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All Journal Buletin Al-Turas Prosodi: Jurnal Ilmu Bahasa dan Sastra Jurnal Ilmiah Bahasa dan Sastra ARABIYAT Shaut Al-'Arabiyah Jurnal Adabiyah ANIDA : Aktualisasi Nuansa Ilmu Dakwah Equilibrium: Jurnal Pendidikan Kanz Philosophia: A Journal for Islamic Philosophy and Mysticism Ilmu Dakwah: Academic Journal for Homiletic Studies Syifa al-Qulub : Jurnal Studi Psikoterapi Sufistik Nady al-Adab Lingua Franca: Jurnal Bahasa, Sastra, dan Pengajarannya Language Literacy: Journal of Linguistics, Literature, and Language Teaching Arabiyatuna : Jurnal Bahasa Arab JURNAL YAQZHAN: Analisis Filsafat, Agama dan Kemanusiaan Jurnal Kajian Bahasa, Sastra dan Pengajaran (KIBASP) PENTAS : Pendidikan Bahasa dan Sastra Indonesia ELS Journal on Interdisciplinary Studies in Humanities JURNAL INSTEK (Informatika Sains dan Teknologi) Esteem Journal of English Study Programme Al Mi’yar: Jurnal Ilmiah Pembelajaran Bahasa Arab dan Kebahasaaraban Al-Tsaqafa: Jurnal Ilmiah Peradaban Islam Studi Arab JURNAL Al-AZHAR INDONESIA SERI HUMANIORA PHILOSOPHICA Jurnal Bahasa, Sastra, dan Budaya Pena Literasi IJAS: Indonesian Journal of Arabic Studies SULUK: Jurnal Bahasa, Sastra, dan Budaya LINGUA : Jurnal Bahasa, Sastra, dan Pengajarannya Hanifiya: Jurnal Studi Agama-Agama INDONESIA: Jurnal Pembelajaran Bahasa dan Sastra Indonesia Jubindo: Jurnal Ilmu Pendidikan Bahasa dan Sastra Indonesia Al-Fathin: Jurnal Bahasa dan Sastra Arab Ta'lim al-'Arabiyyah: Jurnal Pendidikan Bahasa Arab dan Kebahasaaraban 'A Jamiy: Jurnal Bahasa dan Sastra Arab Paradigm: Journal of Language and Literary Studies Jurnal Studi Agama Hijai - Journal on Arabic Language and Literature Alibbaa': Jurnal Pendidikan Bahasa Arab Ksatra: Jurnal Kajian Bahasa dan Sastra Didaktika: Jurnal Kependidikan Kalamuna Journal of Arabic Literature (Jali) BASA Journal of Language & Literature Al Intisyar: Jurnal Pendidikan Bahasa Arab JILSA (Jurnal Ilmu Linguistik dan Sastra Arab) Kutubkhanah Jurnal Penelitian Sosial Keagamaan An-Nahdah Al-\'Arabiyah Arus Jurnal Sosial dan Humaniora Kode : Jurnal Bahasa COMSERVA: Jurnal Penelitian dan Pengabdian Masyarakat DEIKTIS: Jurnal Pendidikan Bahasa dan Sastra Jurnal Ilmu Komunikasi AKSARA: Jurnal Bahasa dan Sastra Fashohah : Jurnal Ilmiah Pendidikan Bahasa Arab Journal of Comprehensive Science Jurnal Bastra (Bahasa dan Sastra) Jurnal Lektur Keagamaan El-Hadhanah: Indonesian Journal Of Family Law And Islamic Law Gunung Djati Conference Series Eduvest - Journal of Universal Studies Innovative: Journal Of Social Science Research JBSI: Jurnal Bahasa dan Sastra Indonesia Afshaha: Jurnal Bahasa dan Sastra Arab Tadris al-'Arabiyyah: Jurnal Pendidikan Bahasa Arab dan Kebahasaaraban Riwayat: Educational Journal of History and Humanities Jurnal Pembelajaran Bahasa dan Sastra Jurnalistrendi: Jurnal Linguistik, Sastra dan Pendidikan Seloka: Jurnal Pendidikan Bahasa dan Sastra Indonesia Jurnal Pendidikan dan Kebudayaan Al-Mabsut: Jurnal Studi Islam dan Sosial Jurnal Studi Islam dan Sosial Journal of Curriculum and Pedagogic Studies Lughawiyyat: Jurnal Pendidikan Bahasa dan Sastra Arab Al-Irfan: Journal Of Arabic Literature and Islamic Studies Lughaat: Journal of Arabic Linguistics Jurnal Penelitian dan Evaluasi Pendidikan Manthiq : Jurnal Filsafat Agama dan Pemikiran Islam
Rohanda Rohanda
UIN Sunan Gunung Djati
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Representasi Perundungan dalam Film From The Ashes Karya Khalid Fahad (Kajian Semiotika Ferdinand De Saussure) Nafilatul Azza, Nawal; Rohanda, Rohanda
Journal of Comprehensive Science Vol. 4 No. 1 (2025): Journal of Comprehensive Science (JCS)
Publisher : Green Publisher Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59188/jcs.v4i1.2961

