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All Journal Serupa : The Journal of Art Education Gorga : Jurnal Seni Rupa Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) Harmonia: Journal of Research and Education Imajinasi Jurnal Penelitian Pendidikan Rekayasa: Jurnal Penerapan Teknologi dan Pembelajaran Sainteknol : Jurnal Sains dan Teknologi Catharsis MUDRA Jurnal Seni Budaya Panggung Syntax Literate: Jurnal Ilmiah Indonesia Pendas : Jurnah Ilmiah Pendidikan Dasar Journal of Education Technology Edumaspul: Jurnal Pendidikan JSM (Jurnal Seni Musik) Tonika: Jurnal Penelitian dan Pengkajian Seni Jurnal Pakarena Jurnal Eduscience (JES) Virtuoso: Jurnal Pengkajian dan Penciptaan Musik The International Journal of Politics and Sociology Research MUMTAZ : Jurnal Pendidikan Agama Islam Indonesian Research Journal on Education Jurnal Ilmu Sosial, Humaniora dan Seni Prosiding Seminar Nasional Pascasarjana Proceeding of International Conference on Science, Education, and Technology Riwayat: Educational Journal of History and Humanities KONSELOR Unnes Science Education Journal
Wadiyo Wadiyo
Universitas Negeri Semarang
Religion Arts Humanities Chemistry Computer Science & IT Education Energy Engineering Environmental Science Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Materials Science & Nanotechnology Mathematics Physics Social Sciences Other

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Musik Dangdut di Kalangan Remaja Kota Semarang (Dangdut Music of Adolescent Society in Semarsmg City) Wadiyo, -
Harmonia: Journal of Arts Research and Education Vol 5, No 3 (2004)
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v5i3.819

Abstract

Kepopuleran musik dangdut di masyarakat merupakan fenomena yang menarik untuk dikaji dari perspektif sosial budaya. Artikel ini merupakan hasil penelitian yang bertujuan mengungkap fungsi musik dangdut bagi para remaja pecintanya di Kota Semarang. Metode penelitian yang diterapkan adalah kualitatif deskriprif. Pengambilan data dilakukan menggunakan teknik observasi dan wawancara. Analisis data yang ditempuh rnengikuti alur analisis Milles dan Huberman. Pola analisisnya menggunakan model interaktif yang cara kerjanya beranjak dari pengumpulan data, reduksi data, penyajian data, dan verifikasi yang berputar terus menerus sampai menemukan hasil yang diyakini kebenarannya. Berdasar atas analisis data yang telah dilakukan dapat ditunjukkan hasil, fungsi musik dangdut bagi para remaja pecintanya di Kota semarang adalah untuk pemenuhan kebutuhan akan rasa keindahan dalam ranah dan konteks individu sebagai makhuk sosial. Wujud nyata dari itu, mereka bemyanyi sekalipun kadang hanya dalam hati.   Kata kunci: Musik dangdut, masyarakat remaja, sosial budaya.
Seni sebagai Sarana Interaksi Sosial (Art as a Tool of Social Interactions) -, Wadiyo
Harmonia: Journal of Arts Research and Education Vol 7, No 2 (2006)
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v7i2.771

