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Cuci Tangan Enam Langkah untuk Siswa Inklusi di SD Negeri 2 Bengkala Bali Triguno, Yopita; Purnami, Luh Ayu; Wardana, Ketut Eka Larasati; Raningsih, Ni Made; Arlinayanti, Kadek Dwi
Jurnal Peduli Masyarakat Vol 2 No 2 (2020): Jurnal Peduli Masyarakat, Juni 2020
Publisher : Global Health Science Group

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37287/jpm.v2i2.114

Abstract

Cuci tangan merupakan satu hal yang penting dilakukan dalam kehidupan sehari-hari untuk tetap menjaga kebersihan. Tidak terkecuali pada siswa sekolah dasar dengan disabilitas. Tujuan dari pelaksanaan pengabdian masyarakat ini adalah untuk memberikan informasi kepada siswa disabilitas dan siswa regular yang masuk dalam sekolah inklusi dalam hal cuci tangan yang baik dan benar. Metode pelaksanaan dari pengabdian ini adalah perencanaan, pelaksanaan dan evaluasi. Perencanaan dimulai dari pemilihan masalah dan sasaran yang dilakukan pengabdian adalah siswa SD N 2 Bengkala kelas 1-6 sebanyak 56 orang siswa inklusi dan reguler. Pelaksanaan dimulai dari pembuatan wastafel cuci tangan kemudian memberikan informasi teknik cuci tangan yang benar dan waktu cuci tangan yang baik. Setelah itu melakukan monitoring dan evaluasi. Ditemukan bahwa siswa mulai perlahan mengalami perubahan kebiasaan, dimana siswa selalu mencuci tangan setiap sebelum dan sesudah masuk kelas dan makan sesuatu. Selain itu teknik cuci tangan yang dilakukan sudah sesuai dengan anjuran WHO. Kesimpulannya bahwa pelaksanaan pengabdian masyarakat ini efektif dilakukan untuk mengubah kebiasaan siswa dan perilaku siswa untuk melakukan cuci tangan yang baik dan benar. Kata kunci: cuci tangan; inklusi; sekolah dasar WASHING WITH SIX STEPS FOR INCLUSION STUDENTS IN SD NEGERI 2 BENGKALA BALI ABSTRACT Washing hands is an important thing to do in daily life to maintain cleanliness. No exception for elementary school students with disabilities. The purpose of this community service is to provide information to students with disabilities and regular students who enter the inclusive school in terms of good and proper hand washing. The method of implementation of this service is planning, implementation and evaluation. Planning starts from the selection of problems and the objectives of the service are 56 elementary school students in Bengkala 2 nd grade 4.5 and 6 as many as inclusive and regular students. The implementation starts from making a hand wash sink and then provides information on proper hand washing techniques and good hand washing time. After that, monitoring and evaluation. It was found that students began to slowly change habits, where students always wash their hands before and after class and eat something. In addition, hand washing techniques are carried out in accordance with WHO recommendations. The conclusion is that the implementation of community service is effectively carried out to improve students habit and behavior to do good and correct hand washing. Keywords: elementary; inclusi; washing hand
ANALISIS GAMBAR ANAK-ANAK DI TK AISHIYAH BUSTANUL ATHFAL SINGARAJA ., Ni Nyoman Tri Widiani; ., Dra. Luh Suartini; ., Ketut Nala Hari Wardana, S.Sn.
Jurnal Pendidikan Seni Rupa Undiksha Vol 6, No 1 (2016)
Publisher : Universitas Pendidikan Ganesha

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (413.988 KB) | DOI: 10.23887/jjpsp.v6i1.8734

