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FENOMENA RASISME TERHADAP ETNIS TIONGHOA PADA MEMOAR NGENEST KARYA ERNEST PRAKASA:STRUKTUALISME GENETIK LUCIEN GOLDMANN Haq, Iman Amirul; Rohanda, Rohanda; Ramadhan, Gia
Pena Literasi : Jurnal Pendidikan Bahasa dan Sastra Indonesia Vol. 8 No. 1 (2025): Pena Literasi
Publisher : Fakultas Ilmu Pendidikan Universitas Muhammadiyah Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24853/pl.8.1.71-83

Abstract

Penelitian ini menganalisis fenomena rasisme terhadap etnis Tionghoa dalam film Ngenest, sebuah memoar karya Ernest Prakasa, dengan menggunakan pendekatan strukturalisme genetik Lucien Goldmann. Tujuannya adalah untuk mengungkap bagaimana pengalaman pribadi penulis merefleksikan diskriminasi rasial dan identitas etnis dalam masyarakat Indonesia. Penelitian ini menggunakan metode kualitatif dengan analisis deskriptif terhadap isi memoar tersebut, didukung oleh tinjauan literatur yang berkaitan dengan rasisme dan teori strukturalisme genetik. Hasil penelitian menunjukkan bahwa Ngenest merepresentasikan rasisme melalui tiga aspek strukturalisme genetik, yaitu fakta manusia, subjek kolektif, dan pandangan dunia. Fakta manusia dibagi menjadi fakta individu, yang menggambarkan pengalaman pribadi Ernest tentang perundungan dan stereotip rasial, dan fakta sosial, yang menggambarkan diskriminasi sistemik terhadap etnis Tionghoa, seperti kebijakan-kebijakan Orde Baru. Subjek kolektif tercermin dari bagaimana pengalaman individu Ernest merepresentasikan perjuangan kolektif etnis Tionghoa dalam menghadapi diskriminasi sosial. Sementara itu, pandangan dunia dalam memoar tersebut mengekspresikan harapan akan kesetaraan dan kritik terhadap Bhinneka Tunggal Ika yang sering kali hanya menjadi slogan tanpa implementasi yang nyata. Penelitian ini hanya membahas tiga aspek dari strukturalisme genetik Goldmann, tanpa mengeksplorasi aspek dialektika pemahaman dan penjelasannya. Kontribusinya terletak pada pengayaan studi sastra tentang rasisme dengan menunjukkan bagaimana pengalaman pribadi dalam sebuah memoar dapat merefleksikan 
ILMU TAJWID PERSPEKTIF FILSAFAT ILMU: KAJIAN ONTOLOGI, EPISTEMOLOGI, DAN AKSIOLOGI Rahmah, Sofia Laila; Rohanda, Rohanda; Kodir, Abdul
Lisyabab : Jurnal Studi Islam dan Sosial Vol 6 No 1 (2025): Lisyabab, Jurnal Studi Islam dan Sosial
Publisher : Lembaga Penelitian dan Pengabdian Masyarakat (LPPM) Sekolah Tinggi Agama Islam Mulia Astuti (STAIMAS) Wonogiri

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58326/jurnallisyabab.v6i1.326