Abstract

Interaksi sosial merupakan kebutuhan manusia sebagai makhluk yang secarakodrati hanya bisa hidup jika berhubungan dengan orang lain. Dalam berkesenian,manusia juga memerlukan orang lain. Seni diciptakan oleh manusia sebagaibentuk ekspresi budaya dan ungkapan sosialnya. Dalam pengertian ini senidiciptakan oleh manusia tidak semata-mata hanya untuk dirinya tapi juga untukorang lain. Berapresiasi terhadap sebuah karya seni juga merupakan wujudinteraksi sosial manusia dengan benda seni ciptaan manusia meskipun interaksisosialnya mungkin masih dalam tataran kontak sosial. Berkait dengan itu untukmencapai tataran interaksi sosial yang sempurna diperlukan dua tahap syaratyang tidak bisa ditawar, yakni tahap kontak sosial dan komunikasi. Jikamengapresiasi sebuah karya seni masih dianggap sebagai kontak sosial, makauntuk ditingkatkan menjadi bentuk interaksi sosial harus lah telah ada komunikasiantara apresiator dengan pencipta seninya. Jika pencipta seni telah sadar bahwakarya seninya diapresiasi oleh orang lain dan/ atau telah terjadi aksi dan reaksiantara pencipta dengan apresiatornya, maka interaksi sosial telah terjadi.Demikian juga antara penampil seni atau penyaji seni dengan penikmat. Jika telahada aksi dan reaksi antara penampil seni dengan penikmat maka interaksi sosialitu telah terjadi. Berinteraksi sosial melalui seni tidak harus melakukan kegiatanseni bersama/ berkesenian bersama. Mengkomunikasikan produk seni antaraindividu satu dengan individu lain, Individu satu dengan sebuah kelompok atausebaliknya, serta kelompok dengan kelompok, juga merupakan bagian dari senisebagai sarana interaksi sosial.Kata kunci: Interaksi Sosial, Kontak Sosial, Komunikasi, Berkesenian, ProdukSeni.
PENDIDIKAN ESTETIKA MELALUI SENI BUDAYA DI FAKULTAS BAHASA DAN SENI UNIVERSITAS NEGERI SEMARANG Malarsih, -; Wadiyo, -
Harmonia: Journal of Arts Research and Education Vol 9, No 1 (2009)
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v9i1.662

Abstract

This research is aimed to give an image of aesthetic education implementation through art inLanguages and Arts Faculty in Semarang State University. Applied method in this research isqualitative method. Data collection technique are done by observation, inter view, anddocumentation. Analyzing data is done by using interactive analysis. Technique of checkingrelevance data done by using triangulation. The result of this research shows that aestheticeducation implementation through art in Languages and Arts Faculty are done in form of formaland non-formal aesthetics. Formal aesthetic education are done by all of students in languagesand arts faculty through art materials. Non-formal aesthetics education are done by academicconsists of students, lecturers, employees, as well as the head of faculty. Non-formal estheticseducation mainly are done as a coordinating institution of students’ activity unit. Aestheticseducation for lecturers, employees, as well as the head of faculty mainly done through artappreciation and creation by watching art exhibition, watching art performances, doing artactivities which held by faculties and majors events.Kata kunci : seni budaya, estetika, pendidikan, apresiasi, kreasi
Western Song Singing Model to Improve Junior High School Students’ Singing Ability in Indonesia Wadiyo, Wadiyo; Utomo, Udi; Haryono, Slamet
Harmonia: Journal of Arts Research and Education Vol 19, No 1 (2019): June 2019
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v19i1.23490

Abstract

Singing activities are general activities that seem very easy. It could be said that anyone can sing. However, to be able to sing well and correctly seems to need to be learned. For Junior High Schools in Indonesia, singing activities are included in the teaching material of cultural arts sub music material. This study aims to “analyze how singing activities are taught in classes on learning Art and sub music material”. The approach of this research is interdisciplinary which involves music disciplines and music learning. The research method applied is interpretive qualitative. The research location is Semarang, by involving Semarang Junior High School Students and Teachers as the subject of research. Data collection techniques used in this research is observation, interviews, and documentation studies. The data validity technique is using data source triangulation. Data analysis techniques used in this research are interactive flow. The results showed that teachers taught singing, both in classes Vll, Vlll, and Vlll. Singing activity for class Vll focused on basic singing techniques. The eighth grade is focused on singing, whose vocals or singing techniques are more applied to singing local songs and Nusantara songs. Meanwhile, singing activity in class VIII is more focused on improvising any song. This study concludes that teachers always emphasize the use of western song singing models as a basic technique, regardless of the type of song used in the learning process.
INOVASI PEMBELAJARAN BERNYANYI UNISONO DENGAN METODE SOLATMINGKOM DI SMP NASIMA SEMARANG Jafloenty, Archangela Gilarni; wadiyo, wadiyo
Jurnal Seni Musik Vol 8 No 2 (2019): December 2019
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (344.463 KB) | DOI: 10.15294/jsm.v8i2.30300