Abstract

Penelitian ini bertujuan untuk mendeskripsikan tentang (1) elemen gambar yang di buat anak-anak di Tk Aisyiyah Bustanul Athfal Singaraja (2) tema yang terdapat pada gambar anak-anak di Tk Aisyiyah Bustanul Athfal Singaraja (3) Analisis gambar anak-anak di Tk Aisyiyah Bustanul Athfal Singaraja. Penelitian ini menggunakan metode: (1) observasi (2) wawancara (3) dokumentasi (4) Fokus Grup Diskusi (FGD) dan (5) kepustakaan. Data dianalisis dengan menggunakan metode deskriptif kualitatif. Hasil penelitian ini adalah (1) Pada penelitian ini elemen gambar yang sering ditemukan pada gambar anak yaitu, garis bergelombang, garis melingkar, garis melengkung, garis lurus vertikal dan horizontal. Walaupun anak bercerita bebas melalui gambar, pada beberapa anak pola-pola gambar yang diberikan guru masih menjadi bagian cerita dari gambar anak. Anak belum fokus kewarna karena pikiran anak lebih didominasi oleh bentuk, sedangkan masalah ruang masih belum bisa dipecahkan/dikuasai anak dengan baik; (2) tema yang paling banyak digunakan anak-anak adalah tema “diriku”, karena pada masa ini anak-anak cenderung egois dan mengutamakan dirinya sendiri. Sedangkan tema yang jarang digambar anak-anak adalah “negaraku” dan “alam semesta”, karena pada masa prabagan ini anak lebih banyak menggambarkan hal-hal yang secara langsung berhubungan dengan dirinya; (3) pada analisis gambar, jika dilihat dari segi positif terlihat anak sudah cukup mampu menggambar dengan bebas, bercerita dan mengekspresikan diri melalui gambar, dan beberapa anak sudah mampu memenuhi ruang gambar. Sedangkah dari sisi negatif dapat dilihat ada sebagian anak masih memakai pola tertentu untuk mewakili objek, ada beberapa anak yang kurang percaya diri dalam menggambar dirinya. Kata Kunci : Analisis, Gambar Anak Tk. This study aims to describe (1) picture elements that made by the children at Tk Aisyiyah Bustanul Athfal Singaraja (2) the theme which is exist in children’s picture at Tk Aisyiyah Bustanul Athfal Singaraja (3) children’s picture in Tk Aisyiyah Bustanul Athfal Singaraja. This study used: (1) Observation (2) interviews (3) documentation (4) Focus Group Discussion (FGD) and (5) literature. The data were analyzed by using descriptive qualitative method. The results of this study are (1) the picture elements which are often found in children’s picture are wavy lines, circular line, curved line, vertical line and horizontal. Even though children do free storytelling through pictures, for some children patterns of the pictures given by the teacher is still part of picture story of the child. Child do not focus on color because the child’s mind is dominated by form; (2) the theme most widely used by the children is the theme of "myself", because at this age children tend to be selfish and put themselves in the first place. The theme which rarely use by the children is the theme about "my country" and "the universe". because the children tend to draw thing that are derectly related to ther; (3) the analysis of the pictures, seen already enough for the children to draw freely, tell stories and express their feeling through picture, although there are some children still wear certain patterns to represent an object, and some children lack confidence in drawing ther self. keyword : an analysis of children’s picture, art of the children in prabagan period
TAMPILAN DESAIN WEB PADA PEMASARAN PRODUK KERAMIK DI CV TANTERI KERAMIK ., I Putu Aditya Diatmika; ., Drs.Jajang S,M.Sn; ., Ketut Nala Hari Wardana, S.Sn.
Jurnal Pendidikan Seni Rupa Undiksha Vol 4, No 1 (2014)
Publisher : Universitas Pendidikan Ganesha

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (265.589 KB) | DOI: 10.23887/jjpsp.v4i1.3513