Abstract

Tajwid is a discipline that explores the methods of reciting the Qur'an correctly according to established rules. This study aims to explore the essence of Tajwid through ontological, epistemological, and axiological approaches, as well as analyze its significance in the lives of Muslims, encompassing spiritual, social, and educational aspects. This research employed a qualitative method with a literature study approach, examining various authoritative sources in Tajwid, including classical texts and direct instruction from competent teachers. The findings indicate that Tajwid is not merely a technique for reciting the Qur'an, but also possesses a profound spiritual dimension, serving as a means of drawing closer to Allah SWT. Tajwid is learned through diverse sources, with the implementation of varied learning methods, both face-to-face and through online platforms. Although technology has facilitated access to Tajwid learning, this study reveals that the main challenge faced is a lack of public awareness regarding the urgency of Tajwid in worship. Tajwid has an essential role in the life of a Muslim, both from a spiritual perspective and in preserving the tradition of reciting the Qur'an correctly. Therefore, enhancing the understanding and practice of Tajwid is imperative in order to maintain the authenticity of the meaning of the Qur'an and optimize the quality of worship for Muslims.
Character Education Values of Boarding School in the Short Film Inthiq Rasmiyyatan! Wanda Choirunisa; Rifa Mazin Aqillah; Najwa Rifaron; Rohanda Rohanda
Seloka: Jurnal Pendidikan Bahasa dan Sastra Indonesia Vol. 14 No. 1 (2025): (April 2025)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Character Education values are positive values that are instilled in society, one of which is in the film Inthiq Rasmiyyatan! The purpose of this research is to find character education values in the boarding school in the film Inthiq Rasmiyyatan! because many educational values are instilled in this film. The researcher implements structuralism theory that looks at the intrinsic elements in literary works with educational values. The type of research used is qualitative research with data collection techniques using free listening techniques. The data analysis used hermeneutic technique. The results of the research found that there are educational values in the form of hard work, curiosity, discipline, honesty, environmental care, social care, friendship, and respect for achievement. From this research, readers can find out the caracter education value of boarding school in the short film Inthiq Rasmiyyatan!
Alih Kode dan Campur Kode dalam Film Cinta dalam Ikhlas Karya Fajar Bustomi: Code Switching and Code Mixing in the Film Love in Ikhlas by Fajar Bustomi Septian, Ahmad Arif; Yuda S, Dendi; Rohanda, Rohanda
JBSI: Jurnal Bahasa dan Sastra Indonesia Vol. 5 No. 01 (2025): Artikel Riset Periode Mei 2025
Publisher : Information Technology and Science(ITScience)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47709/jbsi.v5i01.6181

Abstract

This study aims to reveal the forms and functions of code-switching and code-mixing in the film Cinta dalam Ikhlas by Fajar Bustomi using a qualitative approach and descriptive-analytical methods. The formal object of this study is the linguistic phenomenon of code-switching and code-mixing. In contrast, the material object is the film Cinta dalam Ikhlas, which narratively displays the reality of a multilingual society in Indonesia's urban religious context. This film was chosen because it reflects the socio-linguistic dynamics of modern society, which often switches languages in informal and formal situations. Based on the results of this study, it can be concluded that all forms of code-switching and code-mixing found are included in the external category, marked by the presence of switching and insertion of foreign languages, especially Arabic and English, and also Javanese and Sundanese regional languages ?? including internal languages, into the main language, namely Indonesian. The researcher found thirty-two linguistic data, consisting of five external code-switching data and twenty-seven code-mixing data, that appeared in words, phrases, and idiomatic expressions. These findings reflect linguistic practices that not only function as a means of communication but also as a symbol of religious identity, an expression of interpersonal affection, and a reflection of global culture that helps construct the characters, values, and narrative contexts in the film in a holistic and representative manner.
Epistemology of Misyar Marriage by Yusuf al-Qaradawi in the Book of Zawāj al-Misyär Hakikatuh and Hukmuh from the Perspective of the Philosophy of Science Mardi, Isra; Kodir, Abdul; Rohanda, Rohanda
El-Hadhanah : Indonesian Journal Of Family Law And Islamic Law Vol. 5 No. 1 (2025): El-Hadhanah: Indonesian Journal of Family Law and Islamic Law
Publisher : Prodi Hukum Keluarga Fakultas Syariah dan Hukum UIN Ar-Raniry

