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REPRESENTASI KONFLIK SOSIAL DALAM FILM OMAR 2013 KARYA HANY ABU-ASSAD (SOSIOLOGI SASTRA) Adya Wijaya, Naufal; Ainusyamsi, Fadlil Yani; Rohanda, Rohanda
(JIBS) JURNAL ILMIAH BAHASA DAN SASTRA Vol. 12 No. 1 (2025): JIBS (Jurnal Ilmiah Bahasa dan Sastra)
Publisher : Fakultas Bahasa dan Sastra Universitas PGRI Kanjuruhan Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This research analyzes the representation of social conflict in the film "Omar" (2013) by Hany Abu-Assad through a literary sociology approach. This film depicts the life of a young Palestinian who is trapped between his personal aspirations and the political realities that limit him. Using qualitative analysis methods, this research explores the main themes that emerge in the narrative, characters and settings that reflect social and political dynamics in conflict zones. This study finds that “Omar” not only tells an individual story but also reflects the collective experience of the Palestinian community oppressed by the occupation. Through complex characters, the film depicts shifting identities, loyalties, and the struggle for freedom. These findings demonstrate that “Omar” serves as an effective medium for understanding and reflecting on deep social conflicts, as well as the challenges individuals face in a broader context. Therefore, this research contributes to the field of literary sociology by highlighting how art can provide a deeper understanding of social and political reality.
STUDI KEPUASAN PENGGUNA SISTEM SELEKSI ELEKTRONIK PENERIMAAN MAHASISWA BARU PERGURUAN TINGGI KEAGAMAAN ISLAM NEGERI DENGAN PENDEKATAN END USER COMPUTING SATISFACTION Alwi, Zulfami; Atoasi, Syahbudin; Syahril Jamil; Mutmainah Juniawati; Komarudin; Rohanda; Tri Cahyanto
Jurnal INSTEK (Informatika Sains dan Teknologi) Vol 10 No 1 (2025): APRIL
Publisher : Department of Informatics Engineering, Faculty of Science and Technology, Universitas Islam Negeri Alauddin, Makassar, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24252/instek.v10i1.53782

Abstract

Sistem seleksi elektronik merupakan salah satu metode seleksi yang menerapkan sistem berbasis teknologi informasi. Sistem seleksi diterapkan di berbagai lokasi yang tersebar di seluruh Indonesia. Mengingat distribusi layanan yang belum merata, maka perlu dilakukan pengukuran tingkat pemanfaatannya. Oleh karena itu, penelitian ini bertujuan untuk mengukur tingkat kepuasan pengguna sistem seleksi elektronik. Pengguna yang dimaksud dalam penelitian ini adalah pengawas ujian pada sistem seleksi elektronik penerimaan mahasiswa baru di lingkungan Perguruan Tinggi Keagamaan Islam Negeri. Pendekatan yang digunakan untuk mengevaluasi tingkat kepuasan pengguna akhir adalah metode End User Computing Satisfaction (EUCS). Pengumpulan data dilakukan melalui survei dengan menggunakan instrumen yang mengukur dimensi utama EUCS yaitu Content, Accuracy, Format, Easy of Use, dan Timeliness. Pengukuran tingkat kepuasan menggunakan skala antara 1-5. Hasil analisis menunjukkan bahwa nilai pada semua variabel berada pada rentang 4,38 – 4,69. Dengan demikian secara umum tingkat kepuasan berada pada kategori puas. Oleh karena itu, untuk mencapai tingkat kepuasan yang maksimal perlu memperhatikan berbagai aspek terutama yang berkaitan dengan dimensi accuracy dan timeliness.
Dinamika Id, Ego, dan Superego Kepribadian Tokoh Utama Dalam Novel Proyek Maut Karya Eddie Sindunata Nuryana, Muhamad Rian; Rohanda , Rohanda
Journal of Comprehensive Science Vol. 4 No. 7 (2025): Journal of Comprehensive Science
Publisher : Green Publisher Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59188/jcs.v4i7.3435

