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Power Relations and Resistance in Naguib Mahfouz’s Layali Alf Laylah: Michel Foucault's Hegemony Alandira, Palendika; Rohanda, Rohanda; Taufiq, Wildan; Firdaus, Rifqi Muhammad
Jurnal Adabiyah Vol 25 No 1 (2025): June (Islamic Humanities)
Publisher : Faculty of Adab and Humanities - Alauddin State Islamic University of Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24252/jad.v25i1a5

Abstract

This research examines the relationship between power and resistance in Layali Alf Laylah, a novel by Najib Mahfouz, through the lens of Foucault's hegemony theory. This qualitative research employs an analytical descriptive approach. The material object analyzed is the novel Layali Alf Laylah, while the formal object is Foucault's hegemony theory, which explores the influence of power on individuals and the emergence of resistance against established power structures. The analytical descriptive method is utilized to examine the text and to identify the various forms of power and resistance mechanisms embedded within the characters and narrative of the novel. The findings indicate that the novel portrays repressive power dynamics while simultaneously presenting resistance against these power structures through both individual and collective actions. Consequently, the novel not only illustrates the existing power relations but also highlights how resistance plays a crucial role in the process of social change. In conclusion, Layali Alf Laylah offers a nuanced depiction of the interplay between power and resistance within a society shaped by dominant power structures. The novel provides critical insight into the complexities of hegemonic influence and the potential for subversion, reinforcing the dynamic nature of societal power relations. This research contributes to the body of knowledge by providing a deeper understanding of the dynamics of power and resistance in literature, demonstrating how Foucault’s theoretical framework can be applied to analyze social structures within fictional narrative. ملخص يهدف هذا البحث إلى تحليل علاقة السلطة والمقاومة في رواية "ليالي ألف ليلة" لنجيب محفوظ باستخدام نظرية الهيمنة لفوكو. يعتمد هذا البحث على المنهج النوعي مع مقاربة وصفية تحليلية. الموضوع المادي الذي يتم تحليله هو رواية "ليالي ألف ليلة"، بينما الموضوع الشكلي هو نظرية الهيمنة لفوكو، مع التركيز على تأثير السلطة على الأفراد وكيفية ظهور المقاومة تجاه الهياكل السلطوية القائمة. يتم استخدام المنهج الوصفي التحليلي لاستكشاف النص وتحديد أشكال السلطة وآليات المقاومة التي تتجلى في الشخصيات وحبكة الرواية. تظهر نتائج البحث أن الرواية تصور ديناميات السلطة التي تتسم بالقمع، لكنها تقدم أيضًا مقاومة للهياكل السلطوية من خلال أفعال الأفراد والجماعات. وبذلك، فإن الرواية لا تكتفي بكشف العلاقات السلطوية القائمة، بل توضح كيف تصبح المقاومة جزءًا من عملية التغيير الاجتماعي. وفي الختام، تُظهر رواية "ليالي ألف ليلة" تمثيلًا معقدًا لتفاعل السلطة والمقاومة في مجتمع يتأثر بهياكل السلطة. Abstrak Penelitian ini bertujuan untuk menganalisis relasi kuasa dan resistensi dalam Novel Layali Alf Laylah karya Najib Mahfouz dengan menggunakan teori hegemoni Foucault. Jenis penelitian ini adalah kualitatif dengan pendekatan deskriptif analitis. Objek material yang dianalisis adalah Novel Layali Alf Laylah, sedangkan objek formalnya adalah teori hegemoni Foucault, yang berfokus pada pengaruh kuasa terhadap individu dan bagaimana resistensi muncul terhadap struktur kekuasaan yang ada. Metode deskriptif analitis digunakan untuk menggali teks dan mengidentifikasi bentuk-bentuk kuasa serta mekanisme resistensi yang terjalin dalam karakter-karakter dan alur cerita novel. Hasil penelitian menunjukkan bahwa novel ini menggambarkan dinamika kuasa yang bersifat repressif, namun juga menyajikan perlawanan terhadap struktur kuasa tersebut melalui aksi-aksi individu dan kelompok. Dengan demikian, novel ini tidak hanya mengungkapkan hubungan kuasa yang ada, tetapi juga memperlihatkan bagaimana resistensi menjadi bagian dari proses perubahan sosial. Kesimpulannya, Layali Alf Laylah menyajikan representasi kompleks mengenai interaksi kuasa dan resistensi dalam masyarakat yang dipengaruhi oleh struktur kekuasaan.
FENOMENA RASISME TERHADAP ETNIS TIONGHOA PADA MEMOAR NGENEST KARYA ERNEST PRAKASA:STRUKTUALISME GENETIK LUCIEN GOLDMANN Haq, Iman Amirul; Rohanda, Rohanda; Ramadhan, Gia
Pena Literasi : Jurnal Pendidikan Bahasa dan Sastra Indonesia Vol. 8 No. 1 (2025): Pena Literasi
Publisher : Fakultas Ilmu Pendidikan Universitas Muhammadiyah Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24853/pl.8.1.71-83

