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All Journal Serupa : The Journal of Art Education Gorga : Jurnal Seni Rupa Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) Harmonia: Journal of Research and Education Imajinasi Jurnal Penelitian Pendidikan Rekayasa: Jurnal Penerapan Teknologi dan Pembelajaran Sainteknol : Jurnal Sains dan Teknologi Catharsis JOIV : International Journal on Informatics Visualization MUDRA Jurnal Seni Budaya Panggung Syntax Literate: Jurnal Ilmiah Indonesia AL-ATHFAL : JURNAL PENDIDIKAN ANAK Journal of Education Technology Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni Indonesian Journal on Learning and Advanced Education (IJOLAE) JSM (Jurnal Seni Musik) Tonika: Jurnal Penelitian dan Pengkajian Seni Jurnal Pakarena Jurnal Eduscience (JES) Virtuoso: Jurnal Pengkajian dan Penciptaan Musik The International Journal of Politics and Sociology Research MUMTAZ : Jurnal Pendidikan Agama Islam Indonesian Research Journal on Education Jurnal Ilmu Sosial, Humaniora dan Seni Prosiding Seminar Nasional Pascasarjana Proceeding of International Conference on Science, Education, and Technology Riwayat: Educational Journal of History and Humanities KONSELOR Unnes Science Education Journal JIAA: Journal of Islamic Art and Architecture
Wadiyo Wadiyo
Universitas Negeri Semarang
Religion Arts Humanities Chemistry Civil Engineering, Building, Construction & Architecture Computer Science & IT Education Energy Engineering Environmental Science Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Materials Science & Nanotechnology Mathematics Physics Social Sciences Other

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The Study of Performance Art “Kethuk Roso” by Fenny Rochbeind Pristiati, Tutut; Sunarto, Sunarto; Wadiyo, Wadiyo
Catharsis Vol 7 No 2 (2018)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i2.24240

Abstract

Performance art”Kethuk Roso” is a form of spontaneity of body action as a media of expression that presents the stretching of the spirituality of the artist to knock the sense of audience to interpret the morality. This study aims to describe the visual form and characteristics of performance “Kethuk Roso” by Fenny Rochbeind. This research used qualitative method with interdisciplinary approach. The source of the data used primary and secondary data through observation, interview, and documentary techniques. The validaty data technique used source of triangulation and the analysis technique data is done with performance art theory by RoseLee Goldberg. The result shows that performance art of “Kethuk Roso” is a multidisciplinary in the form of non-profit art genre that primarily focuses on the body as a media expression that directly conveys a dialogical message between the performer and the audience in the form of action communication. The researcher expects that through appreciation of performance art “Kethuk Roso” is important to be known by the public especially for art educators to understand, appreciate, and apply the contemporary art form which gives new color and meaning in art and to support the development of basic competence in art education. The research findings that Kethuk Roso performance art is able to knock everybody's sense of responding to cases of physical violence. Performance art Kethuk Roso proves its manifestation as a contemporary art shows the actual and factual events which gives new colors and meaning.
Gamelan Truntung Art in the Study of Structural Functionalism Indariyana, Raditya Wahyu; Wadiyo, Wadiyo; Utomo, Udi
Catharsis Vol 7 No 3 (2018)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i2.24743

