dengan model studi kasus. Teknik pengumpulan data menggunakan observasi, wawancara, studi dokumen. Keabsahan data menggunakan triangulasi sumber. Analisis data menggunakan model interaktif, dengan tahap; reduksi, sajian, dan verifikasi data. Hasil penelitian menunjukkan manajemen konservasi budaya batik Rifa’iyah dilakukan dengan menerapkan prinsip konservasi (save, study, use) melalui fungsi manajemen POAC. Manfaat penelitian dapat dijadikan sebagai acuan dalam upaya konservasi budaya batik di daerah lain.
Symbolic Values and Meanings in Lasem Batik Motives Novia Dyah Mahesti; Eko Sugiarto; Rahina Nugrahani
Catharsis Vol 12 No 1 (2023)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v12i1.72421

Abstract

Every batik motive has an interesting philosophy, as well as the Lasem batik motive. The Lasem batik motive also contains an interesting philosophy. This study aims to analyze the value and symbolic meaning contained in Lasem batik motives. This study uses a qualitative method by describing the object under study and using a semiotic approach. The dominant motives of Lasem written batik are Hong Bird, Gunung Ringgit, Dragon, Seruni, Latohan, Kricakan, Brayo, Gurdha and Lokcan motives. The Hong Bird motive means noble beauty and intelligence and has the value of effort and hard work. The Gunung Ringgit motive means abundant fortune and has the value of effort and hard work. The Dragon motive means strength and beautiful hope and has a strength value. The Seruni motive means well-being in old age, happiness and longevity, and has a value of beauty and harmony. The Latohan motive is a symbolic form of the latohan plant and has a natural wealth value. The Kricakan motive is a symbolic form of the construction of the Anyer-Panarukan road and has the value of hard work. The Brayo motive is a symbolic form of the Brayo plant and has natural wealth values. The Gurdha motive means valor, protection and fortitude and has heroic value. The Lokcan motive means love for fellow human beings and has a value of love.
Batik Semarang on Cultural Ecology Perspective: Characteristic of Visual Expression Intan, Noor Tiara Habib Aisyah; Sugiarto, Eko; Wibawanto, Wandah
Catharsis Vol 12 No 2 (2023)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v12i2.76364