Abstract

Penelitian ini menganalisis fenomena rasisme terhadap etnis Tionghoa dalam film Ngenest, sebuah memoar karya Ernest Prakasa, dengan menggunakan pendekatan strukturalisme genetik Lucien Goldmann. Tujuannya adalah untuk mengungkap bagaimana pengalaman pribadi penulis merefleksikan diskriminasi rasial dan identitas etnis dalam masyarakat Indonesia. Penelitian ini menggunakan metode kualitatif dengan analisis deskriptif terhadap isi memoar tersebut, didukung oleh tinjauan literatur yang berkaitan dengan rasisme dan teori strukturalisme genetik. Hasil penelitian menunjukkan bahwa Ngenest merepresentasikan rasisme melalui tiga aspek strukturalisme genetik, yaitu fakta manusia, subjek kolektif, dan pandangan dunia. Fakta manusia dibagi menjadi fakta individu, yang menggambarkan pengalaman pribadi Ernest tentang perundungan dan stereotip rasial, dan fakta sosial, yang menggambarkan diskriminasi sistemik terhadap etnis Tionghoa, seperti kebijakan-kebijakan Orde Baru. Subjek kolektif tercermin dari bagaimana pengalaman individu Ernest merepresentasikan perjuangan kolektif etnis Tionghoa dalam menghadapi diskriminasi sosial. Sementara itu, pandangan dunia dalam memoar tersebut mengekspresikan harapan akan kesetaraan dan kritik terhadap Bhinneka Tunggal Ika yang sering kali hanya menjadi slogan tanpa implementasi yang nyata. Penelitian ini hanya membahas tiga aspek dari strukturalisme genetik Goldmann, tanpa mengeksplorasi aspek dialektika pemahaman dan penjelasannya. Kontribusinya terletak pada pengayaan studi sastra tentang rasisme dengan menunjukkan bagaimana pengalaman pribadi dalam sebuah memoar dapat merefleksikan 
ILMU TAJWID PERSPEKTIF FILSAFAT ILMU: KAJIAN ONTOLOGI, EPISTEMOLOGI, DAN AKSIOLOGI Rahmah, Sofia Laila; Rohanda, Rohanda; Kodir, Abdul
Lisyabab : Jurnal Studi Islam dan Sosial Vol 6 No 1 (2025): Lisyabab, Jurnal Studi Islam dan Sosial
Publisher : Lembaga Penelitian dan Pengabdian Masyarakat (LPPM) Sekolah Tinggi Agama Islam Mulia Astuti (STAIMAS) Wonogiri

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58326/jurnallisyabab.v6i1.326