Abstract

Penelitian ini bertujuan ini untuk memperoleh gambaran tentang (1) tampilan desain website CV Tanteri Keramik dan (2) strategi pemasaran berbasis web di CV Tanteri Keramik. Penelitian ini adalah penelitian deskriptif dengan pendekatan kualitatif, dengan teknik pengumpulan data menggunakan teknik observasi, teknik wawancara, dan teknik pendokumentasian. Adapun sasaran penelitian ini adalah tampilan desain web pada pemasaran produk keramik di CV Tanteri Keramik, Banjar Simpangan, Desa Pejaten, Tabanan. Hasil temuan penelitian ini menunjukkan bahwa (1) desain website CV Tanteri Keramik memiliki 3 elemen penyusun layout yang terdiri atas elemen teks, elemen visual, dan elemen tak terlihat (tata letak). Elemen teks yang secara umum terdapat pada setiap layout terdiri atas nameplate, address, menu, deskripsi, daftar artikel, dan copyright. Secara umum elemen visual yang terdapat dalam setiap layout terdiri atas logo, foto utama dan penghargaan. Foto khusus terdapat pada layout about us, products, contact us dan pada setiap artikelnya. Tata letak setiap layout tersusun secara umum dari logo, nameplate, address, foto utama, menu, deskripsi, daftar artikel, penghargaan, dan copyright.(2) strategi pemasaran yang dipergunakan adalah dengan memanfaatkan fasilitas website sebagai sarana untuk men-display produk serta menjadi alat komunikasi, baik pemesanan ataupun sekadar mencari informasi yang ditujukan untuk konsumen yang berada di luar negeri ataupun konsumen dalam negeri yang berada jauh dari perusahaan. Kata Kunci : Desain Website, Strategi Pemasaran The aim of this study was to gain an overview of (1) website design view of CV Tanteri Keramik and (2) a web marketing strategy in CV Tanteri Keramik. This study is a descriptive study with a qualitative approach, the data collection techniques using observation, interview techniques, and technical documentation. The goal of this research is the design of the web on the marketing of ceramic products in CV Tanteri Keramik, Banjar Simpangan, Desa Pejaten, Tabanan. The findings of this study indicate that (1) Website design of CV Tanteri Keramik has 3 constituent elements layout consisting of text elements, visual elements, and invisible elements (layout). Text elements that are common to every layout consist of a nameplate, address, menus, descriptions, list of articles, and copyright. In general, the visual element which is contained in each layout consists of a logo, main picture and awards. Special photo to the layout there about us, products, contact us and on every article. The layout of each layout is generally composed by a logo, nameplate, address, main picture, menus, description, list of articles, awards, and copyright. (2) marketing strategy that is used to utilize the facility as a means for websites to display products as well as being communication tool, either ordering or just looking for information intended for consumers who are overseas or domestic consumers who are far away from the company.keyword : Website Design, Marketing Strategy.
ANALISIS FOTO PROFIL JEJARING SOSIAL FACEBOOK ., Ida Bagus Pradnyana Putra; ., Drs.Jajang S,M.Sn; ., Ketut Nala Hari Wardana, S.Sn.
Jurnal Pendidikan Seni Rupa Undiksha Vol 4, No 1 (2014)
Publisher : Universitas Pendidikan Ganesha

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23887/jjpsp.v4i1.4433

Abstract

Penelitian ini bertujuan untuk memperoleh informasi hasil: Analisis foto dalam profil Sosial Media Facebook. Penelitian ini menggunakan metode deskriptif kualitatif dengan teknik snowball, observasi, dan wawancara. Hasil penelitian ini membahas mengenai foto yang di dalam profil facebook. Hasil penelitian ini adalah foto pribadi atau FOSE individu itu bentuk ekspresi dan gaya yang memiliki makna sendiri dan foto profil berikutnya atau kelompok lebih dari satu orang, misalnya: keluarga, pasangan, teman, komunitas, dan institusi, maka foto di bentuk figuratif dan non-figuratif. Dapat disimpulkan adanya situs dunia maya melalui internet, yaitu dapat bertemu dengan teman, rekan, sahabat lama di jejaring sosial facebook. Terdapat hasil komposisi, warna, cahaya, garis, bidang teknis yang baik menghasilkan estetis dan estetika. Facebook banyak diminati oleh kalangan masyarakat karena facebook bisa menjadi media sosial dan sebagai bahan komunikasi atau informasi penyampaian terpenting bagi setiap orang yang memeiliki akun facebook. Foto yang digunakan foto orang lain maupun foto yang merupakan foto selebrtis, tokoh pahlawan, tokoh kartun, pemandangan dan lambang. Sehingga facebook bisa sebagai sarana komunikasi atau penyampaian informasi penting bagi siapa saja yang memiliki akun facebookKata Kunci : Analisis, Sosial Media, Facebook This study aimed to obtain information on the results : Analysis of the images in Social Media Facebook profile . This study used a qualitative descriptive method snowball technique , observation , and interviews . The results of this study to discuss the photos in facebook profile . The results of this study are personal photos or FOSE individual's form of expression and style that has its own significance and profile photo next or groups of more than one person , such as : families , couples , friends , communities , and institutions , the picture in the form of figurative and non- figurative . Can be inferred the existence of the virtual world through the internet site , which can meet with friends , colleagues , old friends in the social network facebook . There are the results of composition , color , light , line , field produces aesthetically good technical and aesthetic . Facebook much in demand by the public for facebook can be a social media and as a communication or delivery of important information for everyone who have a facebook account . Photos used another person's photos and images that are celebrity photos , heroes , cartoon characters , scenery and symbols . So facebook can be a means of communication or delivery of important information for anyone who has a facebook accountkeyword : Analysis , Social Media , Facebook
TAMPILAN DESAIN WEB PADA PEMASARAN PRODUK KERAMIK DI CV TANTERI KERAMIK ., I Putu Aditya Diatmika; ., Drs.Jajang S,M.Sn; ., Ketut Nala Hari Wardana, S.Sn.
Jurnal Pendidikan Seni Rupa Undiksha Vol 4, No 1 (2014)
Publisher : Universitas Pendidikan Ganesha