Abstract

This study aims to uncover the dynamics of the personality structure of the main character in the novel Project of Death by Eddie Sindunata using Sigmund Freud's psychoanalytic approach, which includes three main components: id, ego, and superego. The main character in the novel, Hardi Setiawan, is analyzed to identify inner conflicts as well as ego defense mechanisms that arise in response to psychological pressure. The method used in this study is qualitative descriptive, with data collection techniques through in-depth reading of texts, dialogue recording, and narratives that reflect the psychological aspects of the characters. The results of the study show that the dynamics of id, ego, and superego in Hardi are manifested through spontaneous impulses (id), logical considerations (ego), as well as moral awareness and professional responsibility (superego). Conflicts between these three personality structures create complex internal tensions, which are resolved through ego defense mechanisms such as rationalization and sublimation. These findings confirm the relevance of Freud's theory in studying fictional characters, as well as enriching the understanding of literary works as a mirror of human psychological conditions. This research is expected to contribute to the development of the study of literary psychology in Indonesia, especially in interpreting the complexity of character personalities through a psychoanalytic approach..
HUMAN FACTS IN THE FILM “WADJDA” BY HAIFAA AL-MANSOUR: A GENETIC STRUCTURALISM ANALYSIS Salsabila, Nisrina Zahrani; Rohanda, Rohanda; Ramadhan, Gia
Journal of Arabic Literature (JaLi) Vol 6, No 2 (2025): Journal of Arabic Literature (JaLi)
Publisher : Universitas Islam Negeri Maulana Malik Ibrahim Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/jali.v6i2.35499

Abstract

Film is a form of visual art that serves not only as a medium of entertainment but also as a reflection and critique of the social realities that underpin it. This study aims to analyse how the film Wadjda (2012) by Haifaa al-Mansour represents individual struggle and oppressive social structures through the lens of genetic structuralism developed by Lucien Goldmann. The primary objective of this research is to reveal the dialectical relationship between the film text and the patriarchal social structure of Saudi Arabian society by examining how collective consciousness is reflected in the narrative and characters of the film. The focus of the study lies in two main aspects: (1) the individual facts depicted in Wadjda and (2) the social facts that underlie the limitations of women's roles in society. Through narrative and social analysis of the film Wadjda, it is found that Wadjda's struggle to own a bicycle becomes a symbol of resistance against cultural and religious norms that restrict women's freedom. The film not only portrays the personal conflict of the character but also represents the tension between traditional values and aspirations for modernity. The findings of this study are expected to contribute to literary studies, particularly in understanding the dialectical relationship between text and social structure in visual literary works.
Deconstructing Myths in Osama Hajjaj Caricatures: Semiotic Analysis of the Israel-Palestine Conflict on Instagram Santika, R. Gilang; Rohanda, Rohanda; Supianudin, Asep
STUDI ARAB Vol 16 No 1: June 2025
Publisher : Universitas Yudharta Pasuruan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35891/sa.v16i1.6528

Abstract

The Israel-Palestine conflict is a global issue laden with power dynamics, ideological struggles, and media representation. Amid dominant and often biased global narratives, visual works such as political caricatures offer an alternative space for voicing criticism and solidarity. This study aims to uncover both the denotative and connotative (mythological) meanings within digital caricatures by Osama Hajjaj, published through his Instagram account. Using a qualitative descriptive method and Roland Barthes’ semiotic approach, which distinguishes between the levels of denotation and connotation. This research analyzes five purposively selected caricatures that explicitly portray the Israel–Palestine conflict, rich in symbolic and contextual relevance (October–December 2024). The findings reveal that at the denotative level, the caricatures depict the realities of conflict through visual elements such as military aggression, civilian suffering, and international institutions. At the connotative level, they deconstruct ideological myths, including digital solidarity, the illusion of ceasefire, the war on terrorism, the hypocrisy of power, and the impartiality of international organizations. These caricatures function as a form of symbolic resistance that not only conveys information but also shapes public consciousness and critiques global power structures. As such, Osama Hajjaj’s works serve as visual texts that play a significant role in the construction and deconstruction of meaning surrounding the Israel–Palestine conflict in the digital age.
The Epistemology of Ibn Arabi and Al-Ghazali's Sufism: A Comparative Study of the Source and Validity of Spiritual Knowledge Suparna, Ahmad; Rohanda, Rohanda; Kodir, Abdul
Syifa al-Qulub : Jurnal Studi Psikoterapi Sufistik Vol. 9 No. 2 (2025): Syifa al-Qulub: Jurnal Studi Psikoterapi Sufistik
Publisher : Fakultas Ushuluddin UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/saq.v9i2.43521

