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All Journal Jurnal Penelitian Humaniora Litera Basastra: Jurnal Kajian Bahasa dan Sastra Indonesia Jurnal Social Economic of Agriculture Jurnal Teknologi Pendidikan JITRO (Jurnal Ilmiah dan Teknologi Peternakan Tropis) Pendas : Jurnah Ilmiah Pendidikan Dasar PROSIDING SEMINAR NASIONAL AGRIBISNIS Chemistry Indonesian Journal of Chemical Research JURNAL PENDIDIKAN TAMBUSAI SAP (Susunan Artikel Pendidikan) SALTeL Journal (Southeast Asia Language Teaching and Learning) Jurnal Ilmiah Membangun Desa dan Pertanian Didaktik : Jurnal Ilmiah PGSD STKIP Subang JOURNAL OF BUSINESS AND ECONOMICS RESEARCH (JBE) Randwick International of Social Science Journal Budapest International Research and Critics in Linguistics and Education Journal (Birle Journal) Tekper: Jurnal Teknologi dan Manajemen Industri Pertanian Jurnal Kewarganegaraan Nusantara Hasana Journal Sakti Bidadari (Satuan Bakti Bidan Untuk Negeri) DEIKTIS: Jurnal Pendidikan Bahasa dan Sastra Jurnal Ilmiah Penyuluhan dan Pengembangan Masyarakat HUMANISMA : Journal of Gender Studies QISTINA: Jurnal Multidisiplin Indonesia JOEL: Journal of Educational and Language Research EDUCTUM: Journal Research Pedagogika: Jurnal Ilmu-Ilmu Kependidikan Innovative: Journal Of Social Science Research Sintaks: Jurnal Bahasa dan Sastra Indonesia Perbal: Jurnal Pertanian Berkelanjutan Kopula: Jurnal Bahasa, Sastra, dan Pendidikan Jurnal Yudistira Jurnal Ilmiah Inovasi dan Komunikasi Pembangunan Pertanian Journal of Society Innovation and Development (JSID) Pendekar: Jurnal Pendidikan Berkarakter Innovation for Community Service Journal Journal of Humanities Education Management Accounting and Transportation Journal of Management Education Social Sciences Information and Religion International Journal of Technology and Education Research Journal of Education Transportation and Business CARONG: Jurnal Pendidikan, Sosial dan Humaniora JOAS Jurnal Pengabdian Masyarakat Madani Jurnal Ilmiah Inovasi dan Komunikasi Pembangunan Pertanian Jurnal bahasa, sastra, seni, dan pengajarannya
Rosmawaty Harahap
Universitas Negeri Medan
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Biochemistry, Genetics & Molecular Biology Chemistry Computer Science & IT Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Engineering Environmental Science Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Medicine & Pharmacology Nursing Physics Public Health Social Sciences Transportation Veterinary Other

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Reframing Women’s Educational Leadership in Aceh: Rereading Fatmawati Soekarno through Sociohistorical Perspectives Fonti Fai Banjarnahor; Rosmawaty Harahap
Journal of Aceh Studies Vol. 3 No. 1 (2026): Journal of Aceh Studies: January
Publisher : Winaya Inspirasi Nusantara Foundation

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63924/joas.v3i1.137

Abstract

A Women’s leadership in social development and education has been widely discussed in Indonesian scholarship, yet many studies continue to privilege national narratives while giving limited attention to regional socio historical contexts such as Aceh. Aceh possesses a distinctive tradition of women’s authority grounded in Islamic values, moral responsibility, and community-oriented education, which has rarely been examined in relation to national female figures. This study addresses this gap by critically reinterpreting the social and educational leadership of Fatmawati Soekarno through an Aceh centered analytical lens. The objective of this study is to examine how Fatmawati’s leadership ethos in education and social welfare resonates with Acehnese traditions of women’s leadership and to assess its relevance for Aceh Studies. Employing a qualitative interpretive research design, the study draws on historical and discursive analysis of primary documents and secondary scholarly literature related to Fatmawati, women’s leadership, education, and Acehnese socio cultural history. The findings reveal that Fatmawati’s leadership was predominantly articulated through moral authority, educational advocacy, and community oriented social care rather than formal political power. These characteristics closely align with established models of women’s leadership in Aceh, where legitimacy is grounded in ethical credibility, service, and educational engagement. An important finding is the strong discursive compatibility between Fatmawati’s national leadership ideals and Acehnese gender traditions, challenging assumptions that national female figures lack regional relevance. The study contributes to Aceh Studies by demonstrating the value of integrating national historiography with regionally grounded analysis. It offers theoretical and practical insights for understanding women’s leadership in education and social development within Aceh and comparable contexts.
Independent Women's Voices in 'Cut Nyak Dien': An Applied Linguistic and Contextual Analysis Suhardi Suhardi; Rosmawaty Harahap
Journal of Aceh Studies Vol. 2 No. 2 (2025): Journal of Aceh Studies: July
Publisher : Winaya Inspirasi Nusantara Foundation

