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All Journal Buletin Al-Turas Prosodi: Jurnal Ilmu Bahasa dan Sastra Jurnal Ilmiah Bahasa dan Sastra ARABIYAT Shaut Al-'Arabiyah Jurnal Adabiyah ANIDA : Aktualisasi Nuansa Ilmu Dakwah Equilibrium: Jurnal Pendidikan Kanz Philosophia: A Journal for Islamic Philosophy and Mysticism Ilmu Dakwah: Academic Journal for Homiletic Studies Syifa al-Qulub : Jurnal Studi Psikoterapi Sufistik Nady al-Adab Lingua Franca: Jurnal Bahasa, Sastra, dan Pengajarannya Language Literacy: Journal of Linguistics, Literature, and Language Teaching Arabiyatuna : Jurnal Bahasa Arab JURNAL YAQZHAN: Analisis Filsafat, Agama dan Kemanusiaan Jurnal Kajian Bahasa, Sastra dan Pengajaran (KIBASP) PENTAS : Pendidikan Bahasa dan Sastra Indonesia ELS Journal on Interdisciplinary Studies in Humanities JURNAL INSTEK (Informatika Sains dan Teknologi) Esteem Journal of English Study Programme Al Mi’yar: Jurnal Ilmiah Pembelajaran Bahasa Arab dan Kebahasaaraban Al-Tsaqafa: Jurnal Ilmiah Peradaban Islam Studi Arab JURNAL Al-AZHAR INDONESIA SERI HUMANIORA PHILOSOPHICA Jurnal Bahasa, Sastra, dan Budaya Pena Literasi IJAS: Indonesian Journal of Arabic Studies SULUK: Jurnal Bahasa, Sastra, dan Budaya LINGUA : Jurnal Bahasa, Sastra, dan Pengajarannya Hanifiya: Jurnal Studi Agama-Agama INDONESIA: Jurnal Pembelajaran Bahasa dan Sastra Indonesia Jubindo: Jurnal Ilmu Pendidikan Bahasa dan Sastra Indonesia Al-Fathin: Jurnal Bahasa dan Sastra Arab Ta'lim al-'Arabiyyah: Jurnal Pendidikan Bahasa Arab dan Kebahasaaraban 'A Jamiy: Jurnal Bahasa dan Sastra Arab Paradigm: Journal of Language and Literary Studies Jurnal Studi Agama Hijai - Journal on Arabic Language and Literature Alibbaa': Jurnal Pendidikan Bahasa Arab Ksatra: Jurnal Kajian Bahasa dan Sastra Didaktika: Jurnal Kependidikan Kalamuna Journal of Arabic Literature (Jali) BASA Journal of Language & Literature Al Intisyar: Jurnal Pendidikan Bahasa Arab JILSA (Jurnal Ilmu Linguistik dan Sastra Arab) Kutubkhanah Jurnal Penelitian Sosial Keagamaan An-Nahdah Al-\'Arabiyah Arus Jurnal Sosial dan Humaniora Kode : Jurnal Bahasa COMSERVA: Jurnal Penelitian dan Pengabdian Masyarakat DEIKTIS: Jurnal Pendidikan Bahasa dan Sastra Jurnal Ilmu Komunikasi AKSARA: Jurnal Bahasa dan Sastra Fashohah : Jurnal Ilmiah Pendidikan Bahasa Arab Journal of Comprehensive Science Jurnal Bastra (Bahasa dan Sastra) Arus Jurnal Psikologi dan Pendidikan Jurnal Lektur Keagamaan El-Hadhanah: Indonesian Journal Of Family Law And Islamic Law Gunung Djati Conference Series Eduvest - Journal of Universal Studies Innovative: Journal Of Social Science Research JBSI: Jurnal Bahasa dan Sastra Indonesia Afshaha: Jurnal Bahasa dan Sastra Arab Tadris al-'Arabiyyah: Jurnal Pendidikan Bahasa Arab dan Kebahasaaraban Riwayat: Educational Journal of History and Humanities Jurnal Pembelajaran Bahasa dan Sastra Jurnalistrendi: Jurnal Linguistik, Sastra dan Pendidikan Seloka: Jurnal Pendidikan Bahasa dan Sastra Indonesia Jurnal Pendidikan dan Kebudayaan Al-Mabsut: Jurnal Studi Islam dan Sosial Jurnal Studi Islam dan Sosial Journal of Curriculum and Pedagogic Studies Lughawiyyat: Jurnal Pendidikan Bahasa dan Sastra Arab Al-Irfan: Journal Of Arabic Literature and Islamic Studies Lughaat: Journal of Arabic Linguistics Jurnal Penelitian dan Evaluasi Pendidikan Manthiq : Jurnal Filsafat Agama dan Pemikiran Islam
Rohanda Rohanda
UIN Sunan Gunung Djati
Religion Aerospace Engineering Agriculture, Biological Sciences & Forestry Arts Humanities Biochemistry, Genetics & Molecular Biology Chemical Engineering, Chemistry & Bioengineering Chemistry Computer Science & IT Control & Systems Engineering Economics, Econometrics & Finance Education Electrical & Electronics Engineering Energy Engineering Environmental Science Health Professions Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Mathematics Neuroscience Physics Public Health Social Sciences Other