Abstract

The epistemology of Sufism, as a bridge between rational knowledge and spiritual experience in Islam, has long fascinated Muslim thinkers. This research reveals the complex layers of thought of Ibn Arabi and Al-Ghazali, two Sufi figures whose thoughts have resonated throughout the centuries. Through in-depth analysis of their monumental works, this study reveals how these two figures navigated the sea of ma'rifah (intuitive knowledge) on different ships but headed to the same port. Al-Ghazali, with his kashf compass, sailed carefully between the currents of the Shari'a and reality, while Ibn Arabi, with his Wahdat al-Wujud sails, sailed a wider horizon, embracing the winds of Greek and Bathiniyah philosophy. This research not only maps their spiritual routes, but also explores how the knowledge maps they drew are still relevant in the navigation of contemporary spirituality, offering a new compass for seekers of meaning in the modern era.
Representation of Women's Beauty in the Korean Drama "True Beauty" : A Peircean Semiotics Analysis Setiawan, Shafira Nandya; Rohanda; Gia Ramadhan
Jurnal Pembelajaran Bahasa dan Sastra Vol. 4 No. 5 (2025): September 2025
Publisher : Raja Zulkarnain Education Foundation

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55909/jpbs.v4i5.892

Abstract

This study thoroughly examines the representation of female beauty in the Korean drama True Beauty using Charles Sanders Peirce's semiotic approach. The widespread phenomenon of the Korean Wave (Hallyu) in Indonesia has significantly impacted the construction of beauty standards, often creating social pressure, especially for teenagers and young women. True Beauty, which tells the story of Lim Ju Kyung's struggle to meet appearance expectations, serves as an interesting object for analysis. Utilizing Peirce's triadic framework (representamen, object, and interpretant), this study identifies how visual and verbal signs within the drama construct meaning. The analysis reveals that representamens, such as Ju Kyung's with her bare face, the act of self-makeup, the rejection of her bare face, and social acceptance, collectively refer to the object patriarchal Korean beauty standards demanding fair skin, a high nose bridge, and a slender physique. The resulting interpretants vary on one hand, viewers may perceive beauty as a condition for social acceptance and a source of anxiety, but on the other hand, the drama also presents alternative interpretants highlighting the importance of self- acceptance and resistance to narrow beauty standards. This study concludes that True Beauty not only reproduces dominant beauty norms but also creates space for critique and encourages critical media literacy regarding more inclusive representations of gender and body.
Narrative Representation of Violence-Induced Trauma Under Israeli Occupation: A.J. Greimas’s Semiotic Analysis of Tafṣīl Ṡānawī Saepuloh, Amanda Siva; Rohanda, Rohanda; Adriadi, Irfan
Al-Irfan : Journal of Arabic Literature and Islamic Studies Vol. 8 No. 2 (2025)
Publisher : Sekolah Tinggi Agama Islam Darul Ulum Banyuanyar Pamekasan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58223/al-irfan.v8i2.503

Abstract

rauma resulting from violence often cannot be expressed directly in literary texts but instead emerges symbolically, hidden beneath the narrative. Nevertheless, through literature, Palestinian writers strive to record histories that are often overlooked by official narratives. This study aims to uncover the representation of trauma in Adania Shibli’s novel Tafṣīl Ṡānawī through A.J. Greimas’s narrative semiotics. The novel serves as a literary representation that reveals Zionist violence and its accompanying trauma within the context of Israel’s occupation of Palestine. Employing a qualitative-descriptive method with textual documentation, this research analyzes the actantial structure, spatial and temporal isotopies, and the inner structure through the semiotic square. The findings indicate that trauma in the novel is not only explicitly narrated but also symbolically manifested through spatial and temporal tensions and the interplay of actants within the story. Violence, the erasure of traces of violence, resistance, and the silencing of the narrator are represented within interlocking semiotic relations. This study demonstrates that trauma in the text is structural and transgenerational, functioning as a symbolic field of resistance against power exercised through cultural violence. The findings further suggest that literary works can function as archives of collective memory, open critical spaces for interpreting historical wounds, and underscore the importance of semiotic perspectives in reconstructing trauma that is not explicitly depicted in modern Arabic literature.
ARUDL, QAWAFI DAN AMANAT PADA BAB KHASHAISHUL FATIHAH DALAM KITAB KHAZINATUL ASRAR KARANGAN SYAIKH MUHAMMAD HAQQI AN-NAZILI Alawi, Zamzam Mugni; Rohanda, Rohanda; Mawardi, Mawardi
Hijai - Journal on Arabic Language and Literature Vol 2 No 1 (2019): Hijai - Journal on Arabic Language and Literature
Publisher : Bahasa dan Sastra Arab, Fakultas Adab dan Humaniora, UIN Sunan Gunung Djati