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63924/joas.v2i2.139

Abstract

Background of the problem: During the colonial period, the struggle for independence in Indonesia encompassed sacrifices, warfare, and diplomatic efforts. Despite the traditional and localized nature of early 18th-century women's resistance movements, this study scrutinizes the significant influence of individual pioneers on the wider struggle. Purpose: This research aims to elucidate the character values and fighting spirit embodied by Cut Nyak Dien, an iconic pioneer of women's resistance in Indonesia. Historically, regional fighters in the archipelago primarily resisted 18th-century colonialism to defend religion and state sovereignty. Method: Employing a historical research methodology with a library study approach, this study reveals that Cut Nyak Dien's fierce loyalty, indomitable spirit, and steadfast faith profoundly reflect the inherent kindness and courage of her people. Result: Her struggle exemplifies a relentless, unyielding resolve against colonial rule, inspiring subsequent generations of Acehnese and other Indonesian women to continue the resistance. Implication: The findings underscore Cut Nyak Dien's critical role in shaping the trajectory of women's involvement in the Indonesian independence movement, establishing a powerful legacy of resilience and leadership against colonial oppression.
Character Formation through Traditional Acehnese Rhymes: A Stylistic Analysis of Moral Meaning Jesika Lolo Karina Manik; Rosmawaty Harahap
Journal of Aceh Studies Vol. 3 No. 1 (2026): Journal of Aceh Studies: January
Publisher : Winaya Inspirasi Nusantara Foundation

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63924/joas.v3i1.140

Abstract

Traditional literary forms have long served as culturally embedded means of transmitting ethical values and shaping collective character. In Acehnese society, traditional rhymes constitute an important yet underexamined literary practice through which moral orientations are communicated indirectly via aesthetic and linguistic form. While previous studies have highlighted the educational or thematic value of such rhymes, limited attention has been paid to the role of stylistic features in mediating character formation within specific cultural contexts. This study aims to examine how traditional Acehnese rhymes encode and transmit moral values through their stylistic organization, and to identify the implications of these mechanisms for understanding character formation in Aceh. The study adopts a qualitative research design grounded in stylistic analysis. Data consists of selected traditional Acehnese rhymes sourced from culturally authoritative compilations. The analysis focuses on diction, figurative language, imagery, rhyme patterns, and meaning construction, using an interpretive framework informed by contemporary stylistics and applied linguistics. The findings reveal that moral values such as humility, respect for elders, moral consistency, and social responsibility are embedded systematically in linguistic and aesthetic structures rather than conveyed through explicit moral instruction. Figurative language and imagery drawn from every day and ecological experience function as key mediators of ethical understanding, while regular rhyme patterns enhance memorability and communal circulation. These stylistic elements together form an integrated moral ecosystem that supports character formation within Acehnese cultural life. The study contributes to Aceh Studies by demonstrating how traditional literature operates as a living moral resource. It also offers interdisciplinary insights relevant to character education, cultural sustainability, and the role of local knowledge in contemporary society.
Cultural Resistance and Democratic Imagination in Colonial Indonesia: A Literary Analysis of Pantun Elisabeth Purba; Rosmawaty Harahap
JOURNAL OF SOCIETY INNOVATION AND DEVELOPMENT Vol 7 No 2 (2026): JSID: May 2026
Publisher : Winaya Inspirasi Nusantara Foundation