Abstract

Abstrak Pembelajaran bernyanyi unisono di SMP Nasima telah menerapkan inovasi metode pembelajaran solatmingkom sejak tahun 2014. Tujuan penelitian ini adalah untuk mengetahui pelaksanaan inovasi metode pembelajaran solatmingkom dalam pembelajaran bernyanyi unisono di SMP Nasima Semarang. Penelitian ini menggunakkan metode kualitatif. Lokasi penelitian di SMP Nasima Semarang. Sasaran kajian dalam penelitian inovasi pembelajaran bernyanyi unisono dengan metode solatmingkom di SMP Nasima Semarang. Teknik pengumpulan data menggunakan observasi, wawancara, dan studi dokumen. Teknik keabsahan data menggunakan triangulasi data. Teknik analisis data menggunakan analisis data model interaktif meliputi mengumpulkan data, reduksi data, menyajikan data dan membuat kesimpulan. Hasil penelitian menunjukkan bahwa guru menerapkan inovasi dalam pembelajaran bernyanyi unisono dengan menggunakkan metode solatmingkom. Metode solatmingkom yaitu gabungan treatmen solfegio, latihan alam, haming, dan kompetisi. Solfegio merupakan treatmen dalam melatih vokal siswa, yaitu dengan membaca notasi dan juga melatih ear training. Latihan alam yaitu treatmen untuk melatih power siswa supaya intensitas suara siswa menjadi maksimal dengan cara berteriak-teriak di luar kelas. Kemudian treatmen haming digunakkan untuk melatih siswa untuk bernyanyi nada-nada tinggi dengan cara bernyanyi dengan mulut tertutup tetapi rongga mulut terbuka. Kompetisi sebagai treatmen terakhir digunakkan untuk melatih siswa dalam berlomba-lomba menampilkan penampilan yang terbaik
Gambus Al-Mubarok’s Studio: Form and Structure of Music Hanifah, Hanifah Suaidi; Sumaryanto. F, Totok; Wadiyo, Wadiyo
Catharsis Vol 8 No 3 (2019)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v8i3.13226

Abstract

The music of Gambus is a musical that has Middle East style and identic with Islamic nuances, from song lyrics, dances to musical instruments that are used rhythmically, as well as melodic songs with unique characteristics possessed by stringed instrument, namely Gambus. This study aimed to analyze the form and structure of Gambus music in the Al-Mubarok studio at Palembang city. The method used a qualitative research case study design. The research data were collected through observation, interview, and documentation techniques and also using triangulation techniques in testing the credibility of the data. In the process of analyzing data, the data validation technique was carried out through several stages, namely reduction, presentation of data, and drawing conclusions. The results of this study were to provide knowledge and become a reference for Gambus music consisting of two elements of time and melody. Meanwhile, the structure of Gambus music had repeated sentences and periods. The researcher hopes this research can be useful for the public and readers who want to know the oldest Gambus music studio in Palembang city that still maintains the authenticity of their ancestor’s art in Sriwijaya.
The Influence of Socio-Cultural Changes to the Form of Randai Kuantan Art in Kuantan Singingi Riau Sari, Desti Kumala; Wadiyo, Wadiyo
Catharsis Vol 7 No 1 (2018)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i1.21885

Abstract

Randai Kuantan is a performing art consisting of art elements, such as, theater, dance, and music from social phenomenon and combination of traditional art of Kuantan Singingi society. Art is a cultural expression of a society that has various functions in accordance with the interests and the condition of the societies. The purpose of this research is to analyze the influence of social change on the form of performance in Randai Kuantan. The science used is Sociology for explaining the factors which influence social change in a society. The method used was interpretative qualitative, and data collection technique was by observation, interview, and document study with primary and secondary data sources. Technique of data validity was by sources triangulation, and the technique of data analysis was by data reduction, presentation, and verification data. The resarch was located in Kuantan Singingi Riau. The social changes are influenced by 2 (two) factors, outside and inside factors and then relates to the role of education, religion, economy, tribes, and social environment of Kuantan Singingi societies. Those factors change the form of Randai Kuantan art including time of performance, members, the location of performance, make up, and costumes. The application of traditional art media are attempts being made to foster awareness of the values and norms that exist in society. In the process of application aspects of the values found in the art of Randai Kuantan is expected to be established and raises awareness for consumer demand. As for the arts as a form of cultural expression community have diverse functions fit the interests and circumstances of society. But basically there are also elements which govern the system of values which formed the society rules, norms, conventions that act as guidelines to achieve the goal. So the arts directly has affected the values and norms that are structurally brings social change on the form of artistry Randai Kuantan. Based on the existing social values were associated in an attempt the formation of individual character in a social environment.
Orkes Puisi Sampak Gusuran : the Creativity of Processing and Symbolic Meanings in Action of Art for the Art Consumer Community Amaliani, Mina; Wadiyo, Wadiyo; Rohidi, Tjetjep Rohendi
Catharsis Vol 7 No 2 (2018)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i2.22865