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/hijai.v2i1.6476

Abstract

Kitab Khazinatul Asrar merupakan kitab karya syaikh Muhammad Haqqi An-nazili. Isimya menjelaskan tentang keutamaan Al-Quran, yang masih jarang bagi para pelajar maupun pengajar yang membahas kitab tersebut disertai mengkaji Syair dari segi Ilmu Arudl dan Qawafi dan masih banyak dari kalangan kita selaku umat muslim yang belum mengetahui tentang keutamaan-keutamaan ayat Al-Quran yang sering kita baca setiap hari terutama surat Al-fatihah. Pada salah satu babnya didalam menjelaskan maksud dan tujuannya, pengarang menggunakan syair, yaitu pada bab Khashaishul Fatihah.Adapun tujuan penelitian ini adalah untuk mengetahui jenis Zihaf, Ilat, Qafiyah, dan Amanat yang terdapat pada bab Khashaishul Fatihah dalam kitab Khazinatul Asrar.Didalam penelitian ini menggunakan metode deskriptif analitik, yaitu dengan cara menelaah dan mengkaji sumber data yang terdapat pada kitab Khazinatul Asrar karya syaikh Muhammad Haqqi An-nazili, sedangkan kajian yang digunakan pada penelitian ini adalah ilmu ‘Arudl, Qawafi dan Amanat. Dari hasil analisis yang digunakan oleh peneliti terhadap kitab Khazinatul Asrar pada bab Khashaishul Fatihah dari segi ilmu ‘Arudl, Qawafi dan Amanat terdapat 4 syair dengan jumlah seluruhnya 46 bayt, peneliti menemukan data diantaranya : (1) Ilmu ‘Arudl : Zihaf Mufrad Ma’shub, Zihaf Mufrad Ma’qul, Zihaf Mufrad Maqbudh, Zihaf Muzdawaj Manqush, dan ‘Illat Naqsh. (2) Ilmu Qawafi : Jenis Qafiyah : Muthlaqoh, Muqoyyadah. Kata Qafiyah (sebagian kalimat). Huruf Qafiyah : Rawi, Ta’sis, Dakhil, Washal. Harakat Qafiyah : Majra, Taujih, Ras, Isyba’. Nama Qafiyah : Al-Mutawatir. (3) jenis amanat pada kitab Khazinatul Asrar Bab Khashaishul Fatihah  tentang Uluhiyyah (ketuhanan).
KONSEP CINTA DALAM NOVEL AL-LAUN AL-ÃKHAR KARYA IHSAN ABDUL QUDDŨS (Kajian Strukturalisme Genetik Lucien Goldmann) Setiawati, Imas Fatimah; Rohanda, Rohanda
Hijai - Journal on Arabic Language and Literature Vol 3 No 2 (2020): Hijai - Journal on Arabic Language and Literature
Publisher : Bahasa dan Sastra Arab, Fakultas Adab dan Humaniora, UIN Sunan Gunung Djati