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Potret Kehidupan Keluarga Miskin dan Ketimpangan social dalam Film Pengabdi Stan (2017) : Kajian Sosiologi Sastra Ovi Siti Nuropikoh; Rohanda Rohanda
DEIKTIS: Jurnal Pendidikan Bahasa dan Sastra Vol. 5 No. 4 (2025)
Publisher : Perkumpulan Dosen Muslim Indonesia - Sulawesi Selatan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53769/deiktis.v5i4.2417

Abstract

Penelitian ini bertujuan untuk menganalisis bagaimana kehidupan keluarga miskin serta ketimpangan sosial direpresentasikan dalam film Pengabdi Setan (2017) karya Joko Anwar melalui pendekatan sosiologi sastra. Sebagai film bergenre horor, karya ini tidak hanya menyuguhkan unsur ketegangan, tetapi juga menyiratkan gambaran sosial yang mencerminkan kondisi nyata masyarakat kelas bawah di Indonesia. Metode yang digunakan adalah deskriptif kualitatif, dengan data utama berupa narasi, karakter tokoh, dan latar cerita yang dianalisis menggunakan perspektif sosiologi sastra dari Alan Swingewood serta teori ketimpangan sosial. Hasil temuan menunjukkan bahwa film ini merefleksikan kemiskinan yang bersifat struktural melalui representasi keterbatasan ekonomi, isolasi sosial, tekanan peran gender, serta ketimpangan akses terhadap layanan dasar. Unsur simbolik dalam genre horor dimanfaatkan sebagai instrumen untuk menyampaikan kritik terhadap ketidakadilan sosial dan dominasi sistemik yang menindas kelompok marginal. Oleh karena itu, film Pengabdi Setan tidak hanya berfungsi sebagai hiburan semata, tetapi juga sebagai medium reflektif dan kritik sosial yang menggambarkan realitas masyarakat Indonesia secara mendalam.
Metafora Dalam  Lagu  “Bertaut”  Karya Nadin Amizah (Kajian Stilistika) Hopi Silviani; Rohanda Rohanda; Sofia Laila Rahmah
JURNAL PENELITIAN DAN EVALUASI PENDIDIKAN Vol. 12 No. 2 (2025): JULI (JURNAL PENELITIAN DAN EVALUASI PENDIDIKAN)
Publisher : Education Research Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.64540/sppq9815