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22373/hadhanah.v5i1.6811

Abstract

Misyar marriage is a controversial alternative marital form within contemporary Islamic discourse, particularly concerning its legal validity and alignment with the objectives of Islamic law (maqāṣid al-sharīʿah). Imam Yusuf al-Qaradawi, a leading figure in modern Islamic legal thought, addresses this phenomenon in his work Zawāj al-Misyār Ḥaqīqatuh wa Ḥukmuh. This article seeks to examine the epistemological foundation of al-Qaradawi’s view on misyar marriage to understand the structure of his legal reasoning and methodology. This study specifically focuses on the epistemic foundations underlying Yusuf al-Qaradhawi's views on the practice of misyar marriage, the ijtihad method used, examining the authoritative sources that are Yusuf al-Qaradhawi's main references, and his approach in combining normative texts with contemporary social realities. This study adopts a qualitative descriptive-analytical method, employing content analysis of al-Qaradawi’s primary work, especially Zawāj al-Misyār Ḥakīkatuh wa Ḥukmuh. The analysis is conducted within the framework of Islamic philosophy of knowledge, emphasizing the integration of epistemologies. The findings reveal that al-Qaradawi constructs his fatwa through an integrative approach responsive to modern realities, employing takyīf fiqhī as a contextual ijtihad tool. His epistemic foundation combines scriptural authority with maqāṣid-oriented reasoning, producing legal opinions that are both normatively valid and socially constructive. This contributes significantly to the development of a adaptive contemporary Islamic legal epistemology and maslahah.
Qiṣṣatu Kifāḥi Maryama fī Al-Qur’āni Al-Karīmi (Taḥlīlun bi As-Sīmiyā’iyyāti As-Sardiyyati li A. J. Ghrīmāṣ) Maila Nurul Izzati; Rohanda
Lughawiyyat: Jurnal Pendidikan Bahasa dan Sastra Arab Vol. 8 No. 1 (2025): Lughawiyyat: Jurnal Pendidikan Bahasa dan Sastra Arab
Publisher : Fakultas Tarbiyah Program Studi Pendidikan Bahasa Arab Universitas Islam Internasional Darullughah Wadda'wah Bangil Pasuruan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.38073/lughawiyyat.v8i1.2447

Abstract

This study aims to analyze the narrative structure of the story of Maryam in the Qur'an using the narrative semiotics theory developed by A.J. Greimas. The story of Maryam, as found in Surah Ali-'Imran (3:35-37, 42-44), Surah At-Tahrim (66:12), Surah Al-Anbiya (21:91), and Surah Maryam (19:16-34), contains profound moral, spiritual, and theological messages. This research employs a qualitative-descriptive approach with a literature review method. Greimas' actantial model is applied to identify actantial functions such as sender, receiver, subject, object, helper, and opponent within the narrative structure. The analysis results indicate that the story of Maryam reflects the spiritual struggle and steadfast faith of a woman chosen by Allah to undertake a significant role in the divine plan. The narrative structure of this story embodies values of submission to Allah, sincerity, and deep faith. By applying Greimas' theory, the meaning within Maryam's story can be analyzed systematically and comprehensively, offering a new perspective in understanding the spiritual narratives of the Qur'an. This study contributes to enriching Qur'anic exegesis through the narrative semiotics approach, which is rarely used in analyzing sacred texts, and provides a more structured understanding of the moral and spiritual messages in the story of Maryam.
Gaya Bahasa Perbandingan Dalam Lagu Hobbo Ganna, Water Elhassas Dan Kalam Eineh ( Kajian Stilistika ) Habibah; Komarudin, R. Edi; Rohanda
Shaut al Arabiyyah Vol 13 No 1 (2025): JURNAL SHAUT AL-'ARABIYAH
Publisher : Jurusan Pendidikan Bahasa Arab

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24252/saa.v13i1.57743

Abstract

Penelitian ini bertujuan untuk mendeskripsikan gaya bahasa perbandingan dalam lagu Hobbo Ganna, Water Elhassas, dan Kalam Eineh yang dipopulerkan oleh Sherine Abdul Wahab. Fokus utama penelitian ini mencakup simile, metafora, personifikasi, dan depersonifikasi. Adapun teori yang digunakan dalam penelitian ini menggunakan pendekatan stilistika. Metode yang digunakan dalam penelitian ini adalah metode deskriptif kualitatif dengan teknik pengumpulan data berbasis library research (penelitian kepustakaan). Sifat penelitian ini mengembangkan teori yang sudah ada. Dari hasil penelitian ditemukan penggunaan gaya bahasa perbandingan: gaya bahasa perbandingan simile ditemukan satu lirik lagu, gaya bahasa perbandingan metafora ditemukan tujuh lirik lagu, gaya bahasa perbandingan personifikasi ditemukan sembilan lirik lagu, dan gaya bahasa perbandingan depersonifikasi ditemukan tiga lirik lagu. Dengan begitu, yang paling dominan dalam penelitian ini yaitu gaya bahasa perbandingan personifikasi. Secara keseluruhan, tiga lagu yang dipopulerkan Sherine Abdul Wahab menyampaikan amanat bahwa cinta sejati melibatkan pengorbanan dan kekaguman yang tulus terhadap pasangan
Perlawanan Tokoh Muhammad Ibnu Qosim terhadap Raja Daher dalam Film Alfaris Wal Amira Kajian Strukturalisme Nuryadi, Bagja Ghali; Akmaliyah, Akmaliyah; Rohanda, Rohanda
Aksara: Jurnal Bahasa dan Sastra Vol 26, No 1 (2025): Aksara: Jurnal Bahasa dan Sastra (in procces)
Publisher : Universitas Lampung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23960/aksara/v26i1.pp265-282