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63924/jsid.v7i2.84

Abstract

Colonial rule in the Indonesian archipelago not only restructured political and economic systems but also sought to reshape local cultural values and modes of expression. Within this context, traditional literary forms played an important role in preserving cultural identity and articulating responses to colonial domination. One such form is pantun, a Malay poetic genre that conveys meaning through metaphor, parallelism, and indirect expression. This study examines how the pantun High Power, Unformed Resistance represents power, resistance, and democratic imagination during the colonial period. The research aims to explore how culturally grounded notions of authority and opposition are articulated through poetic discourse, and how pantun functions as a medium of subtle resistance and ethical governance. The study adopts a qualitative interdisciplinary methodology that combines close textual analysis with perspectives from postcolonial theory and cultural studies. The pantun is analyzed as both a literary text and a socio cultural artifact situated within the historical experience of colonial Indonesia. The findings reveal that power is constructed as moral and cultural authority rather than coercive domination, while resistance emerges as indirect, adaptive, and sustained through cultural continuity. The pantun also encodes democratic values such as consensus, balance, and communal responsibility, reflecting indigenous conceptions of governance. These findings suggest that pantun should be understood not merely as folklore but as a significant site of political meaning. The study contributes to literary and postcolonial scholarship by demonstrating how traditional poetic forms participate in the negotiation of power and the imagination of culturally grounded democracy under colonial rule.
Stylistic Construction of Nationalism and Colonial Resistance in Chairil Anwar’s Poetry Rarajelita Rarajelita; Rosmawaty Harahap
JOURNAL OF SOCIETY INNOVATION AND DEVELOPMENT Vol 7 No 2 (2026): JSID: May 2026
Publisher : Winaya Inspirasi Nusantara Foundation

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63924/jsid.v7i2.87

Abstract

Literary works produced during colonial periods often function as sites where language, ideology, and resistance intersect. In Indonesian literary history, the poetry of Chairil Anwar occupies a central position in articulating nationalist consciousness during the late colonial era. While existing scholarship has extensively discussed the thematic dimensions of Anwar’s poetry, comparatively limited attention has been given to how linguistic form itself contributes to the construction of resistance and nationalism. Addressing this gap, the present study aims to examine how stylistic features in Chairil Anwar’s patriotic poetry linguistically represent colonial resistance and national identity. The study adopts a qualitative stylistic research design. Data consists of selected patriotic poems by Chairil Anwar sourced from authoritative published collections. Using a stylistic framework informed by established models in literary linguistics, the analysis focuses on lexical choice, figurative language, and syntactic structure. Data were analyzed through systematic identification, close interpretation, and contextualization of linguistically salient features within the sociohistorical context of colonial Indonesia. The findings reveal that nationalism and resistance are constructed through dense resistance-oriented lexicon, symbolic imagery grounded in collective experience, and syntactic patterns emphasizing agency, urgency, and unity. These stylistic strategies work cohesively to embed ideological meaning within poetic form rather than presenting it explicitly. The study demonstrates that language functions as an active ideological resource in Anwar’s poetry. This research contributes to Indonesian literary studies by providing a linguistically grounded analysis of nationalist poetry and highlights the value of stylistics for examining non-Anglophone literary traditions within postcolonial scholarship.
Decoding the Cognitive Poetics of the Pantun: Stylistic Constraints, Semantic Mapping, and Cultural Identity Construction Timanta Agustina Br Purba; Rosmawaty Harahap
JOURNAL OF SOCIETY INNOVATION AND DEVELOPMENT Vol 6 No 1 (2024): JSID: November 2024
Publisher : Winaya Inspirasi Nusantara Foundation

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63924/jsid.v6i1.88

Abstract

Recognized globally as an intangible cultural heritage, the pantun remains a vital instrument for sustaining social harmony, collective memory, and cultural identity across the Indonesian archipelago. Yet, conventional literary criticism frequently reduces this vibrant oral tradition to its rigid formalistic structures, specifically its alternating rhyme schemes and strict syllable counts. This reductionism ultimately overlooks the dynamic socio-cognitive functions of the genre within contemporary discourse. This study directly challenges these formalist limitations. By deploying a hybrid framework of stylistics and cultural poetics, we investigate how distinct linguistic styles and thematic variations operate as active mechanisms for identity negotiation. Operating within a qualitative, descriptive-interpretative paradigm, we subjected sixty purposively sampled pantun stanzas from verified archival anthologies to a close, granular textual analysis. The empirical findings demonstrate that the pantun functions as a highly contested site of ideological negotiation, systemic social critique, and behavioral modification. Structurally, the deliberate semantic tension between the natural imagery of the sampiran (preparatory couplet) and the didactic weight of the isi (core message) establishes an associative cognitive bridge. This mechanism facilitates non-confrontational communication and the seamless transmission of communal ethics. Ultimately, this study offers a fresh trajectory for understanding how rigid poetic constraints adapt to modern communicative imperatives, providing a scalable framework to integrate traditional orality into contemporary applied linguistics and literary pedagogy.
Stylistics of Moral Resilience: Recontextualizing Oral Poetry for Youth Character Education in Aceh Society Monica Monalisa Hutabarat; Rosmawaty Harahap
Journal of Aceh Studies Vol. 3 No. 2 (2026): Journal of Aceh Studies: July
Publisher : Winaya Inspirasi Nusantara Foundation