Abstract

This study employs a qualitative approach using a descriptive-analytical method to analyze the meanings and types of metaphors found in the lyrics of the song “Bertaut” by Nadin Amizah. This method was chosen because it allows the researcher to interpret data deeply within the linguistic and artistic context embedded in the lyrics. The main focus of the study lies in the process of identifying, classifying, and interpreting metaphorical expressions that represent complex emotional and aesthetic experiences. Data collection was carried out directly by the researcher through observation and note-taking techniques by carefully reading and examining the lyrics. All expressions with metaphorical potential were marked and collected for further analysis. The data analysis followed a systematic procedure consisting of intensive reading of the lyrics, identification of metaphorical forms, and classification based on Ullmann’s theory of metaphor. This theory provides a framework that includes several types of metaphors, such as anthropomorphic metaphors, animal metaphors, synesthetic metaphors, and abstract metaphors. The analysis identified seven metaphorical expressions in the song’s lyrics, reflecting the creative use of figurative language to convey profound emotional meanings. These metaphors were found to enrich the aesthetic value of the lyrics and enhance the expressive power of the song in depicting the singer’s inner experiences. Thus, the applied methodology not only reveals the structure of figurative language within the lyrics but also bridges the understanding of the complex meanings contained therein
PEMILIHAN KATA TERJEMAHAN SYAIR PADA BUKU FIHI MA FIHI KARYA JALALUDDIN RUMI Putri Budikurnia Istiqomah; Rohanda Rohanda
Jurnal Bastra (Bahasa dan Sastra) Vol. 10 No. 4 (2025): JURNAL BASTRA EDISI OKTOBER 2025
Publisher : Program Studi Pendidikan Bahasa dan Sastra Indonesia, FKIP, Universitas Halu Oleo Kampus Bumi Tridharma Andounohu Kendari, Provinsi Sulawesi Tenggara – Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36709/bastra.v10i4.1023

Abstract

Translating a book can help many people access its content in a language they understand. However, translation often involves challenges, particularly with sentences that are not easily comprehensible to readers. This is especially true for poetry, which frequently employs figurative language and metaphors. In this case, the author applies Newmark's translation methods to analyze the poetry in the book Fihi Ma Fihi by Jalaluddin Rumi, which has been translated from Arabic into Indonesian by Anwar Holid. The research method used in this study is descriptive qualitative, focusing on the verses of poetry within the book. Translators often rely on various translation theories, which sometimes result in ambiguous diction. The translator determines the translation method based on the context of the poetry and its linguistic nuances. Anwar Holid's translation incorporates idiomatic expressions and styles of human communication, influencing both the conveyed meaning and the reader's understanding. This study examines the shifts in meaning at a lexical level and the translator's choices in rendering Rumi's poetry. Eleven stanzas are analyzed in terms of their translations and compared to their lexical meanings. Each word carries a distinct meaning and translation that aligns with the poetic verses written by Jalaluddin Rumi.
KEBAHAGIAAN DALAM KESEDERHANAAN PADA CERPEN AS SA’ID HASAN KARYA KAMIL KAYLANI (KAJIAN STRUKTURALISME ROBERT STANTON) Anna Miftahul Khasanah; Rohanda Rohanda
Jurnal Bastra (Bahasa dan Sastra) Vol. 10 No. 4 (2025): JURNAL BASTRA EDISI OKTOBER 2025
Publisher : Program Studi Pendidikan Bahasa dan Sastra Indonesia, FKIP, Universitas Halu Oleo Kampus Bumi Tridharma Andounohu Kendari, Provinsi Sulawesi Tenggara – Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36709/bastra.v10i4.1814