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (265.589 KB) | DOI: 10.23887/jjpsp.v4i1.3514

Abstract

Penelitian ini bertujuan ini untuk memperoleh gambaran tentang (1) tampilan desain website CV Tanteri Keramik dan (2) strategi pemasaran berbasis web di CV Tanteri Keramik. Penelitian ini adalah penelitian deskriptif dengan pendekatan kualitatif, dengan teknik pengumpulan data menggunakan teknik observasi, teknik wawancara, dan teknik pendokumentasian. Adapun sasaran penelitian ini adalah tampilan desain web pada pemasaran produk keramik di CV Tanteri Keramik, Banjar Simpangan, Desa Pejaten, Tabanan. Hasil temuan penelitian ini menunjukkan bahwa (1) desain website CV Tanteri Keramik memiliki 3 elemen penyusun layout yang terdiri atas elemen teks, elemen visual, dan elemen tak terlihat (tata letak). Elemen teks yang secara umum terdapat pada setiap layout terdiri atas nameplate, address, menu, deskripsi, daftar artikel, dan copyright. Secara umum elemen visual yang terdapat dalam setiap layout terdiri atas logo, foto utama dan penghargaan. Foto khusus terdapat pada layout about us, products, contact us dan pada setiap artikelnya. Tata letak setiap layout tersusun secara umum dari logo, nameplate, address, foto utama, menu, deskripsi, daftar artikel, penghargaan, dan copyright.(2) strategi pemasaran yang dipergunakan adalah dengan memanfaatkan fasilitas website sebagai sarana untuk men-display produk serta menjadi alat komunikasi, baik pemesanan ataupun sekadar mencari informasi yang ditujukan untuk konsumen yang berada di luar negeri ataupun konsumen dalam negeri yang berada jauh dari perusahaan. Kata Kunci : Desain Website, Strategi Pemasaran The aim of this study was to gain an overview of (1) website design view of CV Tanteri Keramik and (2) a web marketing strategy in CV Tanteri Keramik. This study is a descriptive study with a qualitative approach, the data collection techniques using observation, interview techniques, and technical documentation. The goal of this research is the design of the web on the marketing of ceramic products in CV Tanteri Keramik, Banjar Simpangan, Desa Pejaten, Tabanan. The findings of this study indicate that (1) Website design of CV Tanteri Keramik has 3 constituent elements layout consisting of text elements, visual elements, and invisible elements (layout). Text elements that are common to every layout consist of a nameplate, address, menus, descriptions, list of articles, and copyright. In general, the visual element which is contained in each layout consists of a logo, main picture and awards. Special photo to the layout there about us, products, contact us and on every article. The layout of each layout is generally composed by a logo, nameplate, address, main picture, menus, description, list of articles, awards, and copyright. (2) marketing strategy that is used to utilize the facility as a means for websites to display products as well as being communication tool, either ordering or just looking for information intended for consumers who are overseas or domestic consumers who are far away from the company.keyword : Website Design, Marketing Strategy.
ANALISIS FOTO PROFIL JEJARING SOSIAL FACEBOOK ., Ida Bagus Pradnyana Putra; ., Drs.Jajang S,M.Sn; ., Ketut Nala Hari Wardana, S.Sn.
Jurnal Pendidikan Seni Rupa Undiksha Vol 4, No 1 (2014)
Publisher : Universitas Pendidikan Ganesha

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1115.094 KB) | DOI: 10.23887/jjpsp.v4i1.4434