Abstract

This study aims to analyze the story structure in the plot and the characters played by the characters in the film Alfaris Wal Amira (الفارس و الأميرة) by Bashir El Dik. The approach used in dissecting this film is the hero's journey approach by Christopher Vogler to find out the story structure and the archetype approach by Christopher Vogler to find out the characters. This research is a qualitative descriptive research that uses dialogue and cut scenes as data to analyze the film. The data collection technique uses the Simak method by watching repeatedly. The results of this study found that the patterns that occur in the story are not in accordance with those described by Christopher Vogler, the call to the adventure occurs twice before and after the ordinary world. Then Muhammad Ibnu Qosim must go through the second threshold after the road back before the resurrection. Archetype the tricker is played by two characters, the pirate who is the right hand of King Daher and the witch.Keywords: Movie, Hero's Journey, Archetype, Christopher Vogler
Interseksionalitas Dalam Film Asmaa: Analisis Gender, Stigma, dan Kelas Masyarakat Patriarkal Mesir Yunita, Novi; Rohanda, Rohanda; Nurhasan, Muhamad
Aksara: Jurnal Bahasa dan Sastra Vol 26, No 1 (2025): Aksara: Jurnal Bahasa dan Sastra (in procces)
Publisher : Universitas Lampung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23960/aksara/v26i1.pp134-145

Abstract

This study aims to examine the form of intersectionality experienced by female characters in the film 'Asmaa' by Amr M Salama. Therefore, the theory used to analyze data based on the problems found is the theory of intersectionality from the perspective of Kimberle Crenshaw. The method used in this research is descriptive qualitative method. The type of data used by researchers in this study is qualitative data in the form of screenshots of scenes from the film Asmaa and then analyzed verbally. Based on this analysis, the results of this study show that Asmaa, as the main character in the film, experiences three forms of intersectionality oppression, namely gender, health stigma, and social class in Egyptian patriarchal society.Keywords: intersectionality, patriarchy, HIV, film
Perubahan Makna Kata Serapan dalam Surat Kabar Asy-Syarqu Al-Ausath Vol. 47: Kajian Semantik Saladin, Cundarojat Sidiq; Akmaliyah, Akmaliyah; Rohanda, Rohanda
Aksara: Jurnal Bahasa dan Sastra Vol 26, No 1 (2025): Aksara: Jurnal Bahasa dan Sastra (in procces)
Publisher : Universitas Lampung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23960/aksara/v26i1.pp88-101