Abstract

This research raises the problem about an art group located in Pati Central Java named Orkes Puisi Sampak Gusuran. The group has created the art of musical poetry. The purpose of this study was to obtain a picture of the form of creativity and symbolic meaning of the work of the Orkes Puisi Sampak Gusuran for the society of art consumer. This research used qualitative method and used an interdisciplinary approach to find out the symbolic meaning, using symbolic interaction theory. The data collection techniques used are interviews, observation, and document studies. The results of this study indicate that; 1)there are poetry reading techniques must be maintained in order to maintain the meaning of the deepest meaning of a poetry to be away from melodic readings such as language in a songs, although the music as a companion is still presented as a builder of nuance 2)the syllable of poetry can be widened or narrow to adjust to music without reducing the essence of his poetry. From the mixing of instruments, musical genres and mixed arrangements, a new musical arrangement is created that is sometimes undetectable in its genre. This is where the originality the work of Orkes Puisi Sampak Gusuran, where the arrangement sounded flowing, following the atmosphere of poetry, strengthen it into music that is different from others but still strong as a music or as a poetry. Meanwhile the symbolic meaning that can be concluded is: 1)works of poetry Orkes Puisi Sampak Gusuran symbolize life that occurred in society and also a relation to God 2)the use of traditional instruments is a relationship with the ancestors who remain woven in the present.
The Musical Creativity of Senggol Tromol Semarang in The Context of Social Change Apriadi, Sugeng; Wadiyo, Wadiyo
Catharsis Vol 7 No 1 (2018)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i1.22997

Abstract

Senggol Tromol is a parody music group from Semarang, most of their songs are representation of phenomenon which is trending in society for a certain period of time. The phenomenon would only last for a certain period of time because of social change happens in the society. The purpose of this study is to analyze the creative process and the social change which happen to Senggol Tromol. This study used qualitative method with observation, interview, and documentation as the method of collecting data. The methods of data analysis were data collection, data presentation, data reduction, and data verification. The results of the study show that in the creative process, Senggol Tromol did not always create new works, but they also modified existing ones. The steps were searching for inspiration, gathering ideas, determining the target listener, determining the themes, creating song structure and arrangement. The social change happens in Senggol Tromol went along with the presence of digital music platform which replaced physical release era, used by them as the promotion media to sell their works digitally.
Cultural Communication of Didong Jalu in Takengon, Central Aceh Regency Afriadi, Putra; Florentinus, Totok Sumaryanto; Wadiyo, Wadiyo
Catharsis Vol 7 No 1 (2018)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i1.23282