Abstract

Penelitian ini bertujuan untuk memperoleh informasi hasil: Analisis foto dalam profil Sosial Media Facebook. Penelitian ini menggunakan metode deskriptif kualitatif dengan teknik snowball, observasi, dan wawancara. Hasil penelitian ini membahas mengenai foto yang di dalam profil facebook. Hasil penelitian ini adalah foto pribadi atau FOSE individu itu bentuk ekspresi dan gaya yang memiliki makna sendiri dan foto profil berikutnya atau kelompok lebih dari satu orang, misalnya: keluarga, pasangan, teman, komunitas, dan institusi, maka foto di bentuk figuratif dan non-figuratif. Dapat disimpulkan adanya situs dunia maya melalui internet, yaitu dapat bertemu dengan teman, rekan, sahabat lama di jejaring sosial facebook. Terdapat hasil komposisi, warna, cahaya, garis, bidang teknis yang baik menghasilkan estetis dan estetika. Facebook banyak diminati oleh kalangan masyarakat karena facebook bisa menjadi media sosial dan sebagai bahan komunikasi atau informasi penyampaian terpenting bagi setiap orang yang memeiliki akun facebook. Foto yang digunakan foto orang lain maupun foto yang merupakan foto selebrtis, tokoh pahlawan, tokoh kartun, pemandangan dan lambang. Sehingga facebook bisa sebagai sarana komunikasi atau penyampaian informasi penting bagi siapa saja yang memiliki akun facebookKata Kunci : Analisis, Sosial Media, Facebook This study aimed to obtain information on the results : Analysis of the images in Social Media Facebook profile . This study used a qualitative descriptive method snowball technique , observation , and interviews . The results of this study to discuss the photos in facebook profile . The results of this study are personal photos or FOSE individual's form of expression and style that has its own significance and profile photo next or groups of more than one person , such as : families , couples , friends , communities , and institutions , the picture in the form of figurative and non- figurative . Can be inferred the existence of the virtual world through the internet site , which can meet with friends , colleagues , old friends in the social network facebook . There are the results of composition , color , light , line , field produces aesthetically good technical and aesthetic . Facebook much in demand by the public for facebook can be a social media and as a communication or delivery of important information for everyone who have a facebook account . Photos used another person's photos and images that are celebrity photos , heroes , cartoon characters , scenery and symbols . So facebook can be a means of communication or delivery of important information for anyone who has a facebook accountkeyword : Analysis , Social Media , Facebook
Vowel And Consonant Simplification In Speech Disorder: An Analysis Of Segmental Phonology Wardana, I Ketut; Astawa, Nengah; Soper, I Wayan
International Journal of Linguistics and Discourse Analytics Vol 3 No 1 (2021): IJOLIDA Vol.3 No.1, September 2021
Publisher : Denpasar Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52232/ijolida.v3i1.47

Abstract

The objective of the study is to investigate the sound simplification of speech output in Broca's aphasics and describe the effect of the alteration within phonological features from the perspective of Sonority Sequencing Principle (SSP). The speech output of two patients was exposed using phonological tasks and recorded with a Sonny voice recorder. The effect of features in substitution sonority was measured with the Wilcoxon's test and acoustic features were analyzed with Praat. The results of the study revealed that the consonant substitution and omission errors in Broca’s aphasia occur in the initial position due to the lesion in the anterior part of the left brain and that the less marked features that are statistically substituted by marked features are not significantly affected by marked features that are substituted by less marked features. The substitution was dominantly influenced by neighboring segments and the sonority violance occured againts the sonority scale
Strategi Komunikasi Organisasi Suka Duka Kerta Warga dalam Mewujudkan Toleransi Umat Hindu-Kristen di Desa Adat Piling Kecamatan Penebel Kabupaten Tabanan Adnyana, I Made Ananda Kusuma; Sukabawa, I Wayan; Yasa, I Ketut Wardana
Widya Duta: Jurnal Ilmiah Ilmu Agama dan Ilmu Sosial Budaya Vol 14, No 2 (2019): SEPTEMBER 2019
Publisher : Institut Hindu Dharma Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/wd.v14i2.1227