Abstract

Gamelan Truntung is one of traditional arts in Magelang. This art derives from a mixture of Truntung with a set of gamelan instruments. Truntung is a musical instrument to accompany or facilitate Soreng dance which is also a traditional art in Magelang. The problem of the research is to answer how the structural functionalism of Gamelan Truntung Art is. The research is conducted to know, to analyze, and to describe the structural functionalism of gamelan Truntung art. Meanwhile, the research method applied is a qualitative method using monodisciplinary approach. The techniques used to collect the data needed in writing this article are obervation, interview, and document study. Then, the validity of the data collected is checked by applying data triangulation technique. The type of triangulation data used is the triangulation data of the resources which uses data analysis technique comprising of three steps, namely data reduction, data presentation, anda data verification. Gamelan Truntung art is considered as a system which has some parts that influence and are functional to each otherKesenian Truntung. The man in charge of the art studi or sanggar has run his function well, but in fact, there is a latent function which gives disadvantages to Gamelan Truntung art. The other part experience disfunction which hinders the development of Gamelan Truntung art. Gamelan Truntung can be maintained by giving attentions to the following, namely the artist creativity which must be elevated by having no dependency on Mr. Riyadi as the man in charge, and some hindering idealism which must be able to be set aside for the development and the progress of the art studio and its art.
The Values of Multicultural Education in Tali Dua Music in Batang Dua Island, Ternate, North Maluku Salu, Vega Ricky; Triyanto, Triyanto; Wadiyo, Wadiyo
Catharsis Vol 7 No 3 (2018)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i2.25309

Abstract

Multicultural Education in Indonesian context has a very significant role and function. The variety of cultures also exists in Batang dua island. The ethnic groups in North Maluku are Loloda, Tobaru, Ternate, Javanese, Minahasan, Ambonese, Batak and many more. The purpose of this research is to explain the values of multicultural education in Tali Dua traditional music in Ternate, North Maluku. The research method used is qualitative approach. The technique of collecting data used are observation, interview, and document study. The data validity is checked by applying triangulation technique. Then, the data are analyzed by using data verification, data reduction and data presentation. The result of the study showd that Tali Dua music has multicultural values which are very important for the development of Indonesia, seen in the function of the music either in wedding events or in the lawidi tradition.
The Revitalization of Garapan of Jemblung A Traditional Art Preserved in Blakasuta Studio in Banyumas Regency Pangestika, Nurratri Widya; Wadiyo, Wadiyo; Rokhmat, Nur
Catharsis Vol 8 No 1 (2019)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i2.28833

Abstract

Jemblung is a traditional arts developed in Banyumas regency. Modernization has made the society have less interest in preserving the tradition. Hence, this research aims to analyze the revitalization of Jemblung by Blakasuta studio in Banyumas regency. The researcher employed qualitative interpretative method along with interdisciplinary approach for this research. The discipline of this research mainly concerns on ethnomusicology. The collection for the research data consist of observation, interview, and documentation. The validation of the data was through source triangulation. The analysis for the finding started from data collection, reduction, clarification, conclusion, and selective interpretation. The findings showed that the revitalization of Jemblung covers the ideas, materials, creators, facilities, consideration, reconstruction, refunctionalization, reformation, representation, reinterpretation, and reorientation. This research implies that the revitalization of Jemblung is a form of appreciation of traditional arts by Blakasuta studio. The studio continuously holds traditional arts preservation to minimize the effect of modernization. It is a challenge for the studio and the appreciators to consistently promote and perform traditional arts in a more creative way amongst Banyumas community.
Creativity of Likurai Dance Coreography at Green Dance Studio, Kupang City Metan, Yosefina; Hartono, Hartono; Wadiyo, Wadiyo
Catharsis Vol 8 No 2 (2019)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v8i2.31428

Abstract

Likurai dance is a traditional dance, a type of war dance that is typical of the Belu area, East Nusa Tenggara. The dance is a dance to greet the heroes who come home from the battlefield. Likurai dances are usually performed by several male dancers using swords and female dancers using Tihar or small drums as their dance attributes and are often showed in various events such as welcoming honored guests and traditional ceremonies. Research objective is to analyze the creativity of Likurai dance choreography. The method is interpretative qualitative research method, interdisciplinary approach. Data collection techniques are observations, interviews, and document studies. The validity technique of the data used is source triangulation. The data analysis technique uses the choreography concept according to Hadi Sumandiyo and Muhammad Jazuli. The results of research on creativity in choreography found new ideas in the form of motion, exploration, improvisation, composition. The implications of this research are as an educational media and the local subject of art learning.
Guritan in Besemah, Pagaralam City: from Sacred to Profane Luzi, Ahmad Surya; Sunarto, Sunarto; Wadiyo, Wadiyo
Catharsis Vol 8 No 2 (2019)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v8i2.31566

