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All Journal Buletin Al-Turas Prosodi: Jurnal Ilmu Bahasa dan Sastra Jurnal Ilmiah Bahasa dan Sastra ARABIYAT Shaut Al-'Arabiyah Jurnal Adabiyah ANIDA : Aktualisasi Nuansa Ilmu Dakwah Equilibrium: Jurnal Pendidikan Kanz Philosophia: A Journal for Islamic Philosophy and Mysticism Ilmu Dakwah: Academic Journal for Homiletic Studies Syifa al-Qulub : Jurnal Studi Psikoterapi Sufistik Nady al-Adab Lingua Franca: Jurnal Bahasa, Sastra, dan Pengajarannya Language Literacy: Journal of Linguistics, Literature, and Language Teaching Arabiyatuna : Jurnal Bahasa Arab JURNAL YAQZHAN: Analisis Filsafat, Agama dan Kemanusiaan Jurnal Kajian Bahasa, Sastra dan Pengajaran (KIBASP) PENTAS : Pendidikan Bahasa dan Sastra Indonesia ELS Journal on Interdisciplinary Studies in Humanities JURNAL INSTEK (Informatika Sains dan Teknologi) Esteem Journal of English Study Programme Al Mi’yar: Jurnal Ilmiah Pembelajaran Bahasa Arab dan Kebahasaaraban Al-Tsaqafa: Jurnal Ilmiah Peradaban Islam Studi Arab JURNAL Al-AZHAR INDONESIA SERI HUMANIORA PHILOSOPHICA Jurnal Bahasa, Sastra, dan Budaya Pena Literasi IJAS: Indonesian Journal of Arabic Studies SULUK: Jurnal Bahasa, Sastra, dan Budaya LINGUA : Jurnal Bahasa, Sastra, dan Pengajarannya Hanifiya: Jurnal Studi Agama-Agama INDONESIA: Jurnal Pembelajaran Bahasa dan Sastra Indonesia Jubindo: Jurnal Ilmu Pendidikan Bahasa dan Sastra Indonesia Al-Fathin: Jurnal Bahasa dan Sastra Arab Ta'lim al-'Arabiyyah: Jurnal Pendidikan Bahasa Arab dan Kebahasaaraban 'A Jamiy: Jurnal Bahasa dan Sastra Arab Paradigm: Journal of Language and Literary Studies Jurnal Studi Agama Hijai - Journal on Arabic Language and Literature Alibbaa': Jurnal Pendidikan Bahasa Arab Ksatra: Jurnal Kajian Bahasa dan Sastra Didaktika: Jurnal Kependidikan Kalamuna Journal of Arabic Literature (Jali) BASA Journal of Language & Literature Al Intisyar: Jurnal Pendidikan Bahasa Arab JILSA (Jurnal Ilmu Linguistik dan Sastra Arab) Kutubkhanah Jurnal Penelitian Sosial Keagamaan An-Nahdah Al-\'Arabiyah Arus Jurnal Sosial dan Humaniora Kode : Jurnal Bahasa COMSERVA: Jurnal Penelitian dan Pengabdian Masyarakat DEIKTIS: Jurnal Pendidikan Bahasa dan Sastra Jurnal Ilmu Komunikasi AKSARA: Jurnal Bahasa dan Sastra Fashohah : Jurnal Ilmiah Pendidikan Bahasa Arab Journal of Comprehensive Science Jurnal Bastra (Bahasa dan Sastra) Jurnal Lektur Keagamaan El-Hadhanah: Indonesian Journal Of Family Law And Islamic Law Gunung Djati Conference Series Eduvest - Journal of Universal Studies Innovative: Journal Of Social Science Research JBSI: Jurnal Bahasa dan Sastra Indonesia Afshaha: Jurnal Bahasa dan Sastra Arab Tadris al-'Arabiyyah: Jurnal Pendidikan Bahasa Arab dan Kebahasaaraban Riwayat: Educational Journal of History and Humanities Jurnal Pembelajaran Bahasa dan Sastra Jurnalistrendi: Jurnal Linguistik, Sastra dan Pendidikan Seloka: Jurnal Pendidikan Bahasa dan Sastra Indonesia Jurnal Pendidikan dan Kebudayaan Al-Mabsut: Jurnal Studi Islam dan Sosial Jurnal Studi Islam dan Sosial Journal of Curriculum and Pedagogic Studies Lughawiyyat: Jurnal Pendidikan Bahasa dan Sastra Arab Al-Irfan: Journal Of Arabic Literature and Islamic Studies Lughaat: Journal of Arabic Linguistics Jurnal Penelitian dan Evaluasi Pendidikan Manthiq : Jurnal Filsafat Agama dan Pemikiran Islam
Rohanda Rohanda
UIN Sunan Gunung Djati
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A Linguistic Analysis of Arabic Language Errors in The Thesis Abstracts of Arabic Language and Literature Students at UIN Sunan Gunung Djati 2024 Muhammad Firdaus, Rifqi; Rohanda, Rohanda; Dayudin, Dayudin
Gunung Djati Conference Series Vol. 55 No. 1 (2025): International Conference on Language Learning and Literature (ICL3)
Publisher : UIN Sunan Gunung Djati Bandung