Abstract

In an effort to maintain harmony between religions, the people of Adat Piling Village have formed an organization called the Joy and Grief Society, whose members consist of Hindus and Christians in the Indigenous Village of Piling.Based on this background there are several issues raised, namely: 1) How do the communication strategies of the Community Grieving Society in realizing the tolerance of Hindus and Christians in the Adat Piling Village Penebel District of Tabanan Regency? in realizing tolerance between Hindus and Christians in Adat Piling Village Penebel District Tabanan Regency? 3) What is the impact of the implementation of the communication strategy of the Grieving Society and Residents towards Hindus and Christians in the Adat Piling Village Penebel District Tabanan Regency.The results of the analysis obtained from this study are: 1) Communication strategies of Organizational Joy and Grief Residents in realizing tolerance between Hindus and Christians in the Indigenous Village of Piling using five types of communication, namely: a) verbal communication, b) non verbal communication, c) interpersonal communication, d) persuasive communication, and e) group communication. 2) The obstacles that exist in the implementation of the communication strategies of the People's Sorrowful Organizations are in the form of physical barriers, differences in mindset, social factors. 3) The impact arising from the implementation of communication strategies of the Community Grieving Society on Hindus and Christians in the Piling Traditional Village includes cognitive impacts, affective impacts, behavioral impacts, and social impacts.
The Synergicity Of Essentially The Identity Of God In The Vedic Teaching And The Siwatattwa As Guidelines For Hindureligious Practices In Bali I Wayan Ardhi Wirawan; I Gede Sura; Ketut Wardana
Jurnal Penelitian Agama Hindu Vol 4 No 4 (2020)
Publisher : Jayapangus Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (364.383 KB)

Abstract

This research aims to study the essential synergy of divine identity in the Vedic scriptures and the Siwatattwa teachings. The divine identity which is the focus of this research is based on the reason for the development of the discourse "Back to the Veda" as a source of guidelines for Hindu practice in Bali. In this regard, this study focuses on the identity of divinity as a constructive symbol that carries the core teachings of Hinduism. This study was designed in an interpretive qualitative method using a comparative model of the two sources of divine teachings in general, namely the Vedic Scriptures and the Siwatattwa teachings. Novelties which related to the results of this research is that divine identity is essentially contained in the Vedic scriptures and in the Siwatattwa teaching has synergy. The transcendent divine identity in the two sources of Hinduism is abstract, which is beyond the senses and the mind. The divine identity in the immanent dimension is symbolized by name and form as the center of concentration for Hindus in living the existence of the power of” Brahman” or” Ida Sang Hyang Widhi Wasa” in accordance with ista dewata (the embodiment of the revered god). The appreciation of divinity in Balinese-Hindu society uses the source of guidance for the Siwatattwa teachings in the implementation of Hinduism which is sourced from the Vedic scriptures, both sruti and smrti. This phenomenon is the basis for the development of the synergy of divine identity in the Vedic scriptures with the Siwatattwa teaching. In this regard, the appreciation of the divine aspects of Balinese Hindus who use the source of the guidance for the Siwatattwa teachings has also implemented Veda teachings.
TEACHING WRITING SKILL THROUGH CONCEPTUAL NETWORK ON THE NINTH GRADE STUDENTS OF SMP NEGERI 3 KUTA SELATAN IN THE ACADEMIC YEAR 2009-2010 Ketut Wardana; I Nengah Astawa
Jurnal Santiaji Pendidikan (JSP) Vol. 1 No. 1 (2011): Jurnal Santiaji Pendidikan (JSP)
Publisher : Fakultas Keguruan dan Ilmu Pendidikan (FKIP) Universitas Mahasaraswati Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36733/jsp.v1i1.456

