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Rohanda Rohanda

UIN Sunan Gunung Djati

Author-ID : 3830366

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FEMINIST LITERARY CRITIQUE OF WOMEN’S REPRESENTATION IN NAGUIB MAHFOUZ’S LAYALI ALF LAYLAH Alandira, Palendika; Ainusyamsi, Fadlil Yani; Rohanda, Rohanda
Language Literacy: Journal of Linguistics, Literature, and Language Teaching Vol 8, No 2: December 2024
Publisher : Universitas Islam Sumatera Utara (UISU)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30743/ll.v8i2.10288

This research examines the portrayal of women in Arabian Nights and Days by Naguib Mahfouz through the lens of feminist literary criticism, focusing on the character of Dunyazad. The analysis explores her physical, psychological, and social dimensions, emphasizing how these aspects reflect broader societal perceptions and treatment of women. Employing a qualitative approach, the research utilizes feminist theory to uncover the depiction of Dunyazad and her interactions within the social context of the novel, which mirrors the condition of women in the Arab world. The formal object of this study is feminist literary criticism theory, while the material object is Mahfouz’s novel. The study is confined to analyzing Dunyazad’s character and her relationship with societal norms. Findings reveal that the representation of women in the novel is shaped by three main elements: physical idealization, psychological conflict, and social subordination, all of which are framed by patriarchal structures. Dunyazad’s physical portrayal reinforces the objectification of women, her psychological depiction reflects the inner turmoil of women constrained by social expectations, and her social portrayal underscores the systemic subjugation of women. In conclusion, Mahfouz critiques the societal norms that restrict women’s roles and exposes the persistence of gender inequality within patriarchal societies.

Representasi Perundungan dalam Film From The Ashes Karya Khalid Fahad (Kajian Semiotika Ferdinand De Saussure) Nafilatul Azza, Nawal; Rohanda, Rohanda
Journal of Comprehensive Science Vol. 4 No. 1 (2025): Journal of Comprehensive Science (JCS)
Publisher : Green Publisher Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59188/jcs.v4i1.2961

This study discusses the representation of bullying in the film From The Ashes by Khalid Fahad through Ferdinand de Saussure's semiotic approach. The focus of this study is how signs in the film, whether through visuals, dialogues, or other symbols, represent bullying and its impact on victims. Qualitative research methods are used to analyze the signs in the film, which consist of two main components: the signifier and the signified. The results of the analysis show that the film uses strong symbolism to depict the dynamics of bullying, including power relations, the powerlessness of victims, and the journey towards recovery. Visual elements such as color, lighting, and facial expressions function as signifiers that strengthen the emotional narrative, while dialogue and storyline form signifiers that convey meaning about bullying. This study contributes to a deeper understanding of how film media can be a reflective medium for social issues such as bullying, while also offering a new perspective in semiotic studies.

Interseksionalitas Dalam Film Asmaa: Analisis Gender, Stigma, dan Kelas Masyarakat Patriarkal Mesir Yunita, Novi; Rohanda, Rohanda; Nurhasan, Muhamad
Aksara: Jurnal Bahasa dan Sastra Vol 26, No 1 (2025): Aksara: Jurnal Bahasa dan Sastra (in procces)
Publisher : Universitas Lampung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23960/aksara/v26i1.pp134-145

This study aims to examine the form of intersectionality experienced by female characters in the film 'Asmaa' by Amr M Salama. Therefore, the theory used to analyze data based on the problems found is the theory of intersectionality from the perspective of Kimberle Crenshaw. The method used in this research is descriptive qualitative method. The type of data used by researchers in this study is qualitative data in the form of screenshots of scenes from the film Asmaa and then analyzed verbally. Based on this analysis, the results of this study show that Asmaa, as the main character in the film, experiences three forms of intersectionality oppression, namely gender, health stigma, and social class in Egyptian patriarchal society.Keywords: intersectionality, patriarchy, HIV, film

ALIH KODE DAN CAMPUR KODE DALAM FILM ARAB HONEYMOONISH KARYA ELIE EL SEMAAN Marista Aulia Karima; Rohanda Rohanda; Irfan Adriadi
Lingua Franca:Jurnal Bahasa, Sastra, dan Pengajarannya Vol 9 No 1 (2025): Februari
Publisher : Universitas Muhammadiyah Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30651/lf.v9i1.25212