Abstract

This study discusses the representation of bullying in the film From The Ashes by Khalid Fahad through Ferdinand de Saussure's semiotic approach. The focus of this study is how signs in the film, whether through visuals, dialogues, or other symbols, represent bullying and its impact on victims. Qualitative research methods are used to analyze the signs in the film, which consist of two main components: the signifier and the signified. The results of the analysis show that the film uses strong symbolism to depict the dynamics of bullying, including power relations, the powerlessness of victims, and the journey towards recovery. Visual elements such as color, lighting, and facial expressions function as signifiers that strengthen the emotional narrative, while dialogue and storyline form signifiers that convey meaning about bullying. This study contributes to a deeper understanding of how film media can be a reflective medium for social issues such as bullying, while also offering a new perspective in semiotic studies.
Interseksionalitas Dalam Film Asmaa: Analisis Gender, Stigma, dan Kelas Masyarakat Patriarkal Mesir Yunita, Novi; Rohanda, Rohanda; Nurhasan, Muhamad
Aksara: Jurnal Bahasa dan Sastra Vol 26, No 1 (2025): Aksara: Jurnal Bahasa dan Sastra (in procces)
Publisher : Universitas Lampung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23960/aksara/v26i1.pp134-145

Abstract

This study aims to examine the form of intersectionality experienced by female characters in the film 'Asmaa' by Amr M Salama. Therefore, the theory used to analyze data based on the problems found is the theory of intersectionality from the perspective of Kimberle Crenshaw. The method used in this research is descriptive qualitative method. The type of data used by researchers in this study is qualitative data in the form of screenshots of scenes from the film Asmaa and then analyzed verbally. Based on this analysis, the results of this study show that Asmaa, as the main character in the film, experiences three forms of intersectionality oppression, namely gender, health stigma, and social class in Egyptian patriarchal society.Keywords: intersectionality, patriarchy, HIV, film
ALIH KODE DAN CAMPUR KODE DALAM FILM ARAB HONEYMOONISH KARYA ELIE EL SEMAAN Marista Aulia Karima; Rohanda Rohanda; Irfan Adriadi
Lingua Franca:Jurnal Bahasa, Sastra, dan Pengajarannya Vol 9 No 1 (2025): Februari
Publisher : Universitas Muhammadiyah Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30651/lf.v9i1.25212

Abstract

This research aims to describe code-switching and code-mixing in the Arabic movie Honeymoonish by Elie El Semaan by using a qualitative approach and applying analytical descriptive method. The formal object of this research is code switching and code mixing, while the material object is the Arabic movie Honeymoonish. The results and discussion in this study show that all code-switching and code-mixing in this movie belong to the external type because of the switching and insertion of English into the original language, namely Arabic. The form of code mixing found is the form of words and phrases. Based on the results of the analysis, it can be concluded that overall there are 31 data in the form of code switching and external code mixing. There are 3 data of external code switching, 15 data of external code mixing at word level, and 7 data of external code mixing at phrase level. Keywords: Arabic Film, Code Mixing, Code Switching, Sociolinguistics
Representasi Fungsi Dan Makna Ujaran Permintaan Dalam Surat Taha : Kajian Balaghah Hidayat, Ridho; Rohanda, Rohanda; Alandira, Palendika; Taufiq, Wildan
LINGUA: Jurnal Bahasa, Sastra, dan Pengajarannya Vol. 21 No. 2 (2024): September
Publisher : Center of Language and Cultural Studies