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63924/joas.v3i2.141

Abstract

This study addresses the destabilization of moral frameworks among youth in contemporary Islamic societies, a phenomenon accelerated by rapid digitization. We investigate how the structural and stylistic mechanisms of traditional oral poetry can serve as pedagogical instruments to build ethical resilience among Gen Z and millennial cohorts in modern Aceh. Methodologically, the inquiry adopts a qualitative descriptive design grounded in pedagogical stylistics to conduct a close textual analysis of twenty purposively sampled advice quatrains from the Bunga Rampai Maluku Kie Raha anthology. Our analytical framework evaluates these texts across specific operational metrics: phonology, syntax, and conceptual metaphor. The empirical results reveal that the rigid structural blueprint of the quatrain, particularly the architectural division between the foreshadowing lines (sampiran) and the semantic core (isi), functions as an efficient cognitive delivery system that optimizes mnemonic retention. Additionally, the deliberate deployment of high-impact lexical markers combined with abrupt interrogative rhetorical shifts elevates generic ethical advice into absolute behavioral boundaries. These boundaries directly reinforce Acehnese socio-legal norms. Consequently, curriculum designers and language educators in Aceh can leverage trans-regional oral literatures to diversify character education frameworks, offering a vital alternative as localized oral traditions fade from daily usage. Ultimately, this research demonstrates that UNESCO-recognized traditional poetic structures operate not merely as historical artifacts, but as dynamic socio-pedagogical interventions capable of maintaining ethical stability during acute cultural transitions.
Trans-Regional Echoes of Resistance: A Sociolinguistic Reading of Gendered Agency in E. Rokajat Asura’s Raden Dewi Sartika and its Parallelisms in Acehnese Female Discourse Ruth Angel Manurung; Rosmawaty Harahap
Journal of Aceh Studies Vol. 3 No. 2 (2026): Journal of Aceh Studies: July
Publisher : Winaya Inspirasi Nusantara Foundation

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63924/joas.v3i2.142

Abstract

The turn of the twentieth century in the Dutch East Indies was characterized by a rigid colonial diglossia and deeply entrenched indigenous patriarchal structures that severely gatekept formal education from women. While traditional scholarship evaluates early feminist movements through isolated socio-historical or biographical lenses, this study addresses a distinct research gap by exploring the trans-regional sociolinguistic dimensions of female resistance. The primary objective is to investigate how language variation, stratified honorifics, and institutional registers are deployed as instruments of defiance in E. Rokajat Asura’s biographical novel Raden Dewi Sartika, drawing conceptual parallelisms with historical Acehnese female discourse. Utilizing a qualitative literary-sociolinguistic framework grounded in Dell Hymes’ ethnography of communication and Mikhail Bakhtin’s heteroglossia, this research evaluates dialogue sequences and narrative prose at a fine granularity. The findings reveal that characters strategically manipulate formal, elite registers and indigenous honorific systems to maintain surface-level compliance while successfully executing subversive institutional demands. This micro-linguistic negotiation directly parallels the historical socio-political discourse of aristocratic female figures in Aceh who appropriated customary speech to command authority. Ultimately, this study demonstrates that early Indonesian female agency relied on the tactical mastery of existing linguistic hierarchies to subvert oppression. These insights offer a novel trans-regional model that enriches the academic understanding of language, gender, and institutional autonomy across the shared socio-cultural landscape of Aceh and the wider Indonesian archipelago.
Socio-Aesthetic Realignment and Regional Heroism: Tracing the Resonance of Aceh’s Cultural Identity in the Poetics of Angkatan 45 Sheshilia Putri Damanik; Rosmawaty Harahap
Journal of Aceh Studies Vol. 3 No. 2 (2026): Journal of Aceh Studies: July
Publisher : Winaya Inspirasi Nusantara Foundation