Abstract

This study aims to analyze the story facts character, plot, and setting in the short story “Sa’id Hasan” by Kamil Kaylani using the structuralist approach of Robert Stanton. Literature, as a reflection of life and a medium of cultural communication, is closely tied to the social environment in which it emerges. Short stories, as a popular literary form, offer concise yet meaningful narratives, making structural analysis essential to fully comprehend their messages. The structuralist approach holds that the meaning of a literary work lies not in isolated elements, but in the integration of its intrinsic components that form a coherent structure. This research focuses on three story facts outlined by Stanton’s theory: character, plot, and setting. The short story “Sa’id Hasan” tells the tale of a simple man named Hasan who appears cheerful but harbors deep sorrow over the loss of his family. The findings reveal that the story is rich with life values and effectively conveys the protagonist’s emotional depth through its well-organized structure. This research contributes theoretically to the development of structuralist literary studies, particularly in Arabic short stories, and offers practical benefits as a reference for academic studies in the field of Arabic Language and Literature.
GAYA BAHASA DALAM SYAIR ‘ṢAWT ṢAFĪR AL-BULBUL’ KARYA AL-AṢMAʿĪ (KAJIAN STILISTIKA) Hanifah Annisa Salsabila; Rohanda; Nurlinah
Jurnal Bastra (Bahasa dan Sastra) Vol. 10 No. 4 (2025): JURNAL BASTRA EDISI OKTOBER 2025
Publisher : Program Studi Pendidikan Bahasa dan Sastra Indonesia, FKIP, Universitas Halu Oleo Kampus Bumi Tridharma Andounohu Kendari, Provinsi Sulawesi Tenggara – Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36709/bastra.v10i4.1818

Abstract

This study aims to reveal how figurative language is used in the poem Ṣawt Ṣafīr al-Bulbul by al-Aṣmaʿī. It is a qualitative research using a descriptive-analytical method. The approach employed in this research is the five-level stylistic analysis theory proposed by Syihabudin Qolyubi. The results of the study show that the poem contains various stylistic features based on the levels of stylistic analysis, namely: (1) Phonological level (Muḥtawiyāt al-ṣawtī): the presence of sound repetition such as ṭab-ṭab, kaʿkʿaʿ, and other rhythmic sounds that create musicality; (2) Morphological level (Muḥtawiyāt al-ṣarfī): forms such as muharwiliy and waylī which are rich in emotional expression; (3) Syntactic level (Muḥtawiyāt al-naḥwī): the use of verbal sentences (jumlah fiʿliyyah) and inversion that contribute to expressive dynamics; (4) Semantic level (Muḥtawiyāt al-dalālī): the use of majāz (metaphor), kināyah (metonymy), and symbolism to convey themes of love and irony; and (5) Imagery level (Muḥtawiyāt al-taṣwīrī): the use of tashbīh (simile), istiʿārah (metaphor), and onomatopoeia to build vivid visual, auditory, and emotional atmospheres. This study demonstrates that al-Aṣmaʿī’s poem combines the power of language and rhythm in a form that is both aesthetic and rich in symbolism.
NILAI-NILAI MORAL PADA FILM THEEB KARYA NAJI ABU NOWAR KAJIAN SEMIOTIKA CHARLES SANDERS PIERCE Alfina Hartono Putri; Dede Sasa Nurjaman; Rohanda Rohanda
PENTAS : Jurnal Ilmiah Pendidikan Bahasa dan Sastra Indonesia Vol 11 No 1 (2025): PENTAS: Mei 2025
Publisher : Pendidikan Bahasa dan Sastra Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52166/pentas.v11i1.9231

Abstract

This research aims to describe the moral values in the movie Theeb by Naji Abu Nowar, which is set in World War I in the Middle East, during the Arab uprising against the Ottoman Empire. Arab revolt against the Ottoman Empire. The movie uses non-professional actors from the Bedouin community in southern Jordan. The story centers on Theeb, a young boy struggling to survive in the desert after his older brother Hussein after his older brother, Hussein, was shot dead by a tribe that was after their camel while traveling with British soldiers. while traveling with British soldiers. In this event, there are many moral values that can be learned. This research is a qualitative descriptive study this study is a qualitative descriptive study with the object of cut scenes in the movie. Analysis is done by classifying signs based on representamen, object, and interpretant. The results show various moral values such as knowledge, beliefs, arts, morals, laws, customs, abilities, and habits.
Struktur Simbolik dalam Syair Al-Khansa: Analisis Semiotik dan Nilai Karakter Mardani, Dadan; Hezam, Motea Naji Dabwan; Kodir, Abdul; Rohanda
Al-Fathin: Jurnal Bahasa dan Sastra Arab Vol 8 No 02 (2025): Al-Fathin: Jurnal Bahasa dan Sastra Arab
Publisher : Institut Agama Islam Negeri Metro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32332/cjywpm93