Abstract

Guritan is a traditional art of the Besemah community, Pagaralam City which is inherited from one generation to another. Whereas in the guritan there was a change occur which initially as sacred art turns to profane. This thing was what interests the author to discuss the art of guritan. This study aimed at investigating the form of changes in the art of guritan from sacred to profane. The method in this study uses descriptive qualitative with an interdisciplinary approach, while the data collection techniques used observation, interviews, and document studies. The data validity technique uses source triangulation. The data analysis techniques have used the theory from Schoun (2003) with the elaboration of concepts and other supporting data that fits the problem. The results of this study were to provide knowledge and become reference about the initial forms and changes in the art of guritan in Besemah, Pagaralam city. Hopefully, this research can be useful for the public and readers who want to know about the art of guritan in Besemah, Pagaralam City. Because in the text or poetry that is performed in traditional events the marriages contain values, life guidelines, and philosophy that can be applied in the social life of the community with the aim of doing good among fellow humans.
A Study of Structural Functionalism on A musical group named Nasida Ria Falah, Ade Fajrul; Utomo, Udi; Wadiyo, Wadiyo
Catharsis Vol 8 No 2 (2019)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v8i2.32338

Abstract

Nasida Ria is a popular modern qasidah group and has popular songs in the society. This group was born as a form of a group's expression and as a communication media among those people having a preaching mission through the media of arts, that is music. Nasida Ria was founded by KH. Muhammad Zain, and for almost 4 decades, the group has been established and still exists until now. The typical characteristic of the musical performance of modern Qasidah of Nasida Ria is the nine woman musicians who wears hijab. The problem of the research discussed in this writing will focus on the study of how structural functionalism works on the group, Nasida Ria. The methodology of the research applied will be qualitative method with an sociological approach to art through the theory of structural functionalism. The techniques of collecting data used on the research will be observation, interview, and document study. Then, the data validity will be checked by applying triangulation method and continued with data reduction, data presentation, and the drawing of conclusion. According to Robert K. Merton every element of a group will have a function, a dysfunction, a latent function, a manifest function, and an effort to reach the balance. The result of the research shows that the continuation of Nasida Ria is because every part or structure of the group has been functional to each other. The parts of the group are the manager, song composer, music players, and fans. However, there is also a dysfunction in the group, Nasida Ria, i.e. in the regeneration process of the group. Even so, with the feeling as a family attached to every personnel of the group, such dysfunction can be well overcome. Therefore, the balance and the integrity of the group can be developed continuously. The hope of the fans that Nasida Ria will still exist and have a new album is its manifest function, whereas its latent function, the unexpected function, is the discontinuation of Nasida Ria group.
Creative Adaptation of Singo Santoso Sakti Dance Group in the Development of Reog Ponorogo Art in Kreteg Hamlet, Lerep Village, Semarang Regency Wahyu Setyaningsih Sugiyo, Septi; Hartono, Hartono; Wadiyo, Wadiyo
Catharsis Vol 8 No 2 (2019)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v8i2.32615

Abstract

Singo Santoso Sakti dance group is a group that has advantages or advantages compared to other groups. The advantage of this group is that it has an attractive performance quality at each attraction. The purpose of this study is to analyze the adaptation and creativity of the Singo Santoso Sakti dance group in the development of the Reog Ponorogo art. The method that is used in this study is qualitative with a choreological approach, and cultural anthropology. Data collection techniques are done by observation, interviews and documents. Data validity uses source triangulation. Data analysis was performed by describing, understanding, interpreting, and evaluating. The research results of the Singo Santoso Sakti dance group in the development of Reog Ponorogo are of two kinds namely adaptation and creativity. The most important finding of the adaptation process is art learning carried out by art practitioners and supported by the community so that Reog Ponorogo is used to meet the needs of life. The findings of creativity involve 4P: pribadi, pendorong, proses dan produk (personal, encouragement, process and product) in the form of performances such as dance movements, floor patterns, dance accompaniment, make-up, fashion, equipment, and venue. Suggestions for Reog Ponorogo dance artists are to always preserve traditional arts in Indonesia and provide opportunities for young people to learn Reog Ponorogo dance in Semarang Regency.
The Artistic Expression and Aesthetic Creation in the Arts Learning of The Floating School in the Study of Ki Hadjar Dewantara's Pendidikan Kesenian Rumi, Jalaluddin; Wadiyo, Wadiyo; Triyanto, Triyanto
Catharsis Vol 8 No 4 (2019)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v8i3.34925