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/hijai.v3i2.6668

Abstract

الملخصايماس فاطمة سيتياوتى: فكرة الحب في رواية اللون الآخر لإحسان عبد القدوس (دراسة التركيب الوراثي لوسيان جولدمان)أحد الموضوعات التى يتم تضمينها في الأعمال الأدبيةً، هي موضوع المحبة ،التى يحفذ ها الفكرات المختلفة ومعان شتى. ويعبر الأدباء منهم إحسان عبد القدوس وهو قد الف العمل الأدب الرواية "اللون الآخر" بشكل جيد وبديع . استخدم إحسان شخصية فتاة مصرية اسمها مرفت وشاب سوداني اسمه حسن، لكشف فكرة الحب بين شخصين مختلفين ، و اللون البشرة المختلفة.وأغراض هذه البحث هى وصف فكرة ونظر العالم المؤلف فى روايته "العيون الآخر". يستخدم هذا البحث المنهج الوصفي التحليلي المكتبة والتوثيقية مناسبة لنظريةوقررت الباحثة نتائج هذالبحث فيما : ١) فكرة الحب فى الرواية اللون الآخر هو ان الحب الموضوع الرئيسي، وبجناب دلك فيه الموضوعات الثانوية وهي موضوع الأنسية وموضوع العنصرية. ٢) واما نظر العالم المؤلف ان الحب دينية انسية ان فيها التعارف و العدالة  والمساوة وكفائة الشخصية This research discusses the conception of love in Al-Laun Al-Ãkhar novel by Ihsan Abdul Quds. It tells about the story of separation, which is inspired by cultural differences between Egypt and Sudan. The novel's main character is Mirfat - an Egyptian girl - who married Hasan Babakar Faqia - a Sudanese young man studying at Cairo University, Egypt. This study aims to describe the l. The literary used in this research is the literary genetic structuralism theory to analyze the concepts love found in novels. It reveals that the concepts of love in the novel are about love and personality, love and knowing each other, and love and equality. Keywords: The concepts of love, Structuralism
Co-Authors Abdul Jabbar Mukhtar Abdul Kodir Abdul Kodir Abdul Kodir Abdul Kodir Abdurahman, Rizki Acep Hermawan, Acep Ade Sopiah adhia nugraha Adriadi, Irfan Adya Wijaya, Naufal Aeni Lukviati Urbah Afrina Achmad Agni Nidaulhasanah Agnia, Ariel Husni Ahmad Arif Septian Ahmad Qonit Ad. Ahmad Suhaili Ahmad Yunani Aida Zakiyah Munawaroh Aizza, Yulia Zulpathul Akmaliyah Akmaliyah Akmaliyah Akmaliyah Al Maliki, Sayid Muhamad Al-Rafi’i, Mushthafa Shadiq Aladdin, Ashinida Alandira, Palendika Alawi, Zamzam Mugni Alawiyah, Siti Hilmiatul Alfina Hartono Putri Allisya Rizky Islami Alwi Salam Alwi, Zulfami Aminuloh, Diki Anggraini, Reza Anna Miftahul Khasanah Anneu Rosyanti Suryana Aqila Fikriya Hamidah Arianty, Monika Wulan Aripin, Amalul Aryanto, Redi Asep Saefullah Asep Supianudin Atha, Yusuf Ali Shaleh Atoasi, Syahbudin Audryane Anindita Fadilla Azahirah Mufidah Azmi, M Ulul Azzahra, Rachma Aini Bintang Helmi Putra budi, Firmansah Setia Budi Budiharjo, Imam Ghozali Cahya Mahesa, Dzikri Cahyadi, Indrawan Choirunisa, Wanda Dadan Mardani Dayudin, Dayudin Dede Burhanudin, Dede Dede Sasa Nurjaman Deden Hidayat Dedi Supriadi Dendi Yuda S Dendi Yuda S. Dian Nurrachman Dian Nurrachman Dian Nurrachman, Dian Dika, Palen Dikriyah Dini Fathiya Nur Shiyam Dira, Palen Dika Dwiki Kusuma Dyo Rusna Dzifriya Qatrun Nada Dzikri Ahmad Fauzi Fadhli Hafizh Fadilla, Audryane Anindita Fadlil Yani Ainusyamsi Fajri, M Nurul Fariztina, Alissa Fauziah, Resa Nurrahmah Febriana, Putri Salma Firdaus, Rifqi Muhammad Gia Ramadhan Habibah Haekal Maulana Zaki Halim, M Abdul Halim, M. Abdul Halim, Muhammad Abdul Hamidah, Aqila Fikriya Hanifah Annisa Salsabila Hannawi, Izzat Fathin Haq, Iman