Abstract

Tajwid is a discipline that explores the methods of reciting the Qur'an correctly according to established rules. This study aims to explore the essence of Tajwid through ontological, epistemological, and axiological approaches, as well as analyze its significance in the lives of Muslims, encompassing spiritual, social, and educational aspects. This research employed a qualitative method with a literature study approach, examining various authoritative sources in Tajwid, including classical texts and direct instruction from competent teachers. The findings indicate that Tajwid is not merely a technique for reciting the Qur'an, but also possesses a profound spiritual dimension, serving as a means of drawing closer to Allah SWT. Tajwid is learned through diverse sources, with the implementation of varied learning methods, both face-to-face and through online platforms. Although technology has facilitated access to Tajwid learning, this study reveals that the main challenge faced is a lack of public awareness regarding the urgency of Tajwid in worship. Tajwid has an essential role in the life of a Muslim, both from a spiritual perspective and in preserving the tradition of reciting the Qur'an correctly. Therefore, enhancing the understanding and practice of Tajwid is imperative in order to maintain the authenticity of the meaning of the Qur'an and optimize the quality of worship for Muslims.
Character Education Values of Boarding School in the Short Film Inthiq Rasmiyyatan! Wanda Choirunisa; Rifa Mazin Aqillah; Najwa Rifaron; Rohanda Rohanda
Seloka: Jurnal Pendidikan Bahasa dan Sastra Indonesia Vol. 14 No. 1 (2025): (April 2025)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Character Education values are positive values that are instilled in society, one of which is in the film Inthiq Rasmiyyatan! The purpose of this research is to find character education values in the boarding school in the film Inthiq Rasmiyyatan! because many educational values are instilled in this film. The researcher implements structuralism theory that looks at the intrinsic elements in literary works with educational values. The type of research used is qualitative research with data collection techniques using free listening techniques. The data analysis used hermeneutic technique. The results of the research found that there are educational values in the form of hard work, curiosity, discipline, honesty, environmental care, social care, friendship, and respect for achievement. From this research, readers can find out the caracter education value of boarding school in the short film Inthiq Rasmiyyatan!
Comparison Between the Development of Arabic Linguistics and Modern Linguistics Aizza, Yulia Zulpathul; Mu'izzuddin, Moch; Suhaili, Ahmad; Rohanda, Rohanda
Tadris Al-'Arabiyyah: Jurnal Pendidikan Bahasa Arab dan Kebahasaaraban Vol. 4 No. 1 (2025): Tadris Al-'Arabiyyah: Jurnal Pendidikan Bahasa Arab dan Kebahasaaraban
Publisher : UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/ta.v4i1.44830

Abstract

Arabic linguistics is a branch of science that focuses on the study of Arabic from various fields, namely phonology, morphology, syntax, and semantics. Since classical times, Muslim scholars have developed linguistic theories that have contributed greatly to understanding the structure of the Arabic language. In its further development, Arabic linguistics began to interact with modern linguistic approaches, which offer more systematic and comprehensive analysis methods. Modern linguistics, which includes various branches such as structuralism, sociolinguistics, psycholinguistics, and discourse analysis, provides a new perspective in understanding Arabic, both in theoretical and applied aspects. The influence of this modern approach not only enriches the study of Arabic linguistics, but also supports the development of language technology, translation, and Arabic language learning for foreign speakers. This article aims to examine the development of Arabic linguistics from traditional to modern perspectives and to explore the scope of modern linguistics that has an impact on Arabic language studies in the contemporary era. Through a descriptive and analytical approach, this article identifies the role of modern linguistics in expanding the scope of Arabic language studies, resulting in a deeper understanding of the structure and function of the language in various contexts.
Analisis Framing Pemberitaan Kematian Presiden Iran di Aljazeera.net dan Alarabiya.net Palendika Alandira; Yadi Mardiyansyah; Irdan Hildansyah; Rohanda, Rohanda
MUKASI: Jurnal Ilmu Komunikasi Vol. 4 No. 2 (2025): Mei 2025
Publisher : Yayasan Pendidikan Penelitian Pengabdian Algero