This research aims to describe code-switching and code-mixing in the Arabic movie Honeymoonish by Elie El Semaan by using a qualitative approach and applying analytical descriptive method. The formal object of this research is code switching and code mixing, while the material object is the Arabic movie Honeymoonish. The results and discussion in this study show that all code-switching and code-mixing in this movie belong to the external type because of the switching and insertion of English into the original language, namely Arabic. The form of code mixing found is the form of words and phrases. Based on the results of the analysis, it can be concluded that overall there are 31 data in the form of code switching and external code mixing. There are 3 data of external code switching, 15 data of external code mixing at word level, and 7 data of external code mixing at phrase level. Keywords: Arabic Film, Code Mixing, Code Switching, Sociolinguistics

Representasi Fungsi Dan Makna Ujaran Permintaan Dalam Surat Taha : Kajian Balaghah Hidayat, Ridho; Rohanda, Rohanda; Alandira, Palendika; Taufiq, Wildan
LINGUA: Jurnal Bahasa, Sastra, dan Pengajarannya Vol. 21 No. 2 (2024): September
Publisher : Center of Language and Cultural Studies

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30957/lingua.v21i2.1024

This research aims to explore the functions and meanings of kalam insya’ thalabi found in the verses of Surah Taha. The focus of the discussion is on identifying the functions, types, and meanings of insya’ thalabi, such as commands (amr), prohibitions (nahi), and questions (istifham). This study employs a qualitative research approach, utilizing a qualitative descriptive analysis method with a linguistic analysis framework. The primary source of data consists of verses from Surah Taha in the Qur'an containing insya’ thalabi. Data collection techniques include library research and textual analysis of Qur'anic verses. The data is analyzed through a balaghah lens to uncover the functions and meanings inherent in each form of kalam insya’ thalabi within Surah Taha.

Speech Acts in the Social Context of the Film "Honeymoonish" by Elie El Semaan: A Pragmatic Review According to John Austin Yusanti, Noviana; Komarudin, R. Edi; Rohanda, Rohanda
ELS Journal on Interdisciplinary Studies in Humanities Vol. 8 No. 1 (2025): MARCH
Publisher : Hasanuddin University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34050/els-jish.v8i1.43372

This study aims to analyze speech acts in the social context of the film Honeymoonish by Elie El Semaan using the theoretical framework of pragmatics according to John Austin. Speech acts are categorized into three types: locution, illocution, and perlocution. Through a qualitative approach, this research identifies how dialogues in the film reflect social interactions among characters and the meanings contained within them. Data is obtained through the analysis of key scenes that highlight verbal and non-verbal communication. The results of the study show that speech acts in this film not only function as communication tools but also as a medium to express emotions, conflicts, and relevant social values. Additionally, the study highlights the role of context in shaping the interpretation of speech acts, as well as the ways in which power dynamics and social hierarchies influence character interactions. By examining the intricacies of language use in Honeymoonish, this research underscores the importance of pragmatics in understanding the subtleties of human communication. These findings are expected to contribute to the study of pragmatics and film analysis, as well as enrich the understanding of social dynamics in the context of contemporary cinema.

Shakhṣiyyat al-Baṭal ar-Raʾīsī fī Riwāyat “al-Jāḥid” lil Ḥasan al-Bukhārī: Dirāsah Nafsiyyah Insāniyyah lil Abrāhām Māzlū: The Personality of the Main Character in the Novel "Al-Jahid" by Hasan Al-Bukhari: A Humanistic Psychological Study of Abraham Maslow." Anggraini, Reza; Rohanda, Rohanda; Mawardi
An-Nahdah Al-'Arabiyah Vol. 5 No. 1 (2025)
Publisher : An-Nahdah Al-'Arabiyah is published by Department of Arabic Language and Literature in cooperation with The Center for Research and Community Service (LP2M)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22373/nahdah.v5i1.6137