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30957/lingua.v21i2.1024

Abstract

This research aims to explore the functions and meanings of kalam insya’ thalabi found in the verses of Surah Taha. The focus of the discussion is on identifying the functions, types, and meanings of insya’ thalabi, such as commands (amr), prohibitions (nahi), and questions (istifham). This study employs a qualitative research approach, utilizing a qualitative descriptive analysis method with a linguistic analysis framework. The primary source of data consists of verses from Surah Taha in the Qur'an containing insya’ thalabi. Data collection techniques include library research and textual analysis of Qur'anic verses. The data is analyzed through a balaghah lens to uncover the functions and meanings inherent in each form of kalam insya’ thalabi within Surah Taha.
Speech Acts in the Social Context of the Film "Honeymoonish" by Elie El Semaan: A Pragmatic Review According to John Austin Yusanti, Noviana; Komarudin, R. Edi; Rohanda, Rohanda
ELS Journal on Interdisciplinary Studies in Humanities Vol. 8 No. 1 (2025): MARCH
Publisher : Hasanuddin University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34050/els-jish.v8i1.43372

Abstract

This study aims to analyze speech acts in the social context of the film Honeymoonish by Elie El Semaan using the theoretical framework of pragmatics according to John Austin. Speech acts are categorized into three types: locution, illocution, and perlocution. Through a qualitative approach, this research identifies how dialogues in the film reflect social interactions among characters and the meanings contained within them. Data is obtained through the analysis of key scenes that highlight verbal and non-verbal communication. The results of the study show that speech acts in this film not only function as communication tools but also as a medium to express emotions, conflicts, and relevant social values. Additionally, the study highlights the role of context in shaping the interpretation of speech acts, as well as the ways in which power dynamics and social hierarchies influence character interactions. By examining the intricacies of language use in Honeymoonish, this research underscores the importance of pragmatics in understanding the subtleties of human communication. These findings are expected to contribute to the study of pragmatics and film analysis, as well as enrich the understanding of social dynamics in the context of contemporary cinema.
Shakhṣiyyat al-Baṭal ar-Raʾīsī fī Riwāyat “al-Jāḥid” lil Ḥasan al-Bukhārī: Dirāsah Nafsiyyah Insāniyyah lil Abrāhām Māzlū: The Personality of the Main Character in the Novel "Al-Jahid" by Hasan Al-Bukhari: A Humanistic Psychological Study of Abraham Maslow." Anggraini, Reza; Rohanda, Rohanda; Mawardi
An-Nahdah Al-'Arabiyah Vol. 5 No. 1 (2025)
Publisher : An-Nahdah Al-'Arabiyah is published by Department of Arabic Language and Literature in cooperation with The Center for Research and Community Service (LP2M)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22373/nahdah.v5i1.6137