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54259/mukasi.v4i2.4311

Abstract

This study examines to analyze the framing of news coverage regarding the death of Iranian President Ebrahim Raisi in two Middle Eastern online media outlets: Alarabiya.net and Aljazeera.net, using Robert N. Entman's framing model. Specifically, the study explores how each media outlet frames Raisi's death through four framing elements: problem definition, causal interpretation, moral evaluation, and treatment recommendation. The research employs a descriptive-qualitative method with a literature review and documentation technique, focusing on selected news articles published between May 19–21, 2024. Data were analyzed using Entman’s framing approach and tabulated based on original Arabic terms found in each media's narrative. The results show that Alarabiya.net frames Raisi's death as a consequence of systemic failure, associating Raisi with repression and human rights violations. In contrast, Aljazeera.net presents the event as a national tragedy, portraying Raisi as a martyr and a symbol of Islamic resistance. Both media demonstrate highly ideological narrative constructions, reflecting the geopolitical interests of their respective countries. This study confirms that media are not merely conveyors of information, but ideological actors that shape public perception through selective language, visuals, and fact presentation.
Alih Kode dan Campur Kode dalam Film Cinta dalam Ikhlas Karya Fajar Bustomi: Code Switching and Code Mixing in the Film Love in Ikhlas by Fajar Bustomi Septian, Ahmad Arif; Yuda S, Dendi; Rohanda, Rohanda
JBSI: Jurnal Bahasa dan Sastra Indonesia Vol. 5 No. 01 (2025): Artikel Riset Periode Mei 2025
Publisher : Information Technology and Science(ITScience)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47709/jbsi.v5i01.6181

Abstract

This study aims to reveal the forms and functions of code-switching and code-mixing in the film Cinta dalam Ikhlas by Fajar Bustomi using a qualitative approach and descriptive-analytical methods. The formal object of this study is the linguistic phenomenon of code-switching and code-mixing. In contrast, the material object is the film Cinta dalam Ikhlas, which narratively displays the reality of a multilingual society in Indonesia's urban religious context. This film was chosen because it reflects the socio-linguistic dynamics of modern society, which often switches languages in informal and formal situations. Based on the results of this study, it can be concluded that all forms of code-switching and code-mixing found are included in the external category, marked by the presence of switching and insertion of foreign languages, especially Arabic and English, and also Javanese and Sundanese regional languages ?? including internal languages, into the main language, namely Indonesian. The researcher found thirty-two linguistic data, consisting of five external code-switching data and twenty-seven code-mixing data, that appeared in words, phrases, and idiomatic expressions. These findings reflect linguistic practices that not only function as a means of communication but also as a symbol of religious identity, an expression of interpersonal affection, and a reflection of global culture that helps construct the characters, values, and narrative contexts in the film in a holistic and representative manner.
Hierarchy of Needs of the Main Character in Habiburrahman El Shirazy's Ayat-Ayat Cinta: A Study of Abraham Maslow's Psychology Suci Novianti, Wulan; Rohanda, Rohanda; Fauziah, Isma; Alandira, Palendika
ELS Journal on Interdisciplinary Studies in Humanities Vol. 8 No. 2 (2025): JUNE
Publisher : Hasanuddin University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34050/els-jish.v8i2.44340

Abstract

This research discusses the psychological needs of the main character in the novel Ayat-Ayat Cinta by Habiburrahman El Shirazy using Abraham Maslow's Hierarchy of Needs theory. The main focus of the research lies on five levels of needs: physiological, security, love and belonging, appreciation, and self-actualization. Through descriptive qualitative method and humanistic psychology approach, this research explores how Fahri’s character articulates and meets his needs. The results show that Fahri successfully fulfills each stage of need step-by-step, starting with basic necessities and culminating in self-actualization, evident in his intellectual, spiritual, and moral development. The findings reveal that Fahri's character is a representation of an individual who has successfully reached the stage of self-actualization, and is able to contribute to his social environment through knowledge and faith.
Hegemony of Power in the Film “Cairo Conspiracy” by Tarik Saleh (Antonio Gramsci’s Theory of Hegemony) Adya Wijaya, Naufal; Rohanda, Rohanda; Solihin, Ihin
ELS Journal on Interdisciplinary Studies in Humanities Vol. 8 No. 2 (2025): JUNE
Publisher : Hasanuddin University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34050/els-jish.v8i2.44621

