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All Journal Jurnal Ekonomi Kuantitatif Terapan E-Journal of Tourism E-Journal Of Cultural Studies Linguistika Nusa: Jurnal Ilmu Bahasa dan Sastra Jurnal Ilmu Sosial dan Humaniora Jurnal Kajian Bali Jurnal Master Pariwisata (JUMPA) ATAVISME JURNAL ILMIAH KAJIAN SASTRA MUDRA Jurnal Seni Budaya Panggung Aksara International Journal of Applied Sciences in Tourism and Events SOSHUM : Jurnal Sosial dan Humaniora [Journal of Social Sciences and Humanities] GERAM (GERAKAN AKTIF MENULIS) Devotion: Journal of Research and Community Service International Journal of Social Service and Research International Journal of Educational Review, Law And Social Sciences (IJERLAS) Humantech : Jurnal Ilmiah Multidisiplin Indonesia Journal Of World Science East Asian Journal of Multidisciplinary Research (EAJMR) Pusaka : Journal of Tourism, Hospitality, Travel and Business Event Stilistika: Journal of Indonesian Language and Literature Journal of Social Science Jumantara: Jurnal Manuskrip Nusantara Eduvest - Journal of Universal Studies International Journal of Multidisciplinary Sciences Journal of Mandalika Literature Purbawidya: Jurnal Penelitian dan Pengembangan Arkeologi Panggung Aksara Journal of Hotel Management Aksara

I Nyoman Darma Putra

Fakultas Ilmu Budaya, Universitas Udayana

Author-ID : 249802

Religion Aerospace Engineering Agriculture, Biological Sciences & Forestry Arts Humanities Biochemistry, Genetics & Molecular Biology Chemistry Civil Engineering, Building, Construction & Architecture Computer Science & IT Control & Systems Engineering Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Engineering Environmental Science Health Professions Immunology & microbiology Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Neuroscience Public Health Social Sciences Other

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PATRIARCHAL IDEOLOGY IN WORKS OF VISUAL ART OF BALINESE CONTEMPORARY WOMEN ARTISTS Hardiman, Hardiman; Putra, I Nyoman Darma; Atmadja, Nengah Bawa; Mudana, I Gede
E-Journal of Cultural Studies Volume 11, Number 3, August 2018
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Human problems are faced faced by Indonesian contemporary visual artists. However, the most typical are the problems faced by contemporary women visual artists, including those faced by Balinese contemporary women visual artists. Other than social problems, their personal problems also arise as women visual artists amidst patriarchal cultural construction. Balinese contemporary women visual artists, like Indonesian contemporary visual artists, are facing social problems and their personal problems as women. But, Balinese contemporary women visual artists also face very strong patriarchal (purusa) cultural ideology. This study aimed at revealing and describing the form of the subject matter of woman’s body as an expression of opposition in the works of visual art of the Balinese contemporary women visual artists; revealing and describing ideologies that operate behind the sexual representation of the Balinese contemporary women visual artists and revealing and describing the contestation of meaning in the ideological sexual representation of Balinese contemporary women visual artists. This study using interpretive qualitative method produced, first, works of Balinese contemporary women artists which have traditional visual elements comprising contour, repetition, rythm, dialect. The works of Balinese contemporary women visual artists also have modern visual elements comprising spatial awareness,distortion, stylization, material character, unity, and personal identity. In addition, the works of Balinese contemporary women artists also have post-modern visual elements of trans-aesthetics, dialogism, and disorder. Secondly, the ideologies that operate behind the works of Balinese contemporary visual artists can be classified into three ideologies based on the forms and contents of the works of art. The ideologies are patriarchal ideology that is related to the theme of superiority,phallus symbol, and weak group; feminism ideology that is related to the theme of subordination, equality, and subjectivity construction, and aesthetical ideology concerning with style, which is related to the classification of styles based on time, place, form, technique, and subjject matter. Third, meanings which can be developed from Balinese contemporary women visual artists are the meaning of domestic body and the meaning of open body in the sexual representation of Balinese contemporary women artists. The meaning of domestic body is found in the works of Cok Mas Asiti, Ni Nyoman Sani, and Sutrisni. Sani while the meaning of open body in the works of IGK Murniasih and Nia Kurniati Andika.