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This study investigates linguistic errors found in the abstracts of undergraduate theses written by students of the Department of Arabic Language and Literature, Faculty of Adab and Humanities, UIN Sunan Gunung Djati Bandung. Employing a descriptive qualitative approach, the research analyzed 50 thesis abstracts and identified 60 language errors categorized into three main types: phonological and morphological errors, morphological and syntactic errors, and syntactic and semantic errors. The findings show that the most common phonological error involves the incorrect use of hamzah, reflecting a lack of adherence to Arabic orthographic conventions. Morphological and syntactic errors consist of inaccurate verb conjugations, incorrect noun forms, and sentence structures that deviate from standard Arabic grammar. Semantic errors appear as vague or incoherent expressions, frequently resulting from syntactic mistakes and inappropriate word choices. The study identifies three principal causes of these errors: insufficient mastery of Arabic grammar and morphology, limited vocabulary prompting reliance on unchecked translation tools, and inadequate supervisory feedback from academic advisors. This research highlights the urgent need to strengthen Arabic academic writing instruction and encourages more active lecturer involvement to ensure that students' theses meet both academic and linguistic standards.
The Oppression of Women and the Patriarchal System in Nawal El Saadawi's Novel Catatan Dari Penjara Perempuan: A Study of Radical Feminism Maida, Nining; Rohanda, Rohanda; Supriadi, Dedi
Gunung Djati Conference Series Vol. 55 No. 1 (2025): International Conference on Language Learning and Literature (ICL3)
Publisher : UIN Sunan Gunung Djati Bandung

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This research discusses oppression of women and the patriarchal system in Nawal el Saadawi's novel Catatan Dari Penjara Perempauan uses a radical feminism approach. The novel shows how women experience structural repression institutionalized by the state, religion, and patriarchal culture. The female characters in the novel are depicted as subjects whose bodies and minds are controlled by the system of power, but also show various forms of active resistance to this domination. Through symbolic actions, verbal expressions, and legal awareness, they dismantle oppressive power relations. This research uses a descriptive qualitative method with literature study techniques on the text of the novel as the main data source. The analysis was conducted by identifying forms of oppression and women's resistance reflected in the novel's narrative. The radical feminism approach is used because it is able to unravel the ideological roots of oppression against women, especially through control over women's bodies and expressions in a patriarchal system and authoritarian regime. The results show that this novel is not only a record of Nawal El Saadawi's personal experience, but also an ideological field of resistance to systemic patriarchal power. Thus, this study emphasizes the role of literature as a medium of social criticism and a space for struggle for gender equality.
The Representation of Ambiguicity in the Song Qolbi Fiil Madinah by Maher Zain Through Roland Barthes's Semiotic Framework Rahmawati, Rika; Rohanda, Rohanda; Qonit Ad., Ahmad
Gunung Djati Conference Series Vol. 55 No. 1 (2025): International Conference on Language Learning and Literature (ICL3)
Publisher : UIN Sunan Gunung Djati Bandung