Abstract

This study is aimed to improve the studens’s writing ability during the teaching learning process. The Conceptual Network activities had been assumed to be able to improve the student’s ability in writing. Since the technique had been applied the students could increase their achievement both in terms of score and ability in writing aspects such as grammar, punctuation, spelling and vocabularies. The subjects of the present study was IX I of SMP Negeri 3 Kuta Selatan in academic year 2008-2009.The total of the subjects under study was 42 students which consists of 20 females and 22 males. The present study made use of a classroom action research design. There were two cycles applied and each of which covered three session and involved four steps namely planning, action, observation, and reflection. There were three instruments used in this study; test, questionnaires, and observation sheet. This study was carried out based on the results of pre- test which revealed that students’ writing ability was unsatisfying. From the writing assessment scale used, it was proved that achievement of pre-test of subject under study was only 4.83 which were considered very low. The finding showed that there were continuous improvements on the students mean score after being given treatment in two cycles. In cycle I, the score of reflection 1 was 5.47 in reflection 2, the score was 6.09, the score in reflection 3 was 6.83.It was calculated that the grand mean score of cycle I was6.13.and it proved that student’s writing ability was considered fairly satisfactory by using Conceptual Network strategy. Next, three reflections were applied in cycle II to anticipate unsatisfied reaction from the researcher. It showed that the score in reflection 4 was 7.47, reflection 5 was 8.21 and reflection 6 reached up to 8.76. The grand mean of cycle II was 8.14 which meant the student’s writing ability were considered much better according to the rate description. The difference between grand mean cycle I and cycle II was 2 points. The result of questionnaire showed that item A was 59.25% which meant they liked writing with Conceptual Network strategy very much, Item B was 32.43% they liked it, and item C was 8.31%, that means they were not sure and none of them chose D or 0. From the result of the study, this indicated that Conceptual Network strategy could help the students of SMP Negeri 3 Kuta Selatan improve their writing ability.
Co-Authors ., Ni Nyoman Tri Widiani Adisastra, I Nyoman Surpa Adnyana, I Made Ananda Kusuma Agus Ari Pratama Agus Ari Pratama Agus Ari Pratama Ambarnuari, Mery Amoga Lelo Octaviano Anak Agung Ari Sutraningsih Anak Agung Ayu Anom Lindayani Anak Agung Putri Maharani Anak Agung Putu Arsana Anak Agung Putu Arsana, Anak Agung Putu Anak Agung Putu Putra Anak Agung Putu Putra Andin Lyra Dinar, Kadek Angelika, Patricia Evelyn Anggara Putu Dharma Putra Antara Jaya, I Gede Ari Pratama Arifuddin Lamusa Arlinayanti, Kadek Dwi Arya Wulandari, I Gusti Ayu Putu Aryanatha, I Nengah Aryaputra, Fari Agil Astawa I Nengah Astawa, Nengah Astrid Harikaputri Ayu Wulandari, Ketut Damayanti, Ni Putu Trisna Danieli Mendrofa Desak Ketut Sugiartini Desak Ketut Sugiartini Dewa Ayu Ari Wiryadi Joni Dewa Ayu Puspawati Dewa Gede Agus Putra Prabawa dewa purwanta, Dewi Aprelia Meriyani Dewi Fajar , Ilia Gustutus Dewi, Putu Ayu Puri Sintya Drs. I Gusti Ngurah Sura Ardana,M.Sn. . Drs.Jajang S,M.Sn . Dyah Pradnyaparamita Duarsa Dyah Pradnyaparmita Duarsa Elly Herliyani Feti Filman Laoli Gde Sudjana Budiasa Gede Agus Wahyu Setia Yasa . Gede Maha Semaya Bakti . Gede Wasudewa . Gst. Kade Adi Widyas Pranata Hasbullah Hasbullah Hita Rihati, Ni Luh Gde I Dewa Ayu Hendrawathy Putri I Gde Putu Agus Pramerta I Gede Adi Sudi Anggara I Gede Agus Kurniawan I Gede Sura I Gede Sutarya I Gede Sutarya I Gede Sutarya I Gusti Ayu Putri Trisnayanti I Gusti Made Budiarta I Gusti