Abstract

The dimension and power of the arts reviewed from an artistic and aesthetic aspect of this article are assessed by its empowerment in the educational process as a teaching and creating medium in The Floating School (TFS) to the discourse toward the arts education problematic holistically. This primary subject constitutes a base of the study to analyze the idea of TFS founders and facilitators to the artistic and aesthetic aspect in its learning object and model, in the study of Ki Hadjar Dewantara’s Pendidikan Kesenian (arts education). The research on this article uses a qualitative-interpretative approach with a study case model to the TFS 2017 program. The viewpoint and understanding of founders and facilitators become a primary data collection through a review of the study document, an applied of a deep interview, and a base of participative observation. The validity of the data collection result is tested by the commensurability test of the data and data resources. By focusing the data on an account and transcript of the interview, data analysis uses an illustrative method through five stages: (1) appreciating the account and transcript of interview; (2) giving a note; (3) formulating a theme; (4) conceptualizing a topic; and (5) adjusting a problem topic, to narrating the result of interpretation with the critical discourse analysis. Thereby, this article shows that the TFS art workshops have a position and role in accompanying and fostering the students to express a story or their understanding of object material and create a message or their processing into the artwork. Those processes and progress finally develop the TFS student’s curiosity and confidence in cultivating their skills and knowledge. This study case is expected to be a power and contribution towards a discipline of arts education.
Music Learning Strategies Through the Beyond Center and Circle Time (BCCT) Approach at Bosowa Natural School Makassar (SABM) M. Marauna, Vikran; Utomo, Udi; Wadiyo, Wadiyo
Catharsis Vol 8 No 4 (2019)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v8i4.35104