Abstract

This research aims to analyze the personality of the main character Hadi in the novel Al-Jahid by Al-Hasan Al-Bukhari using Abraham Maslow's theory. The novel Al-Jahid was chosen as the object of study because it depicts the journey of human life which is full of challenges, conflicts and struggles to meet life's needs. This is in accordance with Abraham Maslow's theory which discusses the hierarchy of human needs, starting from physiological needs to self-actualization. This research uses a descriptive method of content analysis, with data collection through library study techniques. The results of the analysis show that Hadi fulfills various levels of needs in Maslow's hierarchy, starting from basic needs such as security, to social needs in the form of affection and acceptance. At a higher level, Hadi's character stands out in the aspects of self-esteem and self-actualization, which are reflected in his intelligence, wisdom and responsibility towards life. This research provides insight into how Maslow's hierarchy of needs structure can be applied to understanding characters in literary works.  يهدف هذا البحث إلى تحليل شخصية البطل هادي في رواية "الجاحد" للحسن البخاري باستخدام نظرية أبراهام ماسلو. تم اختيار رواية "الجاحد" كموضوع للدراسة لأنها تصور رحلة الحياة البشرية المليئة بالتحديات والصراعات والكفاح من أجل تلبية احتياجات الحياة. وهذا يتوافق مع نظرية أبراهام ماسلو التي تناقش تسلسل الاحتياجات البشرية، بدءًا من الاحتياجات الفسيولوجية وصولًا إلى تحقيق الذات. يستخدم هذا البحث منهجًا وصفيًا لتحليل المحتوى، مع جمع البيانات من خلال دراسة المصادر المكتبية. وتظهر نتائج التحليل أن هادي يحقق مختلف مستويات الاحتياجات في تسلسل ماسلو، بدءًا من الاحتياجات الأساسية مثل الأمان، ثم الاحتياجات الاجتماعية مثل المودة والقبول. وعلى مستوى أعلى، تبرز شخصية هادي في جوانب تقدير الذات وتحقيق الذات، والتي تنعكس في ذكائه وحكمته ومسؤوليته تجاه الحياة. يوفر هذا البحث رؤية حول كيفية تطبيق تسلسل احتياجات ماسلو لفهم الشخصيات في الأعمال الأدبية. Penelitian ini bertujuan untuk menganalisis kepribadian tokoh utama Hadi dalam novel Al-Jahid karya Al-Hasan Al-Bukhari dengan menggunakan teori Abraham Maslow. Novel Al-Jahid dipilih sebagai objek kajian karena menggambarkan perjalanan hidup manusia yang penuh dengan tantangan, konflik, dan perjuangan dalam memenuhi kebutuhan hidup. Hal ini sesuai dengan teori Abraham Maslow yang membahas hierarki kebutuhan manusia, mulai dari kebutuhan fisiologis hingga aktualisasi diri. Penelitian ini menggunakan metode deskriptif dengan analisis isi, serta pengumpulan data melalui studi pustaka. Hasil analisis menunjukkan bahwa Hadi memenuhi berbagai tingkat kebutuhan dalam hierarki Maslow, mulai dari kebutuhan dasar seperti keamanan, hingga kebutuhan sosial dalam bentuk kasih sayang dan penerimaan. Pada tingkat yang lebih tinggi, karakter Hadi menonjol dalam aspek penghargaan diri dan aktualisasi diri, yang tercermin dalam kecerdasan, kebijaksanaan, dan tanggung jawabnya terhadap kehidupan. Penelitian ini memberikan wawasan tentang bagaimana struktur hierarki kebutuhan Maslow dapat diterapkan dalam memahami karakter dalam karya sastra.
Perbandingan Latar dalam Novel Perempuan di Titik Nol dan Novel The Baghdad Clock (Kajian Sastra Bandingan) Fariztina, Alissa; Ainusyamsi, Fadlil Yani; Rohanda, Rohanda
JURNALISTRENDI : JURNAL LINGUISTIK, SASTRA, DAN PENDIDIKAN Vol 10 No 1 (2025): Edisi April 2025
Publisher : Universitas Nahdlatul Wathan Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51673/jurnalistrendi.v10i1.2408