This research aims to analyze the personality of the main character Hadi in the novel Al-Jahid by Al-Hasan Al-Bukhari using Abraham Maslow's theory. The novel Al-Jahid was chosen as the object of study because it depicts the journey of human life which is full of challenges, conflicts and struggles to meet life's needs. This is in accordance with Abraham Maslow's theory which discusses the hierarchy of human needs, starting from physiological needs to self-actualization. This research uses a descriptive method of content analysis, with data collection through library study techniques. The results of the analysis show that Hadi fulfills various levels of needs in Maslow's hierarchy, starting from basic needs such as security, to social needs in the form of affection and acceptance. At a higher level, Hadi's character stands out in the aspects of self-esteem and self-actualization, which are reflected in his intelligence, wisdom and responsibility towards life. This research provides insight into how Maslow's hierarchy of needs structure can be applied to understanding characters in literary works. يهدف هذا البحث إلى تحليل شخصية البطل هادي في رواية "الجاحد" للحسن البخاري باستخدام نظرية أبراهام ماسلو. تم اختيار رواية "الجاحد" كموضوع للدراسة لأنها تصور رحلة الحياة البشرية المليئة بالتحديات والصراعات والكفاح من أجل تلبية احتياجات الحياة. وهذا يتوافق مع نظرية أبراهام ماسلو التي تناقش تسلسل الاحتياجات البشرية، بدءًا من الاحتياجات الفسيولوجية وصولًا إلى تحقيق الذات. يستخدم هذا البحث منهجًا وصفيًا لتحليل المحتوى، مع جمع البيانات من خلال دراسة المصادر المكتبية. وتظهر نتائج التحليل أن هادي يحقق مختلف مستويات الاحتياجات في تسلسل ماسلو، بدءًا من الاحتياجات الأساسية مثل الأمان، ثم الاحتياجات الاجتماعية مثل المودة والقبول. وعلى مستوى أعلى، تبرز شخصية هادي في جوانب تقدير الذات وتحقيق الذات، والتي تنعكس في ذكائه وحكمته ومسؤوليته تجاه الحياة. يوفر هذا البحث رؤية حول كيفية تطبيق تسلسل احتياجات ماسلو لفهم الشخصيات في الأعمال الأدبية. Penelitian ini bertujuan untuk menganalisis kepribadian tokoh utama Hadi dalam novel Al-Jahid karya Al-Hasan Al-Bukhari dengan menggunakan teori Abraham Maslow. Novel Al-Jahid dipilih sebagai objek kajian karena menggambarkan perjalanan hidup manusia yang penuh dengan tantangan, konflik, dan perjuangan dalam memenuhi kebutuhan hidup. Hal ini sesuai dengan teori Abraham Maslow yang membahas hierarki kebutuhan manusia, mulai dari kebutuhan fisiologis hingga aktualisasi diri. Penelitian ini menggunakan metode deskriptif dengan analisis isi, serta pengumpulan data melalui studi pustaka. Hasil analisis menunjukkan bahwa Hadi memenuhi berbagai tingkat kebutuhan dalam hierarki Maslow, mulai dari kebutuhan dasar seperti keamanan, hingga kebutuhan sosial dalam bentuk kasih sayang dan penerimaan. Pada tingkat yang lebih tinggi, karakter Hadi menonjol dalam aspek penghargaan diri dan aktualisasi diri, yang tercermin dalam kecerdasan, kebijaksanaan, dan tanggung jawabnya terhadap kehidupan. Penelitian ini memberikan wawasan tentang bagaimana struktur hierarki kebutuhan Maslow dapat diterapkan dalam memahami karakter dalam karya sastra.

Perbandingan Latar dalam Novel Perempuan di Titik Nol dan Novel The Baghdad Clock (Kajian Sastra Bandingan) Fariztina, Alissa; Ainusyamsi, Fadlil Yani; Rohanda, Rohanda
JURNALISTRENDI : JURNAL LINGUISTIK, SASTRA, DAN PENDIDIKAN Vol 10 No 1 (2025)
Publisher : Universitas Nahdlatul Wathan Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51673/jurnalistrendi.v10i1.2408