Made Prawira Yudha . I Gusti Ngurah Pertu Agung I Ketut Donder I Ketut Rai Setiabudhi I Ketut Sutarwiyasa I Made Arsa Wiguna I Made Bayu Pramana I Made Budiarsa I Made Darsuma Jaya . I Made Diarta I Made Gede Anadhi I Made Gede Anadhi I Made Pradana Adiputra I Made Surya Hermawan I Nengah -Astawa I Nengah Alit Nuriawan I Nengah Astawa I Nyoman Adi Susrawan I Nyoman Larry Julianto I Nyoman Subagia I nyoman Subagia, I nyoman I Nyoman Suparsa I NYOMAN SUPARWA I Nyoman Surpa Adisastra I Nyoman Widiana I Putu Ade Wirayoga I Putu Aditya Diatmika . I Wayan Ardhi Wirawan I Wayan Sari Dika I Wayan Sari Dika Ida Ayu Candrawati Ida Ayu Made Sri Widiastuti Ida Ayu Made Tika Pradnyani Ida Ayu Made Wedasuwari Ida Ayu Made Wedasuwari Ida Ayu Praba Iswari Dewi IDA AYU TARY PUSPA Ida Bagus Gede Candrawan Ida Bagus Nyoman Mantra Ida Bagus Pradnyana Putra . Ida Bagus Subrahmaniam Saitya Ida Bagus Surya Darma Jaya Ika Kusuma Dewi, Made Ilia Gustutus Dewi Fajar Indrie Lutfiana Jajang Suryana Jesminarti Lero Zogara Juniantari , Putu Wahyu Sri Juniati, Ketut Kadek Agustina Puspa Ningrum Kadek Agustina Puspa Ningrum Kadek Ayu Suarmini Kadek Ayu Suarmini Kadek Bagus Danan Laksana Kadek Dwi Arlinayanti Kadek Elma Agustini Kadek Lila Damayanti Kadek Putri Gyani Karlina Sumiari Tangkas Kayun, I Made Ketut Ayu Krisnawati Ketut Putra Sedana Ketut Putra Sedana Komang Ayu Sri Utami Komang Budiari Komang Endrawan Sumadi Putra Komang Wiliani Lestawi, I Nengah Liong, Jerry Luh Ayu Purnami LUH KETUT SRI WIDHIASIH Luh Putu Desy Puspaningrat Luh Putu Natasya Dewi Nugraha Luh Suartini . Luh Yenny Armayanti Luh Yenny Armayanti Luh Yenny Armayanti M. Bagus Dharmasasmita . M. Bagus Dharmasasmita ., M. Bagus Dharmasasmita M.Pd. ., PROF.DR.A.A. GEDE AGUNG, M.Pd. Made Yos Kresnayana Marie Claudette M. Calanoga Minanda Putra, I Gusti Ngurah Nandmehar, Sarita Nengah Astawa Nengah Dwi Handayani Nerawati, Ni Gusti Ayu Agung Ni Kadek Sintya Purnama Sari Ni Kadek Suciani Ni Ketut Asta Denny Sadewi Ni Ketut Deni Ni Ketut Listriani Ni Komang Emi Wahyuni Ni Komang Kadri Ni Luh Ersania Ni Luh Gde Hita Rihati Ni Luh Putu Suariyani Ni Luh Putu Suariyani Ni Luh Ratna Suwari Ni Luh Sukanadi Ni Made Ade Sandayana Dewi Ni Made Ayu Yulia Raswati Teja Ni Made Ayu Yulia Raswati Teja Ni Made Dwi Ayu Martini Ni Made Karlina Sumiari Tangkas Ni Made Nurtini Ni Made Raningsih Ni Made Raningsih Ni Made Widiani Ni Made Yuliani Ni Nyoman Sri Witari Ni Nyoman Tri Widiani . Ni Nyoman Triana Prima Dewi Ni Putu Deana Eka Putri Ni Putu Dian Adnyani Putri Ni Putu Ema Ayu Linda Ni Putu Gita Puspadewi Ni Putu Riza Kurnia Indriana Ni Putu Riza Kurnia Indriana Ni Wayan Jemiwi Jero Ni Wayan Krismayani Ni WAYAN SRI ASTITI Nyoman Dantes Nyoman Djinar Setiawina Otniel, Theodorus Prasanthy Devi Maheswari Prasanthy Devi Maheswari Pratama, Agus Ari Prayetno, Faed Puji Purnomo Suwandi . Purnami, Luh Ayu Puspita Dewi, Ni Wayan Erviana Putra, Komang Priangga Putrikawati, Made Eni Putu Ayu Paramita Dharmayanti Putu Dian Prima Kusuma Dewi Putu Dian Prima Kusuma Dewi Putu Janiasih Putu Martina Putu Monna Frisca Widiastini Putu Monna Frisca Widiastini Putu Novia Indah Sari Putu Pinahyu Pratiwi Putu Sri Astuti Putu Sri Astuti, Putu Sri Putu Sukma Megaputri Putu Tri Astuti Raningsih, Ni Made Ravinder Nath Ridayanti, Putu Windi Sadihin, Grace Javiera Sandhya Tiwari Saputra, I Made Dian Saputra, I Made Gede Nesa SAWITRI, NI LUH PUTU DIAN Shintami Rouwelvia Malik Soper, I Wayan Suarmini, Kadek Ayu Sugiartini, Desak Ketut Sukabawa, I Wayan Sutarwiyasa, I Ketut Syamsiar, Syamsiar System, Administrator Tangkas, Made Karlina Sumiari Tangkas, Ni Made Karlina Sumiari Theresia Devayani Rondonuwu Tri Widodo Verlino D. Baddu Wahyuni, Ni Komang Emi Wariati, Ni Luh Gede Wayan Maba Wersi Murtini Ni Made Widiastini, Putu Monna Frisca Wirastuti, I Gusti Agung Putri Wirayoga, I Putu Ade wulandari, ni ketut ayu Yopita Triguno Yudhani Muntur, Ni Wayan