Abstract

Didong Jalu is a traditional art from Aceh Tengah (central aceh) that performs 2 (two) Didong group in one performance. Didong Jalu is an art that combines vocal and motion art with a small pillow as the property. Didong Jalu is also used as a medium of communication among societies from different ethnics. The problems of the research are (1) How is the Didong Jalu performance of Kampung Toweren societies, Takengon Central aceh Regency if it is reviewed from Entomusicology?, (2) How is Didong Jalu performance used as a medium of cultural communication by Kampung Toweren societies, Takengon, Central aceh Regency?. The research method is qualitative with interdicipline approach. The research design is case study, this research is only applicable for where the research was held. The research location is Kampung Toweren Takengon, Central aceh Regency. The research focused on Didong Jalu performance with performance concept and communication concept. The source of data was primary data involving artists, literature documents, and public figure, while the secondary data involves books, and references from previous research.the data collection techniques are observation, interview, and study document. The technique of data validity used data triangulation. Data analysis techniques consist of reduction, data presentation, data verification. The results of the research was that Didong Jalu performance observed used 2 (two) concepts, they are concept presented by Sal Murgiyanto, involving (a) beginning parts, (b) core parts, (c) final parts; (d) rhythm, (e) melody. Didong Jalu performance as a cultural communication can be seen clearly from the elements which influence communication system presented by Alo Liliweri, such as, Didong Jalu as a communicator, communicant, message, media, effect, athmosphere, and disturbance.
Co-Authors A, Heryanto A. Heryanto Abdul Rachman Agus Budi Handoko Agus Cahyono Agus Cahyono Agus Cahyono Agus Cahyono Agus Cahyono Agus Cahyono Agus Cahyono Ahmad Busyairi, Ahmad Alhail, Hadi Amaliani, Mina Apriadi, Sugeng Ardipal Ardipal Asmarani, Kidung Sukma Bahtiar Arbi Dadang Dwi Septiyan Damayanti, Laila Delvia Mona Delvia Mona Desi Wulandari, Desi Deu Aditama Nuswantara Dilfa, Alrizka Hairi Dwi Kananda Tyas Sulistyo Eko Sugiarto Ekomagrah Warsono F, Totok Sumaryanto, Fahmi, Nuril Falah, Ade Fajrul Fallah, Saiful Fitriah, Laila Hadi Alhail Halilintar, Mark Dhaksa Handayani, Lucy Hanifah, Hanifah Suaidi Hapsari, Maria Magdalena Cita Hartono & Wahyu Lestari Hartono Hartono Hartono, Rudi Hukmi Hukmi Indah Rizky Heryana Indariyana, Raditya Wahyu Jafloenty, Archangela Gilarni Joko Wiyoso Joko Wiyoso Kwidura, Nugroho Laila Fitriah Lathifasari, Meisera Fika Luzi, Ahmad Surya M. Jazuli M. Marauna, Vikran M. Okta Dwi Sastra F.M. Marijo Malarsih Malarsih Mau, Laurensius Yosef Mauassa, Teguh Yusuf Vertian May Sari Lubis Metan, Yosefina Meyltsan Herbert Maragani Muh. Ibnan Syarif, Muh. Ibnan Muhammad Budi Zakia Sani Muhammad Budi Zakia Sani Muhammad Jazuli Muhammad Jazuli Muhammad Najamudin Muhammad Najamudin Muhammad Najamudin Muhammad Rifki Nafik Salafiyah Natalia, Violinna Wynsa Ngabiyanto Nobertian Panca Tandibua Notosutanto Arhon Dhony, Nugroho Nugroho Notosutanto Arhon Dhony Nur Rokhmat Nur Sahid Nur Sahid Nurul Hidayah Pangesti, Yuliana Sri Pangestika, Nurratri Widya Pratama, Ritchie Manuel Pristiati, Tutut putra, I wayan agus suardiana R.M. Soedarsono -, R.M. Soedarsono R.M. Soedarsono, R.M. Soedarsono Restu Lanjari Rihidi, Tjetjep Rohendi Rohman, Fadlur Rumi, Jalaluddin S. Suharto Safitri, Setiorini Rahma Safitri, Setiorini Rahma Salu, Vega Ricky Sambira, Zefanya Samudera, Arief Sari, Desti Kumala SATRIYAS ILYAS Septian Cipto Nugroho Septian Cipto Nugroho simanjuntak, frans jimmy Siti Aesijah Slamet Haryono Sri Sumartiningsih SUHARTO Suharto Suharto Suharto Suharto Suharto Suharto Sulaksono, Projo Sularso Sularso Sumaryanto. F, Totok Suminto A. Sayuti Suminto A. Sayuti Sunarto Sunarto Suwardi Endraswara Syahrul Syah Sinaga Syahrul Syah Sinaga Syahrul Syah Sinaga Syahrul Syah Sinaga Syakir - syakir syakir Teguh Supriyanto Timbul Haryono Tjetjep Rohendi Rohidi, Tjetjep Rohendi Totok Sumaryanto Florentinus, Totok Sumaryanto Tri Joko Raharjo Trigunawan, Ade Udi Utomo Udi Utomo Udi Utomo Udi Utomo Victor Ganap wafa, mochammad usman Wahyu Iskandar Wahyu Mukti, Muhammad Panji Wahyu Setyaningsih Sugiyo, Septi Wandah Wibawanto Widiantho, Susyam Widodo Widodo Widodo Widodo Widodo Widodo Wiharja, Muh. Kurniawan Adikusuma Willy Lontoh, Willy Wismandanu, Hanur Wulan Widiyanti, Wulan Wulansari, Reni Yudi Sukmayadi