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The research found that this song contains profound symbols related to spiritual love. The symbol of the heart or qalb is the center of the marker in the semiotics of love in this text. This paper aims to analyze the representation of double meaning in the song Qolbi Fiil Madinah by Maher Zain using Roland Barthes' semiotic approach. The three levels of meaning-denotation, connotation, and myth-illustrate the complexity of understanding a text. This song was chosen because it contains strong religious symbolism and conveys spiritual messages through lyrics that are rich in denotative and connotative meanings. The research method used is descriptive qualitative with Barthes' semiotic analysis technique that includes three stages of meaning: denotation, connotation, and myth. The results show that the song lyrics represent spiritual longing for the Prophet Muhammad SAW and the City of Medina through metaphors, symbols, and poetic diction. The city of Medina is not only interpreted as a geographical place, but also as a symbol of peace of mind and spiritual closeness. Shalawat becomes a semiotic form to convey love for the Prophet Muhammad. The song also functions as a medium of da'wah that conveys religious values and love for the Prophet in an aesthetic and emotional form. This finding shows that religious music can be an effective means of cultural and spiritual communication in modern society. This research is expected to broaden the horizons in the study of literature, music and semiotics, and become a reference in understanding the multiple meanings contained in contemporary Islamic artworks.
The Social Criticism in the Film Capernaum by Nadine Labaki Through Charles Sanders Peirce’s Semiotic Framework Haritsah Rais, Muhammad; Rohanda, Rohanda
Gunung Djati Conference Series Vol. 55 No. 1 (2025): International Conference on Language Learning and Literature (ICL3)
Publisher : UIN Sunan Gunung Djati Bandung

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Film has the ability to convey implicit messages through its visual imagery. Capernaum, therefore, presents various forms of criticism, values, and norms. Directed by Nadine Labaki, this film portrays powerful messages of humanity and offers sharp social criticism in response to the realities faced by marginalized communities in large cities. The purpose of this study is to examine the social criticism presented in the film Capernaum. This research employs a qualitative descriptive method, as well as a quantitative approach, based on Charles Sanders Peirce’s semiotic theory. The researcher will carefully select specific scenes that reflect the concept of self-meaning. These scenes will then be analyzed in terms of their meaning through the components of sign, object, and interpretant as found in the film. The findings of this research reveal that Capernaum contains various forms of social criticism, including criticism of child exploitation, structural poverty, social class inequality, domestic violence, and the involvement of children in drug trafficking
The Binary Opposition in Resistance Poetry: a Structuralist Analysis of PBSI Regular E'23 Irpani, Ropik; Rohanda, Rohanda; `Komarudin, R. Edi
Gunung Djati Conference Series Vol. 55 No. 1 (2025): International Conference on Language Learning and Literature (ICL3)
Publisher : UIN Sunan Gunung Djati Bandung

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This study explores the representation of binary oppositions in a resistance-themed poetry anthology composed by students of PBSI Reguler E’23, employing structuralism as the principal analytical framework. Often underestimated as amateur works, student poems in this research are positioned as ideological expressions enriched with complex symbolic structures. Drawing from Claude Lévi-Strauss’s structuralist theory, this study examines how pairs of opposing concepts—such as light vs darkness, people vs rulers, and voice vs silence—are constructed to reinforce critical messages against oppressive socio-political realities. Utilizing a descriptive qualitative approach and document analysis method, 38 selected poems were examined through an in-depth textual interpretation of diction patterns, symbolism, and narrative structures that signify ideological tension. The findings reveal that binary oppositions serve not only as stylistic elements but also as thematic foundations that articulate resistance, identity, and collective awareness among students toward social injustice. These results affirm that student poetry embodies both aesthetic and political values, deserving recognition in contemporary literary discourse. Theoretically, this study contributes to the development of structuralist approaches in modern Indonesian literary studies; practically, it offers valuable insight for literature education based on ideological critique within the university context.
The Forms of Loss and Stages of Grief in the Main Characters in the Film "Ketak Berhenti Disini": a Psychological Literary Approach Ahwatul Muslimah, Ispa; Rohanda, Rohanda; Yani Ainusyamsi, Fadlil
Gunung Djati Conference Series Vol. 55 No. 1 (2025): International Conference on Language Learning and Literature (ICL3)
Publisher : UIN Sunan Gunung Djati Bandung