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63924/joas.v3i2.143

Abstract

The emergence of Angkatan 45 (the Generation of 1945) marks a critical milestone in the evolutionary trajectory of modern Indonesian literature, characterized by a radical departure from colonial and classical aesthetic constraints. While mainstream literary histories frequently examine this linguistic revolution through a centralized, macro-national lens, few studies investigate how regional identities, specifically the sociopolitical and cultural landscape of Aceh, intersected with this structural transformation. This study investigates the distinct poetic characteristics, philosophical conceptions, and structural dynamics of Angkatan 45 poetry by contextualizing its development within the historical consciousness and resilient cultural framework of Acehnese society during the revolutionary period. Employing a qualitative descriptive research design integrated with a critical historiographical review and micro-level structural textual analysis, this research analyzes the dual ideological pillars of Expressionism and Realism across selected poetic texts and the cultural manifesto of the Surat Kepercayaan Gelanggang. The findings reveal that the aesthetic deconstruction enacted by Angkatan 45, characterized by raw syntactic economy and colloquial diction, was deeply informed by peripheral struggles, where regional cultural symbols and islamic humanism served as vitalist markers of anti-colonial defiance. Ultimately, this paper highlights the pedagogical and socio-cultural value of preserving this decentralized literary genealogy, demonstrating how a period of intense high-stakes crisis successfully revolutionized the linguistic, semantic, and inclusive fabric of modern Indonesian discourse while preserving local cultural sovereignty.
Kritik Sosial Dalam Iklan “Tikus Rakus” Marjan 2026: Analisis Wacana Kritis Perspektif Norman Fairclough Irma Laura Elisabet Hutauruk; Rut Putriana br Manik; Putri Dhea Sapitri; Arya Dwi Andika4; Irna Renata Sembiring; Rosmawaty Harahap
Kopula: Jurnal Bahasa, Sastra, dan Pendidikan Vol. 8 No. 1 (2026): March
Publisher : Program Studi Magister Pendidikan Bahasa Indonesia FKIP Universitas Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29303/kopula.v8i1.9857