Abstract

This research analyzes the representation of hegemony of power in Tarik Saleh's 2022 film "Cairo Conspiracy". This film offers a complex narrative that highlights the dynamics of power, religion and Egyptian politics. Through qualitative analysis using Antonio Gramsci's theory of hegemony of power, this research aims to reveal how the film depicts an unbalanced power relationship between the state, religious institutions, and individuals. Based on his consent and coercion, the analysis focuses on a young man named Adam, who comes from the village of Manzala, and how the hegemony of state power manipulates religious institutions to maintain its dominance. Using the descriptive analytical method, this research concludes that the film "Cairo Conspiracy" exposes the practice of hegemony of power in Egypt's religious political system. The results of this research will be in the form of several points of consent or coercion, namely agreement on domination or coercion, and in this research, there are 13 data that have been analyzed, one example of which is political hegemony which in this film is coercive or forced.
Epistemology of Misyar Marriage by Yusuf al-Qaradawi in the Book of Zawāj al-Misyär Hakikatuh and Hukmuh from the Perspective of the Philosophy of Science Mardi, Isra; Kodir, Abdul; Rohanda, Rohanda
El-Hadhanah : Indonesian Journal Of Family Law And Islamic Law Vol. 5 No. 1 (2025): El-Hadhanah: Indonesian Journal of Family Law and Islamic Law
Publisher : Prodi Hukum Keluarga Fakultas Syariah dan Hukum UIN Ar-Raniry