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This study aims to describe the forms and types of loss and analyze the stages of grieving experienced by the main character in the film "Ketika Berhenti Di Sini" based on Kubler Ross' theory. The approach used in this research is literary psychology with qualitative descriptive method. Data sources in the research include dialog, stories, actions, and expressions of a main character related to the experience of loss and the stages of grieving. Data collection techniques include movie observation, recording emotional moments according to Kubler Ross' theory and the concept of loss. The findings of this study show that the main character named Dita experiences real losses such as the death of her father and her lover, as well as emotional losses related to a sense of security and self-stability. Both types of loss have a significant impact on Dita's psychological state. In dealing with the loss, Dita experiences five stages of grief, namely denial, anger, negotiation, depression, and acceptance. These stages can be seen from the changes in Dita's response, which began to escape to the virtual world until she finally accepted reality and continued her life. This research shows that film as a form of literary work can reflect the complexity of human emotional dynamics through the experience of loss and the grieving process experienced by its characters.
The Meaning of the Lyrics of the Song "Qolbi Fil Madinah" Through Charles Sanders Peirce's Semiotic Framework Afifah Yustiana Yunasa, Hasna; Rohanda, Rohanda; Yuda S., Dendi
Gunung Djati Conference Series Vol. 55 No. 1 (2025): International Conference on Language Learning and Literature (ICL3)
Publisher : UIN Sunan Gunung Djati Bandung

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This study aims to uncover the deeper meanings embedded in the lyrics of the song “Qolbi Fil Madinah” through Charles Sanders Peirce’s semiotic framework and to explore its implications for the daily life of Muslims. The song was chosen due to its rich spiritual content and its strong reflective potential for listeners. The research employs a qualitative descriptive method with a semiotic analysis framework based on Peirce’s triadic model: representamen (sign), object, and interpretant. The findings reveal that the lyrics are filled with religious symbols—such as Madinah, shalawat, the Green Dome, and the figure of Prophet Muhammad SAW. which serve not only as aesthetic elements but also as carriers of moral and spiritual messages. These messages encourage listeners to increase their love for the Prophet, strengthen their spiritual connection, and cultivate noble character in everyday life. The song thus functions not only as entertainment but also as a medium for fostering Islamic character development in a contextual and emotionally resonant manner.
Deconstructing Myths in Osama Hajjaj Caricatures: Semiotic Analysis of the Israel-Palestine Conflict on Instagram Santika, R. Gilang; Rohanda, Rohanda; Supianudin, Asep
STUDI ARAB Vol 16 No 1: June 2025
Publisher : Universitas Yudharta Pasuruan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35891/sa.v16i1.6528

Abstract

The Israel-Palestine conflict is a global issue laden with power dynamics, ideological struggles, and media representation. Amid dominant and often biased global narratives, visual works such as political caricatures offer an alternative space for voicing criticism and solidarity. This study aims to uncover both the denotative and connotative (mythological) meanings within digital caricatures by Osama Hajjaj, published through his Instagram account. Using a qualitative descriptive method and Roland Barthes’ semiotic approach, which distinguishes between the levels of denotation and connotation. This research analyzes five purposively selected caricatures that explicitly portray the Israel–Palestine conflict, rich in symbolic and contextual relevance (October–December 2024). The findings reveal that at the denotative level, the caricatures depict the realities of conflict through visual elements such as military aggression, civilian suffering, and international institutions. At the connotative level, they deconstruct ideological myths, including digital solidarity, the illusion of ceasefire, the war on terrorism, the hypocrisy of power, and the impartiality of international organizations. These caricatures function as a form of symbolic resistance that not only conveys information but also shapes public consciousness and critiques global power structures. As such, Osama Hajjaj’s works serve as visual texts that play a significant role in the construction and deconstruction of meaning surrounding the Israel–Palestine conflict in the digital age.
The Epistemology of Ibn Arabi and Al-Ghazali's Sufism: A Comparative Study of the Source and Validity of Spiritual Knowledge Suparna, Ahmad; Rohanda, Rohanda; Kodir, Abdul
Syifa al-Qulub : Jurnal Studi Psikoterapi Sufistik Vol. 9 No. 2 (2025): Syifa al-Qulub: Jurnal Studi Psikoterapi Sufistik
Publisher : Fakultas Ushuluddin UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/saq.v9i2.43521