Abstract

Batik is a traditional textile work of art which was designated by UNESCO on 2 October 2009 as an intangible cultural heritage (representative List of the Intangible Cultural Heritage of Humanity). This research aims to analyze the characteristics of Semarang batik based on cultural ecology, especially the Semarang icon category, the case study of this research is at IKM Batik Semarang 16. This research is qualitative research, in this research uses several theoretical approaches, namely a visual analysis approach with color theory and design principles for analyzing the visual elements in batik motifs. Apart from using a visual analysis approach with color theory and design principles, a cultural ecology approach will also be discussed to discuss the cultural ecological aspects found in batik motifs, especially in the Lawang Sewu Ngawang, Mberok Bridge, Tugu Muda Kekiteran Sulur, and Blekok Srondol motifs. The cultural ecology approach is used to understand the complex relationship between humans, culture and the environment in the context of batik production and use in the city of Semarang, Central Java. The results of this research show that the characteristics of batik work from IKM Batik Semarang 16 of the five motifs have bright, dominant colors. line elements, decorations do not experience too much composition, either distortion or stylization. The cultural ecology aspect of batik by IKM Batik Semarang 16 refers to certain themes and categories and represents Semarang from a natural, physical and socio-cultural perspective.
Co-Authors Abdul Aziz Afriliyani, Vika Agus Cahyono Agus Cahyono Agus Cahyono Agus Cahyono Aji Pranoto Al Lail, Lulu Maulida Alfina, Zulfah Alhail, Hadi Amelia Loveita Sari Andika Tri Prasetyo Anisa Melianti Anisih, Endang Tri Anita Hidayati Anita Hidayati Arif Fiyanto Arif, M Fauzi Arindy Sabilla Dewi Arindy Sabilla Dewi Arrijal, Nail Zufar Astuti, Yuli Tri Atip Nurharini Aurellia, Talitha Azis, Edza Agung Ardatama Bahrun, Muhammad Afifa Bangkit Sanjaya Bariroh, Bariroh Desi Utami Dwi Wahyuni Kurniawati Eko Haryanto Evadila Evadila Evadila Evadila Fauziyyah, Fadhilah Fida Febriani, Meina Fhikri Fratama Firmadhani, Annisa' Ayu Fitriah, Laila Fitriana, Octavia Nur Frizia Nuary Novalia, Frizia Nuary Novalia Galih Cahya Pratama Gallah Akbar Mahardhika Gallah Akbar Mahardhika Gusti Gde Badrawada, I Hakim, Lutfi Maulana Hamdan Tri Atmaja Harris, Abdul Rafi Muhshi Hartono Hartono Hartono Hartono Hartono Hartono Haryanti, Dian Hayati, Septi Nur Hernadi, Nour Ardiansyah Iin Turyani Imron Rosyadi Intan, Noor Tiara Habib Aisyah Irawati , Novi Jamil, Nur Asiyah Jesita Trisnawati Kartika, Dharsono Sony Kemal Budi Mulyono Kemal Budi Mulyono, Kemal Budi Kharisma, Garda Udi Khatami, Reza Laila Fitriah Laila Fitriah Latifatunnisa, Devy Lindawati Lindawati Lindawati Lindawati Lisa Andriani M. Jazuli M. Jazuli Maemonah, Maemonah Makiya , Kiki Rizki Malarsi Malarsi Malarsih Malarsih Martini Martini Maulana, Anand Luthfi Muh Fakhrihun Naam Muhammad Akbar Farizky Muhammad Fazli Taib Bin Saearani Muhammad Jazuli Muhammad Jazuli MUHAMMAD SHOLEH Mujiyono Mujiyono Muntoharoh, Khusnul Mursidah Waty Murtiyoso, Onang Na:am, Muh Fakhrihun Naam, Moh. Fakhrihun Naam, Muh. Fakhrihun Nadia Sigi Prameswari Najah, Qoimatun Nandani, Dela Siti Nobertian Panca Tandibua Novi Irawati Novia Dyah Mahesti Nur Hamidah, Nur Nur Rokhmat Palupi, Angesti Ponimin Prahara, Lalu Pardede Gita Prasetyo, Kinanti Ida Nursanti Pratama Bayu Widagdo Priatna, Atep Priatna, Rizky Mugia Prima Suci Lestari Pujianataa, Aprian Eka Purbawati, Sih Yunika Purwaningsari, Dewi Putri Dyah Indriyani Putri Dyah Indriyani Rahayu, Mardina Rahina Nugrahani Rahina Rahina Nugrahani Rahman, Ryzki Fatchur Ratih Ayu Pratiwinindya Ratih Ayu Pratiwinindya Retnoningrum Hidayah Reza Trisnawati, Rossalia Rizal Sofyana Fatahillah Rizal, Wahyu Anggo Rizki Makiya, Kiki RIZKYHIMAWAN, ADHYTIA Rohidi, Tjetjep Rohendi Saefudin, Muhammad Sari, Archangela Girlani Silvananda Pradita Saskia Hanifaratri, Anindya Setyowati Rahayu, Suparni Siti Rahmadani Nur Bakhtiar Slamet Haryono Soesanto Soesanto Sofiyaturrohmah, Syifa Sofyana Fatahillah, Rizal Suharto S Surya Adi, Adinda Syahrul Syah Sinaga Syakir Syakir - syakir syakir Syakir Syakir Syakir Syakir Thesya Ramyta Rizki Tjetjep Rohendi Rohidi Tjetjep Rohendi Rohidi Tjetjep Rohendi Rohidi Tjetjep Rohendi Rohidi, Tjetjep Rohendi Treny Hera Treny Hera Tutung Nurdiyana Tutung Nurdiyana Udi Utomo Wadiyo Wadiyo Wahyudi, Idham Wandah Wibawanto Warih Handayaningrum Warih Handayaningrum Wicaksana, Satya Adhi Widagdo, Pratama Widarwati Widarwati Widarwati, Widarwati Widodo Widodo Yoga, Nadya Krisma Yulaida, Ita Zairin, Achmad Zulmi, Muhammad