Abstract

The development of science, technology and culture cause the meaning of a word to change. Word absorption in foreign language also develops over time. This research aims to analyze how the meaning of the word has changed compared to its original meaning in the newspaper Asy-Syarqu Al-Ausath edition Vol. 47. Understanding the changes in the meanings of absorbing words helps prevent ambiguity and supports communication accuracy in the Arabic world. It belongs to descriptive qualitative research. The approach applied in this research is the change of meaning according to Sarwiji Suwandi's view. The data collection technique used listening method followed by documentation technique. Data analysis in this study used intralingual pairing method with the technique of connecting-comparing (HBB). The results of this study show that there are two types of meaning changes, namely (1) generalization or expansion of meaning, for example in the absorption word al-barliman (البرلمان) and (2) specialization or narrowing of meaning as in the absorption word diplomasiyah (الدبلوماسية). Of the two types of meaning changes in the Vol. 47 edition of Asy-Syarqu Al-Ausath newspaper, specialization or narrowing changes in meaning are most often found. So it can be seen that English words absorbed into Arabic tend to experience a process of specialization or narrowing of meaning.Keywords: Loanwords, Change of Meaning, Semantic, Arabic Newspaper
Co-Authors Abdul Jabbar Mukhtar Abdul Kodir Abdul Kodir Abdul Kodir Abdul Kodir Abdurahman, Rizki Acep Hermawan, Acep Ade Sopiah adhia nugraha Adi Supardi Adnan Maulana Yusuf Adya Wijaya, Naufal Aeni Lukviati Urbah Afrina Achmad Agni Nidaulhasanah Agnia, Ariel Husni Ahmad Arif Septian Ahmad Qonit Ad. Ahmad Suhaili Ahmad Yunani Akmal Hibatullah Ramadhan Akmaliyah Akmaliyah Akmaliyah Akmaliyah Al Maliki, Sayid Muhamad Aladdin, Ashinida Alandira, Palendika Alawi, Zamzam Mugni Alfina Hartono Putri Allisya Rizky Islami Alwi, Zulfami Amanda Siva Saepuloh Anggraini, Reza Anita Rahma Abdulah Anna Miftahul Khasanah Anneu Rosyanti Suryana Apip Ansurullah Sidiq Aqila Fikriya Hamidah Aqila Fikriya Hamidah Arianty, Monika Wulan Aripin, Amalul Aryanto, Redi Asep Majidi Tamam Asep Saefullah Asep Supianudin Atha, Yusuf Ali Shaleh Atoasi, Syahbudin Audryane Anindita Fadilla Audryane Anindita Fadilla Azahirah Mufidah Azzahra, Rachma Aini Bintang Helmi Putra budi, Firmansah Setia Budi Budiharjo, Imam Ghozali Cahya Mahesa, Dzikri Cahyadi, Indrawan Cahyani Wibowo, Aulia Choirunisa, Wanda Dadan Mardani Dayudin, Dayudin Dede Burhanudin, Dede Dede Sasa Nurjaman Deden Hidayat Dedi Supriadi Dedi Supriadi Dendi Yuda S Dendi Yuda S Dendi Yuda S. Dian Nurrachman Dian Nurrachman Dian Nurrachman, Dian Dika, Palen Diki Aminuloh Dini Fathiya Nur Shiyam Dira, Palen Dika Dwiki Kusuma Dyo Rusna Dzifriya Qatrun Nada Dzikri Ahmad Fauzi Fadhli Hafizh Fadlil Yani Ainusyamsi Faiz Abdul Aziz Al Hakim Fauziah, Resa Nurrahmah Firdaus, Rifqi Muhammad Gia Ramadhan Gia Ramadhan Habibah Haifa Lathifah Halim, Muhammad Abdul Hanifah Annisa Salsabila Hanifah Annisa Salsabila Haq, Iman Amirul Hartono, Alfina Hasbi Assiddiqi Hasna Afifah Yustiana Yunasa Hazim, Hana Heriady, Rifqi Zahran Azizi Hezam, Motea Naji Dabwan Hidayat, Deden Hikmah Maulani Hilmi, Irpan