Abstract

Music learning at the Bosowa Natural School Makassar (SABM) uses the Beyond Center and Circle Time (BCCT) learning model as a strategy for achieving the expected learning objectives of music. Besides learning music in SABM is an intra-curricular subject that must be taught to students because SABM refers to one of multiple intelligences, namely musical intelligence. Therefore, this study aims to analyze music learning through the BCCT approach. The method used in this research is interpretative qualitative with an interdisciplinary approach. Data was collected through observation, interviews, and documentation studies with interactive model analysis. The results showed (1) the environmental footing gave rise to learning activities in the making of learning media which were implemented by the demonstration method, (2) the footing before learning, singing could build the mood of students, and embed the value of knowledge through song lyrics, (3) the footing during learning, the lecture method, question and answer, and drill practice are very effective for students to better understand theory and practice, (4) footing after learning, train students to speak according to what has been passed from the beginning to the end of learning while practicing memory, patience, and respect.
Co-Authors A Sayuti, Suminto A, Heryanto A. Heryanto Abdul Rachman Adi, Brian Trinanda Kusuma Agus Budi Handoko Agus Cahyono Agus Cahyono Agus Cahyono Agus Cahyono Agus Cahyono Agus Cahyono Agus Cahyono Ahmad Busyairi, Ahmad Alhail, Hadi Amaliani, Mina Andri Pranolo Apriadi, Sugeng Arbi, Bahtiar Ardipal Ardipal Asmarani, Kidung Sukma Bahtiar Arbi Dadang Dwi Septiyan Damayanti, Laila Delvia Mona Delvia Mona Desi Wulandari, Desi Dilfa, Alrizka Hairi Dwi Kananda Tyas Sulistyo Eko Sugiarto Ekomagrah Warsono F, Totok Sumaryanto, Fahmi, Nuril Falah, Ade Fajrul Fallah, Saiful Fitriah, Laila Hadi Alhail Halilintar, Mark Dhaksa Handayani, Lucy Hanifah, Hanifah Suaidi Hapsari, Maria Magdalena Cita Hartono & Wahyu Lestari Hartono Hartono Hartono, Rudi Hasanah, Noviatun Hukmi Hukmi Indah Rizky Heryana Indariyana, Raditya Wahyu Jafloenty, Archangela Gilarni Joko Wiyoso Joko Wiyoso Kamis, Arasinah Kwidura, Nugroho Laila Fitriah Lathifasari, Meisera Fika Luzi, Ahmad Surya M. Jazuli M. Marauna, Vikran M. Okta Dwi Sastra F.M. Marijo Malarsih Malarsih Mau, Laurensius Yosef Mauassa, Teguh Yusuf Vertian May Sari Lubis Metan, Yosefina Meyltsan Herbert Maragani Muh. Ibnan Syarif, Muh. Ibnan Muhammad Budi Zakia Sani Muhammad Budi Zakia Sani Muhammad Jazuli Muhammad Jazuli Muhammad Kunta Biddinika Muhammad Najamudin Muhammad Najamudin Muhammad Najamudin Muhammad Rifki Nafik Salafiyah Natalia, Violinna Wynsa Nobertian Panca Tandibua Notosutanto Arhon Dhony, Nugroho Nugroho Notosutanto Arhon Dhony Nur Rokhmat Nur Sahid Nur Sahid Nuswantara, Deu Aditama Opwora, Meshack Pangesti, Yuliana Sri Pangestika, Nurratri Widya Pratama, Ritchie Manuel Pristiati, Tutut Puspita, Sovie Kresnadayanti putra, I wayan agus suardiana R.M. Soedarsono -, R.M. Soedarsono R.M. Soedarsono, R.M. Soedarsono Restu Lanjari Rihidi, Tjetjep Rohendi Rohman, Fadlur Rokhmah, Na'ilir Rumi, Jalaluddin S. Suharto Safitri, Setiorini Rahma Safitri, Setiorini Rahma Salu, Vega Ricky Sambira, Zefanya Samudera, Arief Sari, Desti Kumala SATRIYAS ILYAS Sayuti, Muhammad Septian Cipto Nugroho Septian Cipto Nugroho simanjuntak, frans jimmy Siti Aesijah Slamet Haryono Sri Sumartiningsih SUHARTO Suharto Suharto Suharto Suharto Suharto Suharto Sulaksono, Projo Sularso Sularso Sularso Sularso, Sularso Sumaryanto. F, Totok Suminto A. Sayuti Suminto A. Sayuti Sunarto Sunarto Susanto, Harry Agus Suwardi Endraswara Syahrul Syah Sinaga Syahrul Syah Sinaga Syahrul Syah Sinaga Syahrul Syah Sinaga Syakir - syakir syakir Teguh Supriyanto Timbul Haryono Tjetjep Rohendi Rohidi, Tjetjep Rohendi Totok Sumaryanto Florentinus, Totok Sumaryanto Tri Joko Raharjo Trigunawan, Ade Udi Utomo Udi Utomo Udi Utomo Udi Utomo Victor Ganap wafa, mochammad usman Wahyu Iskandar Wahyu Mukti, Muhammad Panji Wahyu Setyaningsih Sugiyo, Septi Wandah Wibawanto Widiantho, Susyam Widodo Widodo Widodo Widodo Widodo Widodo Wiharja, Muh. Kurniawan Adikusuma Willy Lontoh, Willy Wismandanu, Hanur Wulan Widiyanti, Wulan Wulansari, Reni Yudi Sukmayadi Zakia Sani, Muhammad Budi