Latar dalam karya sastra memiliki peran penting dalam membangun suasana, menghidupkan tokoh, serta merefleksikan kondisi sosial dan budaya yang melatarbelakangi cerita. Dalam penelitian ini, dalam novel Perempuan di Titik Nol karya Nawal El-Saadawi dan The Baghdad Clock karya Shahad Al-Rawi merupakan karya yang mengangkat konteks sosial dan sejarah yang berbeda, namun sama-sama kuat dalam menghadirkan latarnya. Penelitian ini kemudian bertujuan untuk membandingkan latar dalam kedua novel tersebut dengan pendekatan sastra bandingan yang berfokus pada latar tempat, latar waktu, dan latar sosial. Pada penelitian ini digunakan pendekatan analitis deskriptif dengan metode kualitatif menguraikan hasil analisis yang diperoleh dari kutipan data berupa narasi maupun dialog. Hasil penelitian menunjukkan bahwa kedua novel menggunakan latar untuk memperkuat tema perjuangan perempuan di tengah penindasan struktural dan sosial, meskipun dalam konteks yang berbeda. Latar dalam Perempuan di Titik Nol menggambarkan kekerasan sistemik terhadap perempuan dalam struktur patriarki Mesir, sementara latar dalam The Baghdad Clock merefleksikan trauma kolektif akibat perang di Irak. Studi ini memberikan wawasan baru tentang bagaimana latar dapat menjadi elemen penting yang membentuk tema dan narasi dalam karya sastra dari berbagai budaya.

PENERJEMAHAN SETIA DALAM NADHOM SYU’UBUL IMAN KARYA MUHAMMAD TSAQIEF (KAJIAN PENERJEMAHAN SETIA) Robiaah Al Adawiyyah, Annisa Siti; Rohanda
Fashohah : Jurnal Ilmiah Pendidikan Bahasa Arab Vol 5 No 1 (2025)
Publisher : Prodi Pendidikan Bahasa Arab Fakultas Agama Islam

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33474/fsh.v5i1.23296

ABSTRAK Penerjemahan pada teks-teks keagamaan sangat dibutuhkan untuk mempermudah memahami isi dari teks tersebut, salah satunya pada nadhom Syu’ubul Iman. Nadhom Syu’ubul Iman merupakan nadhom yang berisi tentang 77 cabang-cabang iman dan Nadhom ini merupakan nadhom karya Syekh Zainuddin bin Ali bin Ahmad Syafi’I al-Kusyaini al-Malibari. Tujuan dari penelitian untuk mengetahui bagaimana pengaplikasian prinsip metode penerjemahan setia dalam teks terjemahan nadhom tersebut serta keakurasian makna hasil terjemahan dengan teks bahasa sasarannya. Metode deskriptif kualitatif digunakan dalam penelitian ini dengan pendekatan penerjemahan setia. Adapun data yang didapatkan bersumber dari hasil penerjemahan nadhom Syu’ubul Iman karya Muhammad Tsaqief. Dari penelitian ini didapatkan bahwa penerjemah mempertimbangkan tiga hal dalam mempertahankan makna dan juga menjaga keakurasian hasil penerjemahan tersebut. Adapun tiga hal tersebut yaitu arti dan makna dari bahasa sumber ke bahasa sasaran, struktur kalimat dan kaidah kebahasaan. Dan dapat disimpulkan bahwa hasil penerjemahan nadhom Syu’ubul Iman karya Muhammad Tsaqief memiliki kesetiaan dan keakurasian makna dengan teks bahasa sumbernya.

Fungsi Jiwa Dan Arketipe Dalam Film From The Ashes Karya Khalid Fahad: Psikologi Sastra Carl Gustav Jung Nuri Rai Patimah; Rohanda, Rohanda; Nurhasan, Muhammad
Nady Al-Adab : Jurnal Bahasa Arab Vol. 22 No. 1 (2025): Nady al-Adab
Publisher : Hasanuddin University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20956/jna.v22i1.42852

Penelitian ini bertujuan untuk mendeskripsikan kepribadian para tokoh dalam film From the Ashes karya Khalid Fahad berdasarkan aspek fungsi jiwa, yang meliputi pikiran (thingking), perasaan (feeling), pendriaan (sensation), dan intuisi (intuition), serta aspek arketipe, yang meliputi Topeng (persona), bayangan (shadow), anima, dan animus. Penelitian ini menggunakan metode deskriptif dengan jenis data kualitatif berupa penggalan dialog. Sumber data penelitian ini adalah film From the Ashes karya Khalid Fahad yang dirilis pada Januari 2024 dengan pendekatan psikologi sastra Carl Gustav Jung. Teknik pengumpulan data menggunakan teknik dokumentasi berbasis strategi simak dan catat. Hasil penelitian menunjukkan 3 data terkait (pikiran) yang bertindak berdasarkan logika, 5 data terkait (perasaan) yamg merespons situasi dengan emosi, 2 data terkait (pendriaan) yang berpegang pada fakta konkret, 1 data terkait (intuisi) yang bertindak berdasarkan kemungkinan, 2 data pada (persona) yang menyesuaikan dengan ekspektasi sosial, 2 data terkait (shadow) yang menggambarkan sisi gelap yang tersembunyi, 1 data (anima) menunjukkan unsur feminin dalam diri pria, dan 1 data (animus) menunjukkan unsur maskulin dalam diri wanita. Kata Kunci: Arketipe, Carl Gustav Jung, Fungsi Jiwa, From the Ashes.