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22373/hadhanah.v5i1.6811

Abstract

Misyar marriage is a controversial alternative marital form within contemporary Islamic discourse, particularly concerning its legal validity and alignment with the objectives of Islamic law (maqāṣid al-sharīʿah). Imam Yusuf al-Qaradawi, a leading figure in modern Islamic legal thought, addresses this phenomenon in his work Zawāj al-Misyār Ḥaqīqatuh wa Ḥukmuh. This article seeks to examine the epistemological foundation of al-Qaradawi’s view on misyar marriage to understand the structure of his legal reasoning and methodology. This study specifically focuses on the epistemic foundations underlying Yusuf al-Qaradhawi's views on the practice of misyar marriage, the ijtihad method used, examining the authoritative sources that are Yusuf al-Qaradhawi's main references, and his approach in combining normative texts with contemporary social realities. This study adopts a qualitative descriptive-analytical method, employing content analysis of al-Qaradawi’s primary work, especially Zawāj al-Misyār Ḥakīkatuh wa Ḥukmuh. The analysis is conducted within the framework of Islamic philosophy of knowledge, emphasizing the integration of epistemologies. The findings reveal that al-Qaradawi constructs his fatwa through an integrative approach responsive to modern realities, employing takyīf fiqhī as a contextual ijtihad tool. His epistemic foundation combines scriptural authority with maqāṣid-oriented reasoning, producing legal opinions that are both normatively valid and socially constructive. This contributes significantly to the development of a adaptive contemporary Islamic legal epistemology and maslahah.
Co-Authors Abdul Kodir Abdul Kodir Abdurahman, Rizki Ade Sopiah Adriadi, Irfan Adya Wijaya, Naufal Aeni Lukviati Urbah Afifah Yustiana Yunasa, Hasna Afrina Achmad Agnia, Ariel Husni Ahmad Suhaili Ahmad Yunani Ahwatul Muslimah, Ispa Aizza, Yulia Zulpathul Akmaliyah Akmaliyah Aladdin, Ashinida Alandira, Palendika Alawi, Zamzam Mugni Alawiyah, Siti Hilmiatul Alfina Hartono Putri Alwi, Zulfami Andriana, Lilian Anggraini, Reza Anna Miftahul Khasanah Arianty, Monika Wulan Aripin, Amalul Aryanto, Redi Asep Saefullah Atha, Yusuf Ali Shaleh Atoasi, Syahbudin Audryane Anindita Fadilla Azahirah Mufidah Azzahra, Rachma Aini budi, Firmansah Setia Budi Budiharjo, Imam Ghozali Cahya Mahesa, Dzikri Cahyadi, Indrawan Choirunisa, Wanda Dadan Mardani Dayudin, Dayudin Dede Burhanudin, Dede Dede Sasa Nurjaman Deden Hidayat Dedi Supriadi Dendi Yuda S Dian Nurrachman Dian Nurrachman Dian Nurrachman, Dian Dika, Palen Dikriyah Dini Fathiya Nur Shiyam Dira, Palen Dika Dzikri Ahmad Fauzi Fadlil Yani Ainusyamsi Faiz Abdul Aziz Al Hakim Fariztina, Alissa Fauzi, Muhamad Faiz Al Fauziah, Resa Nurrahmah Firdaus, Rifqi Muhammad Gia Ramadhan Habibah Halim, M Abdul Halim, M. Abdul Halim, Muhammad Abdul Hamidah, Aqila Fikriya Hanifah Annisa Salsabila Hannawi, Izzat Fathin Haq, Iman Amirul Haritsah Rais, Muhammad Hartono, Alfina Hasbi Assiddiqi Heriady, Rifqi Zahran Azizi Hezam, Motea Naji Dabwan Hidayat, Deden Hikmah Maulani Hilmi, Irpan Hilya Sakinah Najah Hopi Silviani Ihin Solihin Imam Ghozali Budiharjo Imas Fatimah Setiawati Irdan Hildansyah Irfan Addriadi Irfan Adriadi Irpani, Ropik Isma Fauziah Istiana Khotibatunnisa Julaeha, Puput Ratna Juniawati, Mutmainah Karima, Marista Aulia Kodir, Abdul Komaruddin Komarudin Kusuma, Dwiki Lathifah, Haifa Mahmud Mahmud Maida, Nining Maila Nurul Izzati Majid, Nurahman Mardi, Isra Mardiansyah, Yadi Marista Aulia Karima Masmedia Pinem Mawardi Mawardi Mawardi Meisyaroh, Fitria Monika Wulan Arianty Mu'izzuddin, Moch Muhamad Robi Muhammad Abdul Halim Muhammad Firdaus, Rifqi MULYADI Mutmainah Juniawati Nafilatul Azza, Nawal Najwa Rifaron Naufal Fauqi Adhiya, Muchammad Nisa, Shofie Yanti Khoerun Novianti, Wulan Suci Nur Amalia Muthmainah Nurfadilah Nurfadilah Nurhalida, Nunung Nurhasan, Muhamad Nurhasan, Muhammad Nurhasanah, Aviah Nuri Rai Patimah Nurjaman, Andri Nurlatifah, Ilva Nurlinah Nurlinah Nurlinah Nurlinah, Nurlinah Nuryadi, Bagja Ghali Nuryana, Muhamad Rian Ovi Siti Nuropikoh Palendika Alandira Pauji, Resa Restu Permana, Insan Priyawan, Pepen Putri Budikurnia Istiqomah Qimanullah, Abdul Malik Qonit Ad., Ahmad R. Edi Komarudin Raden Mohamad Herdian Bhakti Rahmah, Sofia Laila Ramadhan, Gia Ratu Anti Salimah Rayya Difadrana, Thaifur Resa Nurrahmah Fauziah Resa Restu Pauji Ridho Hidayat Rifa Mazin Aqillah Rika Rahmawati Robiaah Al Adawiyyah, Annisa Siti Rohanda Rohanda, Rohanda Rohmani, Hadad Rosalita, Rosalita Rudini Ruhendi, Ateng Ruly Syaeful Azhar Rusna, Dyo Sabarudin, Ikbal Sabrina, Coriena Halwa Saepuloh, Amanda Siva Safitri, Shofika Naila Saidah, Siti Saidatul Fitriah Lailatul Badriah Saladin, Cundarojat Sidiq Salma Najihah, Talia Salma, Inas Salsabila, Nisrina Zahrani Salsabillah, Ade Inas Santika, R. Gilang Septian, Ahmad Arif Setiawan, Shafira Nandya Setiawati, Imas Fatimah Shafirayanti, Marwa Siti Muslikah Sofia Laila Rahmah Suci Novianti, Wulan Sukmawati, Wati Solihat Suparna, Ahmad Supianudin, Asep Sutisna, Dede Syafei, Isop Syahbudin Syahril Jamil Syahril Jamil, Syahril Syarah Salsabila Taufiq, Wildan Tri Cahyanto Tri Cahyanto Usep Abdul Matin, Usep Abdul Wanda Choirunisa Wildan Rinanda Komara Yadi Mardiyansyah Yasmin, Alia Yayan Rahtikawati Yunita, Novi Yusanti, Noviana Zamzam Mugni Alawi Zulfahmi Alwi