THE CHANGE IN PERCEPTION OF SUBMITTING CHILDREN TO CHILD WELFARE INSTITUTIONS IN DENPASAR CITY IN THE PERIOD 2006-2014 Westerlaken, Rodney; Ardika, I Wayan; Ardhana, I Ketut; Darma Putra, I Nyoman
E-Journal of Cultural Studies Volume 12, Number 2, May 2019
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Terroristic events, like the Bali bombings in 2002 and 2005, have major effects on a society. Prior research towards those effects have focused on the financial, economic and social economic effects, however this study focuses on the social cultural effect in the aftermath of the terroristic effects. The changed social cultural perception of submitting children to a Child Welfare Institution in the period 2006 to 2014 in Denpasar city, Bali. Sub questions to this problem statement what the reasons are that children are living in Child Welfare Institutions in Denpasar city recently and whether it is possible to connect social cultural perceptions of submitting children to Child Welfare Institutions in Denpasar city to coping mechanisms of the society after the terroristic attacks in 2002 and 2005. This research has used a quantitative approach, interviewing 50 children and 23 parents / familial caretakers. The outcomes have been analysed with help of the computer assisted qualitative data analysis software NVIVO. Research indicates that the trend of submitting children to Child Welfare Institutions, as a coping mechanism, in the first years after the second Bali bombing instigated a change in the social cultural system on Bali. The Balinese kinship system partly fell apart as a result of the Bali bombings, the keluarga besar is less considered to be asked for help and submitting a child to a Child Welfare Institution became an easy solution that currently continues to exist. It is concluded that the ethos, the moral formation as described by Foucault, is victimized by the failing system of aletheia and politeia, but that also ethos itself is victimized by contemporary forms of normalization. Keywords: social cultural change, terroristic attack, coping mechanism, Child Welfare Institutions.

INTERPRETING BALINESE MYTHOLOGY-THEMED CHARACTER DESIGN SIGNIFICATION AS A VIRTUAL ENTITY IN ANIMATION I Made Marthana Yusa; I Ketut Ardhana; I Nyoman Darma Putra; Ida Bagus Gde Pujaastawa
E-Journal of Cultural Studies Vol 16 No 3 (2023): Volume 16 Number 3 August 2023
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/cs.2023.v16.i03.p05

This article explores the significance of Balinese mythology-themed character design in animation as virtual entities, providing an in-depth analysis of their cultural signification and cultural implications, and their role in promoting social commentary and cultural preservation. Through the use of case studies, literature reviews and survey, the articles examines how various Balinese mythological figures including (Hanoman, Garuda, Barong, and Rangda) are portrayed in popular animated works and what cultural meanings are conveyed through their design choices. The article analysis reveals that Balinese mythology-themed character design in animation can reflect Bali cultural values, promote social commentary, beliefs, and traditions, serving as a means of preserving Balinese cultural heritage. Furthermore, the results demonstrate the importance of considering the cultural context in which mythology is presented in animation, as it can shape the interpretation of these virtual entities. Keywords: Balinese mythology-themed, character design, signification, virtual entity

UPIN IPIN ANIMATION: THE MEDIA OF MALAYSIA'S IDENTITY POLITICS Gede Pasek Putra Adnyana Yasa; I Nyoman Darma Putra; I B Gde Pujaastawa; I Nyoman Larry Julianto
E-Journal of Cultural Studies Vol 16 No 3 (2023): Volume 16 Number 3 August 2023
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/cs.2023.v16.i03.p04

"Upin Ipin" animation is a popular children's film series in Indonesia, including Denpasar from 2010-2023. The Upin Ipin animation shows the background of a Malaysian village with its own culture, and the characters who play a role in it can represent the Malay-Malaysian identity and the various tribes that exist in Malaysia. The research used qualitative methods, and data were analyzed using discourse analysis theory and ideology theory. The results show that the issue of Malay-Malaysian identity plays a role in the production of Upin Ipin animation. The identity is visualized through the characters in the story, along with the environment that considers the socio-cultural background of the local Malaysian community. The construction of the environment, socio-cultural life, religion and culture, and language represent the Malaysian identity. This article contributes to the understanding that Upin Ipin animation is not just entertainment but a medium to introduce the Malay-Malaysian cultural identity. Keywords: animation, Upin Ipin, identity politics, Malaysia

KINSHIP POLITICS AND EMBODIMENT CONCEPT OF GOOD GOVERNANCE: TABANAN DISTRICT CASE STUDY Komang Adi Sastra Wijaya; I Nyoman Suarka; I Nyoman Darma Putra; I Wayan Tagel Eddy
E-Journal of Cultural Studies Vol 16 No 1 (2023): Volume 16 Number 1 February 2023
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/cs.2023.v16.i01.p03