Abstract

Penelitian ini bertujuan untuk menganalisis kritik sosial dan relasi kuasa yang direpresentasikan dalam iklan Marjan 2026 yang berjudul “Tikus Rakus” dengan menggunakan pendekatan Analisis Wacana Kritis Norman Fairclough. Iklan tidak hanya berfungsi sebagai media promosi, tetapi juga berfungsi sebagai teks yang mengandung makna ideologis dan sosial dalam masyarakat. Dalam penelitian ini, pendekatan kualitatif deskriptif diterapkan, dan metode pengumpulan data yang digunakan meliputi dokumentasi cuplikan visual, cerita, dan dialog yang ditemukan dalam iklan. Analisis wacana kritis terdiri dari tiga dimensi: teks, praktik wacana, dan praktik sosial. Hasil penelitian menunjukkan bahwa simbol "tikus rakus" berfungsi sebagai simbol keserakahan dan kontrol kekuasaan. Iklan membangun karakter yang rakus dan dominan dalam dimensi teks dan visual. Iklan, dalam konteks praktik wacana, dibuat dan didistribusikan melalui media digital, memungkinkan berbagai interpretasi audiens. Iklan, di sisi lain, mengkritik tindakan keserakahan yang bertentangan dengan prinsip moral masyarakat. Oleh karena itu, iklan ini tidak hanya menyampaikan pesan komersial tetapi juga memberikan kritik sosial yang berkaitan dengan keadaan masyarakat saat ini.
Co-Authors . Mukhtar Abdi Abdi Abdi Abdi, Abdi Ambo, Reski Aminuyati Anggi Nur Febriani Apri Ulita Aprialti, Anastasya Riska Ardianti, Mirna Sri Ariska Erawati Ariyani, Ni Ketut Hintan Arman Arman Arya Dwi Andika4 Aryaldy Zulkarnaini Asa, Nurul Astriani, Mita Ayuri, Stefany Indah Azhar Bafadal, Azhar Bahari Bahari, Bahari Bandjar, Adriani Bijang, Catherina Manukpadang Bonita Manullang Budi Setiawan Cicilia Gultom Claudia Ratna Ningsih Dian Maharani Harahap Diana Permata Sari Difa Hartati Eka Indriyani Elisabeth Purba Elisia Agni Tangdilintin Elly Prihasti W Elly Prihastuti Wuriyani Elly Prihastuti Wuriyani Emasta Evayanti Simanjuntak Enjelita Nopri Handayani Hutagalung Eny Sihite Erlita, Yeni Ester Marga Retta Ezra Natasya Hutabarat Fadhlurrahman, Fadhlurrahman Fahria Nadiryati Sadimantara Farras Al Faathir Nasuton Fatiyah Salsabilah Lubis Faustina Putri Rasali Febri Anggitta Simamora Febriana, Isra Fensia Analda Souhoka Fina Mardiana Nasution Fitri Yani Fitri Zulhandayani Fitria Wulandari Fonti Fai Banjarnahor Gafaruddin, Abdul Ganesha, Galland Gaspersz, Nelson Ginting, Piladelpia Trifosa Gita Malem Br Karo Sekali Grace Tampubolon Gracesela Septiana Sibuea Gracia Lumbantobing Gunoroso, Suntoro Hadya Aminah Harahap Hamdiyah, Hamdiyah Hanisa Hanisa Hanna Sianturi Hasanela, Nurani Hasea Simanjuntak Hellna Tehubijuluw Hidayat Herman Hidayat Herman Hidrawati, Hidrawati Hikmah Sidabutar Hoirina Pulungan I W. Sutapa Imam Muhardinata Indah Sari, Maya Indriana Indriana, Indriana Ine Fausayana, Ine Innova Riana Yanti Sinambela Irma Laura Elisabet Hutauruk Irna Renata Sembiring Jelita Sitorus Jesika Lolo Karina Manik Jesika Margaretha sianipar Kapelle, Imanuel B. D. Kartini Kartini Kevin Pardede Kezia Erica Agave Kiki Sri Rezeki l, Azhar Bafada La Ode Kasno Arif, La Ode Kasno La Rianda Lamria Romaito Sidabutar Lentiar Gultom Lia Pertiwi Lusinda Sigiro Maharani, Sri Wiyati Mahulau, Nurlina Mardin, Mardin Mastuti, Mastuti Mayesa Rohayu Purba Mega Fatimah Rosana Mega Kristina Purba Mikael Pardomuan Hutabarat Milka Ria Daeli Mirajrina, Wa Ode Monica Monalisa Hutabarat Muhammad Ali Hakim Muliana, Dina Munirwan Zani, Munirwan Mutiara Aprilia Naila Nur Sabila Naima Azmi Hutagalung Najla Haifa Maulidina Tarigan Nasution, Jamila Nayla Apriani Lubis Nayla, Novisya Nazwa Salsabila Pasaribu Nikoyan, Anas Nila Dwi Amalia Nopita Aditia Silaban Nur Frety Soumena Nurdin , Nurhayati Nurul Aisyah Syahkila Nurul Annisa Opi, Saktiyani Osmer Hasoloan Nadeak Pakpahan, Raisha Mei Nabel Pattiasina, Priska Marisa Pintauli Silaban Puan Annisa Pane Putri Dhea Sapitri R, Irwan Rahim, Difa Cahyani Raiyana Putri Kana Ramnaega L Siregar Rarajelita Rarajelita Regita Amelia Reni Wati Br Sagala Sagala Revayani Sagala Ribka Elstin Sigab Risnawati, Cici Rizkita Rodearni Robi, Hendrikus Romaito Sihombing Rotua Lumban Toruan Rut Putriana br Manik Ruth Angel Manurung Sabda Hidayah Sabrina Pramesuary Dwi Nanda Safira Ayesha Ismaidini Salmawati, Mimi Samosir, Jusca Santanovalina Samual, Ismah Samuel Simamora Sarah Sofyanti Br Siregar Selvian, Selvian Septi Permai Natasya Tambunan Sheshilia Putri Damanik Shinta Brisma Shiwi Sulistyani Silalahi, Maysarah Simanjuntak, Elisabet Siti Fadilah Aini Siregar Sitti Nurhalizah Sofia Ayu Wandan Sohilait, Mario Rowan Soraya Firanti Nur Sri Ganda Cibro Sri, Dewi Suhardi Suhardi Suhardin Suhardin, Suhardin Sukarta, Asmah Sunaddi, Ade Suriana Suriana Susanto Ginting Susi Novi Handayani Hasibuan Syahriani Syahriani, Syahriani Syamsul Bahri Syarafina Harahap Talenta Sembiring Tanjung, Tobi Bagustian Taufik, Yani Theresa Intan S Tia Maharani Timanta Agustina Br Purba Tiory Sitanggang Triaviranda, Triaviranda Usman Rianse Vina Tri Septiana Wa Ode Yusria, Wa Ode Wa Rini Wasilah, Atika Wulandari, Febri Yanti Melina Ambarita Yesika Simbolon Yolanda, Esti Yulisin Nazra Yuliza Rahma Lubis