Co-Authors Abdul Jabbar Mukhtar Abdul Kodir Abdul Kodir Abdul Kodir Abdul Kodir Abdurahman, Rizki Acep Hermawan, Acep Ade Sopiah adhia nugraha Adriadi, Irfan Adya Wijaya, Naufal Aeni Lukviati Urbah Afrina Achmad Agni Nidaulhasanah Agnia, Ariel Husni Ahmad Arif Septian Ahmad Qonit Ad. Ahmad Suhaili Ahmad Yunani Aida Zakiyah Munawaroh Aizza, Yulia Zulpathul Akmaliyah Akmaliyah Akmaliyah Akmaliyah Al Maliki, Sayid Muhamad Al-Rafi’i, Mushthafa Shadiq Aladdin, Ashinida Alandira, Palendika Alawi, Zamzam Mugni Alawiyah, Siti Hilmiatul Alfina Hartono Putri Allisya Rizky Islami Alwi Salam Alwi, Zulfami Aminuloh, Diki Anggraini, Reza Anna Miftahul Khasanah Anneu Rosyanti Suryana Aqila Fikriya Hamidah Arianty, Monika Wulan Aripin, Amalul Aryanto, Redi Asep Saefullah Asep Supianudin Atha, Yusuf Ali Shaleh Atoasi, Syahbudin Audryane Anindita Fadilla Azahirah Mufidah Azmi, M Ulul Azzahra, Rachma Aini Bintang Helmi Putra budi, Firmansah Setia Budi Budiharjo, Imam Ghozali Cahya Mahesa, Dzikri Cahyadi, Indrawan Choirunisa, Wanda Dadan Mardani Dayudin, Dayudin Dede Burhanudin, Dede Dede Sasa Nurjaman Deden Hidayat Dedi Supriadi Dendi Yuda S Dendi Yuda S. Dian Nurrachman Dian Nurrachman Dian Nurrachman, Dian Dika, Palen Dikriyah Dini Fathiya Nur Shiyam Dira, Palen Dika Dwiki Kusuma Dyo Rusna Dzifriya Qatrun Nada Dzikri Ahmad Fauzi Fadhli Hafizh Fadilla, Audryane Anindita Fadlil Yani Ainusyamsi Fajri, M Nurul Fariztina, Alissa Fauziah, Resa Nurrahmah Febriana, Putri Salma Firdaus, Rifqi Muhammad Gia Ramadhan Habibah Haekal Maulana Zaki Halim, M Abdul Halim, M. Abdul Halim, Muhammad Abdul Hamidah, Aqila Fikriya Hanifah Annisa Salsabila Hannawi, Izzat Fathin Haq, Iman Amirul Hartono, Alfina Hasbi Assiddiqi Hasna Afifah Yustiana Yunasa Hazim, Hana Heriady, Rifqi Zahran Azizi Hezam, Motea Naji Dabwan Hidayat, Deden Hikmah Maulani Hilmi, Irpan Hopi Silviani Ihin Solihin Ilva Nurlatifah Imam Ghozali Budiharjo Imas Fatimah Setiawati Irdan Hildansyah Irfan Addriadi Irfan Adriadi Isma Fauziah Isma Fauziah Ispa Ahwatul Muslimah Istiana Khotibatunnisa Julaeha, Puput Ratna Karima, Marista Aulia Khoirunisa, Retno Nindya Khomisah Khomisah Khomisah Khomisah Kodir, Abdul - Komaruddin Komarudin Lathifah, Haifa Latifah, Vina Lilian Andriana M Abdul Halim M. Fauzan Afsar Mahmud Mahmud Maila Nurul Izzati Maman Abdul Djaliel Mardi, Isra Marista Aulia Karima Masmedia Pinem Maura, Indah Natisha Mawardi Mawardi Mawardi Mawardi Meisyaroh, Fitria Monika Wulan Arianty Mu'izzuddin, Moch Muchammad Naufal Fauqi Adhiya Muhamad