This research is a neo-institutionalism analysis study to political dynasty issue in the accordance with the embodiment concept of good governance in Tabanan district. As it is known that after the reformation, Tabanan was led by the same family generation. By focusing on the health service sector, this study will look at to what extent the dynastic politics has an impact on the public policy sector and the realization of good governance. In general, the health service policy pursued by the Tabanan Regency government is a non-populist policy. The local government chose to build international hospital rather than providing free health services for the poor. All this time, the study about political dynasty and the effect to the public policy sector in Tabanan is only seen as a mere political problem without looking at the deep state structure, the normative function and culture in it. This study found that there are a conflict between sociological institution, historical institution, and rational choice institution behind the strong dynastic politics as well as the struggles in realizing good governance in Tabanan Regency. Keywords: political dynasty, good governance, neo-institutionalism, public policy, Tabanan district.

PRACTICE OF TEMPLE DEVELOPMENT GRANTS’ DISCOURSE OF BADUNG DISTRICT GOVERNMENT, BALI I Gusti Agung Dyah Maheswari; I Nyoman Darma Putra; I Wayan Suardiana
E-Journal of Cultural Studies Vol 14 No 4 (2021): Volume 14, Number 4, November 2021
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/cs.2021.v14.i04.p02

This paper analyzes the policy of development grants in the cultural and religious sector of the Badung Regency Government in Bali with the realization of assistance targeting community groups in the construction of the physical infrastructure of the temple as a Hindu holy place that has political tendencies and power. This topic is researched because it is one of the public policies that is sentimental and very intimate because it directly touches social life and previous cultural values. The problem examined in this study is how the mechanism, strategy, which is carried out by the agent in exercising power. The power in question is not the power of a person but the power is everywhere and intertwined with knowledge. This research data was obtained based on the results of interviews, observations, and documentation studies which were then analyzed with the theory of power and knowledge by Foucault, and practical theory by Pierre Bourdieu. The analysis in is first indicated a mutually beneficial process between the lead district government, legislative members who became facilitators and the community, the application of religious, customary, and cultural concepts in perpetuating power and pragmatism and lack of education. Keywords: temple development grant, public policy, power relations

DANCE PERFORMANCE TO ACHIEVE MURI: STUDY OF REJANG SANDAT RATU SEGARA DANCE PERFORMANCE IN TANAH LOT, TABANAN, BALI Ni Made Ari Yanti Putri Negara; I Nyoman Darma Putra; Ni Luh Arjani
E-Journal of Cultural Studies Vol 15 No 3 (2022): Volume 15, Number 3, August 2022
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/cs.2022.v15.i03.p01

Rejang is a sacred dance that has certain standards in its creation and performance. This sacred dance is performed during the Dewa Yadnya ceremony by taking into account the place, time, and means of offerings that have been determined. However, recently a new creation of Rejang dance has emerged which has a function not for religious ceremonies, but for other purposes such as entertainment to achieve a MURI (Indonesian Record Museum) record. This type of Rejang Dance is the Rejang Sandat Ratu Segara Dance which was staged on August 18, 2018 in Tanah Lot, Tabanan, Bali. This certainly attracts the attention of the people of Tabanan and causes this dance to be widely discussed on social media and in real life. This article examines the form of the Rejang Sandat Ratu Segara Dance and finds out how it differs from the Rejang dance in Bali. The research method used is qualitative research with descriptive and explanatory exposure. In this study, there are several differences in the form of the Rejang Sandat Ratu Segara dance with the Rejang dance that developed in Bali such as movement, dancers, clothing, and settings. Keywords: Rejang Sandat Ratu Segara Dance, Tanah Lot Tabanan, MURI record, sacred art

GOVERNMENT HEGEMONY VS. DESA ADAT RESISTANCE: DYNAMICS OF REGULATING DESA ADAT IN BALI Putu Gede Sridana; I Wayan P. Windia; I Nyoman Darma Putra; I Nyoman Suarka
E-Journal of Cultural Studies Vol 17 No 2 (2024): Volume 17 Number 2 May 2024
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/cs.2024.v17.i02.p04