Abstract

Latar dalam karya sastra memiliki peran penting dalam membangun suasana, menghidupkan tokoh, serta merefleksikan kondisi sosial dan budaya yang melatarbelakangi cerita. Dalam penelitian ini, dalam novel Perempuan di Titik Nol karya Nawal El-Saadawi dan The Baghdad Clock karya Shahad Al-Rawi merupakan karya yang mengangkat konteks sosial dan sejarah yang berbeda, namun sama-sama kuat dalam menghadirkan latarnya. Penelitian ini kemudian bertujuan untuk membandingkan latar dalam kedua novel tersebut dengan pendekatan sastra bandingan yang berfokus pada latar tempat, latar waktu, dan latar sosial. Pada penelitian ini digunakan pendekatan analitis deskriptif dengan metode kualitatif menguraikan hasil analisis yang diperoleh dari kutipan data berupa narasi maupun dialog. Hasil penelitian menunjukkan bahwa kedua novel menggunakan latar untuk memperkuat tema perjuangan perempuan di tengah penindasan struktural dan sosial, meskipun dalam konteks yang berbeda. Latar dalam Perempuan di Titik Nol menggambarkan kekerasan sistemik terhadap perempuan dalam struktur patriarki Mesir, sementara latar dalam The Baghdad Clock merefleksikan trauma kolektif akibat perang di Irak. Studi ini memberikan wawasan baru tentang bagaimana latar dapat menjadi elemen penting yang membentuk tema dan narasi dalam karya sastra dari berbagai budaya.
PENERJEMAHAN SETIA DALAM NADHOM SYU’UBUL IMAN KARYA MUHAMMAD TSAQIEF (KAJIAN PENERJEMAHAN SETIA) Robiaah Al Adawiyyah, Annisa Siti; Rohanda
Fashohah : Jurnal Ilmiah Pendidikan Bahasa Arab Vol 5 No 1 (2025)
Publisher : Prodi Pendidikan Bahasa Arab Fakultas Agama Islam

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33474/fsh.v5i1.23296

Abstract

ABSTRAK Penerjemahan pada teks-teks keagamaan sangat dibutuhkan untuk mempermudah memahami isi dari teks tersebut, salah satunya pada nadhom Syu’ubul Iman. Nadhom Syu’ubul Iman merupakan nadhom yang berisi tentang 77 cabang-cabang iman dan Nadhom ini merupakan nadhom karya Syekh Zainuddin bin Ali bin Ahmad Syafi’I al-Kusyaini al-Malibari. Tujuan dari penelitian untuk mengetahui bagaimana pengaplikasian prinsip metode penerjemahan setia dalam teks terjemahan nadhom tersebut serta keakurasian makna hasil terjemahan dengan teks bahasa sasarannya. Metode deskriptif kualitatif digunakan dalam penelitian ini dengan pendekatan penerjemahan setia. Adapun data yang didapatkan bersumber dari hasil penerjemahan nadhom Syu’ubul Iman karya Muhammad Tsaqief. Dari penelitian ini didapatkan bahwa penerjemah mempertimbangkan tiga hal dalam mempertahankan makna dan juga menjaga keakurasian hasil penerjemahan tersebut. Adapun tiga hal tersebut yaitu arti dan makna dari bahasa sumber ke bahasa sasaran, struktur kalimat dan kaidah kebahasaan. Dan dapat disimpulkan bahwa hasil penerjemahan nadhom Syu’ubul Iman karya Muhammad Tsaqief memiliki kesetiaan dan keakurasian makna dengan teks bahasa sumbernya.
Fungsi Jiwa Dan Arketipe Dalam Film From The Ashes Karya Khalid Fahad: Psikologi Sastra Carl Gustav Jung Nuri Rai Patimah; Rohanda, Rohanda; Nurhasan, Muhammad
Nady Al-Adab : Jurnal Bahasa Arab Vol. 22 No. 1 (2025): Nady al-Adab
Publisher : Hasanuddin University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20956/jna.v22i1.42852

Abstract

Penelitian ini bertujuan untuk mendeskripsikan kepribadian para tokoh dalam film From the Ashes karya Khalid Fahad berdasarkan aspek fungsi jiwa, yang meliputi pikiran (thingking), perasaan (feeling), pendriaan (sensation), dan intuisi (intuition), serta aspek arketipe, yang meliputi Topeng (persona), bayangan (shadow), anima, dan animus. Penelitian ini menggunakan metode deskriptif dengan jenis data kualitatif berupa penggalan dialog. Sumber data penelitian ini adalah film From the Ashes karya Khalid Fahad yang dirilis pada Januari 2024 dengan pendekatan psikologi sastra Carl Gustav Jung. Teknik pengumpulan data menggunakan teknik dokumentasi berbasis strategi simak dan catat. Hasil penelitian menunjukkan 3 data terkait (pikiran) yang bertindak berdasarkan logika, 5 data terkait (perasaan) yamg merespons situasi dengan emosi, 2 data terkait (pendriaan) yang berpegang pada fakta konkret, 1 data terkait (intuisi) yang bertindak berdasarkan kemungkinan, 2 data pada (persona) yang menyesuaikan dengan ekspektasi sosial, 2 data terkait (shadow) yang menggambarkan sisi gelap yang tersembunyi, 1 data (anima) menunjukkan unsur feminin dalam diri pria, dan 1 data (animus) menunjukkan unsur maskulin dalam diri wanita. Kata Kunci: Arketipe, Carl Gustav Jung, Fungsi Jiwa, From the Ashes.
Alih Kode dan Campur Kode dalam Pembelajaran Ushul Fiqh di Kulliyatul Mu’allimin Al-Islamiyah Pondok Pesantren Ibadurrohman Baleendah (Kajian Sosiolinguistik) Sabrina, Coriena Halwa; Akmaliyah, Akmaliyah; Rohanda, Rohanda
Prosodi Jurnal Ilmu Bahasa dan Sastra Vol 19, No 1: (2025): prosodi
Publisher : Program Studi Bahasa Inggris Universitas Trunojoyo Madura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21107/prosodi.v19i1.29572