Abstract

The epistemology of Sufism, as a bridge between rational knowledge and spiritual experience in Islam, has long fascinated Muslim thinkers. This research reveals the complex layers of thought of Ibn Arabi and Al-Ghazali, two Sufi figures whose thoughts have resonated throughout the centuries. Through in-depth analysis of their monumental works, this study reveals how these two figures navigated the sea of ma'rifah (intuitive knowledge) on different ships but headed to the same port. Al-Ghazali, with his kashf compass, sailed carefully between the currents of the Shari'a and reality, while Ibn Arabi, with his Wahdat al-Wujud sails, sailed a wider horizon, embracing the winds of Greek and Bathiniyah philosophy. This research not only maps their spiritual routes, but also explores how the knowledge maps they drew are still relevant in the navigation of contemporary spirituality, offering a new compass for seekers of meaning in the modern era.
The Story of Prophet Yunus (PBUH) in the Qur’an: A Narrative Analysis Using Greimas’s Actantial and Functional Models Majid, Nurahman; Rohanda, Rohanda; Nurhasan, Muhammad
Gunung Djati Conference Series Vol. 55 No. 1 (2025): International Conference on Language Learning and Literature (ICL3)
Publisher : UIN Sunan Gunung Djati Bandung

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Abstract

This study aims to examine the narrative structure of the story of Prophet Yunus (AS) in the Qur’an using A.J. Greimas’s structural semiotic approach, particularly the actantial and functional models. Employing a qualitative-descriptive method, this research analyzes selected verses from Surah As-Saffat (139–148), Al-Anbiya (87–88), and Al-Qalam (48–50) as primary data sources. Data were collected through close reading and literature study, and interpreted through the identification of actantial elements such as subject, object, helper, and opponent, as well as narrative phases including initial situation, transformation, and final situation. The findings reveal that the story of Prophet Yunus is not only rich in theological meaning but also conveys symbolic depth and emotional dynamics, arranged in a systematic narrative structure. Greimas’s actantial schema highlights the functional relationships between narrative roles, while the functional schema traces the transformation of the protagonist from spiritual crisis to redemption and renewed mission. This study affirms that the Qur’anic narrative of Prophet Yunus is intentionally structured and spiritually meaningful, offering insights into the interplay between narrative form and religious content. The results contribute to Qur’anic literary studies by demonstrating how semiotic analysis can uncover layers of meaning that connect linguistic structure with moral and spiritual messages.