The government's strategy to promote desa adat (customary village) materialized through the implementation of Regional Regulation Number 4 of 2019 in Bali, fostering a dynamic interaction aimed at enhancing desa adat resilience. This study examines the dynamic forms of interaction between these institutions. Data were obtained utilizing a qualitative approach, including literature reviews, observations, and interviews. The data analysis results are described using theories of hegemony, ideology, discourse, and the power of knowledge. The research concludes that diverse forms of interaction between the government and desa adat encompass involvement in the formulation of desa adat regulations; participation in religious rituals and cultural activities; and relevance in financial governance. Theoretical findings suggest that power operates through interactions to assert dominance over desa adat by spreading discourse, knowledge, and ideological strategies. This article provides valuable insights for shaping regulations that better align with the identity and autonomy of desa adat. Keywords: dynamic interactions, desa adats, Regional Regulation Number 4/2019

RECLAIMING KARONESE IDENTITY THROUGH ERPANGIR KU LAU RITUAL Vanesia Amelia Sebayang; I Nyoman Darma Putra; I Gusti Putu Bagus Suka Arjawa; Ida Bagus Gde Pujaastawa
E-Journal of Cultural Studies Volume 13, Number 4, November 2020
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/cs.2020.v13.i04.p01

Dutch colonialism in Tanah Karo has long ended but not with the construction of the discourse. The unilateral evaluation of the Dutch towards the spirituality of the Karo people caused the Karo people to split into groups and live with social pathology. The colonial discourse is now experiencing challenges as the erpangir ku lau ritual was established as a national intangible cultural heritage and was made as one of the routine cultural tourism attractions in Karo District. This research uses a descriptive qualitative research method because it uses theory as a platform. The data source of this research consists of primary data obtained through observation and in-depth interviews, and secondary data obtained through books, scientific papers, documents, and online sources. The results of the study revealed that despite being rejected by one of the community groups, support for efforts to reclaim Karo's identity through the implementation of the erpangir ku lau ritual was still activated. This is because the effort to reclaim identity is expected to bring back the Karo community following the identity of the ancestral heritage, namely mehamat (polite), metami (persuading), melias (loving), perkuah (generous), and perkeleng (merciful) towards fellow humans and ancestors, The Creator, and the universe. Keywords: Reclaiming Identity, Erpangir Ku Lau, Colonial Discourse, and Karo Society

POLITICS OF IDENTITY AND THE CASE OF AHOK’S RELIGION BLASPHEMY IN THE 2017 DKI JAKARTA ELECTION Syairal Fahmy Dalimunthe; I Wayan Ardika; I Nyoman Darma Putra; I Gst. Bagus Suka Arjawa
E-Journal of Cultural Studies Volume 13, Number 1, February 2020
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Identity politics are often used in political contestation. Primordialism in similar religious and ethnic contexts creates the division and color of whose groups and supports whom. The purpose of this study is to understand and explain the politicization of religion and ethnicity in the DKI Jakarta 2017 elections. This study uses a cultural study approach with interpretive analysis techniques. The case of blasphemy by Ahok triggered the politicization of religion and ethnicity in the 2017 DKI Jakarta elections. Mass mobilization in the form of boycotts and the use of holy verses in choosing leaders was very massive carried out during the campaign period to increase the electoral effect. Identity is no longer purely a social movement to fight for a positive change, but rather a tool for the political elite to compartmentalize the masses in an effort to achieve their group goals. The identity politics that was triggered by the case of blasphemy by Ahok created a process of group exclusivity towards other groups on the basis of religion and ethnicity in winning a political battle. Keywords: Identity politics, blasphemy of religion, Ahok, primordialism