Abstract

Penelitian ini bertujuan untuk mengungkap struktur simbolik yang terkandung dalam syair elegi Al-Khansa melalui pendekatan semiotik Ferdinand de Saussure. Fokus analisis diarahkan pada puisi “al-Majdu Ḥillatahu” yang diambil dari Dīwān al-Khansāʾ, dengan menelusuri relasi antara penanda dan petanda dari ungkapan-ungkapan simbolik yang mencerminkan nilai emosional, religius, budaya, dan gender. Hasil penelitian menunjukkan bahwa simbol-simbol seperti air mata, mata, waktu, perjalanan, dan sosok saudara tidak hanya merepresentasikan kesedihan personal, melainkan juga sarat makna kolektif dan spiritual dalam budaya Arab pra-Islam dan awal Islam. Simbol-simbol tersebut memuat nilai karakter seperti keberanian, ketabahan, kesetiaan, dan harapan, yang dapat dijadikan dasar penguatan pendidikan karakter dalam pengajaran sastra Arab. Penelitian ini juga menegaskan bahwa pendekatan semiotik tidak hanya memperkaya khazanah kritik sastra Arab klasik, tetapi juga memberikan landasan metodologis untuk integrasi nilai-nilai moral dalam kurikulum pendidikan bahasa Arab kontemporer.
The Value of Struggle in the Film Ar-Rihlah (The Journey): A Narrative Semiotic Analysis by A. J. Greimas Alawiyah, Siti Hilmiatul; Rohanda; Halim, M. Abdul
Jurnal Pembelajaran Bahasa dan Sastra Vol. 4 No. 6 (2025): November 2025
Publisher : Raja Zulkarnain Education Foundation

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55909/jpbs.v4i6.942

Abstract

This study aims to determine the narrative structure and values of struggle in the film Ar-Rihlah through A. J Greimas' narrative semiotic approach. The method employed is descriptive, utilizing qualitative data. Data on the narrative structure and values of struggle in the film Ar-Rihlah were collected using observation guidelines based on time triangulation, assisted by a checklist, through the process of observing, marking, and recording sentences or dialogues that contain values of struggle. J Greimas' narrative semiotic analysis. Data on narrative structure and values of struggle in the film Ar-Rihlah through a narrative semiotic approach were analyzed through three stages: a) identification of the role of actants; b) mapping of functional structures; c) interpretation of narrative meaning that forms the values of struggle. The results of the study show that the values of struggle in the film Ar-Rihlah (The Journey) are not only expressed in physical combat, but also encompass values such as willingness to sacrifice, unity, respect, patience, and an unyielding spirit. The values of struggle in the film Ar-Rihlah, examined through a narrative semiotic approach, are constructed narratively through the relationship between the actants and the stages of the storyline.
Human Facts and Family Conflict in the Film Basma: A Study of Lucien Goldmann's Genetic Structuralism Nisa, Shofie Yanti Khoerun; Rohanda; Halim, Muhammad Abdul
Jurnal Pembelajaran Bahasa dan Sastra Vol. 5 No. 1 (2026): Januari 2026
Publisher : Raja Zulkarnain Education Foundation