Abstract

The purpose of the study was to determine the types of code switching and code mixing as well as the factors that cause code switching and code mixing in Ushul Fiqh Learning at Kulliyatul Mu'allimin Al-Islamiyah Islamic Boarding School Ibadurrohman Baleendah. This research uses descriptive qualitative method, data collected through listening and recording techniques on data sourced from recordings of the learning process of Ushul Fiqh learning at Kulliyatul Mu'allimin Al-Islamiyah Islamic Booarding School Ibadurrohman Baleendah. Data in the form of conversations between teachers and students in learning Ushul Fiqh at Kulliyatul Mu'allimin Al-Islamiyah Islamic Boarding School Ibadurrohman Baleendah. The results of this study indicate that code switching contained in Ushul Fiqh learning at Kulliyatul Mu'allimin Al-Islamiyah Ibadurrohman Islamic Boarding School Baleendah is external code switching. Code switching is in the form of switching from Arabic to Indonesian or from Indonesian to Arabic. The main cause of code switching is the speaker's desire to explain the material in a way that is easier for students to understand, and so that interlocutors who are familiar with the term can understand. While the code mix contained in Ushul Fiqh learning at Kulliyatul Mu'allimin Al-Islamiyah Ibadurrohman Islamic Boarding School Baleendah is code mixing outer. In the form of Arabic mixed with Indonesian or vice versa Indonesian mixed with Arabic. The factor that causes this code mix is because of the speaker’s habits in daily communication. 
Co-Authors Abdul Kodir Abdul Kodir Abdurahman, Rizki Ade Sopiah Adriadi, Irfan Adya Wijaya, Naufal Aeni Lukviati Urbah Afifah Yustiana Yunasa, Hasna Afrina Achmad Agnia, Ariel Husni Ahmad Suhaili Ahmad Yunani Ahwatul Muslimah, Ispa Aizza, Yulia Zulpathul Akmaliyah Akmaliyah Aladdin, Ashinida Alandira, Palendika Alawi, Zamzam Mugni Alawiyah, Siti Hilmiatul Alfina Hartono Putri Alwi, Zulfami Andriana, Lilian Anggraini, Reza Anna Miftahul Khasanah Arianty, Monika Wulan Aripin, Amalul Aryanto, Redi Asep Saefullah Atha, Yusuf Ali Shaleh Atoasi, Syahbudin Audryane Anindita Fadilla Azahirah Mufidah Azzahra, Rachma Aini budi, Firmansah Setia Budi Budiharjo, Imam Ghozali Cahya Mahesa, Dzikri Cahyadi, Indrawan Choirunisa, Wanda Dadan Mardani Dayudin, Dayudin Dede Burhanudin, Dede Dede Sasa Nurjaman Deden Hidayat Dedi Supriadi Dendi Yuda S Dian Nurrachman Dian Nurrachman Dian Nurrachman, Dian Dika, Palen Dikriyah Dini Fathiya Nur Shiyam Dira, Palen Dika Dzikri Ahmad Fauzi Fadlil Yani Ainusyamsi Faiz Abdul Aziz Al Hakim Fariztina, Alissa Fauzi, Muhamad Faiz