Co-Authors Abdul Kodir Abdul Kodir Abdurahman, Rizki Ade Sopiah Adriadi, Irfan Adya Wijaya, Naufal Aeni Lukviati Urbah Afifah Yustiana Yunasa, Hasna Afrina Achmad Agnia, Ariel Husni Ahmad Suhaili Ahmad Yunani Ahwatul Muslimah, Ispa Aizza, Yulia Zulpathul Akmaliyah Akmaliyah Aladdin, Ashinida Alandira, Palendika Alawi, Zamzam Mugni Alawiyah, Siti Hilmiatul Alfina Hartono Putri Alwi, Zulfami Andriana, Lilian Anggraini, Reza Anna Miftahul Khasanah Arianty, Monika Wulan Aripin, Amalul Aryanto, Redi Asep Saefullah Atha, Yusuf Ali Shaleh Atoasi, Syahbudin Audryane Anindita Fadilla Azahirah Mufidah Azzahra, Rachma Aini budi, Firmansah Setia Budi Budiharjo, Imam Ghozali Cahya Mahesa, Dzikri Cahyadi, Indrawan Choirunisa, Wanda Dadan Mardani Dayudin, Dayudin Dede Burhanudin, Dede Dede Sasa Nurjaman Deden Hidayat Dedi Supriadi Dendi Yuda S Dian Nurrachman Dian Nurrachman Dian Nurrachman, Dian Dika, Palen Dikriyah Dini Fathiya Nur Shiyam Dira, Palen Dika Dzikri Ahmad Fauzi Fadlil Yani Ainusyamsi Faiz Abdul Aziz Al Hakim Fariztina, Alissa Fauzi, Muhamad Faiz Al Fauziah, Resa Nurrahmah Firdaus, Rifqi Muhammad Gia Ramadhan Habibah Halim, M Abdul Halim, M. Abdul Halim, Muhammad Abdul Hamidah, Aqila Fikriya Hanifah Annisa Salsabila Hannawi, Izzat Fathin Haq, Iman Amirul Haritsah Rais, Muhammad Hartono, Alfina Hasbi Assiddiqi Heriady, Rifqi Zahran Azizi Hezam, Motea Naji Dabwan Hidayat, Deden Hikmah Maulani Hilmi, Irpan Hilya Sakinah Najah Hopi Silviani Ihin Solihin Imam Ghozali Budiharjo Imas Fatimah Setiawati Irdan Hildansyah Irfan Addriadi Irfan Adriadi Irpani, Ropik Isma Fauziah Istiana Khotibatunnisa Julaeha, Puput Ratna Juniawati, Mutmainah Karima, Marista Aulia Kodir, Abdul Komaruddin Komarudin Kusuma, Dwiki Lathifah, Haifa Mahmud Mahmud Maida, Nining Maila Nurul Izzati Majid, Nurahman Mardi, Isra Mardiansyah, Yadi Marista Aulia Karima Masmedia Pinem Mawardi Mawardi Mawardi Meisyaroh, Fitria Monika Wulan Arianty Mu'izzuddin, Moch Muhamad Robi Muhammad Abdul Halim Muhammad Firdaus, Rifqi MULYADI Mutmainah Juniawati Nafilatul Azza, Nawal Najwa Rifaron Naufal Fauqi Adhiya, Muchammad Nisa, Shofie Yanti Khoerun Novianti, Wulan Suci Nur Amalia Muthmainah Nurfadilah Nurfadilah Nurhalida, Nunung Nurhasan, Muhamad Nurhasan, Muhammad Nurhasanah, Aviah Nuri Rai Patimah Nurjaman, Andri Nurlatifah, Ilva Nurlinah Nurlinah Nurlinah Nurlinah, Nurlinah Nuryadi, Bagja Ghali Nuryana, Muhamad Rian Ovi Siti Nuropikoh Palendika Alandira Pauji, Resa Restu Permana, Insan Priyawan, Pepen Putri Budikurnia Istiqomah Qimanullah, Abdul Malik Qonit Ad., Ahmad R. Edi Komarudin Raden Mohamad Herdian Bhakti Rahmah, Sofia Laila Ramadhan, Gia Ratu Anti Salimah Rayya Difadrana, Thaifur Resa Nurrahmah Fauziah Resa Restu Pauji Ridho Hidayat Rifa Mazin Aqillah Rika Rahmawati Robiaah Al Adawiyyah, Annisa Siti Rohanda Rohanda, Rohanda Rohmani, Hadad Rosalita, Rosalita Rudini Ruhendi, Ateng Ruly Syaeful Azhar Rusna, Dyo Sabarudin, Ikbal Sabrina, Coriena Halwa Saepuloh, Amanda Siva Safitri, Shofika Naila Saidah, Siti Saidatul Fitriah Lailatul Badriah Saladin, Cundarojat Sidiq Salma Najihah, Talia Salma, Inas Salsabila, Nisrina Zahrani Salsabillah, Ade Inas Santika, R. Gilang Septian, Ahmad Arif Setiawan, Shafira Nandya Setiawati, Imas Fatimah Shafirayanti, Marwa Siti Muslikah Sofia Laila Rahmah Suci Novianti, Wulan Sukmawati, Wati Solihat Suparna, Ahmad Supianudin, Asep Sutisna, Dede Syafei, Isop Syahbudin Syahril Jamil Syahril Jamil, Syahril Syarah Salsabila Taufiq, Wildan Tri Cahyanto Tri Cahyanto Usep Abdul Matin, Usep Abdul Wanda Choirunisa Wildan Rinanda Komara Yadi Mardiyansyah Yasmin, Alia Yayan Rahtikawati Yunita, Novi Yusanti, Noviana Zamzam Mugni Alawi Zulfahmi Alwi