Co-Authors A.A. Anom Kumbara A.A. Ngr. Anom Kumbara A.A. Ngurah Anom Kumbara Agus Putra Mahendra Alicia Agustina Ginting ANAK AGUNG GDE SUTRISNA WIJAYA PUTRA Anak Agung Ngurah Anom Kumbara Anak Agung Putu Agung Suryawan Wiranatha Antari, Ni Luh Putu Aryasi Aron Meko Mbete Asmyta Surbakti Astawa, Ida Bagus Gde Puja Bertova Simanihuruk Bestari, Ni Made Prasiwi Desi Dwi Prianti Diana Rosca Apria Eddy Setia Eddy Setia Eva Lailatur Riska Gede Ginaya Gede Pasek Putra Adnyana Yasa Gede Suardana Hardiman Hardiman Hardiman Hardiman Husen Hendriyana I B Gde Pujaastawa I B Gde Pujaastawa I Gde Nala Antara I Gde Nala Antara I Gde Pitana, I Gde I Gede Adi Sudi Anggara I Gede Girinatha Surya I Gede Mudana I Gst. Bagus Suka Arjawa I Gusti Agung Dyah Maheswari I Gusti Ayu Agung Mas Triadnyani I Gusti Ayu Andani Pertiwi I Gusti Ayu Oka Suryawardani I Gusti Putu Bagus Suka Arjawa I Ketut Ardhana Ardhana, I Ketut Ardhana I Ketut Sudewa I Komang Gde Bendesa I Made Agus Asta Panca I Made Antara I Made Marthana Yusa I Made Suyasa I Nyoman Kutha Ratna I Nyoman Kutha Ratna I Nyoman Larry Julianto I Nyoman Suarka I Nyoman Sudiarta I Nyoman sukiada I Nyoman Sunarta I Nyoman Wahyu Angga Budi Santosa I Nyoman Weda Kusuma I Nyoman Weda Kusuma I NYOMAN WIJAYA I Wayan Ardika I Wayan Artika I Wayan Nuriarta I Wayan P. Windia I Wayan Pantiyasa I WAYAN PASTIKA I Wayan Resen I Wayan Restu Suarmana I Wayan Suardana I Wayan Suardana I Wayan Suardiana I Wayan Suyadnya I Wayan Tagel Eddy I.A. Etsa Pracintya Ida Ayu Etsa Pracintya Ida Ayu Laksmita Sari Ida Ayu Laksmita Sari Ida Bagus Gde Pujaastawa Ida Bagus Gde Pujaastawa Ida Bagus Jelantik Sutanegara Pidada Ida Bagus Rai Putra Indra Bhaskara, Gde Iola Astried Karisma Isvari Ayu Pitanatri Juliana, I Wayan Kanto, Sanggar Ketut Antara Komang Adi Sastra Wijaya Kristiana, Nina Indra Kumbara, Ngr. Anom Luh Putu Puspawati, Luh Putu Made Antara Made Heny Urmila Dewi Made Hery Santosa Mananda, I Gusti Putu Bagus Sasrawan Margaretta Andini Nugroho Maria Matildis Banda Michael Hitchcock Mozes, Getruida Nita Nanang Sutrisno Nengah Bawa Atmadja Nengah Bawa Atmadja Nengah Bawa Atmaja Ngakan Putu Darma Yasa Ni Kadek Dea Adelia Putri Ni Luh Arjani Ni Luh Gede Eni Laksmi Ni Luh Kade Yuliani Giri Ni Luh Ramaswati Purnawan Ni Made Ari Yanti Putri Negara Ni Made Eka Mahadewi Ni Made Ras Amanda Gelgel Ni Made Sri Purnami Ni Made Wiasti Ni Nyoman Arini Ni Putu Evi Wijayanti Ni Putu Ratna Sari Ni Putu Rika Sukmadewi Nonny Aji Sunaryo Nyoman Kutha Ratna Pande Putu Abdi Jaya Prawira Pidada, Ida Bagus Jelantik Sutanegara Prameswari, Ni Putu Laksmi Mutiara Prayoga, I Putu Satria Puji Retno Hardiningtyas Puji Retno Hardiningtyas, Puji Retno Putu Ayu Mira Maharani Putu Gede Sridana Putu Sucita Yanthy Putu Sucita Yathy Putu Titah Kawitri Resen Rahmat Sewa Suraya Ramanda Dimas Surya Dinata Renata Lusilaora Siringo Ringo Rimalinda Lukitasari Rinestu, Tyas Rosvita Flaviana Osin Rustiani, Komang Wahyu Sanjaya, I Wayan Kiki Saortua Marbun Saroha Manulang Sri Jumadiah Sudiksa, I Nyoman Sukariyanto, I Gede Made Surbakti, Asmyta Sutanegara Pidada Ida Bagus Jelantik Sutarwiyasa, I Ketut Syairal Fahmy Dalimunthe Syamsul Alam Paturusi Tjok Istri Priti Mahendradevi Tyas Rinestu Vanesia Amelia Sebayang Westerlaken, Rodney Widiastuti . Yan Yan Sunarya Yan Yan Sunarya Yogi, Ida Bagus Putu Prajna Yohanes Kristianto Yohanis Umbu Roru Yongki Darmawan Yosep Kupertino Ilang Yovanca Koondoko Yuliani Giri, Ni Luh Kade Yuniarto Putri, Aghnia

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