Hilya Sakinah Najah Hopi Silviani Igna Durotunnafisah Ihin Solihin Ilva Nurlatifah Imam Ghozali Budiharjo Imas Fatimah Setiawati Irdan Hildansyah Irdan Hildansyah Irfan Addriadi Irfan Adriadi Irfan Adriadi Isma Fauziah Isma Fauziah Ispa Ahwatul Muslimah Istiana Khotibatunnisa Izzat Fathin Hannawi Karima, Marista Aulia Khomisah Khomisah Khomisah Khomisah Kodir, Abdul - Komaruddin Komarudin Lilian Andriana M Abdul Halim M Ulul Azmi M. Fauzan Afsar Mahmud Mahmud Maila Nurul Izzati Mardi, Isra Marista Aulia Karima Masmedia Pinem Mawardi Mawardi Mawardi Mawardi Meisyaroh, Fitria Moch Mu'izzuddin Monika Wulan Arianty Muchammad Naufal Fauqi Adhiya Muhamad Faiz Al Fauzi Muhamad Nurhasan Muhamad Nurhasan Muhamad Robi Muhammad Abdul Halim Muhammad Abdul Halim Muhammad Abdul Halim Muhammad Abdul Halim Muhammad Aceng Tata Muhammad Darda Diyaulhaq Muhammad Haritsah Rais Muhammad Syafiq Ziyad Muhimmatul Ulumia Mutmainah Juniawati Nafilatul Azza, Nawal Najwa Rifaron Nasywa Nur Aulian Nisaa Naufal Ahmad Al Irsyad Nining Maida Nisrina Zahrani Salsabila Noviana Yusanti Novianti, Wulan Suci Nur Amalia Muthmainah Nurahman Majid Nurfadilah Nurfadilah Nurhasan, Muhammad Nurhasanah, Aviah Nuri Rai Patimah Nurjaman, Andri Nurlatifah, Ilva Nurlinah Nurlinah Nurlinah Nurlinah, Nurlinah Nuryadi, Bagja Ghali Nuryana, Muhamad Rian Nushrotun Nida Ovi Siti Nuropikoh Palendika Alandira Pauji, Resa Restu Permana, Insan Priyawan, Pepen Putri Aulia Tauziah Putri Budikurnia Istiqomah Putri Salma febriana Qimanullah, Abdul Malik R. Edi Komarudin R. Edi Komarudin R. Edi Komarudin R. Edi `Komarudin R. Zamzami Aulia Raden Mohamad Herdian Bhakti Rahmah, Sofia Laila Ramadhan, Gia Ramdhani, Diyan Rifky Ratu Anti Salimah Rendi Muhammad Fauzi Resa Nurrahmah Fauziah Resa Restu Pauji Resa Restu Pauji Resa Restu Pauji Restu Pauji, Resa Ridho Hidayat Ridho Hidayat Ridho Hidayat Rifa Mazin Aqillah Rifqi Muhammad Firdaus Rifqi Muhammad Firdaus Rika Rahmawati Rika Rahmawati Robiaah Al Adawiyyah, Annisa Siti Rohmani, Hadad Ropik Irpani Rosalita, Rosalita Ruhendi, Ateng Ruly Syaeful Azhar Rusna, Dyo Sabarudin, Ikbal Sabrina, Coriena Halwa Saidah, Siti Saidatul Fitriah Lailatul Badriah Saladin, Cundarojat Sidiq Salma, Inas Salsabillah, Ade Inas Santika, R. Gilang Sarah Khairunnisa Arifin Sayid Muhamad Al Maliki Selva Allaya Navika Septian, Ahmad Arif Setiawati, Imas Fatimah Shafirayanti, Marwa Shofwatul Maulidah Ridwan Siti Latifah Siti Muslikah Siti Qurotul Aenia Ramadhani Siti Shabrina Nur Ghassani Sofia Laila Rahmah Sukmawati, Wati Solihat Supardi, Adi Suparna, Ahmad Supianudin, Asep Surya Maulana Sutisna, Dede Syafei, Isop Syahbudin Syahril Jamil Syahril Jamil, Syahril Syarah Salsabila Syauqy Mujahid Fathurrohman Talia Salma Najihah Tamam, Asep M. Taufiq, Wildan Taufiq, Wildan Tb Muhammad Zuhal Wardhana Thaifur Rayya Difadrana Tri Cahyanto Tri Cahyanto Usep Abdul Matin Vina Latifah Wanda Choirunisa Wanda Choirunisa Wihandani Wihandani Wildan Rinanda Komara Wildan Taufiq Yadi Mardiansyah Yadi Mardiyansyah Yasmin Nurfadhila Nazmi Yasmin, Alia Yasril Ahmad Syairazi Yayan Rahtikawati Yosep Fatahudin Yulia Zulpathul Aizza Yulianti Yuliarti Mutiarsih Yunita, Novi Yuyun Rohmatul Uyuni Zahara Nabila Kurniawan Zaid Al Qowiyy Mudzakir Zamzam Mugni Alawi Zayyin Helmi Holil Zulfahmi Alwi