Al Fauziah, Resa Nurrahmah Firdaus, Rifqi Muhammad Gia Ramadhan Habibah Halim, M Abdul Halim, M. Abdul Halim, Muhammad Abdul Hamidah, Aqila Fikriya Hanifah Annisa Salsabila Hannawi, Izzat Fathin Haq, Iman Amirul Haritsah Rais, Muhammad Hartono, Alfina Hasbi Assiddiqi Heriady, Rifqi Zahran Azizi Hezam, Motea Naji Dabwan Hidayat, Deden Hikmah Maulani Hilmi, Irpan Hilya Sakinah Najah Hopi Silviani Ihin Solihin Imam Ghozali Budiharjo Imas Fatimah Setiawati Irdan Hildansyah Irfan Addriadi Irfan Adriadi Irpani, Ropik Isma Fauziah Istiana Khotibatunnisa Julaeha, Puput Ratna Juniawati, Mutmainah Karima, Marista Aulia Kodir, Abdul Komaruddin Komarudin Kusuma, Dwiki Lathifah, Haifa Mahmud Mahmud Maida, Nining Maila Nurul Izzati Majid, Nurahman Mardi, Isra Mardiansyah, Yadi Marista Aulia Karima Masmedia Pinem Mawardi Mawardi Mawardi Meisyaroh, Fitria Monika Wulan Arianty Mu'izzuddin, Moch Muhamad Robi Muhammad Abdul Halim Muhammad Firdaus, Rifqi MULYADI Mutmainah Juniawati Nafilatul Azza, Nawal Najwa Rifaron Naufal Fauqi Adhiya, Muchammad Nisa, Shofie Yanti Khoerun Novianti, Wulan Suci Nur Amalia Muthmainah Nurfadilah Nurfadilah Nurhalida, Nunung Nurhasan, Muhamad Nurhasan, Muhammad Nurhasanah, Aviah Nuri Rai Patimah Nurjaman, Andri Nurlatifah, Ilva Nurlinah Nurlinah Nurlinah Nurlinah, Nurlinah Nuryadi, Bagja Ghali Nuryana, Muhamad Rian Ovi Siti Nuropikoh Palendika Alandira Pauji, Resa Restu Permana, Insan Priyawan, Pepen Putri Budikurnia Istiqomah Qimanullah, Abdul Malik Qonit Ad., Ahmad R. Edi Komarudin Raden Mohamad Herdian Bhakti Rahmah, Sofia Laila Ramadhan, Gia Ratu Anti Salimah Rayya Difadrana, Thaifur Resa Nurrahmah Fauziah Resa Restu Pauji Ridho Hidayat Rifa Mazin Aqillah Rika Rahmawati Robiaah Al Adawiyyah, Annisa Siti Rohanda Rohanda, Rohanda Rohmani, Hadad Rosalita, Rosalita Rudini Ruhendi, Ateng Ruly Syaeful Azhar Rusna, Dyo Sabarudin, Ikbal Sabrina, Coriena Halwa Saepuloh, Amanda Siva Safitri, Shofika Naila Saidah, Siti Saidatul Fitriah Lailatul Badriah Saladin, Cundarojat Sidiq Salma Najihah, Talia Salma, Inas Salsabila, Nisrina Zahrani Salsabillah, Ade Inas Santika, R. Gilang Septian, Ahmad Arif Setiawan, Shafira Nandya Setiawati, Imas Fatimah Shafirayanti, Marwa Siti Muslikah Sofia Laila Rahmah Suci Novianti, Wulan Sukmawati, Wati Solihat Suparna, Ahmad Supianudin, Asep Sutisna, Dede Syafei, Isop Syahbudin Syahril Jamil Syahril Jamil, Syahril Syarah Salsabila Taufiq, Wildan Tri Cahyanto Tri Cahyanto Usep Abdul Matin, Usep Abdul Wanda Choirunisa Wildan Rinanda Komara Yadi Mardiyansyah Yasmin, Alia Yayan Rahtikawati Yunita, Novi Yusanti, Noviana Zamzam Mugni Alawi Zulfahmi Alwi