Faiz Al Fauzi Muhamad Robi Muhammad Abdul Halim Muhammad Abdul Halim Muhammad Abdul Halim Muhammad Aceng Tata Muhammad Darda Diyaulhaq Muhammad Haritsah Rais Muhammad Nurhasan Muhammad Syafiq Ziyad MULYADI Mutmainah Juniawati Nafilatul Azza, Nawal Najwa Rifaron Naufal Ahmad Al Irsyad Nining Maida Nisa, Shofie Yanti Khoerun Novianti, Wulan Suci Nur Amalia Muthmainah Nurahman Majid Nuraida, Rezky Latifah Nurfadilah Nurfadilah Nurhalida, Nunung Nurhasan, Muhamad Nurhasan, Muhammad Nurhasanah, Aviah Nuri Rai Patimah Nurjaman, Andri Nurlatifah, Ilva Nurlinah Nurlinah Nurlinah Nurlinah, Nurlinah Nuryadi, Bagja Ghali Nuryana, Muhamad Rian Nushrotun Nida Ovi Siti Nuropikoh Palendika Alandira Pauji, Resa Restu Permana, Insan Priyawan, Pepen Putri Aulia Tauziah Putri Budikurnia Istiqomah Qimanullah, Abdul Malik R. Edi Komarudin R. Edi Komarudin R. Edi `Komarudin Raden Mohamad Herdian Bhakti Rahmah, Sofia Laila Ramadhan, Gia Ramdhani, Diyan Rifky Ratu Anti Salimah Rendi Muhammad Fauzi Resa Nurrahmah Fauziah Resa Restu Pauji Resa Restu Pauji Ridho Hidayat Ridho Hidayat Ridho Hidayat Rifa Mazin Aqillah Rifqi Muhammad Firdaus Rika Rahmawati Rika Rahmawati Robiaah Al Adawiyyah, Annisa Siti Rohanda Rohanda, Rohanda Rohmani, Hadad Ropik Irpani Rosalita, Rosalita Rudini Ruhendi, Ateng Ruly Syaeful Azhar Rusna, Dyo Sabarudin, Ikbal Sabrina, Coriena Halwa Saepuloh, Amanda Siva Safitri, Shofika Naila Saidah, Siti Saidatul Fitriah Lailatul Badriah Saladin, Cundarojat Sidiq Salma febriana, Putri Salma, Inas Salsabila, Nisrina Zahrani Salsabillah, Ade Inas Santika, R. Gilang Sarah Khairunnisa Arifin Selva Allaya Navika Septian, Ahmad Arif Setiawan, Shafira Nandya Setiawati, Imas Fatimah Shafirayanti, Marwa Shofwatul Maulidah Ridwan Sidiq, Apip Ansurullah Siti Latifah Siti Muslikah Sofia Laila Rahmah Suci Novianti, Wulan Sukmawati, Wati Solihat Sulthan Zainul Amin Supardi, Adi Suparna, Ahmad Supianudin, Asep Sutisna, Dede Syafei, Isop Syahbudin Syahril Jamil Syahril Jamil, Syahril Syairazi, Yasril Ahmad Syarah Salsabila Syasi, Mohamad Talia Salma Najihah Tamam, Asep M. Taufiq, Wildan Thaifur Rayya Difadrana Tri Cahyanto Tri Cahyanto Usep Abdul Matin, Usep Abdul Wanda Choirunisa Wanda Choirunisa Wildan Rinanda Komara Wulan Suci Novianti Yadi Mardiansyah Yadi Mardiyansyah Yasmin, Alia Yayan Rahtikawati Yosep Fatahudin Yulianti Yuliarti Mutiarsih Yunita, Novi Yusanti, Noviana Yuyun Rohmatul Uyuni Zamzam Mugni Alawi Zayyin Helmi Holil Zulfahmi Alwi

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