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55909/jpbs.v5i1.944

Abstract

The film Basma (2024) by Fatima Al-Banawi, a Saudi female director, is presented as a representation of contemporary cinema that dares to raise the issues of family, divorce, and mental health in the context of Saudi Arabian society. This film was produced in the new atmosphere of Saudi cinema after the liberalization of art in 2018, which gave more space for local filmmakers to express social reality. This study aims to analyze: 1) the human facts in the film Basma through Lucien Goldmann's genetic structuralism approach; 2) family conflict in the film Basma through Lucien Goldmann's genetic structuralism approach. The method used is descriptive qualitative. Research data were collected using observation sheets and documentation notes, namely by observing, marking, and recording dialogues and scenes containing human facts and family conflicts. Research data were analyzed using several stages, namely: a) identifying human facts; b) determining family conflicts. The research data were validated using time triangulation techniques. The results of the study show that: 1) the human facts in the film Basma are seen through the emotional struggles of the characters in facing family conditions and social pressures; 2) Family conflict arises in the form of internal and external conflict which shows tension between Basma and her parents due to differences in perspective and her father's psychological condition.
Power Relations and the Tragedy of Love in the 1960 Film The River of Love (Nahr Al-Hub) by Ezzel Dine Zulficar Safitri, Shofika Naila; Rohanda; Halim, M Abdul
Jurnal Pembelajaran Bahasa dan Sastra Vol. 5 No. 1 (2026): Januari 2026
Publisher : Raja Zulkarnain Education Foundation