Amirul Hartono, Alfina Hasbi Assiddiqi Hasna Afifah Yustiana Yunasa Hazim, Hana Heriady, Rifqi Zahran Azizi Hezam, Motea Naji Dabwan Hidayat, Deden Hikmah Maulani Hilmi, Irpan Hopi Silviani Ihin Solihin Ilva Nurlatifah Imam Ghozali Budiharjo Imas Fatimah Setiawati Irdan Hildansyah Irfan Addriadi Irfan Adriadi Isma Fauziah Isma Fauziah Ispa Ahwatul Muslimah Istiana Khotibatunnisa Julaeha, Puput Ratna Karima, Marista Aulia Khoirunisa, Retno Nindya Khomisah Khomisah Khomisah Khomisah Kodir, Abdul - Komaruddin Komarudin Lathifah, Haifa Latifah, Vina Lilian Andriana M Abdul Halim M. Fauzan Afsar Mahmud Mahmud Maila Nurul Izzati Maman Abdul Djaliel Mardi, Isra Marista Aulia Karima Masmedia Pinem Maura, Indah Natisha Mawardi Mawardi Mawardi Mawardi Meisyaroh, Fitria Monika Wulan Arianty Mu'izzuddin, Moch Muchammad Naufal Fauqi Adhiya Muhamad Faiz Al Fauzi Muhamad Robi Muhammad Abdul Halim Muhammad Abdul Halim Muhammad Abdul Halim Muhammad Aceng Tata Muhammad Darda Diyaulhaq Muhammad Haritsah Rais Muhammad Nurhasan Muhammad Syafiq Ziyad MULYADI Mutmainah Juniawati Nafilatul Azza, Nawal Najwa Rifaron Naufal Ahmad Al Irsyad Nining Maida Nisa, Shofie Yanti Khoerun Novianti, Wulan Suci Nur Amalia Muthmainah Nurahman Majid Nuraida, Rezky Latifah Nurfadilah Nurfadilah Nurhalida, Nunung Nurhasan, Muhamad Nurhasan, Muhammad Nurhasanah, Aviah Nuri Rai Patimah Nurjaman, Andri Nurlatifah, Ilva Nurlinah Nurlinah Nurlinah Nurlinah, Nurlinah Nuryadi, Bagja Ghali Nuryana, Muhamad Rian Nushrotun Nida Ovi Siti Nuropikoh Palendika Alandira Pauji, Resa Restu Permana, Insan Priyawan, Pepen Putri Aulia Tauziah Putri Budikurnia Istiqomah Qimanullah, Abdul Malik R. Edi Komarudin R. Edi Komarudin R. Edi `Komarudin Raden Mohamad Herdian Bhakti Rahmah, Sofia Laila Ramadhan, Gia Ramdhani, Diyan Rifky Ratu Anti Salimah Rendi Muhammad Fauzi Resa Nurrahmah Fauziah Resa Restu Pauji Resa Restu Pauji Ridho Hidayat Ridho Hidayat Ridho Hidayat Rifa Mazin Aqillah Rifqi Muhammad Firdaus Rika Rahmawati Rika Rahmawati Robiaah Al Adawiyyah, Annisa Siti Rohanda Rohanda, Rohanda Rohmani, Hadad Ropik Irpani Rosalita, Rosalita Rudini Ruhendi, Ateng Ruly Syaeful Azhar Rusna, Dyo Sabarudin, Ikbal Sabrina, Coriena Halwa Saepuloh, Amanda Siva Safitri, Shofika Naila Saidah, Siti Saidatul Fitriah Lailatul Badriah Saladin, Cundarojat Sidiq Salma febriana, Putri Salma, Inas Salsabila, Nisrina Zahrani Salsabillah, Ade Inas Santika, R. Gilang Sarah Khairunnisa Arifin Selva Allaya Navika Septian, Ahmad Arif Setiawan, Shafira Nandya Setiawati, Imas Fatimah Shafirayanti, Marwa Shofwatul Maulidah Ridwan Sidiq, Apip Ansurullah Siti Latifah Siti Muslikah Sofia Laila Rahmah Suci Novianti, Wulan Sukmawati, Wati Solihat Sulthan Zainul Amin Supardi, Adi Suparna, Ahmad Supianudin, Asep Sutisna, Dede Syafei, Isop Syahbudin Syahril Jamil Syahril Jamil, Syahril Syairazi, Yasril Ahmad Syarah Salsabila Syasi, Mohamad Talia Salma Najihah Tamam, Asep M. Taufiq, Wildan Thaifur Rayya Difadrana Tri Cahyanto Tri Cahyanto Usep Abdul Matin, Usep Abdul Wanda Choirunisa Wanda Choirunisa Wildan Rinanda Komara Wulan Suci Novianti Yadi Mardiansyah Yadi Mardiyansyah Yasmin, Alia Yayan Rahtikawati Yosep Fatahudin Yulianti Yuliarti Mutiarsih Yunita, Novi Yusanti, Noviana Yuyun Rohmatul Uyuni Zamzam Mugni Alawi Zayyin Helmi Holil Zulfahmi Alwi