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55909/jpbs.v5i1.947

Abstract

his study aims to reveal: 1) the representation of power relations in the film The River of Love (Nahr Al-hub) by Ezzel Dine Zulficar through the study of Charles Sanders Peirce's semiotics; 2) the representation of the tragedy of love in the film The River of Love (Nahr Al-hub) by Ezzel Dine Zulficar through the study of Charles Sanders Peirce's semiotics. This study uses a qualitative descriptive method with a Peircean semiotic approach that emphasizes the relationship between representament, object, and interpretant. Data were collected using documentation techniques by watching the film and noting relevant scenes and dialogues. The data collection tool used in this study was an observation sheet for recording data compiled based on Charles Sanders Peirce's semiotic framework. The research data were analyzed thematically regarding visual and verbal signs related to the theme of power and love based on time and tool triangulation using the content analysis method within Peirce's semiotic framework. The results of the study show: 1) power relations in this film are represented through male domination over women in the form of social and moral control; 2) the tragedy of love emerges as a consequence of the clash between personal desire and an oppressive social structure. Through the process of semiosis, this film presents love as a space of resistance that ends tragically, while simultaneously criticizing the oppressive social system. Thus, this research contributes to the development of film semiotics and broadens cultural perspectives in modern Arabic literary studies.
Co-Authors Abdul Kodir Abdul Kodir Abdurahman, Rizki Ade Sopiah Adriadi, Irfan Adya Wijaya, Naufal Aeni Lukviati Urbah Afifah Yustiana Yunasa, Hasna Afrina Achmad Agnia, Ariel Husni Ahmad Suhaili Ahmad Yunani Ahwatul Muslimah, Ispa Aizza, Yulia Zulpathul Akmaliyah Akmaliyah Aladdin, Ashinida Alandira, Palendika Alawi, Zamzam Mugni Alawiyah, Siti Hilmiatul Alfina Hartono Putri Alwi, Zulfami Andriana, Lilian Anggraini, Reza Anna Miftahul Khasanah Arianty, Monika Wulan Aripin, Amalul Aryanto, Redi Asep Saefullah Atha, Yusuf Ali Shaleh Atoasi, Syahbudin Audryane Anindita Fadilla Azahirah Mufidah Azzahra, Rachma Aini budi, Firmansah Setia Budi Budiharjo, Imam Ghozali Cahya Mahesa, Dzikri Cahyadi, Indrawan Choirunisa, Wanda Dadan Mardani Dayudin, Dayudin Dede Burhanudin, Dede Dede Sasa Nurjaman Deden Hidayat Dedi Supriadi Dendi Yuda S Dian Nurrachman Dian Nurrachman Dian Nurrachman, Dian Dika, Palen Dikriyah Dini Fathiya Nur Shiyam Dira, Palen Dika Dzikri Ahmad Fauzi Fadlil Yani Ainusyamsi Fariztina, Alissa Fauzi, Muhamad Faiz Al Fauziah, Resa Nurrahmah Firdaus, Rifqi Muhammad Gia Ramadhan Habibah Halim, M Abdul Halim, M. Abdul Halim, Muhammad Abdul Hamidah, Aqila Fikriya Hanifah Annisa Salsabila Hannawi, Izzat Fathin Haq, Iman Amirul Haritsah Rais, Muhammad Hartono, Alfina Hasbi Assiddiqi Heriady, Rifqi Zahran Azizi Hezam, Motea Naji Dabwan Hidayat, Deden Hikmah Maulani Hilmi, Irpan Hopi Silviani Ihin Solihin Imam Ghozali Budiharjo Imas Fatimah Setiawati Irdan Hildansyah Irfan Addriadi Irfan Adriadi Irpani, Ropik Isma Fauziah Istiana Khotibatunnisa Julaeha, Puput Ratna Karima, Marista Aulia Kodir, Abdul Komaruddin Komarudin Kusuma, Dwiki Lathifah, Haifa Latifah, Vina Mahmud Mahmud Maida, Nining Maila Nurul Izzati Majid, Nurahman Mardi, Isra Mardiansyah, Yadi Marista Aulia Karima Masmedia Pinem Maura, Indah Natisha Mawardi Mawardi Mawardi Meisyaroh, Fitria Monika Wulan Arianty Mu'izzuddin, Moch Muhamad Robi Muhammad Abdul Halim Muhammad Firdaus, Rifqi MULYADI Mutmainah Juniawati Nafilatul Azza, Nawal Najwa Rifaron Naufal Fauqi Adhiya, Muchammad Nisa, Shofie Yanti Khoerun Novianti, Wulan Suci Nur Amalia Muthmainah Nurfadilah Nurfadilah Nurhalida, Nunung Nurhasan, Muhamad Nurhasan, Muhammad Nurhasanah, Aviah Nuri Rai Patimah Nurjaman, Andri Nurlatifah, Ilva Nurlinah Nurlinah Nurlinah Nurlinah, Nurlinah Nuryadi, Bagja Ghali Nuryana, Muhamad Rian Ovi Siti Nuropikoh Palendika Alandira Pauji, Resa Restu Permana, Insan Priyawan, Pepen Putri Budikurnia Istiqomah Qimanullah, Abdul Malik Qonit Ad., Ahmad R. Edi Komarudin Raden Mohamad Herdian Bhakti Rahmah, Sofia Laila Ramadhan, Gia Ratu Anti Salimah Rayya Difadrana, Thaifur Resa Nurrahmah Fauziah Resa Restu Pauji Ridho Hidayat Rifa Mazin Aqillah Rika Rahmawati Robiaah Al Adawiyyah, Annisa Siti Rohanda Rohanda, Rohanda Rohmani, Hadad Rosalita, Rosalita Rudini Ruhendi, Ateng Ruly Syaeful Azhar Rusna, Dyo Sabarudin, Ikbal Sabrina, Coriena Halwa Saepuloh, Amanda Siva Safitri, Shofika Naila Saidah, Siti Saidatul Fitriah Lailatul Badriah Saladin, Cundarojat Sidiq Salma Najihah, Talia Salma, Inas Salsabila, Nisrina Zahrani Salsabillah, Ade Inas Santika, R. Gilang Septian, Ahmad Arif Setiawan, Shafira Nandya Setiawati, Imas Fatimah Shafirayanti, Marwa Siti Muslikah Sofia Laila Rahmah Suci Novianti, Wulan Sukmawati, Wati Solihat Suparna, Ahmad Supianudin, Asep Sutisna, Dede Syafei, Isop Syahbudin Syahril Jamil Syahril Jamil, Syahril Syarah Salsabila Taufiq, Wildan Tri Cahyanto Tri Cahyanto Usep Abdul Matin, Usep Abdul Wanda Choirunisa Wildan Rinanda Komara Yadi Mardiyansyah Yasmin, Alia Yayan Rahtikawati Yunita, Novi Yusanti, Noviana Zamzam Mugni Alawi Zulfahmi Alwi